Hey, I've loved your version!! I also play the piano, and I know that when playing piano you feel like playing the whole orchestra alone (or the whole choir in this case). It sounds loud, but I think that's part of the way to change a choir song into a piano song, you have to change things, and I think you've done it right! Is it possible to get the track somewhere? I would thank you a lot!! Goof luck with your musical carreer! :)
Not bad, though it was a bit loud and fast. There's a piano reduction of this song in the credits of the virtual choir video for Sleep, which could help you get a better feel for the speed of the piece. As for dynamics, just try not to bang the piano to death :P You'll find that soft and peaceful chords work just as well in areas you interpreted as overly powerful - highlight the voices, not the volume. Overall this was pretty good. Keep it up, sir.
I agree completely with JuyoNi. Choir music is worlds different from piano music. I have played this on piano many times. The most effective way is to play it exactly as it is written/a choir would sing it. You add in strange stops which take away from the piece. Also, your playing is quite harsh... ease up a little bit. Another comment would be to let up on the pedal. It gets muddy in there. And finally, slow that climax down. It is beautiful... enjoy it like a choir would. Its coming
It was a decent performance, but you were way too harsh on the piano, and took it extremely too fast. Eric Whitacre himself has said it isn't about going "chord to chord", as you did, but instead "smoothly transitioning". Too much banging away to make this beautiful. Learn to make a more emotional connection with the piano.
choral music is vastly different from piano... you did play the notes, but you have to change everything about it, im sure you have made another version by now, and i would love to see it:)
Look, I really hate to get into someones interpretation of things. But, choral music is really all about phrasing. It has been two years since this video was posted so I'm sure your musical instincts have improved. But overall, this performance is very choppy and the musical phrases need more length and needs to be more definitave. Nonetheless I'm sure you are a very talented musician and wish you the best with all your future musical endeavors.
this is wonderful and all but I really feel like the piece was made for the voice or any instrument that can sustain a long note. Good playing though!
Eh..I dunno man. Your expression, I'm not feeling it. Do you really get it? What it's about? Do you feel the chord, the music slip through your fingers? I'm not hearing it, you're not dragging me in.
The beauty (or bane, if you will) of sleep is that it can be "a clanging alarm clock" if it so pleases. The music is wide open to interpretation - this is well-played, and, as any activity, can be improved variously through different prisms of interpretation. In terms of correctness of playing the notes in a manner conducive to beautiful sound, this rendition provides his interpretation. You want a diff. one? Play it yourself. Nice job for skill lvl
Hey, woah man, this is really good. I wanna learn this aye. Did you just play the parts of the choral score? Or do you actually have a piano reduction of the song? I have the choral score, but cant really be bothered ruducing it lol
Also, think about the shaping of your phrases. They should be broader strokes, not always LOUD-soft-softer-LOUDER-softest-LOUD. It seems very unnatural and it ruins the delicate image of the "evening hanging beneath the moon."
Thanks buddy, but I see more of a challenge towards staying to my own true musical interpretation of a piece regardless of all the shouting and scolding voices on this youtube comment section, rather than supplicating all of you and shaping the dynamic line how someone else wants it to be shaped.
Hey, I completely agree. Stay true to your vision of interpretation.
I respect your musical choices, as I do of my own piano students; however, I also do not hesitate to point out when more practice and study are needed for the piece truly to be effective. Good luck in your pursuits.
And yes, that I agree with. This was a VERY long time ago, and I am not a trained, but self taught pianist. I suggest if you want a more accurate representation of my abilities on the piano, check out my more recent videos of Wedding Day at Troldhaugen and Hungarian Rhapsody 2.
I look forward to checking those out. Do you improvise, compose, or arrange, or are you primarily interested in performing? Trained or self-taught, you clearly have a great deal of passion towards your music...the ability to care. In practical terms this may be the most important skill.
I had blast playing a New Orleans-second line type of 'Saints Go Marching In this (yesterday now already) morning at Mass. :)
I agree with what musiqueprof is saying. Yes, it's true that you should maintain a style of your own liking, however, a lot of times, teachers tell their students what they might do to improve how it sounds, because although you may love what you are doing, that isn't always the case for your audience, I've had many of these cases myself, I am an aspiring Violist in college right now. Just take something a professor may say with a grain of salt, despite the negativity, good video!
@Purenicotine he's not telling you *exactly* how to shape the line, only explaining that it's coming across disjointed and sporadic. Is that the impression you are trying to give? Probably not. Thinking of the big picture would help as well as listening closely to how each chord connects (and especially because it's a piano, the volume the previous chord has died away to in relation to the next chord you're going to play). Perhaps try it on an organ using the swell pedal to control the dynamics?
Not bad, but this version is less like a delicate lullabye, more like a clanging alarm clock! Soften up a little bit. Ok, a lot. If you have the score... check out the dynamics. The first mezzo-forte doesn't come until m. 14 ("Upon my pillow..."), and the first true forte isn't indicated until m. 51, bulding to the climax around m. 59. Yes, I'm being anal about it, but if you choose to accept the challenge, the piece will only get more beautiful!
"unto sleep" was waaaaay too fast. And you spike too fast to get loud, you should have played that slower and progressed to like a loud metzo forte or a soft forte, b/c that is the ultimate beauty of this piece. They way you played it is like," hey guys! we're skipping to sleep yay!!!!!!!!!!" but really "sleep" (my perseption of this) is implying "death" like dying in your sleep. Think about it.
I've never heard this on the piano before but I liked it. I think the end should have more sustain for the chords but the rest sent chills down my spine. Keep up the good practice.
Sorry, but I'm going to be another one who comments on the decoration you've changed.
It's true that this piece wasn't written for piano, so some things need to be changed, but many times it just sounds choppy, and it even gets to the point where it sounds like you don't know the music and you're searching for the next chord. On top of that, it is in fact possible to play a piano quietly. "What dreams may come" was WAY loud. That should not have been changed from the original.
By looking at all four lines of the vocal score. For anyone asking for the sheet music of sleep, just get some lined paper and rewrite all the parts to treble and bass clef piano lines.
the chord at 0:53 should be slammed like that, it is the most beautiful chord ever created and it's sad that the piano can't sustain it longer than that, but yes slamming was so just on the chord.
the piece is about wanting to sleep. It is supposed to be serene, emotional, but yet dramatic. I just don't feel that your accents are musically correct. As you said that you have sung this yourself, my advice is to go through the piece with the words and hear where your accents are. Some are at very peculiar moments, which is why it seems the dynamics are off.
When I usually play this piece on piano, I usually accent a bit more than in this video. I took it down a notch for the youtube audience, but it seems you all still have a stick up your but. My accents are musically correct, because it is my interpretation. If you don't like it, make your own video where all the chords are played pp-mp in a not-very-interesting way.
having your own opinion does not mean we have a stick up are arses. It just means we have an opinion, I wanted to give advice from one musician to another, as I personally like advice, it makes me a better musician, the more critique the better. I never said the accents weren't correct, they were peculiar in this sort of piece.
Seriously? Back to back contradiction? Look at what you just said.
"I just don't feel that your accents are musically correct."
And then,
"I never said the accents weren't correct, they were peculiar in this sort of piece."
Thats a hoot. Anyways, I like advice, too, just not the same generic comment that I disagree with over and over again. Scroll down, you'll find that everyone's saying the same thing, completely unnecessarily. It doesn't need to be reworded 12 times by other users.
then listen to what everyone is saying rather than ignoring it. It is not just trying to be mean, it is trying to be helpful. Because this piece is called sleep, not the stomp of the elephants. Even though this has been transcribed for piano you have to keep the spirit of the piece. I will not comment again after this, because I feel that I don't want to talk to people who can't take critique. End of conversation.
What's wrong with different ways of saying the same thing? It's good to get feedback, even if some of it is repeated. Anyways, I completely agree with rpalmatron.
I agree with this comment mostly, but this isn't about wanting to sleep. The music was written for Robert Frost's Stopping by Woods on a Snowy Evening, which is very poignant poem about death and dieing. The words it has now were written by Charles Anthony Silvestri who wrote the words while watching his new born son go to sleep. The combination is a beautiful juxtaposition of life and death. The emotional depths of this piece are endless, explore them more.
However I felt it wasn't really appropriate to the piece. This is about sleep, and i felt you made it too accented. I agree about the fact of interpreatation, that you have to take other people's interpretation's into consideration, but you do also have to follow the composers notes. Eric Whitacre is the composer, it is up to you to interpret the piece within the dynamics, as he didn't put them there for you to do something else.
If this were true, every conductor/musical director I've worked under are frauds and are breaking the "Musical rullessss" because they've changed a dynamic marking or added an accent in the score.
ok, i probally didn't explain myself properly. What I meant was that you still have to have the spirit of the piece there. You are supposed to follow dynamic markings, because that is what the composer wants. If you disregard them then there is no point you having them there in the first place.
Also in personal experience, the only time the conductor/director has changed them is because they're different in the score that they are using.
Then you've had very limited experience of 2-3 directors of similar grits. Because directors change, remove, or add musical markings to scores all the time, to make the interpretation of the piece special.
i have not had this 'limited experience' that you talk of. I have grown up with a musical family myself, performing with a wide range of directors, so please do not assume that everyone isn't as good as you. People are just making comments to give their opinion on the piece, like an audience in a concert.
With this piece, I personally think it should be played as if you are singing it, and then I think it would be making musical sense.
honestly, is there a point in criticising this much? let him have his interpretation. after all it is HIS interpretation of the piece. you all agree it's not whitacre, so why continue with all this nonsense? i do feel as if there was a little too much sudden accents, but that's his choice. stop trying to degrade eachother as musicians and just go on with your lives. if it is truly as bad as you all say, then stop listening to it. thank you. :)
If I were to offer you any advice at all, it would be to just maybe consider drawing out some of the tension chords a bit more. For example in the climax, when the sopranos resolve to the minor second, then resolve that...its a powerful moment in the piece, so you could bring that out more. But other than that, I really enjoy your interpretation of the piece. I assume you'll post other renditions of Whitacre's pieces?
I second that minor second :) Missed it, and some other movements too.
I didn't check through all the comments, but in my opinion... almost all music can be adapted for a good pianist, but it should make use of, well, arpeggiation, decorating passages, some musical substitute for vocal feeling, fill instead of sustain, explicitly fix whatever doesn't lend itself to reproduction - you know. So that it doesn't scream "alien" right out. Not simply read the written notes fighting with dynamics.
fantasic like reallllyyy and listen christoperfect music is about doing whatever you want with it. This interpretation was great and it moved me and others as well so if you didnt like it just be nice and keep it POLITELY to yourself
Music isn't "about doing whatever you want with it." That's just silly. Especially when you're covering another person's piece, you need to understand the piece of music. This guy obviously doesn't understand "Sleep."
I don't want to be a dick like christoperfect but I really think you'd have a better understanding of the piece if you spent some time studying choral performances of it and both of the texts it was a setting for. You might understand the pacing better. . . and the dynamics. . . and the point of the song.
i love how people who leave "musician to musician" comments complain about your interpretation of this song. i think that this was a GREAT interpretation of this. i like some of your stressed notes too very much actually
and if these "musicians" complain about someones interpretation, they must not be a REAL musician if they cant appreciate it. haha
This dude is NOT a genius. Eric Whitacre, however, is. True a piano cannot mimic the dynamics of a choir, but this guy is just demolishing the beautiful voice leading and shimmering tonality of Whitacre's music with his random accents and complete lack of *phrasing*. (Phrases rise and fall, not rise, JUMP, fall, drop, SCREECH) I'll learn this on piano and upload in a few weeks for people to see what it SHOULD sound like. (And I'll take the piano/choir contrast into consideration.)
"yep, and if you have the words memorized or the score to follow along, his accents are often placed very odd in context with the diction, like accents on sil-VER. idk i have to say i agree, this is a very mindless interpretation."
I own 3 complete vocal scores of sleep, I've sang this with 3 different choirs that did professional performances, one of them being a choir generated solely for the event of a choral convention featuring most of his work, and that choir being directed and conducted by Eric himself. Whoever's comment you quoted from was an attempt to disqualify me in having a say in terms of interpretation, when the reality is that my credentials leave me more than qualified.
I've analyzed the piece and can sing all of the parts at any given time (including the soprano)... I'm really not a fan of what you've done to my FAVORITE, delicate, beautiful piece of music.
Look I'm not trying to start and argument. I just think you need to SERIOUSLY keep up the piano lessons if you think the accents you used were appropriate. Just musician to musician. I respect you for learning the piece, but polish it. Appropriately. Before someone goes out and imitates this. o_O. And dude...
There's no use trying to explain it to you. I don't allow myself to be musically deluded by musicians that have settled to teach others to tell me how things are supposed to sound. Just like you. Sounds like you teach as well.
And there's no point trying to explain to you the lang lang reference.
Hahaha ok whatever. I'm sure Whitacre would probably be disgusted with this as well. So play on, ignorant musician. This kind of playing conveys nothing.
Find my myspace, scroll down a few pages in the comments. He left me one a month ago telling me his appreciation for my musical experimentation with his works. I'm a well known acquantance of his, and we've been involved in musical projects together in the past.
It's not terrible, but I have to agree and say that you hit the keys a little hard. This song is called "Sleep." Also, you should take it a little slower and more rubato.
Sleep was not meant to be performed on a grand piano. If I were to take your suggestions, it would be soft, robotic, plunking that would FADE away until the next notes were to be reached. I am not going to mimic the recommended musical artistry for an acapella chorus, because a piano does not have the ability to crescendo into the half note chords as you move into the next parts of the melody. I had to improvise.
Dudes.. it's a choral piece.. seeing as that kid isn't conducting a choir and only using a piano there are going to be obvious changes/differences. Some of them probably necessary to add a level of dynamic that can't be provided without a choir. Chill.
I think this is absolutley beautiful. I don't think the song could've been exicuted better than you did. The loud and soft chords are called personality that pertains to the song people, and they're put in the right place.
dude the piano your playing on is great, but like someone else also said you play loud chords and soft chords at random and you also play it way too fast. Especially during the buildup to the climax and through the climax of the piece. I can play this song also and i know it's hard but you also have to play the right notes during the climax if you dont you miss out on the feeling that it should express. Learn to roll the chords in your left hand instead of not playing the right notes.
Don't play chords so loudly at random...It's one thing to phrase with a crescendo to a chord...but you just play random chords at practically triple forte, and then others at pianissimo...
I agree with this. I'm sure your intent is to add expression and emotion to the piece, but if you compare the beginning of the notes with the vocals, it doesn't match at all. Their voices are strong yet calming. That's the whole point of the song, hince the name "Sleep." I think it would be better to keep it at one volume then the banging you're doing to add dynamics. It's really unnecessary to be honest.
yep, and if you have the words memorized or the score to follow along, his accents are often placed very odd in context with the diction, like accents on sil-VER. idk i have to say i agree, this is a very mindless interpretation.
Wow. Really, thank you so much for posting this. I really have been waiting a long time to hear a clean version of this, your other one is great, but without the effects makes it seem so much cleaner.
You are spectacular, thanks for sharing your talent :)
You said this was recorded upon request so I assume you are lying. It also looks as though you have found a "quality" piano, so why haven't you uploaded it yet? HMMM?
If you look at my original "Sleep Eric Whitacre" video, those requests were made months, almost a YEAR ago. And I have had this recording for quite some time, just hadn't uploaded it yet.
Secondly, this piano I recorded on was at central university, which is a couple hundred miles away from where I live. And this visit was quite a long time ago, back when I was still learning wedding day, therefore I did not record it, as it was not ready.
I don't really care, you are at a crappy unprestigous and not noteable college for music, but it should at least have a decent piano, so just upload it and stop making excuses.
Hey, I've loved your version!! I also play the piano, and I know that when playing piano you feel like playing the whole orchestra alone (or the whole choir in this case). It sounds loud, but I think that's part of the way to change a choir song into a piano song, you have to change things, and I think you've done it right! Is it possible to get the track somewhere? I would thank you a lot!! Goof luck with your musical carreer! :)
indicosa91 4 months ago
You played well but ruined the song, sry to tell you but you did. Choir music can never be played on piano, no matter how talented the player is
bajsibyxan900 7 months ago
Not bad, though it was a bit loud and fast. There's a piano reduction of this song in the credits of the virtual choir video for Sleep, which could help you get a better feel for the speed of the piece. As for dynamics, just try not to bang the piano to death :P You'll find that soft and peaceful chords work just as well in areas you interpreted as overly powerful - highlight the voices, not the volume. Overall this was pretty good. Keep it up, sir.
TruthInTheLieStack 8 months ago
way to loud at some passages........
Ease555 10 months ago
I agree completely with JuyoNi. Choir music is worlds different from piano music. I have played this on piano many times. The most effective way is to play it exactly as it is written/a choir would sing it. You add in strange stops which take away from the piece. Also, your playing is quite harsh... ease up a little bit. Another comment would be to let up on the pedal. It gets muddy in there. And finally, slow that climax down. It is beautiful... enjoy it like a choir would. Its coming
tgioacchini 1 year ago
That was gorgeous. Thank you. :)
matt22nesloney 1 year ago
It was a decent performance, but you were way too harsh on the piano, and took it extremely too fast. Eric Whitacre himself has said it isn't about going "chord to chord", as you did, but instead "smoothly transitioning". Too much banging away to make this beautiful. Learn to make a more emotional connection with the piano.
ghostlat 1 year ago
20 ppl doesn't like to sleep xp
bassclarinetchick 1 year ago
choral music is vastly different from piano... you did play the notes, but you have to change everything about it, im sure you have made another version by now, and i would love to see it:)
JuyoNi 1 year ago
@JuyoNi watch?v=P_Gm3H2CuVU
:)
Purenicotine 1 year ago
Look, I really hate to get into someones interpretation of things. But, choral music is really all about phrasing. It has been two years since this video was posted so I'm sure your musical instincts have improved. But overall, this performance is very choppy and the musical phrases need more length and needs to be more definitave. Nonetheless I'm sure you are a very talented musician and wish you the best with all your future musical endeavors.
tubamarc8891 1 year ago
this is wonderful and all but I really feel like the piece was made for the voice or any instrument that can sustain a long note. Good playing though!
iluvmusick09 1 year ago
Eh..I dunno man. Your expression, I'm not feeling it. Do you really get it? What it's about? Do you feel the chord, the music slip through your fingers? I'm not hearing it, you're not dragging me in.
Sacfusious 1 year ago
either the recording device was really bad
or he doesnt know how to play a warm tone on a grand....
af2815 1 year ago
jesus.
people are assholes. teach yourself how to play the goddamn piano and then talk shit.
i thought this was well done and recognize that it takes talent to be self taught.
johnrs651 1 year ago
You've ruined it.
tothemax91 1 year ago
I'm sorry, i didnt type "shit" into the search bar
tecko582 1 year ago
Your interpretation sounds like a drunkard walking along and intermittently tripping over..
PatRibsey 1 year ago
There are some liberties I wouldn't have taken, but overall, you've made quite a stellar rendition of the lush song.
nonconformist12 1 year ago
That was beautiful. I could really see someone tossing and turning and then drifting off at last in my mind's eye. Well done.
lyrestonehart 1 year ago
Did you learn this by ear though? If so it sounds great, and i think its awesome that you taught yourself
bdw803 1 year ago
I feel that after hearing the choral work, it sounds really good, but if you were just hearing this for the first time it wouldn't make sense.
bdw803 1 year ago
Very accurate comment, I agree.
And yeah, by ear, though I have seen the sheet music because I've sang this with more choirs than I can remember.
Barbershop666 1 year ago
Everyone has their own interpretation, ya?
The beauty (or bane, if you will) of sleep is that it can be "a clanging alarm clock" if it so pleases. The music is wide open to interpretation - this is well-played, and, as any activity, can be improved variously through different prisms of interpretation. In terms of correctness of playing the notes in a manner conducive to beautiful sound, this rendition provides his interpretation. You want a diff. one? Play it yourself. Nice job for skill lvl
Huictipoctli 2 years ago
The notes are correct, but the intent behind them still needs work. Excellent nonetheless.
Sieffadiddle 2 years ago
Hey, woah man, this is really good. I wanna learn this aye. Did you just play the parts of the choral score? Or do you actually have a piano reduction of the song? I have the choral score, but cant really be bothered ruducing it lol
rivershade24 2 years ago
Also, think about the shaping of your phrases. They should be broader strokes, not always LOUD-soft-softer-LOUDER-softest-LOUD. It seems very unnatural and it ruins the delicate image of the "evening hanging beneath the moon."
musiqueprof 2 years ago 14
Thanks buddy, but I see more of a challenge towards staying to my own true musical interpretation of a piece regardless of all the shouting and scolding voices on this youtube comment section, rather than supplicating all of you and shaping the dynamic line how someone else wants it to be shaped.
Purenicotine 2 years ago
Hey, I completely agree. Stay true to your vision of interpretation.
I respect your musical choices, as I do of my own piano students; however, I also do not hesitate to point out when more practice and study are needed for the piece truly to be effective. Good luck in your pursuits.
musiqueprof 2 years ago 6
And yes, that I agree with. This was a VERY long time ago, and I am not a trained, but self taught pianist. I suggest if you want a more accurate representation of my abilities on the piano, check out my more recent videos of Wedding Day at Troldhaugen and Hungarian Rhapsody 2.
Purenicotine 2 years ago
I look forward to checking those out. Do you improvise, compose, or arrange, or are you primarily interested in performing? Trained or self-taught, you clearly have a great deal of passion towards your music...the ability to care. In practical terms this may be the most important skill.
I had blast playing a New Orleans-second line type of 'Saints Go Marching In this (yesterday now already) morning at Mass. :)
musiqueprof 2 years ago
I agree with what musiqueprof is saying. Yes, it's true that you should maintain a style of your own liking, however, a lot of times, teachers tell their students what they might do to improve how it sounds, because although you may love what you are doing, that isn't always the case for your audience, I've had many of these cases myself, I am an aspiring Violist in college right now. Just take something a professor may say with a grain of salt, despite the negativity, good video!
musiqueprof
WhiteNitE521 2 years ago
@Purenicotine he's not telling you *exactly* how to shape the line, only explaining that it's coming across disjointed and sporadic. Is that the impression you are trying to give? Probably not. Thinking of the big picture would help as well as listening closely to how each chord connects (and especially because it's a piano, the volume the previous chord has died away to in relation to the next chord you're going to play). Perhaps try it on an organ using the swell pedal to control the dynamics?
rhapsodyinblue18 1 year ago
aw get over yourself. it's his musical interpretation, and it sounds awesome
xlinwenx 2 years ago
Not bad, but this version is less like a delicate lullabye, more like a clanging alarm clock! Soften up a little bit. Ok, a lot. If you have the score... check out the dynamics. The first mezzo-forte doesn't come until m. 14 ("Upon my pillow..."), and the first true forte isn't indicated until m. 51, bulding to the climax around m. 59. Yes, I'm being anal about it, but if you choose to accept the challenge, the piece will only get more beautiful!
musiqueprof 2 years ago 2
the piano has a very bright timbre , and the playing didn't sound very sleep like to me i'm afraid , much too strident !!!
leedshunk 2 years ago
it's probably more of the camera's internal mic than the piano. i'm sure it sounded a ton better in person.
JetsToReason 2 years ago
very nice!
RevT1008 2 years ago
i think this is fabulous.
born2broadway 2 years ago
Where did you get the music for this?
soccer4life911 2 years ago
Very Beatiful. I just think it would be a bit better if you didn't hit the keys as hard as you did.
tenure4solntz 2 years ago 3
Lol those are some pretty sick chords :P
lipsman92 2 years ago
where can i get the sheet music for this?
makmegs 2 years ago
DUDE YOUR LEGIT.....
as another musician speaker obviously to a really talented one, i admire you and your obvious love of music!
I APPLAUD YOU!
jonnyboygq 2 years ago
i agree with the hard hitting keys, but i think its just the accustics of the room.
i love how he put emoution into it!
fukin epic!
Howie262 2 years ago 2
wow....from memory?
copperjosh 2 years ago
its not that hard to play from memory, i can remember the third movement of moonlight sonata. After some time you just remember
makmegs 2 years ago
It was pretty good. But, you seems to be really hitting those keys hard at times...I just feel like it would be better softer.
ScreamDemon08 2 years ago 2
you're one talented young man
keep up the amazingness
and keep playing!!
it would be detrimental to the music world to have you not. :)
jeezmeg 2 years ago
GREAT JOB
musicallynclined11 2 years ago
inexpertly pedalled =( but not a bad rendition
smoekdacheeb 2 years ago
Comment removed
miramar96 2 years ago
"unto sleep" was waaaaay too fast. And you spike too fast to get loud, you should have played that slower and progressed to like a loud metzo forte or a soft forte, b/c that is the ultimate beauty of this piece. They way you played it is like," hey guys! we're skipping to sleep yay!!!!!!!!!!" but really "sleep" (my perseption of this) is implying "death" like dying in your sleep. Think about it.
Mith4Dj 2 years ago
"metzo"?
FAIL
"perseption"?
FAIL
vaelrix 2 years ago
vaelrix. you are a fucking dick. get over yourself...and do the music community some good by being supportive to fellow musicians...
musicotb2 2 years ago
Thank you!
tyty6789 2 years ago
i love this version of the song whitacre's music
track9music2007 2 years ago
not to sound like a douche but why did you speed up at 2:30...seriously that killed it for me.
johngoforth77 2 years ago
I've never heard this on the piano before but I liked it. I think the end should have more sustain for the chords but the rest sent chills down my spine. Keep up the good practice.
bonviej1 2 years ago
Phrasing
zeppelinfreak51 2 years ago
breath taking WOW!
jeezmeg 2 years ago
I liked singing along :]
robotkitty07 2 years ago
not made for the piano :c
Griceur 2 years ago 3
Sorry, but I'm going to be another one who comments on the decoration you've changed.
It's true that this piece wasn't written for piano, so some things need to be changed, but many times it just sounds choppy, and it even gets to the point where it sounds like you don't know the music and you're searching for the next chord. On top of that, it is in fact possible to play a piano quietly. "What dreams may come" was WAY loud. That should not have been changed from the original.
steelvenom2003 2 years ago 7
bravo! I played this in band once...it was amazing. Where'd you get the piano sheet music?
unicornlunchbox 2 years ago
By looking at all four lines of the vocal score. For anyone asking for the sheet music of sleep, just get some lined paper and rewrite all the parts to treble and bass clef piano lines.
Purenicotine 2 years ago
the chord at 0:53 should be slammed like that, it is the most beautiful chord ever created and it's sad that the piano can't sustain it longer than that, but yes slamming was so just on the chord.
fatisphat3 2 years ago 2
haha, Yes. That was fun to read!
EVERYONE has their own interpretation of how a piece should be played. Slower, faster, piano, forte. Everybody's different =]
Great performance, by the way. I literally fall asleep to Whitacre every night.
You should Learn Water Night =] [and were on earth did you get the sheet music to Sleep???]
LovelyInsane15 2 years ago 2
a battle between musicians?
intersting....fight :)
i love this piece and love whitacre ^^
lamuuule 2 years ago
the piece is about wanting to sleep. It is supposed to be serene, emotional, but yet dramatic. I just don't feel that your accents are musically correct. As you said that you have sung this yourself, my advice is to go through the piece with the words and hear where your accents are. Some are at very peculiar moments, which is why it seems the dynamics are off.
rpalmatron 2 years ago
When I usually play this piece on piano, I usually accent a bit more than in this video. I took it down a notch for the youtube audience, but it seems you all still have a stick up your but. My accents are musically correct, because it is my interpretation. If you don't like it, make your own video where all the chords are played pp-mp in a not-very-interesting way.
Purenicotine 2 years ago
having your own opinion does not mean we have a stick up are arses. It just means we have an opinion, I wanted to give advice from one musician to another, as I personally like advice, it makes me a better musician, the more critique the better. I never said the accents weren't correct, they were peculiar in this sort of piece.
rpalmatron 2 years ago
Seriously? Back to back contradiction? Look at what you just said.
"I just don't feel that your accents are musically correct."
And then,
"I never said the accents weren't correct, they were peculiar in this sort of piece."
Thats a hoot. Anyways, I like advice, too, just not the same generic comment that I disagree with over and over again. Scroll down, you'll find that everyone's saying the same thing, completely unnecessarily. It doesn't need to be reworded 12 times by other users.
Purenicotine 2 years ago
then listen to what everyone is saying rather than ignoring it. It is not just trying to be mean, it is trying to be helpful. Because this piece is called sleep, not the stomp of the elephants. Even though this has been transcribed for piano you have to keep the spirit of the piece. I will not comment again after this, because I feel that I don't want to talk to people who can't take critique. End of conversation.
rpalmatron 2 years ago 2
What's wrong with different ways of saying the same thing? It's good to get feedback, even if some of it is repeated. Anyways, I completely agree with rpalmatron.
KevRus 2 years ago
I agree with this comment mostly, but this isn't about wanting to sleep. The music was written for Robert Frost's Stopping by Woods on a Snowy Evening, which is very poignant poem about death and dieing. The words it has now were written by Charles Anthony Silvestri who wrote the words while watching his new born son go to sleep. The combination is a beautiful juxtaposition of life and death. The emotional depths of this piece are endless, explore them more.
actorboy2 2 years ago
hey, good on you to put it on grand piano.
However I felt it wasn't really appropriate to the piece. This is about sleep, and i felt you made it too accented. I agree about the fact of interpreatation, that you have to take other people's interpretation's into consideration, but you do also have to follow the composers notes. Eric Whitacre is the composer, it is up to you to interpret the piece within the dynamics, as he didn't put them there for you to do something else.
rpalmatron 2 years ago
If this were true, every conductor/musical director I've worked under are frauds and are breaking the "Musical rullessss" because they've changed a dynamic marking or added an accent in the score.
Purenicotine 2 years ago
ok, i probally didn't explain myself properly. What I meant was that you still have to have the spirit of the piece there. You are supposed to follow dynamic markings, because that is what the composer wants. If you disregard them then there is no point you having them there in the first place.
Also in personal experience, the only time the conductor/director has changed them is because they're different in the score that they are using.
rpalmatron 2 years ago
Then you've had very limited experience of 2-3 directors of similar grits. Because directors change, remove, or add musical markings to scores all the time, to make the interpretation of the piece special.
Purenicotine 2 years ago
i have not had this 'limited experience' that you talk of. I have grown up with a musical family myself, performing with a wide range of directors, so please do not assume that everyone isn't as good as you. People are just making comments to give their opinion on the piece, like an audience in a concert.
With this piece, I personally think it should be played as if you are singing it, and then I think it would be making musical sense.
rpalmatron 2 years ago
honestly, is there a point in criticising this much? let him have his interpretation. after all it is HIS interpretation of the piece. you all agree it's not whitacre, so why continue with all this nonsense? i do feel as if there was a little too much sudden accents, but that's his choice. stop trying to degrade eachother as musicians and just go on with your lives. if it is truly as bad as you all say, then stop listening to it. thank you. :)
bandfreakxx 2 years ago
its too rough
should be lighter
if you know what i mean
ThatCrazyRocker 2 years ago
Very beautiful...much better than your previous rendition.
JPSaxMan 2 years ago
If I were to offer you any advice at all, it would be to just maybe consider drawing out some of the tension chords a bit more. For example in the climax, when the sopranos resolve to the minor second, then resolve that...its a powerful moment in the piece, so you could bring that out more. But other than that, I really enjoy your interpretation of the piece. I assume you'll post other renditions of Whitacre's pieces?
JPSaxMan 2 years ago
I second that minor second :) Missed it, and some other movements too.
I didn't check through all the comments, but in my opinion... almost all music can be adapted for a good pianist, but it should make use of, well, arpeggiation, decorating passages, some musical substitute for vocal feeling, fill instead of sustain, explicitly fix whatever doesn't lend itself to reproduction - you know. So that it doesn't scream "alien" right out. Not simply read the written notes fighting with dynamics.
u1zha 2 years ago
fantasic like reallllyyy and listen christoperfect music is about doing whatever you want with it. This interpretation was great and it moved me and others as well so if you didnt like it just be nice and keep it POLITELY to yourself
spifflord308 2 years ago
Music isn't "about doing whatever you want with it." That's just silly. Especially when you're covering another person's piece, you need to understand the piece of music. This guy obviously doesn't understand "Sleep."
PerogoNess 2 years ago
meh i disagree
spifflord308 2 years ago
I don't want to be a dick like christoperfect but I really think you'd have a better understanding of the piece if you spent some time studying choral performances of it and both of the texts it was a setting for. You might understand the pacing better. . . and the dynamics. . . and the point of the song.
PerogoNess 2 years ago
That was gorgeous.
Paperxcutxsuicidex 2 years ago
i love how people who leave "musician to musician" comments complain about your interpretation of this song. i think that this was a GREAT interpretation of this. i like some of your stressed notes too very much actually
and if these "musicians" complain about someones interpretation, they must not be a REAL musician if they cant appreciate it. haha
singerguy93 2 years ago
This Dude Is Genius
AustinTCV 2 years ago
This dude is NOT a genius. Eric Whitacre, however, is. True a piano cannot mimic the dynamics of a choir, but this guy is just demolishing the beautiful voice leading and shimmering tonality of Whitacre's music with his random accents and complete lack of *phrasing*. (Phrases rise and fall, not rise, JUMP, fall, drop, SCREECH) I'll learn this on piano and upload in a few weeks for people to see what it SHOULD sound like. (And I'll take the piano/choir contrast into consideration.)
christoperfect 2 years ago
"yep, and if you have the words memorized or the score to follow along, his accents are often placed very odd in context with the diction, like accents on sil-VER. idk i have to say i agree, this is a very mindless interpretation."
I AGREE COMPLETELY
Sethord 2 years ago
I own 3 complete vocal scores of sleep, I've sang this with 3 different choirs that did professional performances, one of them being a choir generated solely for the event of a choral convention featuring most of his work, and that choir being directed and conducted by Eric himself. Whoever's comment you quoted from was an attempt to disqualify me in having a say in terms of interpretation, when the reality is that my credentials leave me more than qualified.
Purenicotine 2 years ago
I've analyzed the piece and can sing all of the parts at any given time (including the soprano)... I'm really not a fan of what you've done to my FAVORITE, delicate, beautiful piece of music.
christoperfect 2 years ago
If you're trying to build the idea that you're supposedly a superior musician, you're wasting your time.
Purenicotine 2 years ago
Not a superior musician... Just not THIS musically stupid. :)
I'm a piano major. Just wait for the video post.
Have a loooooovely day!
christoperfect 2 years ago
I take it you aren't a fan of Lang Lang then.
You're a piano major.
Purenicotine 2 years ago
Look I'm not trying to start and argument. I just think you need to SERIOUSLY keep up the piano lessons if you think the accents you used were appropriate. Just musician to musician. I respect you for learning the piece, but polish it. Appropriately. Before someone goes out and imitates this. o_O. And dude...
Wtf was the Lang Lang business all about? lol
christoperfect 2 years ago
There's no use trying to explain it to you. I don't allow myself to be musically deluded by musicians that have settled to teach others to tell me how things are supposed to sound. Just like you. Sounds like you teach as well.
And there's no point trying to explain to you the lang lang reference.
Purenicotine 2 years ago
Hahaha ok whatever. I'm sure Whitacre would probably be disgusted with this as well. So play on, ignorant musician. This kind of playing conveys nothing.
christoperfect 2 years ago
Find my myspace, scroll down a few pages in the comments. He left me one a month ago telling me his appreciation for my musical experimentation with his works. I'm a well known acquantance of his, and we've been involved in musical projects together in the past.
Purenicotine 2 years ago
yea a little tooo hard...
simone623 2 years ago
It's not terrible, but I have to agree and say that you hit the keys a little hard. This song is called "Sleep." Also, you should take it a little slower and more rubato.
jaressloo 3 years ago
Sleep was not meant to be performed on a grand piano. If I were to take your suggestions, it would be soft, robotic, plunking that would FADE away until the next notes were to be reached. I am not going to mimic the recommended musical artistry for an acapella chorus, because a piano does not have the ability to crescendo into the half note chords as you move into the next parts of the melody. I had to improvise.
Purenicotine 3 years ago
yeah not gonna lie son, you hit those keys a bit hard... chill on that... otherwise, lovely.
cp5698a 3 years ago
note so hard on the keys bro...
fatfreak3593 3 years ago
I love this song so much and I think you interpreted it very well.
My choir class is singing it in class.
BasketballLover52 3 years ago
This has been flagged as spam show
Dudes.. it's a choral piece.. seeing as that kid isn't conducting a choir and only using a piano there are going to be obvious changes/differences. Some of them probably necessary to add a level of dynamic that can't be provided without a choir. Chill.
HopkinsSwitchMusic 3 years ago
Comment removed
HopkinsSwitchMusic 3 years ago
very impressive :)
DeckChimp 3 years ago
It's called an interpretation...
Please stop being Youtube hawks by criticizing what he played if he didn't ask for the criticism. Simply take this version for what it is...peace.
mirandacansing13 3 years ago
Why would you post a video to youtube and not expect criticism?...There's nothing wrong with criticism... :\
KevRus 3 years ago 6
I think this is absolutley beautiful. I don't think the song could've been exicuted better than you did. The loud and soft chords are called personality that pertains to the song people, and they're put in the right place.
Great job
MurderdollsDevil 3 years ago
dude the piano your playing on is great, but like someone else also said you play loud chords and soft chords at random and you also play it way too fast. Especially during the buildup to the climax and through the climax of the piece. I can play this song also and i know it's hard but you also have to play the right notes during the climax if you dont you miss out on the feeling that it should express. Learn to roll the chords in your left hand instead of not playing the right notes.
Ozarkeus 3 years ago 3
poopie in your butthole.
oh yea come visit =P
xhatefultruthx 3 years ago
Don't play chords so loudly at random...It's one thing to phrase with a crescendo to a chord...but you just play random chords at practically triple forte, and then others at pianissimo...
KevRus 3 years ago 5
I agree with this. I'm sure your intent is to add expression and emotion to the piece, but if you compare the beginning of the notes with the vocals, it doesn't match at all. Their voices are strong yet calming. That's the whole point of the song, hince the name "Sleep." I think it would be better to keep it at one volume then the banging you're doing to add dynamics. It's really unnecessary to be honest.
xokristeenuhox 3 years ago
yep, and if you have the words memorized or the score to follow along, his accents are often placed very odd in context with the diction, like accents on sil-VER. idk i have to say i agree, this is a very mindless interpretation.
pianomatteo 3 years ago
Bang bang bang.
OblateSpheroid 3 years ago
Much better and cleaner on piano - would love to hear any classical repertoire - People have commented on your pianistic hands - totally agree!
RossShaddick 3 years ago
Wow. Really, thank you so much for posting this. I really have been waiting a long time to hear a clean version of this, your other one is great, but without the effects makes it seem so much cleaner.
You are spectacular, thanks for sharing your talent :)
killercrabs 3 years ago
This comment has received too many negative votes show
Instead you post some incredibly easy chord shit.
WENCHINGTON 3 years ago
This was recorded before I knew how to play Wedding Day at Troldhaugen, I just hadn't uploaded it yet.
Purenicotine 3 years ago
You said this was recorded upon request so I assume you are lying. It also looks as though you have found a "quality" piano, so why haven't you uploaded it yet? HMMM?
WENCHINGTON 3 years ago
If you look at my original "Sleep Eric Whitacre" video, those requests were made months, almost a YEAR ago. And I have had this recording for quite some time, just hadn't uploaded it yet.
Secondly, this piano I recorded on was at central university, which is a couple hundred miles away from where I live. And this visit was quite a long time ago, back when I was still learning wedding day, therefore I did not record it, as it was not ready.
Purenicotine 3 years ago
I don't really care, you are at a crappy unprestigous and not noteable college for music, but it should at least have a decent piano, so just upload it and stop making excuses.
WENCHINGTON 3 years ago
just shut up for fuck's sake.
drumrdude707 3 years ago
Ok, i'll do it for fuck.
WENCHINGTON 3 years ago
This comment has received too many negative votes show
You're such a fuck...die
maw065 3 years ago
This makes my heart smile.
ToxicPopsicle 3 years ago