Sorry , but this women is too happy to sing .... like many of the black singers . In this music , you have to be incredibly sad and frustrated to give the right sense .
I adore Kathleen Ferrier and love her performance this piece ( the first version I ever heard) but that does not prevent me appreciating the sheer beauty of this performance. Rather than compare, I am in awe of life, that it provides us with so much beauty to enjoy
Countertenors are crap and infeminate. Castrati are not natural. Why must someone cut their balls off in order to sing? The result was the power of a man but with a womens voice , minus the emotion and warmth
Countertenors are crap and infeminate. Castrati are not natural. Why must someone cut their balls off in order to sing? The result was the power of a man but with a womens voice
@michael72401 I don't know why you persist on your comment in a performance by Shirley Verrett. Yes, a woman of great class and superb voice.. Please stop bothering us with your obsession.
@juanmlleras Hi. I only put my comment on once - can't think what has happened here. However you fucking piece of inequitous crap, if you don't like what you read on youtube, however many times it's put on the site than i suggest that you keep your eyes and your face away from it - i for one don't wish to be bothered by reading snotty remarks from a snobby irritating bag of wombat shite like you.
@juanmlleras My wife, who is a proff' opera singer and myself will be performing this piece in a large concert in a few months time,,,, i will think of you when we perform it
All you folks who think that only countertenors should sing pants roles are fooling yourselves. Castrato voices did not have the same quality as countertenor voices. Its anyone's guess as to whether mezzos or countertenors sound more like castrati.
Besides, often at an opera house you are not sitting close enough to see the feminine features of a face.
Absolutely beautiful performance. Her acting is superb - she is crying through the singing. I have listened to them all, and I like this the best. I saw her in Carmen many years ago at Covent Garden. I had forgotten how good she was.
A high quality performance, as it is always the rule with Verret (with exception of her small time misadjustment with the orchestra at 2:02). One of the most underrated sopranos(and mezzos) of the last 50 years. Her Lady Macbeth, one of the best of all times, is in some places put at the same level with that of Nilsson, that is a sh...
@f1a6b3 The song of Verrett is an authentic wonder. Verrett underrated? I think yes, because she lacked marketing; history will do justice to her. One of most important, intelligent and innovating singers of XX the century
Iprefer thi saria with women.Countertenors too does sound write with male tenor voice -tp me.I like the dotted eight notes she sings for variety in beginning more singers should do this!
I love this-and I cannot stop watching it--subtlety speaking --I really appreciate the Moors of Spain and their outstanding contribution to music--BEAUTIFUL --INDEED
Sin ser la voz más apropiada ni poseer el estilo adecuado según criterios filológicos, su intención y, sobre todo, el color tan redondo de la voz, consiguen que esta interpretación sea muy disfrutable.
Bellísimo, casi lloro. Los gestos de su cara denotan que está metida en el personaje... Ella lo está viviendo. Ella es Orfeo que acaba de perder a Euridice quien vuelve al averno junto a Hades.
It's amazing that even in a tinny, monophonic BBC broadcast her voice can shine so brilliantly. It must have been the experience of a lifetime to have heard her in person.
This is PRECISELY what Gluck wanted in the performance of hi music: Italian Passion, French steadiness and refinement, and German precision, which is ultimately his compositional ideal. This is one of the most marvelous interpretations I've ever heard. Those who criticize this performance are wrong, plain wrong.
@caroconte Her singing itself is beautiful and of very high quality. But it can't be PRECISELY what Gluck wanted in this opera! He composed it for a CASTRATO VOICE which is a MAN, not a woman! Don't you think that this weird fashion has lingered too long! Castrati roles nowadays should be left to COUNTERTENORS who are MEN! Come on, especially this very role can't be sung by a WOMAN! Remeber the myth. NO woman how amazing vocally and acting she could be just CAN'T show what ORFEO,MALE SINGING is!
@serenaluce I'm not taking sides in the alto-vs-contralto debate here; but if you enjoy countertenor renditions, you might enjoy Erik Kurmangaliev's version; and I wonder if Russell Oberlin ever sang this. That could be extraordinary, though I have no evidence it ever happened.
@OlDoinyo OK, you don't take any sides, but I'm taking the countertenors side as my position is like that: women should only sing women's parts, and men - men's. There should be logic in opera too. In movies women don't play men even if some of them in disguise can look approximately LIKE men but will never be... Why still in opera this weird comedy when there enough CTs for men's roles?Thank you. I enjoy Kurmangaliev's version! The best one so far is Kowalski's. But Spanos is the best Orfeo!!!
back in those days castrati sang Orfeo´s and other masculine roles. Since castrating guys is now out of fashion women have taken over. Verret is excellent, I rather go for Ms Kathleen Ferrier though. And I agree with simmo303. Most moving ever. Tears included. (I am heterosexual, just in case)
I absolutely agree with you - Kathleen Feerier is pure perfection: her voise is without a flaw. And the depth of her performance is amazing - not a single empty note! Even her pauses are loaded with meaning.
And I'm glad Castrates is out of fashion nowdays! For their sakes and for ours!
Yes, I know who she is - Sherely Verrett. She is a very good singer and I love her performance but if you hear Kathleen Ferrier you would understand the difference.
Orfeo is actually a contralto role sung today by mezzos, Verrett of course is one of the few capable of the triple crown. In any vocal role she is exquisite.
Sorry , but this women is too happy to sing .... like many of the black singers . In this music , you have to be incredibly sad and frustrated to give the right sense .
GA4N 5 days ago
This is very nice and deep, but Ferrier belongs just to an another world .....
GA4N 1 week ago
perfection
eamb98Assomada 1 week ago
just wonderful
erizabeta 7 months ago
She sounds so wonderful...a great artist...one of the best....
OLIVCHEN77 8 months ago
She does this aria so beautifully =D
NatashaBekkerMusic 10 months ago 2
I haven't heard her glorious voice for years - used to have a recording of this with Anna Moffo. Superb singing.
susannahmcdnld 11 months ago
Hommage à la grande Verrett récemment disparue.
mariasarda 1 year ago
I adore Kathleen Ferrier and love her performance this piece ( the first version I ever heard) but that does not prevent me appreciating the sheer beauty of this performance. Rather than compare, I am in awe of life, that it provides us with so much beauty to enjoy
revbores 1 year ago
As close to an ideal performance as one can expect to get, so great in its fundamental simplicity!
helgeevju 1 year ago
It restores your faith in humanity to listen to this classic piece of opera.
johncliffe39 1 year ago
This performance is perfect!
sblackmun 1 year ago
@sblackmun Yes. She is beautiful, elegant, precise and with the most wonderful voice you could ever listen. This is indeed perfect.
juanmlleras 6 months ago
Gorgeous, deeply emotional- and I love that costume! Resta in pace, Shirley.
LondonLite02 1 year ago
Countertenors are crap and infeminate. Castrati are not natural. Why must someone cut their balls off in order to sing? The result was the power of a man but with a womens voice , minus the emotion and warmth
michael72401 1 year ago
Countertenors are crap and infeminate. Castrati are not natural. Why must someone cut their balls off in order to sing? The result was the power of a man but with a womens voice
michael72401 1 year ago
Countertenors are crap and infeminate
michael72401 1 year ago
@michael72401 I don't know why you persist on your comment in a performance by Shirley Verrett. Yes, a woman of great class and superb voice.. Please stop bothering us with your obsession.
juanmlleras 1 year ago
This has been flagged as spam show
@juanmlleras Hi. I only put my comment on once - can't think what has happened here. However you fucking piece of inequitous crap, if you don't like what you read on youtube, however many times it's put on the site than i suggest that you keep your eyes and your face away from it - i for one don't wish to be bothered by reading snotty remarks from a snobby irritating bag of wombat shite like you.
ta ta
michael72401 1 year ago
@juanmlleras My wife, who is a proff' opera singer and myself will be performing this piece in a large concert in a few months time,,,, i will think of you when we perform it
ta ta
michael72401 1 year ago
All you folks who think that only countertenors should sing pants roles are fooling yourselves. Castrato voices did not have the same quality as countertenor voices. Its anyone's guess as to whether mezzos or countertenors sound more like castrati.
Besides, often at an opera house you are not sitting close enough to see the feminine features of a face.
mayapapaya89 1 year ago
So amazing!. Thank you. Favourite. Cheers!, Sergio.
profesorsergio 1 year ago
great!!! BRAVO!!!
721664836 1 year ago
Technically superb, a fine "performance" but not really heart wrenching.
random331 1 year ago
@random331
Nhgube 1 year ago
Absolutely beautiful performance. Her acting is superb - she is crying through the singing. I have listened to them all, and I like this the best. I saw her in Carmen many years ago at Covent Garden. I had forgotten how good she was.
rossignol628 1 year ago
q pvoz para mas bellaaaaaaaaaa
merlinfan1006 1 year ago 2
Comment removed
anselmonadir 1 year ago
A high quality performance, as it is always the rule with Verret (with exception of her small time misadjustment with the orchestra at 2:02). One of the most underrated sopranos(and mezzos) of the last 50 years. Her Lady Macbeth, one of the best of all times, is in some places put at the same level with that of Nilsson, that is a sh...
f1a6b3 1 year ago 4
@f1a6b3 The song of Verrett is an authentic wonder. Verrett underrated? I think yes, because she lacked marketing; history will do justice to her. One of most important, intelligent and innovating singers of XX the century
fajamaqui 1 year ago 4
ho una grande stima per la sig.ra Verrett......ma ad onor del vero sta cantando tutto un quarto di tono sotto!!!!!!:-((((
giorgioot 1 year ago
@giorgioot Io non sento nessun quarto di tono sotto.
gullyna 1 year ago
absolutely magnificent!!
tachuman 1 year ago 2
Excellent singing--some nice subtle touches such as the soft note at 0:40, though the tempo at the end is a bit slow for my taste.
I had the privilege of meeting her once--a very nice lady.
OlDoinyo 1 year ago
Cantatrice à la voix superlative.
mariasarda 1 year ago 2
Her singing is full of life and stamina, full of empathy and understanding. What an artist!
Thanks for posting.
preruminator 2 years ago
Amazing! Thanks for posting this!
karronheitmann 2 years ago
Grandissima cantante.
31122051 2 years ago 5
Iprefer thi saria with women.Countertenors too does sound write with male tenor voice -tp me.I like the dotted eight notes she sings for variety in beginning more singers should do this!
lovesGenet 2 years ago
I love this-and I cannot stop watching it--subtlety speaking --I really appreciate the Moors of Spain and their outstanding contribution to music--BEAUTIFUL --INDEED
willthebest1 2 years ago
beautiful
willthebest1 2 years ago 2
absolutely beautiful!!!!!!!!!!
willthebest1 2 years ago
Sin ser la voz más apropiada ni poseer el estilo adecuado según criterios filológicos, su intención y, sobre todo, el color tan redondo de la voz, consiguen que esta interpretación sea muy disfrutable.
AlfredoKraus 2 years ago
Having listened to this sung by tenors and baritones (look up Pavarotti and Hvorostovsky), I have to say this way is best.
handsomechuck1 2 years ago
PERFECT!!!!!!!
fernandobicudo 2 years ago
Excellent voice, excellent singer!
elisabete523 2 years ago
good rendition but i prefer it in french.
carveido 2 years ago
Bellísimo, casi lloro. Los gestos de su cara denotan que está metida en el personaje... Ella lo está viviendo. Ella es Orfeo que acaba de perder a Euridice quien vuelve al averno junto a Hades.
PSYQUE23 2 years ago 3
It's amazing that even in a tinny, monophonic BBC broadcast her voice can shine so brilliantly. It must have been the experience of a lifetime to have heard her in person.
Nullifidian 2 years ago 4
The best Orfeo, I'v ever heard!
VMagirusL 2 years ago 4
bellissima!!!!!
NoteValue667 2 years ago 3
Beautiful
DivaDeb1234 3 years ago 2
The voice that launched a thousand tears. Magnificent.
mstuartg 3 years ago 2
Precioso ^^
thanks!!
00ceroalaizquierda00 3 years ago 2
you can't fault this performance can you, so emotional, it restores your faith in the human race to listen to this recording.
johncliffe39 3 years ago 15
This is a master class in style and impecable singing. Mrs. Verrett is and will be for ever a shining opera superstar.
juanmlleras 3 years ago 5
This is one of the best versions I have heard here on YT.
mradaChris 3 years ago 4
quelle merveilleuse artiste !
phirze 3 years ago 2
me gusta mucho el sentimiento con que la canta y su voz la encuentro bellísima
jububu33 3 years ago 3
This is PRECISELY what Gluck wanted in the performance of hi music: Italian Passion, French steadiness and refinement, and German precision, which is ultimately his compositional ideal. This is one of the most marvelous interpretations I've ever heard. Those who criticize this performance are wrong, plain wrong.
caroconte 3 years ago 36
@caroconte Her singing itself is beautiful and of very high quality. But it can't be PRECISELY what Gluck wanted in this opera! He composed it for a CASTRATO VOICE which is a MAN, not a woman! Don't you think that this weird fashion has lingered too long! Castrati roles nowadays should be left to COUNTERTENORS who are MEN! Come on, especially this very role can't be sung by a WOMAN! Remeber the myth. NO woman how amazing vocally and acting she could be just CAN'T show what ORFEO,MALE SINGING is!
serenaluce 1 year ago
@serenaluce I'm not taking sides in the alto-vs-contralto debate here; but if you enjoy countertenor renditions, you might enjoy Erik Kurmangaliev's version; and I wonder if Russell Oberlin ever sang this. That could be extraordinary, though I have no evidence it ever happened.
OlDoinyo 1 year ago
@OlDoinyo OK, you don't take any sides, but I'm taking the countertenors side as my position is like that: women should only sing women's parts, and men - men's. There should be logic in opera too. In movies women don't play men even if some of them in disguise can look approximately LIKE men but will never be... Why still in opera this weird comedy when there enough CTs for men's roles?Thank you. I enjoy Kurmangaliev's version! The best one so far is Kowalski's. But Spanos is the best Orfeo!!!
serenaluce 1 year ago
Thank you,thank you! It`s just a miracle!
amneris78 3 years ago 3
This comment has received too many negative votes show
Gorgeous singing but the choreography... That's the case where I prefer more lively modern stagings.
Arashi110 3 years ago
this is fantastic, thank you.
i never realized how queer this practice is: women who are very unconvincingly dressed up as men singing beautiful lovesongs to women.
love it.
scatterbrainedfloozy 4 years ago 3
back in those days castrati sang Orfeo´s and other masculine roles. Since castrating guys is now out of fashion women have taken over. Verret is excellent, I rather go for Ms Kathleen Ferrier though. And I agree with simmo303. Most moving ever. Tears included. (I am heterosexual, just in case)
josenomelocreo 3 years ago 2
I absolutely agree with you - Kathleen Feerier is pure perfection: her voise is without a flaw. And the depth of her performance is amazing - not a single empty note! Even her pauses are loaded with meaning.
And I'm glad Castrates is out of fashion nowdays! For their sakes and for ours!
tamarahisk 3 years ago
@tamarahisk This is not Kathleen Ferrier. She is Shirley Verrett. And yes she is pure perfection.
juanmlleras 1 year ago
@juanmlleras
Yes, I know who she is - Sherely Verrett. She is a very good singer and I love her performance but if you hear Kathleen Ferrier you would understand the difference.
tamarahisk 1 year ago
@scatterbrainedfloozy LOL at your comments, the opera world is very strange, but oh - the music!!
queenslanddiva 1 year ago
Lovely pacing and phrasing...love Shirley Verrett.
nessie96 4 years ago
Thanks, This is beautiful!
lahlahdivina 4 years ago
mezzo yes!! beautiful redention.
cantanteporsiempre 4 years ago
Orfeo is actually a contralto role sung today by mezzos, Verrett of course is one of the few capable of the triple crown. In any vocal role she is exquisite.
mm9913 4 years ago 5
This is good, very good indeed but for the definitive rendition, listen to Kathleen Ferrier and weep.
simmo303 4 years ago
I agree, Janet is more expressive, but I love Shirley's voice! Rich, full, and not hooty!
sjld8405 4 years ago
her timing is peculiar... I prefer Janet Baker's.
baishufei 4 years ago
wow.. thank you so much for posting this!!!
Tonacity 4 years ago 2
the majestic beauty i'm certain gluck had in mind. thank you.
mgraulau 5 years ago 2
Just Excellent!
aranjuez1 5 years ago