another way to construct a chord is to know the interval names these are: Unison, min2nd, maj2nd, min3rd, maj3rd, perfect4th,aug4th/dim5th, perfect5th, min6th/aug5th, maj6th/dim7th, min7th, maj7th, Octave or 1, b2, 2, b3, 3, 4, 4#/b5, 5, b6/5#, 6/bb7, b7, 7, 8 if you use C as the Unison it would be C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C write it w/o skipping the sharps(#) or the flats(b). To get Cm use the formula 1 b3 5 w/c is C D# G. C is the root/Unison D# is the min3rd & G is the 5th.
@case001100 She has written down the scale of C major.
C major has no sharps or flats so chord 1 of C major = C E G.
Now if the D she talks about was a chord 1 it would be in the key of D major which contains the notes D E F# G A B C# . So taking the first, third and fifth of this scale (D major) we would get D F# A - a major chord.
However the D is in the key of C major as chord 2 (the second degree of the scale) so becomes D F A not F# because C major has no F# - so the chord is minor.
@gokharol A minor chord has a minor third between the root and third D to F is a minor third. D to F# is a major 3rd. You don't have to memorize - just work out the distance between the root and third. Just a little practise every day and you can start to recognise chords very quickly - in fact instantly.
@metachozoite Because there are only 3 semitones between the root and the third and between the third and the fifth as opposed to three semitones between the root and the third and four semitones between the third and the fifth which is a minor chord
1,3,5 were all counted as whole note,, now if you arrived at D,F , A in your counting that is because you counted the 3 as halfnote. Make it(3) F# then to have the major chord. (1, 3flat, 5 - this is the formula for minor chord)
@rfhamcom The diminished chord (technically this triad is actually a 'half-diminished' chord, - also called 'minor 7th, flat 5', written as 'm7b5') is simply not used a lot outside of jazz. But boy is it used a lot there.
@karlfarren Sorry, - my mistake. The triad (three-note chord) of root note, b3 and b5 is a diminished triad. The 'half-diminished', or m7b5, is when you build a four-note chord, comprised of root note, b3, b5 and b7. Hope I haven't confused you more.
ur tutorials(or wudeva u call 'em) are awsome,, bt the more i watch them the more i get confused, because i have no idea on which to watch after which,, so for gods sake it would be very helpfull if u would assist me on which i should watch after which ,
(im a verry begginer on music, i just know the notes, and a bit about the scles, bt want to know about the chords)
True Or False: Karen is showing how to build major and minor chords from a scale or key. The name of the scale or key in her example is always directly under the number 1 on the white board. Every scale or key used will have a different set of M and m chords. (T or F)
@TheHowdeeDoodee True. What she is doing is also called 'harmonising in thirds'. If you write out the notes in any major scale, you can build a three-note chord, or 'triad' based on each note in the scale. You do this by stacking up every other note on your starting note. That's why it's called 'harmonising in thirds'.
@TheHowdeeDoodee When you do this for all twelve major scales, the same pattern emerges in every case: the first, fourth and fifth chords (I, IV, V) chords will always be major, the second, third and sixth chords (ii, iii, vi) will always be minor, and the seventh chord (vii) will always be half-diminished (also called 'minor 7th with a flat 5', written 'm7b5').
@TheHowdeeDoodee Obviously the letter names of the major and minor chords will be different in each key, because you're using different note names in each major scale. But the pattern explained above will always be the same for any major scale.
Rahooligan, she was refering to the D chord she was forming. In the key of D there is an F-sharp. When she says there would normally be a sharp after the F, she is making reference to the Dmaj chord and how the key of C changes it to a minor chord. Hope i didn't muddle that up too much.
I don't understand one thing.. around the 2:00 minute mark when you're building chords for the key of C major, you say "normally there would be a sharp for that F but since the key of C has no sharps, that chord becomes a minor". My question is, why would there normally be a sharp for that F? Would really appreciate some clarification
Dear teacher, This lesson was really helpful to understand how chords are build from a major scale. I would like to know if it works the same way for a minor scale or are there some modifications? Thank you! Wish u a healthy life!
@rebeku hi - no it isn't- looking at piano keyboard should make it clear .B flat is the same as "a sharp" ( ie it is the black note in between a and b ) . However, b SHARP IS the same as c ( and c flat is the same note as b) because there is no black note between b and c .
@bigbtripathi Someone please let us know if that book is available online as it looks like the notes I make from these videos, but laid out better ha.
this is confusing beacuse say if im in the key of D how could i make a D major chord if i use 1 3 5 beacuse that makes D Minor confuses me and i cant figue out how the Dmaj is made
So here's a question: If I take the I III & V notes of a C major scale then I get a C major chord, right? Well what if I take the same I III V notes of a Bb Romanian Gypsy scale? Wouldn't that create a Bb Major Romanian Gypsy Chord and if so does that principle assimilate into basic chord progression theory?
it scares me how ppl r saying through music theory videos ive been watching hmm i dont really get it but that is becuase i've only been playing piano or some instrument for 7 or more years lol ok ive been plaing guitar for a good amoutn of time and understand this ad im not even playing piano! what do piano teachers teach you?!
Okay, I understand she is building on the CMaj scale at first, but what is the second one using two flats? I think that is where she is losing us watching this video.
She is demonstrating that if you take any of the (11) major scales and build up the three note chords (called Triads ) then you always get a Major chord on the first note Min chord on 2nd note , Min on 3rd note , Maj on 4th , maj on 5th min on 6th and dim on 7th this is identical for all major keys So for example if the key is Db all the chords are the same as those in the key of C but moved up one semi tone .if you are a guitarist and can play barre chords try this and it should be obvious
She chooses the 1,4,5 chords cause they are used most often in songs They are the so called THREE CHORD TRICK many songs have been written using ONLY these chords
TWIST &SHOUT,LOUIE LOUIE,,SUMMERTIME BLUES etc ,There are song which use the 1,4,5 chords together with others from the key I WANT TO HOLD YOUR HAND by the Beatles for example ,then you have songs which temporarily move to another key and then use the chords of this new key before returning to home key good example : PENNY LANE
Everything in this lesson is informative except for the fact that there are really 7 notes in a scale! The 8th is the 1st in a different octave! When you compose a song in a certain key, you have to know your scales, chords, and most importantly its key! When you compose, you can use only 7 notes, not 12!
I don't get some of it, but that's probably because I've only been playing piano for 7 years and haven't really focused on chords and scales. Still a good lesson all in all.
another way to construct a chord is to know the interval names these are: Unison, min2nd, maj2nd, min3rd, maj3rd, perfect4th,aug4th/dim5th, perfect5th, min6th/aug5th, maj6th/dim7th, min7th, maj7th, Octave or 1, b2, 2, b3, 3, 4, 4#/b5, 5, b6/5#, 6/bb7, b7, 7, 8 if you use C as the Unison it would be C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C write it w/o skipping the sharps(#) or the flats(b). To get Cm use the formula 1 b3 5 w/c is C D# G. C is the root/Unison D# is the min3rd & G is the 5th.
alabamaslam14 1 day ago
You are the best
ffbossy 1 week ago in playlist Meer video's van richardjpugh
i love how she loves music you can tell by the ways she teaches only if it was in person i such watching videos.
guerohellanutty 2 weeks ago
would it apply the same 1 3 5 formula to a minor scale?
dzole201 2 weeks ago
When you say start with d Major scale does that mean the we must start with D#?ANyone Help Thanks..
dzole201 3 weeks ago
wht a intrsting class..i wanna join it...can smone tell me where is it.g
monu3521 3 weeks ago
1:32 had me ROFLMAO!!
NextLevelBeatsTV 1 month ago
noo i did not understand anything. in mu country not only do we have different names but also different terms :/
dan4everything 1 month ago
that was one of the most useful videos of all time
TheCrackerBrony 2 months ago
I am new to this so Question: Why does she say that they are normally sharps?
case001100 3 months ago
@case001100 She has written down the scale of C major.
C major has no sharps or flats so chord 1 of C major = C E G.
Now if the D she talks about was a chord 1 it would be in the key of D major which contains the notes D E F# G A B C# . So taking the first, third and fifth of this scale (D major) we would get D F# A - a major chord.
However the D is in the key of C major as chord 2 (the second degree of the scale) so becomes D F A not F# because C major has no F# - so the chord is minor.
conn6m 1 month ago
But I dont undestand how she knows "oh! Its a minor chord!" how can I know this? I have to memorize it, then?
gokharol 4 months ago
@gokharol A minor chord has a minor third between the root and third D to F is a minor third. D to F# is a major 3rd. You don't have to memorize - just work out the distance between the root and third. Just a little practise every day and you can start to recognise chords very quickly - in fact instantly.
conn6m 1 month ago
why is B dmimnished?
metachozoite 5 months ago
@metachozoite Because there are only 3 semitones between the root and the third and between the third and the fifth as opposed to three semitones between the root and the third and four semitones between the third and the fifth which is a minor chord
TheHunnyhillbees 3 months ago
@metachozoite because magic
TheCrackerBrony 2 months ago
@metachozoite A diminished chord is identified as having the interval of a minor third between its root and third and between its third and fifth.
B diminshed (chord on the 7th scale degree) has notes B D F with intervals of a minor third between each note.
This is differen't to a minor chord which has the intervals minor third -major third (B D F# )
- or a major chord which has the intervals major third minor third (B D# F#)
Get it -quite simple really - just takes a bit of practice.
conn6m 1 month ago
i finally understand this! thanksss!
bboyfabolous1994 5 months ago
she is amazing...i just understood what i've been muddling around with forever. thank you!!
ling86 6 months ago
I just wanted to say I love this lady... she made my life in chords and progressions so eazy.... ;)
Icybearg450 7 months ago
I just wanted to say I loe this lady... she made my life in chords and progressions so eazy.... ;)
Icybearg450 7 months ago
get back in the kitchen ho
Brentypooz 8 months ago
@Brentypooz
Get back to being a worthless degenerate scumbag
DJoeLawless 6 months ago
1,3,5 were all counted as whole note,, now if you arrived at D,F , A in your counting that is because you counted the 3 as halfnote. Make it(3) F# then to have the major chord. (1, 3flat, 5 - this is the formula for minor chord)
teachermyra 8 months ago
I've been playing 20 years she's doing a great job
apostlereese 8 months ago
@rfhamcom The diminished chord (technically this triad is actually a 'half-diminished' chord, - also called 'minor 7th, flat 5', written as 'm7b5') is simply not used a lot outside of jazz. But boy is it used a lot there.
karlfarren 9 months ago
@karlfarren Sorry, - my mistake. The triad (three-note chord) of root note, b3 and b5 is a diminished triad. The 'half-diminished', or m7b5, is when you build a four-note chord, comprised of root note, b3, b5 and b7. Hope I haven't confused you more.
karlfarren 9 months ago
Comment removed
karlfarren 9 months ago
Comment removed
karlfarren 9 months ago
Comment removed
karlfarren 9 months ago
Comment removed
karlfarren 9 months ago
ur tutorials(or wudeva u call 'em) are awsome,, bt the more i watch them the more i get confused, because i have no idea on which to watch after which,, so for gods sake it would be very helpfull if u would assist me on which i should watch after which ,
(im a verry begginer on music, i just know the notes, and a bit about the scles, bt want to know about the chords)
neirobkhan 9 months ago
True Or False: Karen is showing how to build major and minor chords from a scale or key. The name of the scale or key in her example is always directly under the number 1 on the white board. Every scale or key used will have a different set of M and m chords. (T or F)
TheHowdeeDoodee 11 months ago
This has been flagged as spam show
@TheHowdeeDoodee True. What she is doing is also called 'harmonising in thirds'. If you write out the notes in any major scale, you can build a three-note chord, or 'triad' based on each note in the scale. You do this by stacking up every other note on your starting note. That's why it's called 'harmonising in thirds'.
karlfarren 9 months ago
This has been flagged as spam show
@TheHowdeeDoodee When you do this for all twelve major scales, the same pattern emerges in every case: the first, fourth and fifth chords (I, IV, V) chords will always be major, the second, third and sixth chords (ii, iii, vi) will always be minor, and the seventh chord (vii) will always be half-diminished (also called 'minor 7th with a flat 5', written 'm7b5').
karlfarren 9 months ago
This has been flagged as spam show
@TheHowdeeDoodee Obviously the letter names of the major and minor chords will be different in each key, because you're using different note names in each major scale. But the pattern explained above will always be the same for any major scale.
karlfarren 9 months ago
She is so fun! XD
ZinayH 11 months ago
She's adorable.lol
ave383 11 months ago
How old is she?
DoNotCheckMyProfile 1 year ago
Good teacher,
MrROTD 1 year ago
I hope she is this sweet when grading!!!!
mansitopinta 1 year ago
UUUUUUUUUU RRRRRRRR AWESSSSSOMMMMEE
GreatPartyCathy 1 year ago
I really enjoyed this lesson.
megatony87 1 year ago
Hi hallow! iam a new user on youtube,and wud love to compose but i ve one problm
i can play by ear but still i get my chords confused and so was wondering if you could suggest a chord manual/book for me!!plz do reply
Katuturian 1 year ago
After watching a few other videos about this stuff, watching yours, I finally understand this now! Thanks!!!
captainpicard321 1 year ago
maaam.....you are just godess!!!! THnx
tapansingh 1 year ago
i love this lady haha
rockerhelgeson 1 year ago
Rahooligan, she was refering to the D chord she was forming. In the key of D there is an F-sharp. When she says there would normally be a sharp after the F, she is making reference to the Dmaj chord and how the key of C changes it to a minor chord. Hope i didn't muddle that up too much.
milo14564 1 year ago
Richard, can you tell me what book she is using in the video?
learaviator 1 year ago
I don't understand one thing.. around the 2:00 minute mark when you're building chords for the key of C major, you say "normally there would be a sharp for that F but since the key of C has no sharps, that chord becomes a minor". My question is, why would there normally be a sharp for that F? Would really appreciate some clarification
rahooligan 1 year ago
Woah....
klljljlj 1 year ago
Dear teacher, This lesson was really helpful to understand how chords are build from a major scale. I would like to know if it works the same way for a minor scale or are there some modifications? Thank you! Wish u a healthy life!
blitzkreiz 1 year ago
i don't get the last part. isn't Bflat is the same as C?
rebeku 1 year ago
@rebeku hi - no it isn't- looking at piano keyboard should make it clear .B flat is the same as "a sharp" ( ie it is the black note in between a and b ) . However, b SHARP IS the same as c ( and c flat is the same note as b) because there is no black note between b and c .
echo680 1 year ago
This is COOL!
Kensei83 1 year ago
Does anybody know the book she is teaching from
bigbtripathi 1 year ago 14
@bigbtripathi Her memory she is a teacher.
gauldgalliersuk 1 year ago
@bigbtripathi Someone please let us know if that book is available online as it looks like the notes I make from these videos, but laid out better ha.
semuk 4 months ago
A simple trick is to use the 4-3 and 3-4.
From the root you move(along all keys not in a scale) 4 notes and then move 3 notes from the last 4th note.
This will result in a major.
Do the same with 3-4 and you will get a minor.
sidar87 1 year ago
At 2.05 she sais there is no F sharp which makes the chord a minor.. how is that so?? Do flats and sharps make a chord minor??
tom091090 1 year ago
@tom091090
Actually she is saying the D is a minor.
Since there is no Fsharp in a c scale the D is forced to become a minor.
normally you would play D Fsharp A for a major.
but in a C scale its a minor.
sidar87 1 year ago
Thank you very much for posting this. You are a great teacher!
thundertonka 1 year ago
this is confusing beacuse say if im in the key of D how could i make a D major chord if i use 1 3 5 beacuse that makes D Minor confuses me and i cant figue out how the Dmaj is made
scewloss 1 year ago
Start with a D scale: d,e, f sharp, g, a, b, c sharp, d. Now try 1, 3, 5. You will get a D major chord.
richardjpugh 1 year ago 6
this is so helpful thanks a lot
tupacshakur99 1 year ago
oh my days i know everything i need to need im on top of the world!
woohooo
thanks alot
watchy91 1 year ago
So here's a question: If I take the I III & V notes of a C major scale then I get a C major chord, right? Well what if I take the same I III V notes of a Bb Romanian Gypsy scale? Wouldn't that create a Bb Major Romanian Gypsy Chord and if so does that principle assimilate into basic chord progression theory?
nfragala 1 year ago
After all these years she realizes the beauty and ease of learning music visually... I lover her excitement... she's a good teacher.
EzzieBobo 1 year ago
she's an excellent teacher.
emanzdaone 2 years ago
I've got prob with the flats
marvesmarves 2 years ago
Putting your fingers 1,4,5 automatically puts your hand in the flipping someone off position.
squirrelhole 2 years ago
i wish she'd talk about 7ths, 9ths, 11ths, and 13 chords!!!
Splurgendii 2 years ago
major chords are formed from 1(root), 3, and 5
minor chords are formed from 1(root), b3 (flat the third), and 5
7TH chords, 1(root), 3, 5 and 7
9th chords, 1(root), 3, 5, and 9
and so on.
benellidown 1 year ago
THANK YOU V V V MUCH, Excellent Excellent Teacher ! This video helpful me a lots... THANK YOU SO MUCH :-)
TibetanTashiDelek 2 years ago
Good teacher, she actually can make learning dull things like music theory pretty fun!
iwasbored711 2 years ago
extremely helpful videos!!
idontbelieveok 2 years ago
She is the greatest teacher!!!
dachosen12or3 2 years ago
Excellent Teacher! I would like to buy the book?
Picturebear 2 years ago
what if you come across this weird chord and want to construct a scale from it, to solo or w/e, how do you do that??
ialvarez357 2 years ago
it scares me how ppl r saying through music theory videos ive been watching hmm i dont really get it but that is becuase i've only been playing piano or some instrument for 7 or more years lol ok ive been plaing guitar for a good amoutn of time and understand this ad im not even playing piano! what do piano teachers teach you?!
guitargenius3557 2 years ago
Okay, I understand she is building on the CMaj scale at first, but what is the second one using two flats? I think that is where she is losing us watching this video.
abstractobject 2 years ago
B flat Major scale
TheJungleCook 2 years ago
She is demonstrating that if you take any of the (11) major scales and build up the three note chords (called Triads ) then you always get a Major chord on the first note Min chord on 2nd note , Min on 3rd note , Maj on 4th , maj on 5th min on 6th and dim on 7th this is identical for all major keys So for example if the key is Db all the chords are the same as those in the key of C but moved up one semi tone .if you are a guitarist and can play barre chords try this and it should be obvious
dot18 2 years ago
She chooses the 1,4,5 chords cause they are used most often in songs They are the so called THREE CHORD TRICK many songs have been written using ONLY these chords
TWIST &SHOUT,LOUIE LOUIE,,SUMMERTIME BLUES etc ,There are song which use the 1,4,5 chords together with others from the key I WANT TO HOLD YOUR HAND by the Beatles for example ,then you have songs which temporarily move to another key and then use the chords of this new key before returning to home key good example : PENNY LANE
dot18 2 years ago
Someone please tell me the name of the book she is teaching from!
abstractobject 2 years ago
yeah i am geting just a bit lost over here, maybe i need to go back a little bit, still nice to learn from this lady, i will watch all videos.
danielmesarosiu 2 years ago
She's a fun teacher. It's nice of her to make these videos and put them online.
tharpdevenport 2 years ago
Everything in this lesson is informative except for the fact that there are really 7 notes in a scale! The 8th is the 1st in a different octave! When you compose a song in a certain key, you have to know your scales, chords, and most importantly its key! When you compose, you can use only 7 notes, not 12!
amonnar 3 years ago
This is really helpful stuff.
withinspace 3 years ago
I don't get some of it, but that's probably because I've only been playing piano for 7 years and haven't really focused on chords and scales. Still a good lesson all in all.
DanJakeProductions 3 years ago