What is this marked as? an andante or allegro? I like the slow interpretation, but I think the standard is a bit faster. Handel is one of those composers whose music can remain powerful and enjoyable even when different orchestras and conductors use different interpretations. Music is like literature in this respect. Great literature welcomes multiple interpretations and modes of thinking, A good piece of music does this as well. Anyway, great piece. Handel is a boss.
I have listened to all singers of "O Thou That Tellest Good Tidings to Zion" and I find it amusing that the singer pronounces the letter "i" in Zion as "ai". It should be pronounced Tsiyon and not Saion.
@Nonie46 You mean "tsee-on"? That would be the German pronunciation. The pronunciation in this recording, as all other recordings I have heard, is correct. They are using the English pronunciation of Zion, which is only appropriate when singing in English.
This is certainly Helen Watts , Contralto conducted by Colin Davis. One of the greatest oratorio soloists in the world, she was loved by the public and her fellow professionals. I also saw her as Mrs Sedley in Britten's Peter Grimes in the 1980's. She had a lovely, gracious stage presence.
A little late for Easter, but I found this awesome recording...it doesn't say who the soloist is, though. London Philharmonic, Oh Thou that Tellest Good Tidings to Zion
A little late for Easter, but I found this awesome recording...it doesn't say who the soloist is, though. London Philharmonic, Oh Thou that Tellest Good Tidings to Zion
OH, no. This piece is specifically for a contralto, I believe. There is, in The Messiah, only one other solo that is specifically for ALTO, that is to say, a male countertenor.
No, it can be sung by the countertenor but the oratorio is originally split up amongst the standard voices - Soprano, Alto, Tenor, and Bass. They also have mostly the same amount of arias - Soprano 6, Alto 5, Tenor 6, Bass 5.
I believe I have the same recording you do. It has Walter Susskind conducting, with the London Philharmonic Choir singing (Choirmaster Frederick Jackson). But, sadly there are no soloists listed either, which confuses me.
j'aime!!!!!
MrMakmak95 4 weeks ago
What is this marked as? an andante or allegro? I like the slow interpretation, but I think the standard is a bit faster. Handel is one of those composers whose music can remain powerful and enjoyable even when different orchestras and conductors use different interpretations. Music is like literature in this respect. Great literature welcomes multiple interpretations and modes of thinking, A good piece of music does this as well. Anyway, great piece. Handel is a boss.
sayerdaslayer 4 weeks ago
One of the best aria for contralto voice...beautiful!!!
LeSopraniste 1 month ago
@LeSopraniste I like too, but too slow for my tast.
festaben45 1 month ago
Gilmaris is correct in the pronunciation of "Zion."
rhall4th 3 months ago in playlist Handel's Messiah - Complete
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It's very slow. But nice to be able to hear and concentrate on the words
kewtee2713 3 months ago
I love this singer...she has a beautiful contralto voice!
LeSopraniste 6 months ago
Wow wat a nice piece im an alto but this soprano is great, i wonder why god didnt give me a super soprano voice.....Luv it
Abongwe 10 months ago
@Abongwe This singer is a contralto...not soprano!
LeSopraniste 6 months ago
@LeSopraniste I know...I don't speak that the singer is a soprano but a wonderful contralto!
LeSopraniste 1 month ago
The pronunciation of Zion is not Za-yon! It must be Tsi-yon!
Nonie46 11 months ago
Another gem to Human race.
waciranjagi 1 year ago
im a soprano and i love this song
alexpelaez97 1 year ago
I have listened to all singers of "O Thou That Tellest Good Tidings to Zion" and I find it amusing that the singer pronounces the letter "i" in Zion as "ai". It should be pronounced Tsiyon and not Saion.
Nonie46 1 year ago
@Nonie46 You mean "tsee-on"? That would be the German pronunciation. The pronunciation in this recording, as all other recordings I have heard, is correct. They are using the English pronunciation of Zion, which is only appropriate when singing in English.
Gilmaris 1 year ago
love the song but too slow
MrFlexybee 1 year ago 11
Sorry folks got the conductor wrong, it's Walter Susskind. Helen Watts rerecorded the work with Colin Davis later in her career.
Tenortalker 1 year ago
This is certainly Helen Watts , Contralto conducted by Colin Davis. One of the greatest oratorio soloists in the world, she was loved by the public and her fellow professionals. I also saw her as Mrs Sedley in Britten's Peter Grimes in the 1980's. She had a lovely, gracious stage presence.
Tenortalker 1 year ago
The tempo was rather slow when the falsetto (contratenor) solo was singing... and towards the end when the choir was singing, it suddenly speed up!
jonnyenglishlim 1 year ago
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evieektfj 1 year ago
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spanishaaron 1 year ago
This is the same way I sang for solo competition in my state, trained me well enough to get a one (highest score) :) Great piece!
turbokiera 1 year ago
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A little late for Easter, but I found this awesome recording...it doesn't say who the soloist is, though. London Philharmonic, Oh Thou that Tellest Good Tidings to Zion
dronomophone 1 year ago
A little late for Easter, but I found this awesome recording...it doesn't say who the soloist is, though. London Philharmonic, Oh Thou that Tellest Good Tidings to Zion
dronomophone 1 year ago
This is slowest rendition I have heard of this piece... Quite beautiful!
redaverages 1 year ago
Is there a place where this can particular recording can be downloaded in its entirety? I really like it and would like to purchase it.
utenn99 2 years ago
OH, no. This piece is specifically for a contralto, I believe. There is, in The Messiah, only one other solo that is specifically for ALTO, that is to say, a male countertenor.
massapequaNEWS 2 years ago
this is the lowest mezzo solo but the alto solos are really for 2nd sopranos or 1st altos i wish there were more DEEP alto solos
DSINGZ 2 years ago
Yea but i mean a solo that goes down to maybe a low F or so those kinds of contralto solos are stunning when you get the right soloist
DSINGZ 2 years ago
I am a simpleton with no education, musical or otherwise, but I hear the beauty of this. Excellent.
normalil 2 years ago
No, it can be sung by the countertenor but the oratorio is originally split up amongst the standard voices - Soprano, Alto, Tenor, and Bass. They also have mostly the same amount of arias - Soprano 6, Alto 5, Tenor 6, Bass 5.
IKickHobos 2 years ago
This was wonderful.
chris
mradaChris 2 years ago
She is a bamf.
shiksagoddess25 2 years ago
I think the soloist here is a generally a man (although perhaps that is debatable.
dogtransport 2 years ago
This is one of the alto aria's. I'm currently working on it.
shiksagoddess25 2 years ago
I thought it was for male countertenor. Maybe it varies because I there is no one set version of the Messiah.
dogtransport 2 years ago
A bit slow? All the better to enjoy the music . The recordings of Messiah done during the 1950's & 1960's were recorded at a slow pace.
bluefete77 2 years ago
I agree good singer but far too slow and stodgy. That was the way it was done back then. I believe the singer is contralto Helen Watts.
djhooten 2 years ago
Sorry Guys! I enjoyed it immensely
roskruge 3 years ago
not too baroque for my taste
margotlorena 3 years ago
Any recommendations for this peice?
Op139 3 years ago
I find it a bit too slow for my taste, the singer is a fine one.... can you tell who is directing and the soloists??
margotlorena 3 years ago 6
No I cannot. The disk set was simple and didn't indicate the names of the soloist or the conductor. It only specified the orchestra.
Op139 3 years ago
I believe I have the same recording you do. It has Walter Susskind conducting, with the London Philharmonic Choir singing (Choirmaster Frederick Jackson). But, sadly there are no soloists listed either, which confuses me.
madderbass 2 years ago
You're right - this version is a tad too slow.
jemmabond 3 years ago