Added: 3 years ago
From: Nachtmarchen
Views: 19,367
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  • Trying to learn this in bass is much harder than i thought it would be......

  • Sounds almost arificial. The longer the composers name, the less better it gets.

  • i like it but the staccato gets a little annoying haha

  • I'll answer myself: IT's due that, when Mozart wrote this music, there was used to tune the "A " at 415hz or lower... the actual tune of 440 for the "A" note was recently aproved in the XX century.

  • @Joshuamalmsteen I was about to answer your question when I saw this comment. The Norrington and Druce version of Mozarts's Requiem (somewhat rare; my teacher lent her copy to me) is an extremely accurate period performance, with the tuning given in the liner notes (A=430, I believe). Norrington does more research than most period conductors; this is offset by Druce's re-composing of the notes thought to be not of Mozart's choosing (as he died before completing this work). It is very well done.

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  • Too much staccato in the choir. Lesson of the day: Don't feed choristers frogs before a recording.

  • Comment removed

  • The passage starting with 'Oro supplex et' at 01.28 is, for me, perhaps the greatest thing Mozart ever wrote. :-(

  • es muy original pero sigo pensando que es mucho mejor director karajan para el requiem ... quiero opiniones!!!!

  • This recording( XI-XII 2003) is quite an event of coming up century. Thanks for posting ! But the sound Q-ty (there are some Furtwangler recordings 60+ y.o. sounds better) from Utube !?!?! I compared with SACD ! at least 78% is missing ! maestro HARNONCOURT deserved more , extremely more . . attention . . . from intellectuals. Thank You: Nachtmarchen !

  • Thank you for uploading this music. It is an amazing recording.

  • Wow.. I dont know what to say.

    At first I was not sure but after the voca me!

    Very good work.

    Thank you for uploading

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