If this is all natural light then that's mind blowing. It's a day for night of sorts, then? I can't remember whether this scene is contextually day or night
@munkybrain I believe it's contextually dawn on the coast. This takes place after Alma stays up all night talking to Elizabeth Vogler. It might not be natural lighting but I believe Bergman was pretty intent on using natural light as often as possible (sunlight or even oil lamps and candles) so I wouldn't doubt that they would have waited for the right light.
Brilliant. Great quote as well. Did that quote come from his Magic Lantern biography?
Every time I see another one of his films- I have a new favorite. Just this week I saw Sawdust and Tinsel AND Fanny och Alexander...on Y.T. !!
He is the sublime psychological master. I am involved in a ongoing,heated debate presently as to who the greatest film maker of all time is-Bergman or Kubrick. Their merits get flung back and forth. Only a few other names have even been mentioned in the conversation.
@1488bill I think Bergman, no doubt about it. Bergman completely changed cinema forever. Every film we see now in theaters was influenced by Bergman. He added a a depth of reality to the screen which at the time, was completely unbelievable. It's just hard for us to see it now because of how saturated our current media is with what he invented.
@munkybrain I've just seen ' The Serpent's Egg' - that's about the 20th Bergman film I've seen. I really like a lot of foreign film directors - Godard, Ken Russell, Mike Leigh, Lars V. Trier - but I love Bergman the most for many of the reasons you touched upon. To me, Bergman personifies the aesthetic pursuits of Nietzsche.
Greatest filmmaker EVER
takkcertu 3 months ago
If this is all natural light then that's mind blowing. It's a day for night of sorts, then? I can't remember whether this scene is contextually day or night
munkybrain 9 months ago
@munkybrain I believe it's contextually dawn on the coast. This takes place after Alma stays up all night talking to Elizabeth Vogler. It might not be natural lighting but I believe Bergman was pretty intent on using natural light as often as possible (sunlight or even oil lamps and candles) so I wouldn't doubt that they would have waited for the right light.
tylershoemakeri 3 months ago
Brilliant. Great quote as well. Did that quote come from his Magic Lantern biography?
Every time I see another one of his films- I have a new favorite. Just this week I saw Sawdust and Tinsel AND Fanny och Alexander...on Y.T. !!
He is the sublime psychological master. I am involved in a ongoing,heated debate presently as to who the greatest film maker of all time is-Bergman or Kubrick. Their merits get flung back and forth. Only a few other names have even been mentioned in the conversation.
1488bill 1 year ago
@1488bill I think Bergman, no doubt about it. Bergman completely changed cinema forever. Every film we see now in theaters was influenced by Bergman. He added a a depth of reality to the screen which at the time, was completely unbelievable. It's just hard for us to see it now because of how saturated our current media is with what he invented.
tylershoemakeri 1 year ago 6
@tylershoemakeri well said, can I post to a friend?
loridomi1 3 months ago
@1488bill I agree with tyler. If i have to put them in order, I would rank bergman higher. Bergman had the better focus and the furthest reach.
munkybrain 9 months ago
@munkybrain I've just seen ' The Serpent's Egg' - that's about the 20th Bergman film I've seen. I really like a lot of foreign film directors - Godard, Ken Russell, Mike Leigh, Lars V. Trier - but I love Bergman the most for many of the reasons you touched upon. To me, Bergman personifies the aesthetic pursuits of Nietzsche.
1488bill 7 months ago