they are both wonderful...and they interact well together to provide a complete piece of art. As the Zen saying goes: "To compare what you like with what you dislike, this is the disease of the mind, you pass over the hidden meaning, peace of mind is needlessly troubled. It is round and perfect like vast space, lacks nothing, never overflows. It is only when you take and reject that you lose the means to know its Suchness." That about sums it up!
Great players both, the only thing I wished for was a split screen, especially showing the interactive spots, the last 2 or 3 choruses or so...(5:45).
Who can say that Mehldau has a "more advanced" sense of harmony? What defines an advanced sense of harmony? Mehldau may play out of the key more often, and use more lines oriented around fourths, but what makes that more advanced except that it's less frequent?
this video is absolutely amazing, and both players are the top of the top!
Did anyone notice Barron plays the same bebop lick in diffrent ways in every sigle chorus? Brilliant use of repetition or just letting the hand play mechanicly?
@ReconSphinx interesting question, i find myself doing the same thing ALL the time, muscle memory. Its useful, when one runs out of ideas, to fall back on.
i love how they both have their own ways of playing and their own creativity. That makes a true jazz master, understanding your own way of playing, and make it sound genius.
@Rvlouie Sorry, he doesn't have the feel. Sounds like he never heard a blues. Great player, but no blues in the sound. Kenny Barron represents the history in all it's incarnations. Brad just kind of has part of it and seems like he ignored the other stuff. I won't say what other stuff, but important stuff.
@Modes9 If you knew what blues was you would have never have made that ignorant statement. I don't want to hear blues cliches either because THAT'S NOT THE BLUES EITHER! Blues is not a scale or a lick, blues is the way you play something. Blues is an INTENTION. McCoy Tyner had a bluesy sound and so did Woody Shaw even though they played very angular lines. John Coltrane played the most progressive stuff you ever heard, but he never left that part of tradition behind. Did trane play cliches??? NO
Yeah Mehldau seemed to me to have a deeper awareness of how to play over the chords, allowing him to be more sponaneous in his solo, and to get more abstract and "far out" while simulataneously remaining deeply entrenched in the harmony. At the same time he starts out in such a beautifully classical bebop sort of way.
@fluentc One of the best things about this recording I think is that it doesn't have the feel of a cutting contest, it's so much like a conversation between two people, especially when Barron hands over to Mehldau, they play a joint chordal thing for a number of choruses as if Mehldau is taking up Barron's strain of thought, that's the best thing about it for me, the vibe the two create together.
Ok, in my humble opinion, comparisons of two inimitable and accomplished players like this should never be to conclude who is a "better" piano player. That being said, what makes Mehldau so fun for me to watch is when he finds some simple melodic line and holds to it like he does at 2:30 - 3:00. For me, he has one of the most unique and creative melodic dynamics between left and right hand, and the way he twists those phrases as Barron works his way down. Whoowee, gives a man the chills.
It's too bad a die hard jazz enthusiast and a new lion forging ground in the idiom have succombed to such low levels of pop fodder. As Duke said, "It don't mean a thing if it don't have that swing." They may be playing something, but who cares? It doesn't swing.
I think you may be missing the point... jazz isn't about stagnation and rigidly sticking to things. Oscar Peterson is influenced by Art Tatum amongst others, but not does not quite play the same. Bill Evans, Keith Jarrett, Chick Corea, Brad Mehldau. I do not say these names to drop names but to illustrate how things have changed over time. Everyone influenced by elsewhere, so rather who cares what it is or isn't.. if you don't like it, fine, but you don't need to diss exciting playing
Well, I tell you: they're more expensive than the Bösendorfer Imperial, the one with 97 keys. And I think they´re the longest pianos available. The F308 is more than 10 feet long.
Barron and Mehldau are top-notch players, yet it's a pity neither one is playing a walking bass line: the low notes on those monster pianos would blow everybody's brains...
Another proof of the high quality of the Fazioli: look at 3:30, on Mehldau's close-up, the short run of the hammers under the strings. That accounts for a terrific response on the keyboard.
Proof that Jazz was a gift received directly from God. It is a miniature model of the Universe in that underneath the beauty created seemingly by randomness and chaos, there is a method to the madness.
Barron fucks, Mehldau sucks
ulastein 3 hours ago
There's a lot of good "outside" playing in their solos. Also, wow! I've never heard a jazz piano duet so solid and concentrated.
beaprod 1 month ago
one of the best , least plonky piano duets i ve heard. listening staying out the way and owning the 88's. i love both their comping styles.
markmarktarmann 3 months ago
I am not sensitive enough for Mehldau, so I am happily blown away by Barrons skills and style.
zzausel 3 months ago
they are both wonderful...and they interact well together to provide a complete piece of art. As the Zen saying goes: "To compare what you like with what you dislike, this is the disease of the mind, you pass over the hidden meaning, peace of mind is needlessly troubled. It is round and perfect like vast space, lacks nothing, never overflows. It is only when you take and reject that you lose the means to know its Suchness." That about sums it up!
veeveeyt 4 months ago
Great players both, the only thing I wished for was a split screen, especially showing the interactive spots, the last 2 or 3 choruses or so...(5:45).
MarkEisenman 6 months ago
I think Barron's piano sounds better.
HendrixcommaMartin 9 months ago 2
Comment removed
OGfern 9 months ago
Who can say that Mehldau has a "more advanced" sense of harmony? What defines an advanced sense of harmony? Mehldau may play out of the key more often, and use more lines oriented around fourths, but what makes that more advanced except that it's less frequent?
this video is absolutely amazing, and both players are the top of the top!
fuzzyfeet 10 months ago
widerness.how do they know where they are.incredible.
spadge1able 11 months ago
Did anyone notice Barron plays the same bebop lick in diffrent ways in every sigle chorus? Brilliant use of repetition or just letting the hand play mechanicly?
ReconSphinx 1 year ago
@ReconSphinx
haha, wanted to write the same.
you mean at about 0:31 right?
Andreeeiiii 1 year ago
@Andreeeiiii
Exactly, and again at 0:42 and so it continues:)
ReconSphinx 1 year ago
@ReconSphinx interesting question, i find myself doing the same thing ALL the time, muscle memory. Its useful, when one runs out of ideas, to fall back on.
DangerDancer69 10 months ago
Forcément magnifique. Obviously magnificent
manuelmarches 1 year ago
it's boring after 7:05
Qbafix 1 year ago 7
i love how they both have their own ways of playing and their own creativity. That makes a true jazz master, understanding your own way of playing, and make it sound genius.
bballbrotha6 1 year ago
awesomeness at it's limit!!!
todomusika 1 year ago
I guess they can get more gigs in Italy than here. Neither of these guys is heard enough in the USA (where the music originated!). Aren't they great?
JHJennings 1 year ago
Incredible! I could listen to this all day, every day.
gigijazzygirl 1 year ago
Baron played the blues... somebody else did not... that will be all folks.
trumpetman 1 year ago
@trumpetman
witnesspodcast 1 year ago
@trumpetman Uh, Mehldau plays mad blues, and he plays the blues all the time.
Rvlouie 11 months ago 4
@Rvlouie Sorry, he doesn't have the feel. Sounds like he never heard a blues. Great player, but no blues in the sound. Kenny Barron represents the history in all it's incarnations. Brad just kind of has part of it and seems like he ignored the other stuff. I won't say what other stuff, but important stuff.
trumpetman 11 months ago
@trumpetman I'll take triadic and quartal superimposition over annoying blues cliches any day, thanks...
Modes9 5 months ago
@Modes9 If you knew what blues was you would have never have made that ignorant statement. I don't want to hear blues cliches either because THAT'S NOT THE BLUES EITHER! Blues is not a scale or a lick, blues is the way you play something. Blues is an INTENTION. McCoy Tyner had a bluesy sound and so did Woody Shaw even though they played very angular lines. John Coltrane played the most progressive stuff you ever heard, but he never left that part of tradition behind. Did trane play cliches??? NO
trumpetman 3 months ago
mon dieu !!!ce sont des montagnes
SuperSaurel 1 year ago
good musicians really know how to listen to each other--you can see that here. what a tremendous duet.
thedeservingmany 1 year ago
jai pas de mots c juste wao !!!
OliverDuarte88 1 year ago
Un duo rare! ces deux pianistes se complémentent , c'est plus que ça, un super duo! Whaouuu!!!
Villarroelish 1 year ago
For me bebop can get boring after awhile. Mehldau mixes bebop with contemporary jazz which i think is awsome.
ukijhu97 1 year ago
Yeah Mehldau seemed to me to have a deeper awareness of how to play over the chords, allowing him to be more sponaneous in his solo, and to get more abstract and "far out" while simulataneously remaining deeply entrenched in the harmony. At the same time he starts out in such a beautifully classical bebop sort of way.
fluentc 1 year ago
@fluentc One of the best things about this recording I think is that it doesn't have the feel of a cutting contest, it's so much like a conversation between two people, especially when Barron hands over to Mehldau, they play a joint chordal thing for a number of choruses as if Mehldau is taking up Barron's strain of thought, that's the best thing about it for me, the vibe the two create together.
fluentc 1 year ago
these guys sound so hip. im just waiting for a walking bass line though! xD
enzo321 1 year ago
I love how, no matter where one goes, the other is right there with them! Man I need to work on my blues substitutions!!
bigwm 1 year ago
These guys are amazing
KilroyWasHere11 2 years ago
loving Mehldau, BUT...in this tune Barron kicks ass :)
aladarmezil 2 years ago
and now this two is far way out!!!
Love this duo!!!
altodds 2 years ago
Ok, in my humble opinion, comparisons of two inimitable and accomplished players like this should never be to conclude who is a "better" piano player. That being said, what makes Mehldau so fun for me to watch is when he finds some simple melodic line and holds to it like he does at 2:30 - 3:00. For me, he has one of the most unique and creative melodic dynamics between left and right hand, and the way he twists those phrases as Barron works his way down. Whoowee, gives a man the chills.
TheRipleys 2 years ago 20
yeah agreed that bit is fkin maaadddd
monkeywithsticks 2 years ago
right?ha, you know when he takes his left hand off and starts grooving it's gonna be good -- and that everybody's about to get their ears humped.
TheRipleys 2 years ago
@TheRipleys well said sir.
DavidKing1894 4 months ago
Holy fuck
contrarew 2 years ago 47
I saw this guy in concert yesterday, and I was blown away!
Acousticshredder24 2 years ago
Lol the bold guy looks like a builder
Samickboom 2 years ago
I think Barron has the right balance between traditional pianism and modal\modern concepts. Great
JLorz84 2 years ago 2
Precizna technika , ohnive frazovanie , hra srdcom
Tito dvaja pani vedia co robia
JazzKubko 2 years ago
This remember me An Evening Withe Herbie Hancock and Chick Correa.
Just AWESOME!!!!!!!!
davizao 2 years ago
I like the part 2:30 - 3:00 where Barron goes down on the keyboard en Mehldau goes along and comes up with another of his briliant ideas! Top!
laurens36 2 years ago
This has been flagged as spam show
It's too bad a die hard jazz enthusiast and a new lion forging ground in the idiom have succombed to such low levels of pop fodder. As Duke said, "It don't mean a thing if it don't have that swing." They may be playing something, but who cares? It doesn't swing.
Par3pio2 2 years ago
I care. It does swing. You just dont notice it. Who cares if you do or dont? I dont?
Best, Sandemose
Sandemose 2 years ago
enthusiast? I believe a more adequate description would be jazz icon.
TheDionysiac 2 years ago
I think you may be missing the point... jazz isn't about stagnation and rigidly sticking to things. Oscar Peterson is influenced by Art Tatum amongst others, but not does not quite play the same. Bill Evans, Keith Jarrett, Chick Corea, Brad Mehldau. I do not say these names to drop names but to illustrate how things have changed over time. Everyone influenced by elsewhere, so rather who cares what it is or isn't.. if you don't like it, fine, but you don't need to diss exciting playing
joeljjison 2 years ago
You are a tool.
cybertooth49 2 years ago
You accuse this of not swinging when you upload videos like your Blue Bossa clip?
lol
cybertooth49 2 years ago
this is good, good, sh*t---! Mehldau is amazing!
globalistbrat 2 years ago
Those two Italian pianos must be so wonderful to play on... look in the keyboard close-ups how the keys bounce up...
Well, the piano is an Italian invention...
JazzBrother88 2 years ago
I've heard only great things about Fazioli. They're supposed to be exclusive, ultra high-quality, and of course prohibitively expensive.
kebgron 2 years ago
Comment removed
matirocker 2 years ago
Well, I tell you: they're more expensive than the Bösendorfer Imperial, the one with 97 keys. And I think they´re the longest pianos available. The F308 is more than 10 feet long.
Just imagine the sound...
JazzBrother88 2 years ago
Barron and Mehldau are top-notch players, yet it's a pity neither one is playing a walking bass line: the low notes on those monster pianos would blow everybody's brains...
Another proof of the high quality of the Fazioli: look at 3:30, on Mehldau's close-up, the short run of the hammers under the strings. That accounts for a terrific response on the keyboard.
The Rolls Royce of pianos.
JazzBrother88 2 years ago
Comment removed
kebgron 2 years ago
not so great difference, blogdocrato, not so great. in fact they wouldn't make any difference at all...
mehldau is one of a kind.
bygota 2 years ago
Woooooooooooooow! 4:13
floppzy7 2 years ago
At 4:11 is where Herbie Hancock or a Chick Corea makes a great difference...
blogdocrato 2 years ago
Listen for Oscar Peterson and Herbie Hancock Duo on this same piece here at youtube...
blogdocrato 2 years ago
Proof that Jazz was a gift received directly from God. It is a miniature model of the Universe in that underneath the beauty created seemingly by randomness and chaos, there is a method to the madness.
Thetaquo 2 years ago
Weee....that's an expensive pile of pianos on the stage there, with a couple of monster players.
I've had Billie's Bounce earworming me for about a week now, and after to listening to this I can look forward to at least another week.
JazzmanJibilla 2 years ago
swingggggg baby !
Santiagojimenezb 2 years ago
un'altro pianeta
pacolecce 2 years ago
(with a ?)
jiggity99 2 years ago
Jazz is our art and it is our science.
AstroScorp1 2 years ago
Anyone have a violin.
jiggity99 2 years ago
I think it's definitely as complicated as any science!
Thetaquo 2 years ago
Know where I can get the recording?
bobaiyun 2 years ago
yer lookin at it
futboler454 2 years ago
go joey!!!!!
Mikeyaw0110 2 years ago
A MASTER and a NEW STAR!! THEY're Two MONSTER of the PIANO!
theblueknight99 2 years ago 4
Uao
pianolockstyle 3 years ago
very goood! the version of herbie hancock and oscar peterson is also very good!
Thianam 3 years ago 6
One of the most amazing jazz duets I've seen. Fantastic!
chilkari 3 years ago 4
Oh MAMA! What a brilliant duo.
ssminopoopy 3 years ago
who needs a rehearsal?
godswiph 3 years ago
'Just a blues...'
hoolythebold 3 years ago
Oh my freaking...
ReminiscenceHr 3 years ago
oh yeah. and...this is a F Blues?? haha amazing.
raikonomicron 3 years ago 4
Thanks, Dilberg1!!
paulvichy 3 years ago