I still say that this is one of the hardest drum licks in the industry and I remember Jellybean Benitez playing it live in Oakland, California back in 1986...my goodness...nice job though bro'
hey benno . didnt know you were such a beat scientist AND a groovemeister.
i like the the sound, and the way you play it better than what i heard on the time or tupac...prob cuz yer doin it ....not on a machine. really nice, and great tutorial. and no your facial expression is not too stern. much friendlier than most professor's or seminar givers.
Hey Ben-Great new page! Very helpful instruction and insight into this beautiful beast of a beat. Please check-out my take on it on youtube under 777-9311 dj9747 Coup Detroit -
@steelyben actually producer Johnny J of 2pacs song everything played live in studio, so it wants a direct sample from original source
hi hat was recorded in stereo, coming from left and right speakers slightly different, compared to prince version which was tracked in mono and level balance is same.
but as a drummer who plays mostly by ear. your break down of the song sounds wierd to me because I do not know where your down beat falls. mainly the 1. The slowed down playing sounds nothing like the song to me.. I'm lost. maybe it's just me lol.
I knew I should have done more site reading..dang!! lol
thanks for sending me this post I have subscribed for all future post.
you got the ears my friend, and your version sounds great.
my trained brain needed to know where the 32nds are exactly, and slowing stuff down is a talent i just happen to have. it helps me understand and analyse, and sometimes even to come up with a more convenient sticking.
but check out john blackwell on this one, even he is not literally quoting the original linn groove!
but he sounds so funky and close to the FEEL of the original, and that is what counts after all.
@steelyben I sent a vid to your inbox hopefully it worked..After reading the posts again I realize you were talking about the 2 and 4 claps.. I'll have to work on that one.. But I meant to say on the E of 4 the snare and hats play together on the beginning of the "5" stroke roll,. I mistakenly said 7 stroke..
This is good, I just read your message, this was a really good cover and explanation, and you didn't use a drum machine. You should try doing a cover with the other instrumentals in it.
a great fellow drummer by the name of oli rubow has suggested, that as the next step we should try to incorporate the claps on 2 and 4 somehow, even if that meant to technically compromise the above cadence in parts.
Finally! Sumbody dat can actually play it rite! Thumbs up
Sen1or1ta 2 weeks ago
Kind of messy sounding in the beginning.
LaughingOutKraut 3 weeks ago
Damn dude,you was jamming!!!!!
tiffaneeannbarrett 2 months ago
damnnnnnnnnn!
124gthomas 3 months ago
Thks man helped me out alot with this
Jakegoad1 3 months ago
I still say that this is one of the hardest drum licks in the industry and I remember Jellybean Benitez playing it live in Oakland, California back in 1986...my goodness...nice job though bro'
MarcEAllen 4 months ago
hey benno . didnt know you were such a beat scientist AND a groovemeister.
i like the the sound, and the way you play it better than what i heard on the time or tupac...prob cuz yer doin it ....not on a machine. really nice, and great tutorial. and no your facial expression is not too stern. much friendlier than most professor's or seminar givers.
markmarktarmann 5 months ago
@markmarktarmann
Mark - long time!
thanx for chiming in, and thanx for the props as well!
all the best,
b
steelyben 5 months ago
@steelyben erratic, needs work but you've got it down. Remember, it don't mean a thing if it ain't got that swing!
LISTENtotheMANofGOD 1 month ago
Hey Ben-Great new page! Very helpful instruction and insight into this beautiful beast of a beat. Please check-out my take on it on youtube under 777-9311 dj9747 Coup Detroit -
dj9747 6 months ago
This guy almost got the 777-9311 beat perfect, its a very difficult beat to master but this guy is close!!!
1227Julius 7 months ago
simply sick!!! you could have easily stepped in for jellybean!!
darkadaberry 8 months ago
@darkadaberry
He would have to step in for a Drummachine... only the cymbals were "real" in the original Song... and were played by Prince himself ;)
But yea, really great work! *bows*
jermakki 6 months ago
This guy gets it .There's another guy who is suppose to be an expert on the drums ,but couldn't make it work . THIS DUDE UNDERSTANDS THE DRUMS !!!
MultiGuarddog 8 months ago
This guy gets it .There's another guy whois suppose to be an expert on the drums ,but couldn't make it work . THIS DUDE UNDERSTANDS THE DRUMS !!!
MultiGuarddog 8 months ago
Yo...dude!! You are GREAT!! You got the pocket on LOCK!
careergyrl1 8 months ago
War das in der Aula von der Hvk Die hatt auch so Wände!
Schöne Grüße,
Luca
MultiSk8freak 9 months ago
@MultiSk8freak
ha. good to see ya!
nope, tonAtelier studios, Frankfurt.
couldn't get the sound as good in hvk, even if i tried to :)
steelyben 8 months ago
wow! man i wish i played an instrument ...
sgj002 11 months ago
Very nice. Towards the end of tuturial, I'm reminded of "Dance Wit Me" percuss (Rufus)
Papillonmuscogee 11 months ago
in fact there's no 2Pac version of this groove cause his track 'What'z Ya Phone #" uses a direct sample from the original
BayanTheOne 1 year ago
@BayanTheOne
well, i would agree with you of course.
i did not intend to say that tupac did anything generically new with the groove. he just sampled it, yes.
but first of all, he slowed it down a tad bit, and added some compression of some kind. it is easier for me to hear the 32nds in "what's ya phone #".
and then, yeah, i really wanted to point out the obvious: this exact groove has been re-used by another famous artist!
ez,
b
steelyben 1 year ago
@steelyben actually producer Johnny J of 2pacs song everything played live in studio, so it wants a direct sample from original source
hi hat was recorded in stereo, coming from left and right speakers slightly different, compared to prince version which was tracked in mono and level balance is same.
love the synth in outro of whatz ya phone #
Dzoni73 9 months ago
@steelyben sorry for typo, meant to say - "it wasn't a direct sample"
@BayanTheOne
Dzoni73 9 months ago
Dude you got it right.....I played it just like that were are some Bad ASSES!!!!!!
1stickynotepad 1 year ago
great vid!
musicofthesoul85 1 year ago
BEAUTIFUL!!! Thank you, thank you, thank you!!!
brohoop 1 year ago
again I love your playing of 777-9311
but as a drummer who plays mostly by ear. your break down of the song sounds wierd to me because I do not know where your down beat falls. mainly the 1. The slowed down playing sounds nothing like the song to me.. I'm lost. maybe it's just me lol.
I knew I should have done more site reading..dang!! lol
thanks for sending me this post I have subscribed for all future post.
geminidrums 1 year ago
@geminidrums
you got the ears my friend, and your version sounds great.
my trained brain needed to know where the 32nds are exactly, and slowing stuff down is a talent i just happen to have. it helps me understand and analyse, and sometimes even to come up with a more convenient sticking.
but check out john blackwell on this one, even he is not literally quoting the original linn groove!
but he sounds so funky and close to the FEEL of the original, and that is what counts after all.
steelyben 1 year ago
@steelyben I have checked out John Blackwell version and it does sounds great also.
and as for your slowing the beat down talent...two thumb up. look foward to seeing more of your videos.
geminidrums 1 year ago
You could play both hand together on the beginning of the 7 stroke roll
I just realized I do 1 too many hits at the end.. haha
Nice job explaining well done...
MrHostilestudios 1 year ago
@MrHostilestudios
i am lost, can you point out where and how you mean that exactly? or can you show it on a video response maybe?
thanx for the comment!
steelyben 1 year ago
@steelyben I sent a vid to your inbox hopefully it worked..After reading the posts again I realize you were talking about the 2 and 4 claps.. I'll have to work on that one.. But I meant to say on the E of 4 the snare and hats play together on the beginning of the "5" stroke roll,. I mistakenly said 7 stroke..
MrHostilestudios 1 year ago
@Steely.. It wouldn't let me add a video response.. so I posted on your main Comments page..
MrHostilestudios 1 year ago
@MrHostilestudios
i dont know why youtube couldn't let posters know that i want to approve - simple as that.
i love a discussion, but i want to avoid certain off-topic behaviour.
so first of all, welcome!
i can see in my inbox you tried to post a response - can you do that again? cuz the inbox folder ithen s empty for some reason.
steelyben 1 year ago
@MrHostilestudios
the video response thing is broken or something.
here is the link to yours, i could see it from my inbox:
paste this after youtube.com
/watch?v=nP1HmwRwgQw
very well played i think, and we're like groove-brothers on this one.
will try to sort out that vid thing later.
steelyben 1 year ago
@steelyben Thanks man.. I'll have to do some homework to figure out those hand claps.. haha
MrHostilestudios 1 year ago
This is good, I just read your message, this was a really good cover and explanation, and you didn't use a drum machine. You should try doing a cover with the other instrumentals in it.
Keep it up :D -Fore
Foreverass 1 year ago
@Foreverass
you mean, playing along with a backing track?
thanx for stoppin by!
b
steelyben 1 year ago
addendum:
a great fellow drummer by the name of oli rubow has suggested, that as the next step we should try to incorporate the claps on 2 and 4 somehow, even if that meant to technically compromise the above cadence in parts.
any suggestions?
steelyben 1 year ago