@bodiloto, hahahaha! Ni en tus sueños mas delirantes has podido escuchar tu a 'Miguelon' cantando como Calaf! Hahahaha! hablas virtualmente y de lo que te contó 'il tuo vecchio nonno'!....ahahahaha!...el mejor Calaf Corelli! y la mejor 'Principessa congelata' la Nilsson!....regresa a la realidad de una vez, hombre!
Lo que pasa que estamod acostumbrados a escuchar el rol por sopranos dramaticas o spintos...pero en realidad tiene que ser una voz como la de caballe o la kabaivanska...por momentos solo se nesecita una voz dramatica, pero en llegando al final se requiere una voz dulce cuando dice SU NOMBRE ES AMOR...HERMOSA POR SIEMPRE CABALLE
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HORRIBLE...CABALLE AS TURANDOT??...A GREAT MISTAKE OF THE SOPRANO WHO THINKS THAT BEING A SINGER MEANS THAT SHE COULD SING EVERYTHING....REALLY AWFUL TURANDOT !!!!!
@nicolasfurrikane invano sei aggressivo,tu amico della lirica non capisci nulla, e un fatto che cosa ti tradisce?
Il tuo commento sul mio canale dove mi dici che sono "coglione"(anche tu non conosci la vera ragione perché mi insulti),quelli che conoscono il mestiere sanno molto bene che dal vivo Pavarotti non aveva la voce adatta à questo repertorio.
Hai sentito la voce di Pavarotti dal vivo e senza microfono?Non credo.
Caballe's voice might be a little too light for this role but she has a very big voice so she could cover the orchestra;and.her breath control is amazing..listening to her Turandot, I realize that I don't miss the real dramatic one....
Pavarotti es el mejor Calaf que he oido su voz suena muy potente a pesar de los comentatrios de los que no pueden aceptar que era tan bueno y mucho mejor que Delmonaco Corelli, etc.
mmm I think Caballé has not the correct voice for this aria. I mean, she's way too light. Anyway, Pavarotti is too lyric, so who care right now about sub types of voices. Th version's good, maybe a little slow, but is still very enjoyable.
Me parece muy segura , esta muy bien la Sra Caballe en comparacion con la version grabada en estudio con Jose carreras,.La soprano estuvo muy mal. Y otra version muy buena es la que cano con el tenor Giacomini. muy buena
Es de las mejores interpretaciones de M. Caballe y con el acompañamiento del mejor tenor que ha habido a parte de E. Caruso es una excelente interpretacion.
Per quest'opera il duo unico e impareggiabile è formato dalla Nillson e da Franco Corelli. La Caballè proprio non c'è e Pavarotti aveva una voce troppo lirica per il ruolo di Calaf. Franco Corelli, invece, era il Principe Ignoto.
He oido mil veces eso de que la Caballé es demasiado belcantista para este papel. Sin embargo, por mucho que lo sopese, a mi me parece una Turandot excelente y con una voz mucho más dura de lo que es habitual en Caballé. Me encanta.
Do you people really like Caballe as Turandot ? I adore Caballe but not as Turandot. Her voice is too light! She doesn't scare nobody! I love those intense, electrifying Turandots - Nilsson, Dimitrova. Caballe did not have it in her to sing a good Turandot. Her only successful foray into heavy soprano singing was Salome.
Caballe tells Turandots old legend very strongly. She can make feel, that the princess has a monomania. Pavarotti with Gli emigni sono tre brings a new idea in her life. Their high Cs are great. Remind Nilsson and Corelli! The two relatively lighter voice fits each other perfect. And don't forget: Chailly leads the orchestra excellent!
marokt has to check her piano, she didn't notice the San Francisco Turandot is slowered down a whole tone, Caballe sings Bflat isntead of C and in spite of that her high notes are horrible squally and screamed and has no power
In fact you are incorrect. I don't really care what you think about the singing but they are definitely high B's...as written with High C at the end when she and Pav are singing. All in key as written. Where do you get your information that the keys were lowered. I very diligently checked the notes on my piano...several times
@vergoti20 I was there and she had plenty of power - it's a matter of being able to focus the sound. She cut right through the orchestra. Your pitch is off - the key has not been altered nor were the high notes "horrible squally", whatever that means.
Majestuosa, sublime, magistral, maravillosa, única, imponente, emocionante, excelente, son palabras que quedan chicas para describir la genialidad de ésta maravillosa obra de arte. Sólo puedo decir que me pone la "Piel de Gallina" Y hace que se me caigan las bolas al piso ante tal sofisticada y majestuosa canción. No puedo hacer más que arrodillarme.
Oui Montserrat Caballe est géniale dans cette oeuvre. Elle a une voix sûre et puissante . Et quand on connait la difficulté de ce rôle, un des plus difficiles sinon le plus du répertoire lyrique, on n eput qu'être admiratif. Et que tous ceux qui n'ont jamais fait de chant disent le contraire!!!!
Thank you for this art, it is so wonderful, Monserrat Caballe and Luciano Pavarotti, two wonderful voices. I've heard some shots, where the two sing together. Thank you very much for this great clip
If you think that a Turandot rendition, live on stage, with Pavarotti and Caballé at their best of their voices is boring, I think you are not an opera lovers, not much...
@TurandotFanatic I would have donated my kidney to be there and sit back to listen to this tresure. I envy those lucky one who were there. God me this is out of this world, Caballe + Pavarotti in Turandot.
On a beaucoup reproché à Caballé cette prise de rôle en la comparant à Nilson et à une puissance qu'elle ne pouvait avoir. Mais en écoutant cette intégrale, après l'avoir entendue deux fois à Paris dans ce rôle et tout de suite en Avignon, non seulement elle le "tenait" mais lui donnait un féminité étonnante, avec la puissance quand il le fallait. Pour moi un grand rôle de Caballé.
@bodiloto, hahahaha! Ni en tus sueños mas delirantes has podido escuchar tu a 'Miguelon' cantando como Calaf! Hahahaha! hablas virtualmente y de lo que te contó 'il tuo vecchio nonno'!....ahahahaha!...el mejor Calaf Corelli! y la mejor 'Principessa congelata' la Nilsson!....regresa a la realidad de una vez, hombre!
millonety123 1 month ago
@barkero2, no seras tu, Maestro de Motril?...
millonety123 1 month ago
Big woman, but pretty, youthful sounding voice with clear high notes that do not offend the ear or the senses. Still one of the best.
voizovrsn 1 month ago 2
puede ser liu pero nunca turandot, lo canta todo igual
barkero2 1 month ago
Lo que pasa que estamod acostumbrados a escuchar el rol por sopranos dramaticas o spintos...pero en realidad tiene que ser una voz como la de caballe o la kabaivanska...por momentos solo se nesecita una voz dramatica, pero en llegando al final se requiere una voz dulce cuando dice SU NOMBRE ES AMOR...HERMOSA POR SIEMPRE CABALLE
GeronteDiRavoir 4 months ago
Obviously, you are not a fan of Caballe.
Very disrepectful of this great artist. I am assuming you can do better....
delmoral73 5 months ago
This comment has received too many negative votes show
HORRIBLE...CABALLE AS TURANDOT??...A GREAT MISTAKE OF THE SOPRANO WHO THINKS THAT BEING A SINGER MEANS THAT SHE COULD SING EVERYTHING....REALLY AWFUL TURANDOT !!!!!
simisimi9 5 months ago
Caballe lo hace bien... pero todavia ni siquiera iguala a eva marton
henryortiz100 6 months ago
@nicolasfurrikane negli ultimi 50 anni Corelli,Nicolov e Giacomini erano i migliori Calaf.
Ma il Calaf del mio cuore si chiama.................................. Miguel Fleta.
bodiloto 8 months ago
@nicolasfurrikane come Nemorino si,come Calaf non.
Dal vivo era così.
bodiloto 8 months ago
@nicolasfurrikane invano sei aggressivo,tu amico della lirica non capisci nulla, e un fatto che cosa ti tradisce?
Il tuo commento sul mio canale dove mi dici che sono "coglione"(anche tu non conosci la vera ragione perché mi insulti),quelli che conoscono il mestiere sanno molto bene che dal vivo Pavarotti non aveva la voce adatta à questo repertorio.
Hai sentito la voce di Pavarotti dal vivo e senza microfono?Non credo.
bodiloto 8 months ago
Comment removed
bodiloto 8 months ago
Dove hanno messo i microfoni?...
Come sempre Pavarotti ben amplificato... ))))))))))))))))
bodiloto 11 months ago
La Turner, la Cigna, la Nilsson, la Udovich, la Jones, la Dimitrova, la Marton ...
Merli, Corelli, Nikolov, Barioni, Bartolini, Bonisolli, Cecchele, Giacomini, Martinucci ...
31122051 11 months ago
Ela ñ tinha a voz de turandot, no entanto a mistura de altoritarismo e sensualidade era irresistivel!!
avalokiteshivara 1 year ago
IN QUESTA REGGIA DOVE REGNAVA LUCILLA UDOVICH.
31122051 1 year ago
Caballe's voice might be a little too light for this role but she has a very big voice so she could cover the orchestra;and.her breath control is amazing..listening to her Turandot, I realize that I don't miss the real dramatic one....
andreideathboy 1 year ago
Pavarotti es el mejor Calaf que he oido su voz suena muy potente a pesar de los comentatrios de los que no pueden aceptar que era tan bueno y mucho mejor que Delmonaco Corelli, etc.
ezev8logos 1 year ago
mmm I think Caballé has not the correct voice for this aria. I mean, she's way too light. Anyway, Pavarotti is too lyric, so who care right now about sub types of voices. Th version's good, maybe a little slow, but is still very enjoyable.
RoOodOoOloOmeg 1 year ago
Me parece muy segura , esta muy bien la Sra Caballe en comparacion con la version grabada en estudio con Jose carreras,.La soprano estuvo muy mal. Y otra version muy buena es la que cano con el tenor Giacomini. muy buena
josepliric 2 years ago
Es de las mejores interpretaciones de M. Caballe y con el acompañamiento del mejor tenor que ha habido a parte de E. Caruso es una excelente interpretacion.
mikecol58 2 years ago 2
Per quest'opera il duo unico e impareggiabile è formato dalla Nillson e da Franco Corelli. La Caballè proprio non c'è e Pavarotti aveva una voce troppo lirica per il ruolo di Calaf. Franco Corelli, invece, era il Principe Ignoto.
Calaf081081 2 years ago
He oido mil veces eso de que la Caballé es demasiado belcantista para este papel. Sin embargo, por mucho que lo sopese, a mi me parece una Turandot excelente y con una voz mucho más dura de lo que es habitual en Caballé. Me encanta.
toni14744 2 years ago 6
@toni14744 totalmente de acuerdo, impresionantes!!
UNICORNIO46 1 year ago
Do you people really like Caballe as Turandot ? I adore Caballe but not as Turandot. Her voice is too light! She doesn't scare nobody! I love those intense, electrifying Turandots - Nilsson, Dimitrova. Caballe did not have it in her to sing a good Turandot. Her only successful foray into heavy soprano singing was Salome.
MastersoftheOpera 2 years ago
Nilsson is not so terryfing.
896423658 2 years ago 3
Caballe tells Turandots old legend very strongly. She can make feel, that the princess has a monomania. Pavarotti with Gli emigni sono tre brings a new idea in her life. Their high Cs are great. Remind Nilsson and Corelli! The two relatively lighter voice fits each other perfect. And don't forget: Chailly leads the orchestra excellent!
marokt 2 years ago 8
marokt has to check her piano, she didn't notice the San Francisco Turandot is slowered down a whole tone, Caballe sings Bflat isntead of C and in spite of that her high notes are horrible squally and screamed and has no power
vergoti20 2 years ago
In fact you are incorrect. I don't really care what you think about the singing but they are definitely high B's...as written with High C at the end when she and Pav are singing. All in key as written. Where do you get your information that the keys were lowered. I very diligently checked the notes on my piano...several times
laddnyc 2 years ago 3
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Are you describing your mother in your comment?
ezayi 1 year ago
@vergoti20 I was there and she had plenty of power - it's a matter of being able to focus the sound. She cut right through the orchestra. Your pitch is off - the key has not been altered nor were the high notes "horrible squally", whatever that means.
maestrojimbo 1 year ago
What's that picutre got to do with this recording?
Bigman240 2 years ago 2
Majestuosa, sublime, magistral, maravillosa, única, imponente, emocionante, excelente, son palabras que quedan chicas para describir la genialidad de ésta maravillosa obra de arte. Sólo puedo decir que me pone la "Piel de Gallina" Y hace que se me caigan las bolas al piso ante tal sofisticada y majestuosa canción. No puedo hacer más que arrodillarme.
nicolasdelariva 2 years ago 3
@nicolasdelariva
Oui Montserrat Caballe est géniale dans cette oeuvre. Elle a une voix sûre et puissante . Et quand on connait la difficulté de ce rôle, un des plus difficiles sinon le plus du répertoire lyrique, on n eput qu'être admiratif. Et que tous ceux qui n'ont jamais fait de chant disent le contraire!!!!
liguten 1 year ago
Thank you for this art, it is so wonderful, Monserrat Caballe and Luciano Pavarotti, two wonderful voices. I've heard some shots, where the two sing together. Thank you very much for this great clip
modenacon 2 years ago 4
This comment has received too many negative votes show
totalmente aburrida!!!!
guarra07 2 years ago
Se nota que tenés una oreja tan dura que te impide apreciar la majestuosidad de éstas voces.
nicolasdelariva 2 years ago
beautiful, it moved me into tears...
this rendition is just as awesome as Nilsson and the others did...
tnx for posting...
symyu 2 years ago 4
Sin embargo, TFanatic, la Liu de Monserrat con Pavarotti me parece sublime y excelente, comparada con su propia Turandot.
Axel23632 2 years ago
This comment has received too many negative votes show
Se oye tán aburrida esta versión..,
Axel23632 2 years ago
If you think that a Turandot rendition, live on stage, with Pavarotti and Caballé at their best of their voices is boring, I think you are not an opera lovers, not much...
TurandotFanatic 2 years ago 11
I find them togerther many times a bit boring, but in this perf they are very good. The divina Cabellé sounds here cruel and tough.
marokt 2 years ago 4
@TurandotFanatic I would have donated my kidney to be there and sit back to listen to this tresure. I envy those lucky one who were there. God me this is out of this world, Caballe + Pavarotti in Turandot.
tena2 1 year ago
On a beaucoup reproché à Caballé cette prise de rôle en la comparant à Nilson et à une puissance qu'elle ne pouvait avoir. Mais en écoutant cette intégrale, après l'avoir entendue deux fois à Paris dans ce rôle et tout de suite en Avignon, non seulement elle le "tenait" mais lui donnait un féminité étonnante, avec la puissance quand il le fallait. Pour moi un grand rôle de Caballé.
opera75frfr 3 years ago 3