I've heard the Requiem and the Rex so far on here by Gardiner. Loved the Requiem but the strings are playing staccato in an exaggerated fashion for the first half of the Movement. Should be Legato sostenuto from beginning to end and the tempo seems too fast for my liking. It's original alright.
@losthopeloving ~ You noticed too? I'm been listening [for over 20 years] to a version on CD that was recorded in 1987. It is so burnt into my memory I immediatly noticed. Also on Tuba mirum. The bass singer is horrible. Try to find
the recording by Wiener Philharmoniker/HERBERT VON KARAJAN/1987 Polydor International GmbH, Hamburg.
I'm comparing two choirs' interpretations of Mozart's Requiem, and with every aspect of this performance, it is better. These musicians, and the conductor, are talented people. If your eyes didn't water or you didn't get goosebumps from this performance of this movement, then you must be an emotional brick wall because this is terrific.
Ah, I love watching those videos since not only the music is much more cultivated yet also the users who post commentaries are a lot more eloquent. Oh yes, eloquence how I miss you.
@rickshawsonson in the Baroque period, there was not one standard frequency to tune to. Concert A varied anywhere from 415 to 460. Conventional 'Baroque' tuning today is widely accepted as 415, which (when you are tuning to A 440) is closer to a G#.
@Dodo251 I think it's actually transposed into G minor. The entire requiem varies in key. For example, in the normal major version Requiem, Requiem (aka Introitus) is in F major so the first movement was transposed into the relative minor D. Rex Tremendae is in B flat major, so it's transposed to G minor. Confutatis: C major to A minor. Sanctus: D major to B minor, etc. I believe it's just titled "Mozart's Requiem Mass in D Minor" because the majority is in D Minor.
@Mathadawg Actually, the Introitus is in D Minor. Each key signature can be either a major or a minor key. They all don't start out as major keys. The Dies Irae is also in D Minor. Some movements may be in the dominant or subdominat key, as per the classical rules and traditions.
@Elainelps0421 Oh, thanks. I must not have been really paying much attention when I said that. I just eyeballed the key signature in my score and made that assumption, but upon further inspection I seem to have been sorely mistaken. Thank you for pointing that out.
@Dodo251 Actually maybe not, I'm listening to some of the other movements and it doesn't quite match up like that (Sanctus is actually in D minor, not B minor like I thought). Still, I think Rex Tremendae is in G minor if my ears aren't deceiving me.
This version is far too rushed and staccato'd. I don't think they did a good job of bringing out the emotions of the song. That's what you get when the choir doesn't want to miss out on getting the free latte in the lounge.
@Elainelps0421 I'm glad you feel that way. If you prefer the cookie cutter concept of Mozart's music, the I'll leave it at just that, but musically, very unimpressive.
@AgnoAtheist Like it or not, "cookie cutter", as you so aptly describe the classical style, is when Mozart lived, Mozart wrote and the rules Mozart followed, but even within the confines of this strict style, his music was creative, emotional and beautiful. It has a fervency and pathos which Gardiner painstakingly reproduced in this performance. A great deal of scholarly research went into what Mozart wanted this performance to sound like, not just what Gardiner, Sussmayer or you and I wanted.
@Elainelps0421 Sorry I shouldn't have been so snarky about it. If you enjoyed the version then who am I to judge you on that. Everyone has their own preferences in style and ours just differ on the issue. Far be it from me to take away something from someone who is enjoying it.
@AgnoAtheist Thank you...and I agree completely. I didn't mean to criticize your prefered version so harshly, either. We can certainly agree on one thing: Mozart's music is wonderful regardless of your favorite version! Have a great day, friend!
@slainangel436 lol Apparently you did give a shit or else you wouldn't have got so emotional about it. Considering your name Mr Slainangel, I'd suspect that you already have enough issues in your life. This might be the one the tips you over the edge.
@valoroso82 That's what Mozart wrote, and this is the usual tempo to take it. It's a good interpretation of the words, which translate as "King of tremendous majesty, who freely saves those that have to be saved,
save me, source of mercy." - it quietens down for that last line.
@valoroso82 I love this tempo...it is not too fast, IMHO. If it were, it would sound rushed. That is MY opinion and preference. Mozart is not your average composer. He wouldn't do anything in a medicore or mundane manner...so what we might think as too slow or too fast might be just right for a genius like Mozart. There are some rules he will follow and some he will break. He was at the furthest point in his life creatively and you can see the changes he was heading toward had he lived.
@Elainelps0421 Beside the fact there are many videos here on youtube where anyone tells he prefers this or that director I just think 2 things: first the manuscript itself is controversial; second in this interpretation I think that there is something wrong that couldn't be in a normal requiem; probably the tempo; probably the fact that the orchestra is putting too much stress on the notes
@Elainelps0421 Well my english is not perfect sorry: I mean that the accent (the vertical accent in particular if you've seen the sheet the one more subject to personal preference) on the note is too much emphasized. In this way more than a requiem seems like hearing Radetzky march.
I SO wish that Mozart had double-dotted the vocal parts like he did the strings. Then again I'm probably just partial to that way of singing it because when I sang the work, our conductor had us double dot. Now, every time I hear it straight, one part of me misses the double dot and one part is glad that the conductor was faithful to Mozart's score. If I were conducting, I would insist on the double dot, but I'll bet you $1 000 000 I will never conduct the Requiem.
@jonathanaconway maybe a bit, but I like the way Gardiner does this song - I have a recording of him conducting this a bit slower, and it's the perfect way I think (faster than most, but a big sound)
it is a trombone. trombone has evolved. back in the day, musicians had multiple horns, this is for different keys until the invention and innovation of chambers and such.
I know a lot of recordings take those as double-dotted notes (double-dotted 8th followed by 32nd notes), as that was a convention in the late baroque (and before) with pieces in the "french overture" style. The beginning of the movement is reminiscent of french overture style, but it's debatable (and a matter of interpretation) whether or not to include the double dots.
Having sung this several times, under multiple conductors, this is simply a bit too fast. Much of the beauty in the whole work is the sustained harmony, and this completely eliminates that aspect of the work. A professional job, but nothing special, largely because of the tempi.
I'm a pianist and not a vocalist, but I find the tempo of this recording to be perfect - and a lot better then other recordings I've heard simply because I can actually pick out all 4 voices.
For you, maybe. But of the multiple conductors you've sung it under, apparently none of them were Georg Solti, Martin Pearlman, Peter Schreier, Christopher Hogwood, Claudio Abbado, or Roger Norrington, all of whom take this movement as fast as or faster than John Eliot Gardiner. In the final analysis, the matter of tempo is subjective. I prefer the brisk tempo, and apparently so do a number of musicologists who have expertise in music of this period. It comes down to personal tastes, no?
@lumenradio OMG, you are so right. When I started playing, the neighbor's dog howled. My cat, who sits on my desk and listens to the music with me jumped up and gave me the weirdest look. Then he took off. Truly a frightening recording, especially in comparison to this one.
@emmaaaaargh I think that movie had the same effect on many. Despite it's inaccuracies historically, it's a very entertaining and well written movie and it accomplished something amazing, that is getting more people into classical music. Which I am glad. All music is amazing but to me, classical music is the heart and soul of music. I don't think any other type can express emotion on the same level.
@smzig@smzig I got a copy of the movie for Christmas:) This movie, once revisited, has become partly responsible for my deep emotional love of this Requiem. I have played the Requiem a few times (I am a violinist) and will be doing so again this spring. But I love the movie, and saw it once 25 years ago....then again more recently on You Tube, pieced together. It helped to rekindle my deeply emotional feelings towards this piece. I am also going to see it performed today at the Kimmel!
i thought this was a perfect time to mention that when i listened to Beethoven's 9th (so good! by toscanini) that at one part it sounded like they were singing "cheezy poofs" from south park. its the part where they say "diesum bund", but it sounds like "cheezy poofs" and i told some people, and now i cant listen to it around them becus i hate hearing them say cheezy poofs!
This is one of my favorite pieces of all time, and my fav of Mozart. thats talent! dying and writing the feeling of death!
I think this piece was intended to be performed by a massive choir, not a chamber one. It loses majesty with a smaller group and the fast beat the conductor gives it.
I didn't like the tenors in general, it's hard to hear them. Not tot to mention the tenor soloist!!!
This comment has received too many negative votesshow
Have you heard Barenboim conduct this piece with the Paris chorus and orchestra? It is how it was intended to be performed. The chorus and soloist in this performance are marvelous and would have done well had they not been pushed. The Rex Tremendae is a plea for mercy and it doesn't sound that way. Too bad their conductor was in such a rush. I can't imagine what he would do to Verdi's Requiem.
I know this isn't the beginning of the Requiem, I meant that the beginning of this piece - Rex Tremendae - could have been more powerful - it is after all supposed to be calling on the awe-inspiring king of a glorious kingdom...
Si es demasiado rapida la interpretacion pierde la solemnidad del Requiem que es de recogimiento:para mi la mejor version es la de Sir George Solti en la Catedral de Viena al conmemorarse los 200 años de la muerte de W.A. Mozart 5/12/1991
I little too fast, but ok. This is indeed a DEATH MASS. But this is also Mozart. If played slower I can't find any soul in it. oh yeah i know a sh::t about music, i know. Mozart says GOD save ME. That GOD part shuold be majestic, loud, powerful, and the ME part sould be gentle and humble. You HAVE to find this opposition in the piece.
what's with that trombone slide...
alankace 2 months ago in playlist Mozart - Requiem in D Minor
this is inspirational. <3
halcalash 2 months ago
If you miss hear the lyrics, you could see this being a good zombie opera parody:
Openning: BRAAAINSS! BRAAAINS!
CODE3012 2 months ago 8
I've heard the Requiem and the Rex so far on here by Gardiner. Loved the Requiem but the strings are playing staccato in an exaggerated fashion for the first half of the Movement. Should be Legato sostenuto from beginning to end and the tempo seems too fast for my liking. It's original alright.
bootheven 3 months ago
Amazing.. from 1:36 and on, the music resonates in my heart.
1988Andymaster 3 months ago
...too quick. I might die of a heart attack.
outsidemendham 4 months ago
I don't like when he's doing Rex Tremendae that fast, I prefer a slower version. For the rest this version is not bad.
meningzegger 4 months ago in playlist Mozart - Requiem in D Minor
I prefer the double-dotted rhythms for the vocals, but still very well done.
ashleylynnjoan 5 months ago in playlist Mozart - Requiem in D Minor
I feel like dancing! Should I? It's a requiem for goodness sake!
a1vocalcoachdotcom 5 months ago
Ace combat ftw
roger201288 5 months ago
"Below is the Latin and the English translation for the Rex tremendae." YEAH OKAY.
Urbano35 5 months ago
There's some sort of problem with the chorus, and the phrasing of Rex Tremendae, Majestatis...
losthopeloving 5 months ago
@losthopeloving ~ You noticed too? I'm been listening [for over 20 years] to a version on CD that was recorded in 1987. It is so burnt into my memory I immediatly noticed. Also on Tuba mirum. The bass singer is horrible. Try to find
the recording by Wiener Philharmoniker/HERBERT VON KARAJAN/1987 Polydor International GmbH, Hamburg.
georgefrazier1967 5 months ago in playlist Mozart - Requiem in D Minor
@georgefrazier1967 I mean.. I performed it... and it's just... bad...
losthopeloving 5 months ago
@losthopeloving ~ Oh boy... is my face red! Performed in what manner exactly? And don't say poorly.
georgefrazier1967 5 months ago
This is music that cascades from heaven. No wonder Salieri was so frustrated.
bobcrunch 6 months ago 2
@bobcrunch The Mozart/Salieri deadly rivalry is a literary invention.
mxgzn 2 months ago
@bobcrunch They were actually friendly with one another, and Mozart taught Salieri's son piano.
TheSamanthaLynn 1 month ago
@bobcrunch Amadeus is just a movie.
sas147741 1 month ago
terrible acento...!!!!
magiciandarkblack 7 months ago
10 people... aren't human
hbiggs96 7 months ago
I thought that whoever finished the rest of the requiem was still a mystery.. Anyways it's still a great piece.
SamuelL220 7 months ago
Breathtaking
42TheGamer 7 months ago
Magnifique!
valenergy100 7 months ago
Atemberaubend
MegaJebote 8 months ago
I'm comparing two choirs' interpretations of Mozart's Requiem, and with every aspect of this performance, it is better. These musicians, and the conductor, are talented people. If your eyes didn't water or you didn't get goosebumps from this performance of this movement, then you must be an emotional brick wall because this is terrific.
MrFlyingChickens 9 months ago
Isn't it too fast ?
jolliesly 9 months ago
Ah, I love watching those videos since not only the music is much more cultivated yet also the users who post commentaries are a lot more eloquent. Oh yes, eloquence how I miss you.
centurychild10 9 months ago
I can't believe this was played live, it sounds better than a pre-recording
Cableguy008 9 months ago
Rex tremendae majestatis
qui salvandos salvas gratis
salve me fons pietatis
ComposerJMA 9 months ago
1:23
<3333333333
h0meskill3tt 9 months ago
@rickshawsonson in the Baroque period, there was not one standard frequency to tune to. Concert A varied anywhere from 415 to 460. Conventional 'Baroque' tuning today is widely accepted as 415, which (when you are tuning to A 440) is closer to a G#.
jamesdanielh 10 months ago
This performance is not tuned to A 440. I think much of Europe tunes a few pitches flatter.
rickshawsonson 11 months ago
Comment removed
jamesdanielh 10 months ago
Thanx, Mozart.
Bravo
Bravissimo
magnifico
Maestoso
Eterno
We won't forget you, never
Sarai sempre il migliore
the best
giangra92 11 months ago
I've come to realize that this particular performance of Mozart's Requiem is a bit off key. Not really a D minor.
Dodo251 11 months ago
@Dodo251 I think it's actually transposed into G minor. The entire requiem varies in key. For example, in the normal major version Requiem, Requiem (aka Introitus) is in F major so the first movement was transposed into the relative minor D. Rex Tremendae is in B flat major, so it's transposed to G minor. Confutatis: C major to A minor. Sanctus: D major to B minor, etc. I believe it's just titled "Mozart's Requiem Mass in D Minor" because the majority is in D Minor.
Mathadawg 11 months ago
@Mathadawg Actually, the Introitus is in D Minor. Each key signature can be either a major or a minor key. They all don't start out as major keys. The Dies Irae is also in D Minor. Some movements may be in the dominant or subdominat key, as per the classical rules and traditions.
Elainelps0421 10 months ago
@Elainelps0421 Oh, thanks. I must not have been really paying much attention when I said that. I just eyeballed the key signature in my score and made that assumption, but upon further inspection I seem to have been sorely mistaken. Thank you for pointing that out.
Mathadawg 10 months ago
This has been flagged as spam show
@Mathadawg It is my pleasure, my friend.
Elainelps0421 10 months ago
@Dodo251 Actually maybe not, I'm listening to some of the other movements and it doesn't quite match up like that (Sanctus is actually in D minor, not B minor like I thought). Still, I think Rex Tremendae is in G minor if my ears aren't deceiving me.
Mathadawg 11 months ago
@Mathadawg Thank you very much for your time!
Dodo251 11 months ago
Don't you feel the urge to cry...
dedissimo 1 year ago
0:55 + is utterly incredible. They way in which male and female voices intertwine is heavenly! Unbelievable!!!!
Dodo251 1 year ago
@Dodo251 That's because of the basses - they fill in the gap between the other three parts so that it sounds like one continuous phrase.
alexalmasan 9 months ago
This version is far too rushed and staccato'd. I don't think they did a good job of bringing out the emotions of the song. That's what you get when the choir doesn't want to miss out on getting the free latte in the lounge.
AgnoAtheist 1 year ago
@AgnoAtheist I completely and totally disagree with you. This is Mozart and this is the classical period. Not Brahms or Mahler.
Elainelps0421 1 year ago
@Elainelps0421 I'm glad you feel that way. If you prefer the cookie cutter concept of Mozart's music, the I'll leave it at just that, but musically, very unimpressive.
AgnoAtheist 1 year ago
@AgnoAtheist Like it or not, "cookie cutter", as you so aptly describe the classical style, is when Mozart lived, Mozart wrote and the rules Mozart followed, but even within the confines of this strict style, his music was creative, emotional and beautiful. It has a fervency and pathos which Gardiner painstakingly reproduced in this performance. A great deal of scholarly research went into what Mozart wanted this performance to sound like, not just what Gardiner, Sussmayer or you and I wanted.
Elainelps0421 1 year ago 8
@Elainelps0421 Sorry I shouldn't have been so snarky about it. If you enjoyed the version then who am I to judge you on that. Everyone has their own preferences in style and ours just differ on the issue. Far be it from me to take away something from someone who is enjoying it.
AgnoAtheist 1 year ago
@AgnoAtheist Thank you...and I agree completely. I didn't mean to criticize your prefered version so harshly, either. We can certainly agree on one thing: Mozart's music is wonderful regardless of your favorite version! Have a great day, friend!
Elainelps0421 1 year ago
@Elainelps0421 Well said, madam.
Fotswochit 2 months ago
@Elainelps0421 Agreed.
Dodo251 1 year ago
@Dodo251 Thank you :)
Elainelps0421 1 year ago
@Elainelps0421 No problem, I completely agree with what you said. In my opinion, this rendition is just perfect. Gardiner did a magnificent job.
Dodo251 1 year ago
@Dodo251 Yes, he did! I can't stop listening to it. I base all other performances on this one. It is truly great. Thanks again, friend.
Elainelps0421 1 year ago
@Elainelps0421 No problem, friend. :)
Dodo251 1 year ago
@AgnoAtheist Like the world gives a shit about your opinion.
slainangel436 1 year ago
@slainangel436 lol Apparently you did give a shit or else you wouldn't have got so emotional about it. Considering your name Mr Slainangel, I'd suspect that you already have enough issues in your life. This might be the one the tips you over the edge.
AgnoAtheist 1 year ago
This is unbelievably good! Amazing!
Dodo251 1 year ago
This is a requiem NOT A MARCH!!!
valoroso82 1 year ago
@valoroso82 That's what Mozart wrote, and this is the usual tempo to take it. It's a good interpretation of the words, which translate as "King of tremendous majesty, who freely saves those that have to be saved,
save me, source of mercy." - it quietens down for that last line.
65renaissanceman 1 year ago
@valoroso82 um...you never heard of the term, funeral MARCH??? :)
Elainelps0421 1 year ago
@Elainelps0421 This tempo looks like a military march so I think it's just ridiculous saying that this is the best interpretation.
valoroso82 1 year ago
@valoroso82 I love this tempo...it is not too fast, IMHO. If it were, it would sound rushed. That is MY opinion and preference. Mozart is not your average composer. He wouldn't do anything in a medicore or mundane manner...so what we might think as too slow or too fast might be just right for a genius like Mozart. There are some rules he will follow and some he will break. He was at the furthest point in his life creatively and you can see the changes he was heading toward had he lived.
Elainelps0421 1 year ago
@Elainelps0421 Beside the fact there are many videos here on youtube where anyone tells he prefers this or that director I just think 2 things: first the manuscript itself is controversial; second in this interpretation I think that there is something wrong that couldn't be in a normal requiem; probably the tempo; probably the fact that the orchestra is putting too much stress on the notes
valoroso82 1 year ago
@valoroso82 What do you mean by "putting too much stress on the notes"?
Elainelps0421 1 year ago
@Elainelps0421 Well my english is not perfect sorry: I mean that the accent (the vertical accent in particular if you've seen the sheet the one more subject to personal preference) on the note is too much emphasized. In this way more than a requiem seems like hearing Radetzky march.
valoroso82 1 year ago
@valoroso82 Oh, okay, thank you....and your English is better than many native speakers I know.
Elainelps0421 11 months ago
Rex tremendæ maiestatis,
Qui salvandos salvas gratis,
Salva me, fons pietatis.
JIMY45GR 1 year ago
@JIMY45GR
Recordare, Iesu pie,
quod sum cause tuæ viæ
ne me perdas illa die
Maaarteh 1 year ago
yes :D
igorhrncic 1 year ago
A perfeição humana!!!!!!!!!
The010472 1 year ago
Espetacular.... muito bom, postura e execução maravilhosa..
juninhoangelus 1 year ago
Muito bom.. Postura e execuçao maravilhosa...
juninhoangelus 1 year ago
like Salieri said the voice of God
FritsGerlich07 1 year ago 2
Mozart was truly glorious...but Wagner will always be the king. just my opinion
cbravery 1 year ago
I SO wish that Mozart had double-dotted the vocal parts like he did the strings. Then again I'm probably just partial to that way of singing it because when I sang the work, our conductor had us double dot. Now, every time I hear it straight, one part of me misses the double dot and one part is glad that the conductor was faithful to Mozart's score. If I were conducting, I would insist on the double dot, but I'll bet you $1 000 000 I will never conduct the Requiem.
AsksOneThing 1 year ago 5
EXCELENTES INTERPRETES DE LA MUSICA MAS BELLA,¡¡FELICIDADES¡¡. EDUARDO MERIDA YUCATAN
4908jorge 1 year ago
This is my favorite part!
zoen23 1 year ago
besides Lacrimosa and confutatis, this is the best part of the requiem
davlor86 1 year ago
@davlor86 i agree with that
FritsGerlich07 1 year ago
@davlor86 Introit is so beautiful as well.
blackpajamas1 1 year ago
This comment has received too many negative votes show
Too fast
jonathanaconway 2 years ago
@jonathanaconway maybe a bit, but I like the way Gardiner does this song - I have a recording of him conducting this a bit slower, and it's the perfect way I think (faster than most, but a big sound)
HopePoisoned 2 years ago
indeed
Galedion2 1 year ago
What is that trombone-like insturment at :41?
blcnorris 2 years ago
i think its the sakbut...but i could be wrong
buccofan27 2 years ago
it is a trombone. trombone has evolved. back in the day, musicians had multiple horns, this is for different keys until the invention and innovation of chambers and such.
shaperofsound 2 years ago
I like the song but it sounds like they are singing about ritz :D
LucindaGoddess 2 years ago
So powerful and amazing! Bravo ~
MrTofuwiz 2 years ago
0:26 - 0:30
Am i the only one who finds that strange? Like... It's so different from any other interpretation i've ever heard
pomponi0 2 years ago
I know a lot of recordings take those as double-dotted notes (double-dotted 8th followed by 32nd notes), as that was a convention in the late baroque (and before) with pieces in the "french overture" style. The beginning of the movement is reminiscent of french overture style, but it's debatable (and a matter of interpretation) whether or not to include the double dots.
samuelhunterdotnet 2 years ago 2
It is very "marcato" We have all become used to hearing it legato but this interpretation allows the other inner parts to come through.
lumenradio 2 years ago
Who is the tenor?
sdmachado 2 years ago
Anthony Rolf Johnson i think. He sing on the Hogwood.
lumenradio 2 years ago
This is my favourite piece of Mozart´s Requiem.
darkreptilius 2 years ago 22
@darkreptilius Mine as well.
Dodo251 10 months ago
stop pretending your clever because you listen to mozart haha
just listen
sazzipoo2 2 years ago 3
Oh ,what a noble and majestic king is man, splendid in ashes and pompous in the grave!
kmcinern1 2 years ago
(Rex tremendae majestatis
Rex tremendae majestatis,
Qui salvandos salvas gratis,
Salve me, fons pietatis. )
King of awful majesty,
Who freely savest the redeemed,
Save me, O fount of goodness.
NJHanna 2 years ago 3
Having sung this several times, under multiple conductors, this is simply a bit too fast. Much of the beauty in the whole work is the sustained harmony, and this completely eliminates that aspect of the work. A professional job, but nothing special, largely because of the tempi.
grandpoobah0913 2 years ago
Agreed. Gets to stiff. And the acoustics isnt the best either.
varfordogjesus 2 years ago
I'm a pianist and not a vocalist, but I find the tempo of this recording to be perfect - and a lot better then other recordings I've heard simply because I can actually pick out all 4 voices.
1upMusician 2 years ago
For you, maybe. But of the multiple conductors you've sung it under, apparently none of them were Georg Solti, Martin Pearlman, Peter Schreier, Christopher Hogwood, Claudio Abbado, or Roger Norrington, all of whom take this movement as fast as or faster than John Eliot Gardiner. In the final analysis, the matter of tempo is subjective. I prefer the brisk tempo, and apparently so do a number of musicologists who have expertise in music of this period. It comes down to personal tastes, no?
southernsceptic 2 years ago
If you want a good groan listen to the Karajan recording from the mid seventies. O how I cried O how I larfed
lumenradio 2 years ago
@lumenradio OMG, you are so right. When I started playing, the neighbor's dog howled. My cat, who sits on my desk and listens to the music with me jumped up and gave me the weirdest look. Then he took off. Truly a frightening recording, especially in comparison to this one.
StevenShields29 1 year ago
Larcimosa and Introtus are my favourite parts, But I must say this one is also very mighty!
HraHelvetti 2 years ago
this song is so beautiful and elegant. and yet it is so powerful and moving!!
dudeman659 2 years ago
lovely señor gardiner!!!
makoi0130 2 years ago
that choir certainly got a lot stronger, i might have heard this tune before too, maybe it was when i watched amadeus...
amichan500 2 years ago
is good... would be better with Master-P instead of all those peeps, they aint boutitboutit yknowhatamsayin!
VoteNuclearFritzl 2 years ago
I think Master-P was asked to be a part of this, but he politely declined the opportunity.
tehskawt 2 years ago
To fast.A slower tempo would be better.The chorus is exellent.
Timotheos80 2 years ago
increible....majestuoso
peterconsh 2 years ago 5
increible, pone la piel de gallina...majestuoso
peterconsh 2 years ago 3
Hey let's play classical music in a baroque style!
Azshmo 3 years ago
This Requim is AMAZING!
i know the film Amadeus is somewhat historically inaccurate but i love it; it really taught me to listen to more classical music (:
Mozart was amazing.
emmaaaaargh 3 years ago 50
@emmaaaaargh HE LIKES TO MAKE FART JOKES XD
animelubbor432 1 year ago
@emmaaaaargh lmao, that film is the only reason I'm even on this video... wow, it's not just me. I'm downloading classical and everything...
Shadpulse 1 year ago
@emmaaaaargh I think that movie had the same effect on many. Despite it's inaccuracies historically, it's a very entertaining and well written movie and it accomplished something amazing, that is getting more people into classical music. Which I am glad. All music is amazing but to me, classical music is the heart and soul of music. I don't think any other type can express emotion on the same level.
smzig 1 year ago 9
@smzig @smzig I got a copy of the movie for Christmas:) This movie, once revisited, has become partly responsible for my deep emotional love of this Requiem. I have played the Requiem a few times (I am a violinist) and will be doing so again this spring. But I love the movie, and saw it once 25 years ago....then again more recently on You Tube, pieced together. It helped to rekindle my deeply emotional feelings towards this piece. I am also going to see it performed today at the Kimmel!
Elainelps0421 1 year ago
@emmaaaaargh not somewhat, but pretty much. amadeus is fiction but you're right. it was lovely! the opening itself was scary. LOL
rhonin93 1 year ago
@emmaaaaargh Mozart IS amazing. :)
ketttr01 8 months ago
French words : O Roi, dont la majesté est redoutable, vous qui sauvez par grâce, sauvez-moi, ô source de miséricorde.
Greensl33ve 3 years ago 4
This is an excellent group. It would be nice if they could linger a bit... I prefer a slower tempo.
lukensal 3 years ago
magnifique version!
saudadedefados 3 years ago 5
Rex tremendae majestatis
qui salvando salvas gratis
salvame fons pietatis
Rey de grande majestad
que salvando salvas gratis
salvame, fuente de piedad
Great Majesty King
that saving you save for free
save me, source of mercy
CristoeslaPiedra 3 years ago 6
tan pocos son los del coro y suenan como 100, muy bueno...
AinuriMadness666 3 years ago
Rex Rex Rex
Rex tremen dae ma je statis. Qui salvandos dae ma je statis, rex tremen dae ma je statis
Valtifest 3 years ago 3
q buena musica.......
gracias por hacerme llorar....
jimyneutronn 3 years ago 5
What a magnificent overlap of harmonious polyphony.
EnragedSephiroth 3 years ago 5
Where can I buy this video?
sottk29 3 years ago 3
Thank you for this beautiful video
Kushnerova 3 years ago 13
This comment has received too many negative votes show
heh, for the longest time i thought they were saying 'ribs!'
but now i know better, heh. thanks the upload!
Snowstalker85 3 years ago
whahhaaah omg funny dude ribs dear goddd whahhaha lol
thegoddescomposer 3 years ago
i thought this was a perfect time to mention that when i listened to Beethoven's 9th (so good! by toscanini) that at one part it sounded like they were singing "cheezy poofs" from south park. its the part where they say "diesum bund", but it sounds like "cheezy poofs" and i told some people, and now i cant listen to it around them becus i hate hearing them say cheezy poofs!
This is one of my favorite pieces of all time, and my fav of Mozart. thats talent! dying and writing the feeling of death!
SCHneiDen777 3 years ago
Francamente es un poco pésima, muy rápido y le falta las carácterísticas del sostenuto
mozartthebest 3 years ago
I think this piece was intended to be performed by a massive choir, not a chamber one. It loses majesty with a smaller group and the fast beat the conductor gives it.
I didn't like the tenors in general, it's hard to hear them. Not tot to mention the tenor soloist!!!
rodofriend 3 years ago
Una lamentable versión de una grn obra. Escuchad, por favor, la versión de Josef Krips, y comparad. No hay color.
gaspikigo 3 years ago
what a lovely piece of music thanks very much !!! 11/10
lotus072 3 years ago 5
what a lovely piece of music thanks very much !!! 11/10
lotus072 3 years ago
This comment has received too many negative votes show
a mi me encanta, sois unos catetos. que ostias rapido..... escuchad...ostias!!!!
ARGAMACHO 3 years ago
This has been flagged as spam show
one of the worst rex tremendae's I have ever listened.
zambragranadina 3 years ago
This comment has received too many negative votes show
Sono assolutamente d'accordo. Gardiner è un incopetente, che banalizza tutto con la sua schifo di filologia.
antlerose 3 years ago
This comment has received too many negative votes show
one of the worst rex tremendae's I have ever listened.
zambragranadina 3 years ago
This comment has received too many negative votes show
Have you heard Barenboim conduct this piece with the Paris chorus and orchestra? It is how it was intended to be performed. The chorus and soloist in this performance are marvelous and would have done well had they not been pushed. The Rex Tremendae is a plea for mercy and it doesn't sound that way. Too bad their conductor was in such a rush. I can't imagine what he would do to Verdi's Requiem.
teri526 4 years ago
Yes, the rhyhthm is incorrec. Regardless, beautiful.
scottturner1994 4 years ago
Does this director not understand the reasonably simple concept of double-dotted rhythm??
WaffenKartoffel 4 years ago
This comment has received too many negative votes show
I perfectly agree
Dannarej 4 years ago
Gardiner conducts this shit too fast. This whole performance (there are more under classicalmusicguide's channel) is waaaay too speedy.
thezoombini 4 years ago
Yeah, this was butchered. Too fast, and a lack of emotion.
oreillyfan360 4 years ago
I know this isn't the beginning of the Requiem, I meant that the beginning of this piece - Rex Tremendae - could have been more powerful - it is after all supposed to be calling on the awe-inspiring king of a glorious kingdom...
igswonderworld 4 years ago
too fast and I think somehow taken too lightly - I imagined the beginning would be more powerful..
igswonderworld 4 years ago
Too fast, I think. And not holy, at all...
I don't like it.
Darksair 4 years ago
Si es demasiado rapida la interpretacion pierde la solemnidad del Requiem que es de recogimiento:para mi la mejor version es la de Sir George Solti en la Catedral de Viena al conmemorarse los 200 años de la muerte de W.A. Mozart 5/12/1991
jaimefar 3 years ago
I little too fast, but ok. This is indeed a DEATH MASS. But this is also Mozart. If played slower I can't find any soul in it. oh yeah i know a sh::t about music, i know. Mozart says GOD save ME. That GOD part shuold be majestic, loud, powerful, and the ME part sould be gentle and humble. You HAVE to find this opposition in the piece.
asparrrragus 4 years ago
At the moment I cannot pass a single day without playing this upon return to my home. It holds a piece of my soul in its grip for the nonce.
LordTempist 4 years ago
it's very good.mozard was a geny
bhaltasar 4 years ago
totally opposite sytle with the greatest version from Celibidache
aiyuezheaa 4 years ago
à mon avis, l'exécution est extraordinaire, la description musicale parfaite de la tragédie
Nasthenka 4 years ago
quel dommage que mozard n'ait pu ecouterson oeuvre jouer par un orchestre
bhaltasar 4 years ago
horrible!! too fast and too staccato!! Rex Tremendae is not a march!!
stefy1971 4 years ago
loved it! This and the Marriner version are my favourite version's of Mozart's requiem
margotlorena 4 years ago
Way tooooo fast
axel1138 4 years ago
Agreed. This is a DEATH MASS. x__x
NoSubstitute 4 years ago
I agree with Thexenion almost Godly
jcsax400 4 years ago
2 fast
midnitemill 4 years ago
Very good tempo. Almost perfect.
Thexenion 4 years ago
I don´t like this version. It goes way too fast in my opinion.
AIIIIIIIIIIIDS 4 years ago