Incidentally, I saw this on a 50-movie DVD box set called CHILLING CLASSICS. Mostly public domain flix (I assume) from the 1970s and 1980s. I have three other similar box sets - MUSICALS, CLASSIC HORROR, and CLASSIC SCI-Fi. I highly recommend them. They're cheap and loadsa fun. I'm hooked.
And the cast! Joy Bang (swinger chick #2) brings sssssssteam heat as does the stunning Anitra Ford. Royal Dano (!) is dad. Elisha Cook Jr. (!!) as a wino is first scary then lovable. And best of all is the great Michael Greer in a rare heterosexual role (well, nominally het).
A masterpiece? No. But winningly godforsaken. And made by the folks who brought us AMERICAN GRAFFITI and, um, HOWARD THE DUCK (which I should probably take in now).
Dad shows up too. Immediately after triggering a flashback (from 100 years ago!), he flays red paint onto the walls and douses his face in blue making for ever more arty (Antonioni-esque?) compositions. Soon it looks like he's staging an Otto Muehl happening.
Eventually we learn that the entire town has become zombies. They get swinger chick #2 too in a very creepy scene at a movie theatre. KISS TOMORROW GOODBYE is on the marquee
The two swinger chicks are more crass - they burp and laugh at dad's art. One splits and runs into the truck driving albino. He gives her a lift (dead bodies now propped up in the back), plays Wagner (which he pronounces like Mr. Natalie Wood's last name), and eats a rat (avec crunching sounds too).
She hooks up with a swingin trio (one guy, two gals). The guy's looking for dad too. He shares with the heroine a sort of upper class somnambulism - stilted, overly careful speech and movement a la MARIENBAD.
The heroine makes it to her father's pad. Turns out dad is a Robert Longo-ish artist who has populated the walls with all sorts of trompe l'oeil imagery. These will repeatedly figure in more arty compositions with the "real" actors: characters look as if they're part of a jury or just stepping off an escalator.
This latter action doesn't seem to phase the heroine that much. And thus, for a looong time, the shots tend to collapse in on themselves. Images fire off in a dream-like irreducibility, e.g. a wacky, unmotivated shot of two Mobil signs in an arty, zig-zag composition. Character motivation is shady. A creepy albino (are there any other kind in cinema?) rolls up in a pickup truck. The attendant sees dead bodies in the back but proceeds to ask if the albino wants stamps.
A woman drives to visit her artist father whose increasingly bizarre letters have recently stopped. She pulls into a gas station where she finds the attendant firing off a gun into the adjacent forest/darkness. This latter action doesn't seem to phase the heroine that much.
Very artsy fartsy horror flick from 1973. Sometimes called DEAD PEOPLE. Starts with a prologue featuring two characters you never see again (that I could determine). Then we get three different voiceovers from three different time periods.
Instead of hightailing it out of there she sticks around to investigate, leading to an alliance of sorts with wealthy gad-about Thom, who is wandering around the county accompanied by a pair of buxom groupies. They discover a legend involving the titular messiah, whose return is causing the townsfolk to transform into flesh-hungry undead ghouls eagerly awaiting his reign of madness and evil. I think. It got a little unclear towards the end there.
The willowy and oddly named Arletty travels to a remote coastal town to visit her father, a reclusive artist. When she arrives, she finds that he's covered just about every interior surface of his house with slightly creepy life-sized paintings of various townsfolk, who turn out to be no less odd and creepy in person.
Then, in "Sisters of Death," Claudia Jennings portrays a member of a secret all-girl cult called the Sisters. When she and her pals become prisoners of the grief-crazed father of a girl who died during an initiation prank, they encounter terror beyond imagination. Arthur Franz, Joe Tata co-star. AKA: "Death Trap." 176 min. total. Standard; Soundtrack: English. Plays All Regions.
First, in "Messiah of Evil," a woman searching for her missing father arrives in a small town whose residents are cursed, soon to become flesh-eating zombies. Horrific thriller from "American Graffiti" co-scripters Willard Huyck and Gloria Katz stars Michael Greer, Marianna Hill, Royal Dano. AKA: "Dead People," "Return of the Living Dead," "Revenge of the Screaming Dead."
Willard Huyck perhaps remains best known for his Oscar-nominated screenplay to George Lucas' autobiographical feature "American Graffiti" (1973), which was crafted in collaboration with his wife Gloria Katz.
Gloria Katz was one of the few female screenwriters to make an impact during the 1970s, co-writing, with her husband, Willard Huyck, "American Graffiti" (1973), directed by George Lucas and based on events in his life growing up in a small California city.
first machine guns =automatic. second they were issued ar15 later till 1990s third this movie looks like its from 1970s :P also they may had shot guns but thats probably the most effective gun they must of had!
@Saunders 1962 I have that 50 DVD Box set along with M.O.E. love this movie
Cheezerussler72 3 months ago
This looks good. Can't believe that I have missed seeing this 3 severed thumbs up!
Cleopatrastomb 3 years ago
This is actually pretty creepy, I wish this was more well known.
BenMisfit84 3 years ago 3
Godforsaken. That's the best word I can come up with for most of these flicks. Godforsaken.
Saunders1962 4 years ago
How the hell do movies like this get made?
Incidentally, I saw this on a 50-movie DVD box set called CHILLING CLASSICS. Mostly public domain flix (I assume) from the 1970s and 1980s. I have three other similar box sets - MUSICALS, CLASSIC HORROR, and CLASSIC SCI-Fi. I highly recommend them. They're cheap and loadsa fun. I'm hooked.
Saunders1962 4 years ago
And the cast! Joy Bang (swinger chick #2) brings sssssssteam heat as does the stunning Anitra Ford. Royal Dano (!) is dad. Elisha Cook Jr. (!!) as a wino is first scary then lovable. And best of all is the great Michael Greer in a rare heterosexual role (well, nominally het).
Saunders1962 4 years ago
A masterpiece? No. But winningly godforsaken. And made by the folks who brought us AMERICAN GRAFFITI and, um, HOWARD THE DUCK (which I should probably take in now).
Saunders1962 4 years ago
Dad shows up too. Immediately after triggering a flashback (from 100 years ago!), he flays red paint onto the walls and douses his face in blue making for ever more arty (Antonioni-esque?) compositions. Soon it looks like he's staging an Otto Muehl happening.
Saunders1962 4 years ago
But the real Sammy Davis Jr. Western GONE WITH THE WEST is playing (which is odd because IMDb lists it at 1975 whereas MESSIAH is 1973).
Saunders1962 4 years ago
Eventually we learn that the entire town has become zombies. They get swinger chick #2 too in a very creepy scene at a movie theatre. KISS TOMORROW GOODBYE is on the marquee
Saunders1962 4 years ago
She wisely walks the rest of the way only to meet her end in a deserted supermarket...deserted save for raw meat eating townsfolk.
Saunders1962 4 years ago
The two swinger chicks are more crass - they burp and laugh at dad's art. One splits and runs into the truck driving albino. He gives her a lift (dead bodies now propped up in the back), plays Wagner (which he pronounces like Mr. Natalie Wood's last name), and eats a rat (avec crunching sounds too).
Saunders1962 4 years ago
She hooks up with a swingin trio (one guy, two gals). The guy's looking for dad too. He shares with the heroine a sort of upper class somnambulism - stilted, overly careful speech and movement a la MARIENBAD.
Saunders1962 4 years ago
The heroine makes it to her father's pad. Turns out dad is a Robert Longo-ish artist who has populated the walls with all sorts of trompe l'oeil imagery. These will repeatedly figure in more arty compositions with the "real" actors: characters look as if they're part of a jury or just stepping off an escalator.
Saunders1962 4 years ago
This latter action doesn't seem to phase the heroine that much. And thus, for a looong time, the shots tend to collapse in on themselves. Images fire off in a dream-like irreducibility, e.g. a wacky, unmotivated shot of two Mobil signs in an arty, zig-zag composition. Character motivation is shady. A creepy albino (are there any other kind in cinema?) rolls up in a pickup truck. The attendant sees dead bodies in the back but proceeds to ask if the albino wants stamps.
Saunders1962 4 years ago
A woman drives to visit her artist father whose increasingly bizarre letters have recently stopped. She pulls into a gas station where she finds the attendant firing off a gun into the adjacent forest/darkness. This latter action doesn't seem to phase the heroine that much.
Saunders1962 4 years ago
Very artsy fartsy horror flick from 1973. Sometimes called DEAD PEOPLE. Starts with a prologue featuring two characters you never see again (that I could determine). Then we get three different voiceovers from three different time periods.
Saunders1962 4 years ago
A small California village is attacked by zombies in this 1974 thriller. ~ John Bush, All Movie Guide
Saunders1962 4 years ago
small California village is attacked by zombies in this 1974 thriller. ~ John Bush, All Movie Guide
Saunders1962 4 years ago
Messiah of Evil (1973)
See it!
Posted 2007-03-18
Saunders1962 4 years ago
Instead of hightailing it out of there she sticks around to investigate, leading to an alliance of sorts with wealthy gad-about Thom, who is wandering around the county accompanied by a pair of buxom groupies. They discover a legend involving the titular messiah, whose return is causing the townsfolk to transform into flesh-hungry undead ghouls eagerly awaiting his reign of madness and evil. I think. It got a little unclear towards the end there.
Saunders1962 4 years ago
The willowy and oddly named Arletty travels to a remote coastal town to visit her father, a reclusive artist. When she arrives, she finds that he's covered just about every interior surface of his house with slightly creepy life-sized paintings of various townsfolk, who turn out to be no less odd and creepy in person.
Saunders1962 4 years ago
Then, in "Sisters of Death," Claudia Jennings portrays a member of a secret all-girl cult called the Sisters. When she and her pals become prisoners of the grief-crazed father of a girl who died during an initiation prank, they encounter terror beyond imagination. Arthur Franz, Joe Tata co-star. AKA: "Death Trap." 176 min. total. Standard; Soundtrack: English. Plays All Regions.
Saunders1962 4 years ago
First, in "Messiah of Evil," a woman searching for her missing father arrives in a small town whose residents are cursed, soon to become flesh-eating zombies. Horrific thriller from "American Graffiti" co-scripters Willard Huyck and Gloria Katz stars Michael Greer, Marianna Hill, Royal Dano. AKA: "Dead People," "Return of the Living Dead," "Revenge of the Screaming Dead."
Saunders1962 4 years ago
Willard Huyck perhaps remains best known for his Oscar-nominated screenplay to George Lucas' autobiographical feature "American Graffiti" (1973), which was crafted in collaboration with his wife Gloria Katz.
Saunders1962 4 years ago
Gloria Katz was one of the few female screenwriters to make an impact during the 1970s, co-writing, with her husband, Willard Huyck, "American Graffiti" (1973), directed by George Lucas and based on events in his life growing up in a small California city.
Saunders1962 4 years ago
The police officer need the heavy machine gun, not a pop gun.
MyLuckyCars 4 years ago
first machine guns =automatic. second they were issued ar15 later till 1990s third this movie looks like its from 1970s :P also they may had shot guns but thats probably the most effective gun they must of had!
RODNEYSALAZAR 4 years ago