Yes, from Vercingetorix. The first (La foi de nos morts qui m'appelle) is with Maurice Faure at the piano and with a small and intended reference by the quoted progression to the Marseillaise ( "le jour de gloire est arrivé") which may be why Canteloube says that it was a bit to fast and should be sung a bit more broadly before he asks permission to take over at the piano. Love letting the monocle drop at the end of the second piece!!. Thill sang the part at the premiere, June 22, 1933. Thanks!
He is without a doubt my favorite tenor - I don't think he has the technical precision of Caruso or Pavarotti but the richness of the timbre of his voice sends shivers up my spine.
Don't underestimate his technical prowess, Chutson. Georges sang a beautiful mezza voce high C at the climax of Salut demeure chaste e pure, & these 2 full voice high C#'s came with no discernable effort, which is more than can be said even of Pav!
Perhaps you meant musical nuance? Thill can be a little straight forward in a musical sense compared to the other two. Nor did he attempt trills or other ornamentation. Surprising, given his voice teacher was Fernando De Lucia!
Thill certainly knew how to use his wondeful instrument! Look at the struggling tenors today, pushing and striving so hard for effect then look at this. Fabulous.
How miraculous to have these rehearsal sequences so well-preserved! I know none of the music, except the "Lohengrin" excerpt. - John Austin, Australia
Serafin said there were three vocal miracles: Ponselle, Caruso, and Ruffo; I would add the name of Georges Thill as the fourth miracle. There is nobody singing like this today, or few in history! Stupendous!
billyguns, I would add to that list Francesco Tamagno. To hear Tamagno at 54, dying of angina, & having had his voice described by critics in 1900 as no longer fresh sounding & a little rough at the edges, - sounding like a fresh voiced 20 year old at his debut in 1904 is simply incredible!
If critics then, could be forced to listen to the throaty bawling woofing dry barking wobble that we have to endure today, they would know what tired rough vocalism really means!
Wonderful comment. Afficionados finally have the most succint, sophisticated response to the psychotic vocal distortion heard on the contemporary operatic stage. THANK YOU
Thank you, but I can't take credit for it. It was originally coined by a welsh tenor by the name of Harry Secombe in the 60's. Secombe was perhaps best known as a comedian & member of the Goons. ; )
@aaronsande I had a lot of training in my early years, and breathing was numero uno, the secret to expressive music is breathing, say the demons of the past. So I went to this crappy Broadway audition about 6 years ago and they told me my voice was too loud, that they like more "sensitive" voices nowadays. I was peeing in my pants afterward. Who cares? I'd rather sing to my furniture and listen to Thill and Vanzo!
@sillyboydeux Yes, what they like is a pretty, tiny voice they can amplify because no one seems to care that microphones are used everywhere, even at the MET!
This is a highly instructive video. Not only does it show one of the 20th century's great tenors in his prime, but his comments at the end, when he was an old man recalling his study with Fernando de Lucia ,are most instructive. Keep the mouth O-PEN and pronounce the words CLEAR-LY! It's not often we get two great tenors passing highlights of their techniques down through the centuries. Now if voice teachers and impressarios would only LISTEN to them, we might resurrect tenor singing.
I've never seen any tenor sing a very high tessitura w/this much ease!!! It almost seems like he's lip-syncin!' He's definitely not! This is actually Alagna's roots. They even sound similar at times. But, Alagna has fallen into the trap of attempting to sing/sound dramatic! It is like lasers comin' outta Thill's mouth. It's incredible! I mean how many C's were on that piece? Higher even! Even our "high" tenors of today don't sing w/this much ease(Merritt, Florez, Blake, Kunde & Matteuzzi)Bravo:)
How truly blessed we are, to be able to hear & see one of the great tenors up close & personal, singing 2 ringing high C sharps using the bel canto technique taught to him by Fernando De Lucia! - It almost defies belief that this was filmed 79 years ago...
Yes-- I liked pav as for the top early, heard him in 73 do a Boheme with a fine high C but look at Jussi very fine also and Kraus and Corelli though I am not a fan of Franco. I would love to hear Thill sing the Boheme aria in French "Che Gelida" heard it on a friends old 78 record in 1973 and still remember how great it was. My friend Mooorhe remember this was recorded in 1930, even Gigli in his great 1931 aria Che Gelida rec. is not the quality as 1971 so we must consider that also.
These are finer high C sharps than Pavarotti produced in his entire career! & Thill was not even noted for his extreme high notes. How far we have fallen from grace..
Mooorhe, it's all personal taste of course. To my ears, these C sharps have plenty of body. And I have heard much shriller from big Pav on much lower notes than this. I have also seen him live in '87 & heard him crack on the B in Nessun Dorma in concert. But my point really, was that Thill wasn't noted for notes like this, yet they are superb & technically flawless. Whereas Pavarotti WAS noted for his extreme top, yet they are inferior to Thill's. It shows how expectations have dropped.
I agree, it is all personal taste, which is why it's good that there is such a wide range of singers to choose from. But I do not agree with your other comments. To me, it doesn't matter that he cracked on that B, in 1987 he was years past his best. He was noted for his extreme top in the early 70s, in which I believe he produced better C#s than here. Expectations have dropped; and quite rightly so. But to my ears, Pavarotti's sound much better.
Sorry, it wasn't my intention to demean Luciano, I wouldn't have gone to see him if I hadn't rated him highly. I simply meant to illustrate that even tenors with easy tops can hit bum notes occasionally. Every singer has cracked at some point in their career. They are only human beings after all.
I need to apologise for being pompous and rude. Pavarotti is among my favourite tenor voices and is my favourite tenor and I can be a little too defensive of him. But regardless, I agree with the core substance of your comment. The expectations have certainly dropped, and quite rightly so, the singers just aren't as good unfortunately.
Not at all, mooorhe. I didn't find any of your comments rude or pompous. My own opening comment was quite robust, so I can hardly object if someone jumps to a favourite singers defence in return! Ha ha. At least we're now both in agreement about the current state of tenor singing!
This is a superb illustration of the bel canto technique. Those two high notes at the end are high C sharps, & contains B naturals too. The vocal emission is freely & easily produced from bottom to top, & from start to finish. This piece has a far higher tessitura than Nessun Dorma, yet Thill finishes looking like he has sung nothing more challenging than 'Happy birthday'. Fantastic.
Quoi?! Je n'en reviens pas. Je connaissait de nom mais là...wow. Excellent. Incroyable, il chante un ré bemol avec une force et une vigueur sur un "i", la voyelle la plus difficile à chanter! WOW!
lol sopratenor, reste dans ton style retro puisque tu n'es pas forcement ouvert à d'autres styles de musiques, je pense pas que tes commentaires soient crédibles une fois sortie de la sphere rétro
Ca y est,le revoilà celui-là!Si tu regardes mieux mes commentaires dans le "With or without you" d'Anahy(s'ils n'ont pas été effacés),tu verras que je dis adorer Freddie Mercury,Jean-Jacques Goldman,Sting(etc......),bref des mecs vachement rétros! Et petite nuance, ce que tu entends là (Georges Thill), ce n'est pas rétro, c'est tout simplement immortel!!!!!!
J'en ai vu des vidéos sur Youtube, mais pour l'instant rien de mieux que ça!!! La démo,puis l'explication!!!Effectivement,les chanteurs français sont connus malheureusement dans le monde pour ne faire résonner leur voix que devant ou dans le pif...Et bien pas Monsieur Georges Thill qui avait tout compris!!!!!! Je n'ai jamais vu autant de facilité sur le visage d'un chanteur quelquesoit la note! Hallucinant!!!!!!!!!!!!
Et oui,comme je l'ai déjà,je n'ai jamais vu mieux sur Youtube pour le moment.J'adore Corelli et plein d'autres grands chanteurs,mais ce niveau,cette extrême facilité en train de répéter,jamais!!!Alors en tant que chanteur,d'une part ça m'encourage à travailler encore + dur(pour atteindre un jour ne serait-ce que le 10ème de ce niveau!);d'autre part ça peut décourager aussi car après un talent pareil,il vaut mieux se taire!!!Mais bon,comme la Passion parle avant tout,chantons quand même!!!
Et puis,comme tu parlais des Scorpions,qui disaient entre autre dans une de leurs chansons de leur envoyer un ange ("Send me an angel"), et bien le voilà l'ange, c'est Monsieur Georges Thill, héhé!!!!!!
when i listen that,i listen my father who learnt with Georges Thill and Charles Panzera.I think it might be the french school.I'm tenor,it's my job,and i think this kind of voice is a part of the past.Nobody sings like that today.
Thill was actually a product of the Italian school, having studied with de Lucia. It was a very Italianate sound. One that we'll probably never heard again. What a voice...
Let me tell you how lucky you are to have this tenor's school through your father. Any hints about tenor singing you can give us? I am a tenor too but struggle a lot with high notes and supported breath
Just wonderful. he and Richard Crooks are my favorite tenors in the French repertoire. The clip from '77 reminds me of a recording I've heard of McCormack on New year's '41 I think. He has this rather gruff baritone voice, but then sings in the clearest tenor. I spoke once to Bidu Sayao toward the end of her life. Voice was very gravelly. You would never think she had that bell like soprano 50 years earlier.
A wonderful video - thank you for posting. So many opera videos on Youtube are boring rubbish, but this is a true collector's item. Very interesting info. Felicitations.
A great singer, certainly the best and most versatile French tenor of his time. Sometimes I think of him as a Gallic Bjorling; Thill too had a silvery timbre, with wonderful ring and splendid control of dynamics --
You are right. I have only ever heard good things about Thill as a person. He was by all accounts a very elegant and refined individual who was always a good colleague. He was the greatest tenor France ever produced, and was much beloved. In many ways he had a charmed life, because he was the quintessential Frenchman who loved France and sang mostly at the Paris Opera. These top notes rival those of Lauri Volpi!
Un Georges Thill incroyable, inoubliable, au sommet de sa forme, une diction française exemplaire, avec un contre ut interminable, tenu sur un... "i" (très peu de ténors sont capables d'un tel exploit) !
Document vidéo historique et, je dois dire, assez bouleversant, ponctué par une bref interview, relatant sa formation vocale exhaustive auprès du grand Maestro Fernando De Lucia (1860-1925), lequel Maestro avait d'ailleurs été invité à chanter un émouvant "Pietà Signore" lors des funérailles de Caruso. En fin de vidéo, Georges Thill apparaît même dans un bref extrait de Lohengrin (en Français).
His Lohengrin (at the end of this clip) to these old ears sounds quite remarkable, but they didn't like him in the US for some reason. Thanks for posting this remarkable clip. Unfortunately I could not understand one word of what he was saying.
Yes amazing wasn´t he? We haven´t heard him much outside of France! (to me mostly a name in the history books.)He talks about his lessons with Italian maestro Lucia. As a Frenchman he was used to singing rather what´s the word? (you can see him demonstrating it. Closed lips.) And then in Italy he learned to open his mouth ("bocca" means mouth) and to sing openly and clearly! (funny demonstration.)
Also there were these: Les noces d'émeraude or Cartacálha. It is unfortunate the it is virtually impossible to find a Canteloube opera score or recording.
du nanan
giloubreizh 5 months ago
Does anyone know the name of the aria please?
InfernoDaBaka 8 months ago
Yes, from Vercingetorix. The first (La foi de nos morts qui m'appelle) is with Maurice Faure at the piano and with a small and intended reference by the quoted progression to the Marseillaise ( "le jour de gloire est arrivé") which may be why Canteloube says that it was a bit to fast and should be sung a bit more broadly before he asks permission to take over at the piano. Love letting the monocle drop at the end of the second piece!!. Thill sang the part at the premiere, June 22, 1933. Thanks!
NosHabebitHumus 9 months ago
NOUS VOULONS LA PARTITION.
giloubreizh 10 months ago
On met un bouchon, d'accord monsieur Georges, mais pour les I, c'est les dents!!!
giloubreizh 10 months ago
c'est du gâteau
giloubreizh 10 months ago
DONNEZ-NOUS LA PARTITION!
giloubreizh 10 months ago
Que escandalo!
=)
RamirRMA 1 year ago
My heavens, what difficult music, and so strongly sung. And a wickedly hard piano reduction. Absolutely extraordinary vocalism.
klavierspieler72 1 year ago
FABULOUS !
tenorinmunich 1 year ago
Grazie per questo video...un grande regalo per me...Grazie tante!! Roberto.
robertocasitenore 2 years ago
Sublime !
bodiloto 2 years ago
He is without a doubt my favorite tenor - I don't think he has the technical precision of Caruso or Pavarotti but the richness of the timbre of his voice sends shivers up my spine.
Chutson353 2 years ago
Don't underestimate his technical prowess, Chutson. Georges sang a beautiful mezza voce high C at the climax of Salut demeure chaste e pure, & these 2 full voice high C#'s came with no discernable effort, which is more than can be said even of Pav!
Perhaps you meant musical nuance? Thill can be a little straight forward in a musical sense compared to the other two. Nor did he attempt trills or other ornamentation. Surprising, given his voice teacher was Fernando De Lucia!
hiyadroogs 2 years ago
Thill certainly knew how to use his wondeful instrument! Look at the struggling tenors today, pushing and striving so hard for effect then look at this. Fabulous.
koala501 2 years ago 2
How miraculous to have these rehearsal sequences so well-preserved! I know none of the music, except the "Lohengrin" excerpt. - John Austin, Australia
jrakg 2 years ago
Serafin said there were three vocal miracles: Ponselle, Caruso, and Ruffo; I would add the name of Georges Thill as the fourth miracle. There is nobody singing like this today, or few in history! Stupendous!
billyguns2 2 years ago 5
By comparison to what we have today all the singers of that generation were miracles.
GermanOperaSinger 2 years ago 3
billyguns, I would add to that list Francesco Tamagno. To hear Tamagno at 54, dying of angina, & having had his voice described by critics in 1900 as no longer fresh sounding & a little rough at the edges, - sounding like a fresh voiced 20 year old at his debut in 1904 is simply incredible!
If critics then, could be forced to listen to the throaty bawling woofing dry barking wobble that we have to endure today, they would know what tired rough vocalism really means!
hiyadroogs 2 years ago 2
increible
esvemonte 2 years ago
où peut-on trouver la partition?
giloubreizh 2 years ago
Thill was SUPERIOR to any of the tenors of THIS era of bellowing. The entire vocal approach heard and seen here, is representative of the Golden Age
of Singing.
796824 2 years ago 3
796824, In the age of Thill, Bjorling, Tagliavini, Lauri-Volpi, etc, we had the age of bel canto. Now we are in the age of can belto!
hiyadroogs 2 years ago 3
Wonderful comment. Afficionados finally have the most succint, sophisticated response to the psychotic vocal distortion heard on the contemporary operatic stage. THANK YOU
796824 2 years ago
Thank you, but I can't take credit for it. It was originally coined by a welsh tenor by the name of Harry Secombe in the 60's. Secombe was perhaps best known as a comedian & member of the Goons. ; )
hiyadroogs 2 years ago
@hiyadroogs Sadly they can't even belto these days ;D
aaronsande 1 year ago
@aaronsande I had a lot of training in my early years, and breathing was numero uno, the secret to expressive music is breathing, say the demons of the past. So I went to this crappy Broadway audition about 6 years ago and they told me my voice was too loud, that they like more "sensitive" voices nowadays. I was peeing in my pants afterward. Who cares? I'd rather sing to my furniture and listen to Thill and Vanzo!
sillyboydeux 1 year ago
@sillyboydeux Yes, what they like is a pretty, tiny voice they can amplify because no one seems to care that microphones are used everywhere, even at the MET!
Corelli didn't need no friggin' microphone!
aaronsande 1 year ago
@sillyboydeux Sing loud and be proud. We can't have any of this singing off of the voice crap.
seektheforce 1 year ago
Fabulous !!
energyglobal 2 years ago
This is a highly instructive video. Not only does it show one of the 20th century's great tenors in his prime, but his comments at the end, when he was an old man recalling his study with Fernando de Lucia ,are most instructive. Keep the mouth O-PEN and pronounce the words CLEAR-LY! It's not often we get two great tenors passing highlights of their techniques down through the centuries. Now if voice teachers and impressarios would only LISTEN to them, we might resurrect tenor singing.
stefakamelpash 2 years ago 2
I've never seen any tenor sing a very high tessitura w/this much ease!!! It almost seems like he's lip-syncin!' He's definitely not! This is actually Alagna's roots. They even sound similar at times. But, Alagna has fallen into the trap of attempting to sing/sound dramatic! It is like lasers comin' outta Thill's mouth. It's incredible! I mean how many C's were on that piece? Higher even! Even our "high" tenors of today don't sing w/this much ease(Merritt, Florez, Blake, Kunde & Matteuzzi)Bravo:)
lastofdmelocchians 3 years ago 2
How truly blessed we are, to be able to hear & see one of the great tenors up close & personal, singing 2 ringing high C sharps using the bel canto technique taught to him by Fernando De Lucia! - It almost defies belief that this was filmed 79 years ago...
hiyadroogs 2 years ago 2
Yes-- I liked pav as for the top early, heard him in 73 do a Boheme with a fine high C but look at Jussi very fine also and Kraus and Corelli though I am not a fan of Franco. I would love to hear Thill sing the Boheme aria in French "Che Gelida" heard it on a friends old 78 record in 1973 and still remember how great it was. My friend Mooorhe remember this was recorded in 1930, even Gigli in his great 1931 aria Che Gelida rec. is not the quality as 1971 so we must consider that also.
pearlmuth3 3 years ago
great tenor
girardje70 3 years ago
The voice sounds like a laser. Incredible focus!
Pawelp 3 years ago 3
Extraordinaire document !
toucanoccitan 3 years ago 3
These are finer high C sharps than Pavarotti produced in his entire career! & Thill was not even noted for his extreme high notes. How far we have fallen from grace..
hiyadroogs 3 years ago
Finer high C sharps than Pavarotti?
Thill's high C sharps sound rather shrill, he was a great singer, but it's no wonder he wasn't noted for stratospheric high notes.
Opera has only fallen from grace recently, early on in Pavarotti's time, it was still thriving.
Mooorhe 3 years ago
Mooorhe, it's all personal taste of course. To my ears, these C sharps have plenty of body. And I have heard much shriller from big Pav on much lower notes than this. I have also seen him live in '87 & heard him crack on the B in Nessun Dorma in concert. But my point really, was that Thill wasn't noted for notes like this, yet they are superb & technically flawless. Whereas Pavarotti WAS noted for his extreme top, yet they are inferior to Thill's. It shows how expectations have dropped.
hiyadroogs 3 years ago
I agree, it is all personal taste, which is why it's good that there is such a wide range of singers to choose from. But I do not agree with your other comments. To me, it doesn't matter that he cracked on that B, in 1987 he was years past his best. He was noted for his extreme top in the early 70s, in which I believe he produced better C#s than here. Expectations have dropped; and quite rightly so. But to my ears, Pavarotti's sound much better.
Again, all my opinion though.
Mooorhe 3 years ago
Sorry, it wasn't my intention to demean Luciano, I wouldn't have gone to see him if I hadn't rated him highly. I simply meant to illustrate that even tenors with easy tops can hit bum notes occasionally. Every singer has cracked at some point in their career. They are only human beings after all.
hiyadroogs 3 years ago
I need to apologise for being pompous and rude. Pavarotti is among my favourite tenor voices and is my favourite tenor and I can be a little too defensive of him. But regardless, I agree with the core substance of your comment. The expectations have certainly dropped, and quite rightly so, the singers just aren't as good unfortunately.
Mooorhe 3 years ago
Not at all, mooorhe. I didn't find any of your comments rude or pompous. My own opening comment was quite robust, so I can hardly object if someone jumps to a favourite singers defence in return! Ha ha. At least we're now both in agreement about the current state of tenor singing!
hiyadroogs 3 years ago
Very interesting video.
Thank you for posting this document!
akattara 3 years ago
Great video, so interesting, and what a tenor!
CharlotteinWeimar 3 years ago
Now that's a tenor!
cornificius22vain 3 years ago
Canteloube, il en perd son monocle, tellement c'est parfait!
giloubreizh 3 years ago
This is a superb illustration of the bel canto technique. Those two high notes at the end are high C sharps, & contains B naturals too. The vocal emission is freely & easily produced from bottom to top, & from start to finish. This piece has a far higher tessitura than Nessun Dorma, yet Thill finishes looking like he has sung nothing more challenging than 'Happy birthday'. Fantastic.
hiyadroogs 3 years ago
MERCI BEAUCOUP pour cette video. Je me s'en priviligié de la partager. Un rare et tres précieux bijoux!
jhvorotin 3 years ago
Quoi?! Je n'en reviens pas. Je connaissait de nom mais là...wow. Excellent. Incroyable, il chante un ré bemol avec une force et une vigueur sur un "i", la voyelle la plus difficile à chanter! WOW!
jhvorotin 3 years ago
Que du rêve !!!! Ce chanteur est la référence de l'art lyrique
Françoise Grignon-Landrieu
zabou1 3 years ago
allez! les ténors de l'académie de musique! à vos partitions! osez ce répertoire!!!
giloubreizh 3 years ago
lol sopratenor, reste dans ton style retro puisque tu n'es pas forcement ouvert à d'autres styles de musiques, je pense pas que tes commentaires soient crédibles une fois sortie de la sphere rétro
Totopopols 3 years ago
Ca y est,le revoilà celui-là!Si tu regardes mieux mes commentaires dans le "With or without you" d'Anahy(s'ils n'ont pas été effacés),tu verras que je dis adorer Freddie Mercury,Jean-Jacques Goldman,Sting(etc......),bref des mecs vachement rétros! Et petite nuance, ce que tu entends là (Georges Thill), ce n'est pas rétro, c'est tout simplement immortel!!!!!!
SOPRATENOR 3 years ago
Bien dit! on peut apprécier les Scorpions - ou autres - et M. Thill.
giloubreizh 3 years ago
J'en ai vu des vidéos sur Youtube, mais pour l'instant rien de mieux que ça!!! La démo,puis l'explication!!!Effectivement,les chanteurs français sont connus malheureusement dans le monde pour ne faire résonner leur voix que devant ou dans le pif...Et bien pas Monsieur Georges Thill qui avait tout compris!!!!!! Je n'ai jamais vu autant de facilité sur le visage d'un chanteur quelquesoit la note! Hallucinant!!!!!!!!!!!!
SOPRATENOR 3 years ago
les chanteurs ne doivent pas garder le son pour eux mais le faire sortir par la bouche! Georges, il avait pigé!
giloubreizh 3 years ago
Et oui,comme je l'ai déjà,je n'ai jamais vu mieux sur Youtube pour le moment.J'adore Corelli et plein d'autres grands chanteurs,mais ce niveau,cette extrême facilité en train de répéter,jamais!!!Alors en tant que chanteur,d'une part ça m'encourage à travailler encore + dur(pour atteindre un jour ne serait-ce que le 10ème de ce niveau!);d'autre part ça peut décourager aussi car après un talent pareil,il vaut mieux se taire!!!Mais bon,comme la Passion parle avant tout,chantons quand même!!!
SOPRATENOR 3 years ago
Et puis,comme tu parlais des Scorpions,qui disaient entre autre dans une de leurs chansons de leur envoyer un ange ("Send me an angel"), et bien le voilà l'ange, c'est Monsieur Georges Thill, héhé!!!!!!
SOPRATENOR 3 years ago
Fantastic !!!!!!!!
petrof4056 3 years ago
IMMORTEL.
jacquesurlus 3 years ago
Impressionnant en effet.
Merci pour cette video!
amitiés
fanthill 4 years ago
when i listen that,i listen my father who learnt with Georges Thill and Charles Panzera.I think it might be the french school.I'm tenor,it's my job,and i think this kind of voice is a part of the past.Nobody sings like that today.
flocarp 4 years ago
Thill was actually a product of the Italian school, having studied with de Lucia. It was a very Italianate sound. One that we'll probably never heard again. What a voice...
drewski67 3 years ago
Let me tell you how lucky you are to have this tenor's school through your father. Any hints about tenor singing you can give us? I am a tenor too but struggle a lot with high notes and supported breath
compadrecerro 2 years ago
Comment? Comment faisait M. Thill pour projeter de tels sons? Extraordinaire!...
giloubreizh 4 years ago
c'était un grand chanteur. il n'y a n'a plus comme lui. merci pour le vidéo
j'ai tout le video... C'est merveilleux
joanabanyeres 4 years ago
Just wonderful. he and Richard Crooks are my favorite tenors in the French repertoire. The clip from '77 reminds me of a recording I've heard of McCormack on New year's '41 I think. He has this rather gruff baritone voice, but then sings in the clearest tenor. I spoke once to Bidu Sayao toward the end of her life. Voice was very gravelly. You would never think she had that bell like soprano 50 years earlier.
ciroalb3 4 years ago
A wonderful video - thank you for posting. So many opera videos on Youtube are boring rubbish, but this is a true collector's item. Very interesting info. Felicitations.
Ragnaroekk 4 years ago
Merci, Maître, pour cette leçon - prenons-en de la graine!
giloubreizh 4 years ago
A great singer, certainly the best and most versatile French tenor of his time. Sometimes I think of him as a Gallic Bjorling; Thill too had a silvery timbre, with wonderful ring and splendid control of dynamics --
stevevandien 4 years ago
fantastic.
Regarding the high tones there is another French tenor that rivals Lauri Volpi.
Leon Escalais
arminhebein 4 years ago
Agreed. Escalais has some of the most extraordinary high notes on record:) --
stevevandien 4 years ago
You are right. I have only ever heard good things about Thill as a person. He was by all accounts a very elegant and refined individual who was always a good colleague. He was the greatest tenor France ever produced, and was much beloved. In many ways he had a charmed life, because he was the quintessential Frenchman who loved France and sang mostly at the Paris Opera. These top notes rival those of Lauri Volpi!
stefakamelpash 4 years ago
Many report this man was a jerk but he was just the opposite. What stuck up star would turn pages for his pianist?
madisonelectronic 4 years ago
Georges Thill, one of the most amazing voices of all times!
alepeccia 4 years ago
Un Georges Thill incroyable, inoubliable, au sommet de sa forme, une diction française exemplaire, avec un contre ut interminable, tenu sur un... "i" (très peu de ténors sont capables d'un tel exploit) !
icareh 4 years ago
Document vidéo historique et, je dois dire, assez bouleversant, ponctué par une bref interview, relatant sa formation vocale exhaustive auprès du grand Maestro Fernando De Lucia (1860-1925), lequel Maestro avait d'ailleurs été invité à chanter un émouvant "Pietà Signore" lors des funérailles de Caruso. En fin de vidéo, Georges Thill apparaît même dans un bref extrait de Lohengrin (en Français).
icareh 4 years ago
Oui, il etait fabuleux. Mais Cesar Vezzani et Jose Luccioni etaient superbes egalement. Quelle epoque!!
belgian 4 years ago
great technique,amazing singing!
hobo1975 4 years ago
His Lohengrin (at the end of this clip) to these old ears sounds quite remarkable, but they didn't like him in the US for some reason. Thanks for posting this remarkable clip. Unfortunately I could not understand one word of what he was saying.
Stellavox 4 years ago
Yes amazing wasn´t he? We haven´t heard him much outside of France! (to me mostly a name in the history books.)He talks about his lessons with Italian maestro Lucia. As a Frenchman he was used to singing rather what´s the word? (you can see him demonstrating it. Closed lips.) And then in Italy he learned to open his mouth ("bocca" means mouth) and to sing openly and clearly! (funny demonstration.)
ellandelachapelle 4 years ago
His top has a slightly overly bright sounding towards falsetto in colour, but the cords def. come together splendidly, I find the ping exciting.
Pawelp 4 years ago
An extrenely interesting clip of the great singer. He had a great "top".
Ivanhoe2 4 years ago
Also there were these: Les noces d'émeraude or Cartacálha. It is unfortunate the it is virtually impossible to find a Canteloube opera score or recording.
deepeyes29 4 years ago
it could also be fomr the lesser known 'Le Mas'
deepeyes29 4 years ago
Please someone post Thill with French National Anthem, Thanks!
madisonelectronic 4 years ago
Quel grand tenor. Le plus grand tenor français, et l'un des plus grands de tous les temps
Dondinin 4 years ago
Someone must be able to answer TheGreatPerformers Question. Allons, you French people, get off your brie! Or you, violinthief.
madisonelectronic 4 years ago