Natalie goes on getting roars of applause, singing everything under the sun, ... it must drive the trolls crazy. Or maybe they don't know anything about her, or don't care, but love being able to insult people and see their drivel in print. I really like and enjoy almost everything she does.
Para haber cantado esto, Dessay debe estar mal de la cabeza. Y no es ni la primera ni la última vez. Convengamos igual que cuando canta cosas que se adecuen a su vocecita, puede ser una excelente intérprete. Eso dicho, esta interpretación es una obscenidad.
Dessay could have joined the select circle of Operatic Muses in Mount Olympus if she didn't just rely on her natural abilities to get by as she does in this recording which is fine but not great.
Callas, Schwartzkopf, Moffo and Sutherland started from natural talent but added assiduous labor. Instead, Dessay scooped when she felt like, slowed the tempo to accomodate her entrances, didn't bother about uncovering high notes. The latter might have even added a few more years to her career.
Piteuse interprétation aux tempi négligés d'une chanteuse à la petite voix qui, l'âge venant, essaie d'élargir aux rôles coloratuta son répertoire.Dommage que sa voix ne s'élargisse pas en proportion...
June Anderson, voix relativement légère mais tout de même beaucoup plus corsée que celle de Dessay, a au moins le mérite de nous proposer l'original en Français!
Le type même de voix légère, pauvre en harmonique, aux aigus hasardeux qui se fourvoie totalement dans un air qui exige tout au contraire une grande voix riche apte à la colorature! A oublier très vite! Pour se faire une idée ce qu'exige le rôle de Elena réécoutons les divines Callas, Gencer, Cerquetti et autre Sutherland!
Pidò doveva essere ubriaco. Non ho capìto che suono è quella specie di sirena dell'Ansaldo poco prima dell'ultimo ta-ZUM! Nel complesso, è veramente ributtante. Odioso, proprio.
First of all she slows down the tempo which for a dance rhythm is already wrong. Her trill at 0.58 is tasteless, plus the indifferent intonation just about everywhere with a crowning strident last note. All she has had to offer the public is a thinner-than-thou appearance. Otherwise, her approach to the art of music is indifferent at the least. Her constant sour vinegar expression shows that she doesn't even enjoy singing--an anti-singer, if anything.
I think we have to consider that she's not singing the whole role of Elena, but only one aria, which is in her tessiture. She does quite well, even if the low notes are not so beautiful... And yes, the intonation at end is something ugly.
There are good and bad things, but even Callas had some defects...
(Oh my English is almost as horrible as the E at end...)
@mrlammermoor exactly, thats the very point....im not saying that this woman is flawless, but what i mean is that she's a head and shoulders higher singer (and actress) than at least 80% other singers we see here...
I have never been a great fan of hers... her coloratura technique, admitted, is faultless, but she doesn't have very much dramatic capability. Plus here she's sometimes off with the orchestra... useless conductor!
This is so wrong, I admire this soprano but I find this something not to listen to again. What was she thinking. The Conductor should be shot. It's not Offenbach.
This one is a concert, but you can have it with Cd is "Airs d'opéras italiens", you must buy the Cd and open a `rivate website with it, ottherwise you won't have the aria
The great mystery is how and why the greatest French singing actress of her generation comes to be singing an aria from Les Vepres Siciliennes - an opera written in French for the Paris stage 150 years ago - in the Italian translation. The high note at the end of this aria is not typical of the role of Helene. It would be fascinating to hear a complete version of the opera with Dessay in this role.
What I want to know is why she has never sung Lulu. She is always claiming she is an actress...and that is the ULTIMATE acting role for a singer with access to good high notes. Why no Lulu...
She's actually said that she tried to learn Lulu and it was taking so long and she decided that she wouldn't be able to learn it well. I still love her.
@Crindoro She knows better than to try Turandot, Norma, Armida, Donizetti queens, or Lucrezia Borgia for sure. Although it'd be great to see her try the prayer from Maria Stuarda. Actually I can just imagine her voice singing a great Stuarda, just with her piercing French power :D It'd be great for her too, all the drama in the confrontation scene. How awesome it'd be - figlia impura di Bolenna! coming from Dessay!
@Crindoro I know... these coloratura sopranos who 'try' Turandot (and there are quite a few!)... don't they realise Turandot is for Wagnerian soprano?
Considering that Elena is a role for a dramatic coloratura soprano, Dessay acquits herself fairly well. I'm certain she could not carry this role onstage, but the aria fits her well as a concert piece. This may not be her best work, but she sings this aria better than most sopranos of her voice category.
What are some high notes, if you have a voice unsurpassable beauty and an elegant phrasing that accentuates and reflects so many emotions? What I really like about the ARTIST N.Dessay is the way how she shows us the meaning and importance of the words - like Callas in the past. But also Natalie's purity of tone is a phenomenon of our time. The fact, that she lost some of her high notes is IMO a "side effect", because her vocal range has widened and can now be considered as a lyric soprano's.
Natalie goes on getting roars of applause, singing everything under the sun, ... it must drive the trolls crazy. Or maybe they don't know anything about her, or don't care, but love being able to insult people and see their drivel in print. I really like and enjoy almost everything she does.
MrHbc3 4 days ago
Para haber cantado esto, Dessay debe estar mal de la cabeza. Y no es ni la primera ni la última vez. Convengamos igual que cuando canta cosas que se adecuen a su vocecita, puede ser una excelente intérprete. Eso dicho, esta interpretación es una obscenidad.
DiomedesDioscuro 2 weeks ago
Complètement à côté de la plaque!
GoldenAgeSunshine 2 months ago
Dessay could have joined the select circle of Operatic Muses in Mount Olympus if she didn't just rely on her natural abilities to get by as she does in this recording which is fine but not great.
Callas, Schwartzkopf, Moffo and Sutherland started from natural talent but added assiduous labor. Instead, Dessay scooped when she felt like, slowed the tempo to accomodate her entrances, didn't bother about uncovering high notes. The latter might have even added a few more years to her career.
zamyrabyrd 2 months ago
she says the wrong words
invoicewithlove 3 months ago
Piteuse interprétation aux tempi négligés d'une chanteuse à la petite voix qui, l'âge venant, essaie d'élargir aux rôles coloratuta son répertoire.Dommage que sa voix ne s'élargisse pas en proportion...
antequem 7 months ago
Awful ! ! !
Yodaandtheforce3000 10 months ago
@Yodaandtheforce3000
yes, you are indeed.
Schwanengesang415 9 months ago
Acuto eseguito malissimo sul finale ... sembrava che avesse una fretta ....
Lirico96 10 months ago
June Anderson, voix relativement légère mais tout de même beaucoup plus corsée que celle de Dessay, a au moins le mérite de nous proposer l'original en Français!
vocedelaluna 1 year ago
Le type même de voix légère, pauvre en harmonique, aux aigus hasardeux qui se fourvoie totalement dans un air qui exige tout au contraire une grande voix riche apte à la colorature! A oublier très vite! Pour se faire une idée ce qu'exige le rôle de Elena réécoutons les divines Callas, Gencer, Cerquetti et autre Sutherland!
vocedelaluna 1 year ago 2
Poor interpretation. 0.57, 2.21, 3.34 even horrible.
AliciaDupres 1 year ago
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increíble Dessay!!!!
soleimusik 1 year ago
Increíble Dessay!!!!!
soleimusik 1 year ago
WOAH Where did that lower chest range come from!?!?!
CantoSemper49 1 year ago
Ouain, son contre-mi final est assez cacaoutteux :S.. il semble un choix derniere minute, ou mal préparé..
Alexesandryne 1 year ago
io non la trovo tanto pessima... anzi!!! ;D
enrym86 1 year ago
not appropriate for her type of voice
carlissima28 1 year ago
Pidò doveva essere ubriaco. Non ho capìto che suono è quella specie di sirena dell'Ansaldo poco prima dell'ultimo ta-ZUM! Nel complesso, è veramente ributtante. Odioso, proprio.
anfiosso 1 year ago 2
This is not her song.
badubasso 1 year ago
First of all she slows down the tempo which for a dance rhythm is already wrong. Her trill at 0.58 is tasteless, plus the indifferent intonation just about everywhere with a crowning strident last note. All she has had to offer the public is a thinner-than-thou appearance. Otherwise, her approach to the art of music is indifferent at the least. Her constant sour vinegar expression shows that she doesn't even enjoy singing--an anti-singer, if anything.
zamyrabyrd 1 year ago
@zamyrabyrd
an anti-singer:
that's one way to put it. oh man...that final note is the best "is she serious?" moment!
she's Met Made..or so it seems.
pointemeout 1 month ago
the low notes are surprising good actually... altho the high E isn't
eugenelohks 1 year ago
all comparison aside (we all know Dame Joan dominates this bolero) a fine performance =)
raigekimaru 1 year ago
I think we have to consider that she's not singing the whole role of Elena, but only one aria, which is in her tessiture. She does quite well, even if the low notes are not so beautiful... And yes, the intonation at end is something ugly.
There are good and bad things, but even Callas had some defects...
(Oh my English is almost as horrible as the E at end...)
LelioRiccoboni 1 year ago
better than one might expect for her voice type, but certainly not her role
skitzo429 1 year ago
Nice live performance. The size of her voice and the temp don't matter because this was for a concert. Good images too. Thanks.
asdfopera 1 year ago
The tempo isn't ok!!!
She's voice is small for this aria !!! And i don't listen the elena's carachter!!!
vivacecilia 2 years ago
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She had a bad singing day that time...
Aanarhiaa 2 years ago
no no no no no.....do you hear the applause? people are saying: GREAT! so shut up
killerbunny123123 2 years ago 9
@killerbunny123123
What a stupid argument... of course only people who like a singer go to his/her aria concert...
mrlammermoor 1 year ago
@mrlammermoor exactly, thats the very point....im not saying that this woman is flawless, but what i mean is that she's a head and shoulders higher singer (and actress) than at least 80% other singers we see here...
killerbunny123123 1 year ago
@mrlammermoor Not really, what about all of the people with subscriptions to a concert series? What about a singers first performance?
Rcoppin91 1 year ago
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Povero Verdi
Dessay est une misère vocale et musicale ... Quelle époque ... Pauvres Maria, Anita, Lejla, Renata, Joan, Beverly, June, et les Autres ...
NemanjaFan 2 years ago
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ce produit médiatique (à rapprocher des Ajax et Paix citron) fait jouir les incultes !
TourneledosRossini 2 years ago
This comment has received too many negative votes show
poor Dessay she thinks she's Joan Sutherland.
tklogan11809 2 years ago
why wud she want to be like joan? dessay is so much better than her when it comes to coloraturas!
killerbunny123123 2 years ago
hahahah you're funny, do you do birthdays?
tklogan11809 2 years ago
Comment removed
killerbunny123123 2 years ago
I meant that you're a good comedian!
tklogan11809 2 years ago
I love Dessay
jacekpta 2 years ago 15
This comment has received too many negative votes show
maria callas forever...she is art....
tazkorinthos 2 years ago
Natalie--- is this really you? Wassup with the final E? Where have the amazing days of that Lakmé recording gone? Wow...
UrsulanChild 2 years ago
Comment removed
killerbunny123123 2 years ago
I have never been a great fan of hers... her coloratura technique, admitted, is faultless, but she doesn't have very much dramatic capability. Plus here she's sometimes off with the orchestra... useless conductor!
eugenelohks 2 years ago
this execution is HORRIBLE, listen to Dame Joan's studio version, please mates.
Stil......... I love Dessay :)
thomastmwc 2 years ago
Didn't like her final high E.
mariokalogeropoulos 2 years ago
This is so wrong, I admire this soprano but I find this something not to listen to again. What was she thinking. The Conductor should be shot. It's not Offenbach.
jamesjmertins 2 years ago
Natalie Dessay is a colorotaura but her voice not is for this role.This is Verdi!!!!
evita010 2 years ago 3
so great! :)
flouraki 2 years ago 4
ohmygod
how beautiful :O
OMG OMG OMG
YOU ARE SO SEXY, HOTTIE.
joke.
kiss x
tomaat101 3 years ago 2
i like more Angela's performance...i didn't find it on youtube...but i have it in my pc...
Destatur 3 years ago
On which CD of her is this aria?????????
seoulsugar2008 3 years ago
This one is a concert, but you can have it with Cd is "Airs d'opéras italiens", you must buy the Cd and open a `rivate website with it, ottherwise you won't have the aria
DessayBestSinger 3 years ago
The great mystery is how and why the greatest French singing actress of her generation comes to be singing an aria from Les Vepres Siciliennes - an opera written in French for the Paris stage 150 years ago - in the Italian translation. The high note at the end of this aria is not typical of the role of Helene. It would be fascinating to hear a complete version of the opera with Dessay in this role.
1900stan 3 years ago 2
pretentious comment (but that's no great mystery)
BernardProfitendieu 3 years ago
Very good!! Maria Hciara is another one who si wonderful with tis aria.
moghedien13 3 years ago
considering her voice type she does it quite well, I only hope she never tries Turandot or Norma...
Crindoro 3 years ago 5
she wont of course...
gtelloz 3 years ago
don't worry she will never sing those parts.
she said that she would like to play tosca but she knows she can't.
sopran21 3 years ago
What I want to know is why she has never sung Lulu. She is always claiming she is an actress...and that is the ULTIMATE acting role for a singer with access to good high notes. Why no Lulu...
altodivo 3 years ago
She will try with Salome...
mozart200657 3 years ago
She's actually said that she tried to learn Lulu and it was taking so long and she decided that she wouldn't be able to learn it well. I still love her.
LilMack549 3 years ago
@Crindoro She knows better than to try Turandot, Norma, Armida, Donizetti queens, or Lucrezia Borgia for sure. Although it'd be great to see her try the prayer from Maria Stuarda. Actually I can just imagine her voice singing a great Stuarda, just with her piercing French power :D It'd be great for her too, all the drama in the confrontation scene. How awesome it'd be - figlia impura di Bolenna! coming from Dessay!
Drelnis 1 year ago
@Crindoro I know... these coloratura sopranos who 'try' Turandot (and there are quite a few!)... don't they realise Turandot is for Wagnerian soprano?
eugenelohks 1 year ago
Considering that Elena is a role for a dramatic coloratura soprano, Dessay acquits herself fairly well. I'm certain she could not carry this role onstage, but the aria fits her well as a concert piece. This may not be her best work, but she sings this aria better than most sopranos of her voice category.
osvaldito55 3 years ago 3
i agree.
gtelloz 3 years ago
Does one blame her, or the conductor for this travesty? Bad, bad bad. Very disapponting. Sad, sad, sad.
operaman2000 3 years ago
The composer Reynaldo Hahn says some interesting things about the decline of singing in the book 'On Singers and Singing'.
33blueberries 3 years ago
whatever is it he says - i agree with our comment
branko1b 3 years ago
I guess Verdi is not for her....
Astrofiammante 3 years ago
The intonation at the end of the arie (E) was horrible! :-(
Sesto73 3 years ago
Maybe her voice is not suitable for this. But why really not? i like it very much! is a different reading.
gtelloz 3 years ago
After her past vocal problems it seems her voice dropped a bit, she lost the stratospheric notes but she still has the high E and gained low A and G!
agnellodei 3 years ago
What are some high notes, if you have a voice unsurpassable beauty and an elegant phrasing that accentuates and reflects so many emotions? What I really like about the ARTIST N.Dessay is the way how she shows us the meaning and importance of the words - like Callas in the past. But also Natalie's purity of tone is a phenomenon of our time. The fact, that she lost some of her high notes is IMO a "side effect", because her vocal range has widened and can now be considered as a lyric soprano's.
Klassizismus 3 years ago
Yeah but was really gnarly to hear those awesome bad ass high notes! She's like a big inspiration for me and I'm a high tenor!
agnellodei 3 years ago
c un air que j'adore
amneris54 4 years ago
Sounds terrific!
gypsycafe 4 years ago 2