learn to play an instrument...otherwise, we're doomed...we can't sample forever, as it is a temporary music fix to a permanent problem of skill...peace
@djdreamproductions: Really? And what, pray tell, in my statement is illogical? Music, as is with many earthly entities, is finite. What did DJ P or Madlib LOVE about a particular track? How many times can "artists" such as that pull, & pull, & pull from existent compositions, all the while never giving back ? This once fine art is being minced, & minced & minced into samples. What happens when all the "host" songs are used up? Please be aware a host requires the presence of a parasite.
@btinsley1 ok....to say that DJ Premier or Madlib or Dilla didnt "love" a particular track that they sampled is outrageous!!! This track for example, I know from watching a Ma Dukes interview, that she said her son (J Dilla) was very excited for her to hear his remix to this because it was one of his favorites. Also, real hip hop heads are quick to find out what a producer sampled, and alot of the time that in itself becomes the "giving back" that you sat producers dont do.
@djdreamproductions: no, no, nooo! that is not what I meant regarding what those two love in a given track. i am saying what they loved in a particular track was clearly the level of skill that made it a groove they felt could be used. There is dwindling skill as we are using the sampling method to guide our future. We need to begin learning to play instruments...case & point. get it? think about that... ponder this as well, as i said before: WHAT HAPPENS when we have squeezed the last drop?
@btinsley1 any beatmaker knows of the infinite tracks that could be produced off of sampling just ONE song. Ive been sampling for years, and i honeslty dont think that we could EVER run out of material. I use an MPC 2000xl, and i very much consider it to be an instrument. Filtering and chopping and changing the pitch of each note can create a never ending supply of material to use. plus with technology now, people are sampling the tiniest part of a song, and then adding original notes to it.
@btinsley1 any beatmaker knows of the infinite tracks that could be produced off of sampling just ONE song. Ive been sampling for years, and i honeslty dont think that we could EVER run out of material. I use an MPC 2000xl, and i very much consider it to be an instrument. Filtering and chopping and changing the pitch of each note can create a never ending supply of material to use. plus with software now, people are sampling the tiniest part of a song, and then adding original notes to it.
@djdreamproductions: i get that...but don't you see (with all due clarity) that piggybacking off old music is not the permanent answer to the creation of music for the rest of our lives? If it weren't for those artists who had the gift of playing instruments (& singing), you and many other people would be left with only cans and sticks to beat them...on 2nd thought, make that electronic equipment to SIMULATE music. Paying homage to past music can't be used as an excuse...(still piggybacking)
This Dilla vs Q-Tip discussion needs to stop. Point blank, they both fucked with each other A LOT! So tell you the truth, it's possible they could have gotten lessons or skills from each other on numerous occasions!
Award Tour is a good example. Straight up loop of a funky ass Weldon Irvine classic. The genius of that song to me lies in the layering of Charles Earland, the aforementioned Weldon Irvine and Milt Jackson all into one cohesive piece. Not to mention the Sly & the Family Stone drums. Niggas don't know shit about production though, study beats and make them for a few years then come back.
lmao @ the thumbs down. Sorry, but tip straight up looped a lot of funky intros and threw drums on top of them. It doesn't make them any less innovative or good, that's just a poor way to judge the music.
I saw and heard Jack McDuff at the Jazz Workshop in San Francisco way back in 1964. I was 26 and got to sit about six feet away from him. The cymbals of the drums were practically in our lap. Brother Jack was cooking up a storm. I get that old feeling of the magic of that club now and again. Brother Jack McDuff was a real player. He was still in the shadow of Jimmy Smith but was on his way of establishing himself. The Hammond organ tone went through your bones to your soul. What a time.
@biffstudd Ah, another new jack dilla fan who thinks he made every dope beat in the world. I bet you think he made Electric Relaxation too, right? Q-tip produced the Scenario remix, Dilla did the Oblighetto joint. No need to say Q-tip did nothing.
This comment has received too many negative votesshow
@roscoegino I dunno about that. How about vibes and stuff? Or countless other tribe joints. Tip is one of my favorite beat makers period but I don't think it can be boiled down to that.
Scenario IS the greatest Posse cut of all time- certain cats were on it that were lethal and still didn't make the final cut! I heard one or 2 other versions!
Thank you Brother Jack Mcduff for your inspiration!
Glad to see people out there have found McDuff,I have had this for 32 years the best track is Made in Sweden by far one of the best drum solos ever by Joe Dukes
Love this dude u gotta burn me something if possible!
JohnnyDillz 3 days ago
beautiful and pure...
gandillion 4 months ago
Here we go yo, here we go yo
dhyphenBils 4 months ago
learn to play an instrument...otherwise, we're doomed...we can't sample forever, as it is a temporary music fix to a permanent problem of skill...peace
btinsley1 6 months ago
@btinsley1 I'd like to see you say that to someone like DJ Premier or Madlib........i'd be very interested in their response
djdreamproductions 5 months ago
@djdreamproductions: Really? And what, pray tell, in my statement is illogical? Music, as is with many earthly entities, is finite. What did DJ P or Madlib LOVE about a particular track? How many times can "artists" such as that pull, & pull, & pull from existent compositions, all the while never giving back ? This once fine art is being minced, & minced & minced into samples. What happens when all the "host" songs are used up? Please be aware a host requires the presence of a parasite.
btinsley1 4 months ago
@btinsley1 ok....to say that DJ Premier or Madlib or Dilla didnt "love" a particular track that they sampled is outrageous!!! This track for example, I know from watching a Ma Dukes interview, that she said her son (J Dilla) was very excited for her to hear his remix to this because it was one of his favorites. Also, real hip hop heads are quick to find out what a producer sampled, and alot of the time that in itself becomes the "giving back" that you sat producers dont do.
djdreamproductions 4 months ago
@djdreamproductions: no, no, nooo! that is not what I meant regarding what those two love in a given track. i am saying what they loved in a particular track was clearly the level of skill that made it a groove they felt could be used. There is dwindling skill as we are using the sampling method to guide our future. We need to begin learning to play instruments...case & point. get it? think about that... ponder this as well, as i said before: WHAT HAPPENS when we have squeezed the last drop?
btinsley1 4 months ago
@btinsley1 any beatmaker knows of the infinite tracks that could be produced off of sampling just ONE song. Ive been sampling for years, and i honeslty dont think that we could EVER run out of material. I use an MPC 2000xl, and i very much consider it to be an instrument. Filtering and chopping and changing the pitch of each note can create a never ending supply of material to use. plus with technology now, people are sampling the tiniest part of a song, and then adding original notes to it.
djdreamproductions 4 months ago
@btinsley1 any beatmaker knows of the infinite tracks that could be produced off of sampling just ONE song. Ive been sampling for years, and i honeslty dont think that we could EVER run out of material. I use an MPC 2000xl, and i very much consider it to be an instrument. Filtering and chopping and changing the pitch of each note can create a never ending supply of material to use. plus with software now, people are sampling the tiniest part of a song, and then adding original notes to it.
djdreamproductions 4 months ago
@djdreamproductions: i get that...but don't you see (with all due clarity) that piggybacking off old music is not the permanent answer to the creation of music for the rest of our lives? If it weren't for those artists who had the gift of playing instruments (& singing), you and many other people would be left with only cans and sticks to beat them...on 2nd thought, make that electronic equipment to SIMULATE music. Paying homage to past music can't be used as an excuse...(still piggybacking)
btinsley1 4 months ago
how appreciative must these jazz musicians be about young kids loving their music and flipping it in their own way. Music is so cool
gabel13 6 months ago
This Dilla vs Q-Tip discussion needs to stop. Point blank, they both fucked with each other A LOT! So tell you the truth, it's possible they could have gotten lessons or skills from each other on numerous occasions!
CarpayDM88 9 months ago
Award Tour is a good example. Straight up loop of a funky ass Weldon Irvine classic. The genius of that song to me lies in the layering of Charles Earland, the aforementioned Weldon Irvine and Milt Jackson all into one cohesive piece. Not to mention the Sly & the Family Stone drums. Niggas don't know shit about production though, study beats and make them for a few years then come back.
beautifulopusoflove 11 months ago
lmao @ the thumbs down. Sorry, but tip straight up looped a lot of funky intros and threw drums on top of them. It doesn't make them any less innovative or good, that's just a poor way to judge the music.
beautifulopusoflove 11 months ago
Jack McDuff is a legend...don't ever forget that when you hear these producers samples...
mi777ke777 1 year ago
I saw and heard Jack McDuff at the Jazz Workshop in San Francisco way back in 1964. I was 26 and got to sit about six feet away from him. The cymbals of the drums were practically in our lap. Brother Jack was cooking up a storm. I get that old feeling of the magic of that club now and again. Brother Jack McDuff was a real player. He was still in the shadow of Jimmy Smith but was on his way of establishing himself. The Hammond organ tone went through your bones to your soul. What a time.
AragonBill 1 year ago 3
COOLjaaaaazz - say no more!
merseymain 1 year ago
Scientifik used this one too.
Scientifik - It's on
Snotfather 1 year ago
Brother Jack McDuff is that DUDE, son...
fbebeats 1 year ago
Black Moon also sampled on "Son Get Wrecked" off the Enta the Stage Album dope!!
ciphson 1 year ago
Thank J-Dilla. Q-Tip produced nothing
biffstudd 1 year ago
@biffstudd Ah, another new jack dilla fan who thinks he made every dope beat in the world. I bet you think he made Electric Relaxation too, right? Q-tip produced the Scenario remix, Dilla did the Oblighetto joint. No need to say Q-tip did nothing.
beautifulopusoflove 11 months ago
"Bo knows this and Bo knows that. But Bo don't know jack. Cause Bo can't rap."
roscoegino 1 year ago
it's a testament to tip's genius. to take bits of music and make them funky as opposed to finding something already funky and simply looping that.
roscoegino 1 year ago
This comment has received too many negative votes show
@roscoegino I dunno about that. How about vibes and stuff? Or countless other tribe joints. Tip is one of my favorite beat makers period but I don't think it can be boiled down to that.
beautifulopusoflove 1 year ago
1969 mercedes benz groove right here
roscoegino 1 year ago
could somebody post;
'Duffin' Around' - Brother Jack McDuff & David Newman from the album Double Barrelled Soul
rylehardtmillion 1 year ago
i found this record in my grandmother's rusty musty basement
ministryofsumthing 1 year ago
im howlin at the moon
brotherbrando 1 year ago
i love this track
gelderland768 1 year ago
Scenario IS the greatest Posse cut of all time- certain cats were on it that were lethal and still didn't make the final cut! I heard one or 2 other versions!
Thank you Brother Jack Mcduff for your inspiration!
danoba6 1 year ago
Ohhhhhhh! God bless you for posting!!! do you know how long Ive been trying to find this song!? Brother Jack is the MAN!
belartful 1 year ago
I just found this cut and Im very amazed on how funky it is,nice job to the tribe called quest to for the sample
jlsone73 2 years ago
samplé a 3minute33 par Tribe called quest avec Busta Rhymes "Scenario"
darkrachimski 2 years ago
Oui!
Deekstercph 2 years ago
This is so damn bluesy, funky and chill all at the same time.
curtisb3000 2 years ago
se escucha como el culo de un bufalo, pero se sale. gracias por compartir este temazo. ; )
yuseroner 2 years ago
@yuseroner jajajajajaJJ toda la razon
pionyang 1 year ago
Black Moon used it also on 'Son get Wreck'
dkdastardly 3 years ago 2
@dkdastardly good info! word up
jrok1978 2 years ago
this is one of the illest cuts ive heard as of late
LostAngelesRaider 3 years ago 3
Dilla also flipped this track as well.
Jack McDuff was ill.
roboshuffle 3 years ago 12
Yes Tribe used this for Scenario. The Break is from 3:34-3:44.
Drmorena925 3 years ago 7
i knew i recognized this song!!!!
flyordien3rd 2 years ago
@Drmorena925
Yea i knew i recognized that organ from somewhere. I just watched that video yesterday. lol
Drano5050 1 year ago
Glad to see people out there have found McDuff,I have had this for 32 years the best track is Made in Sweden by far one of the best drum solos ever by Joe Dukes
or Mc Duff down home style song Memphis in June.
emerica3gz 3 years ago 4
thanks alot for posting this, one of my favorites
luketeller222 4 years ago
Unbelievable... thank you. Did a tribe called quest sample this for scenario?
kylejo11 4 years ago
Yeah. I'm in love with these tracks!
strangersound 4 years ago 2
yes they did well the bassline yeah they did
CrystalCronix 3 years ago 4
that baseline is so mean!
dev212008 2 years ago 2