I grew up on this recording....nothing comes close to Leonard Warren in this role. I feel so fortunate to have had the education that included opera in my life.
My first version of a live Rigoletto performance was in 1952 at City Center in NYC. I was 8 years old and rivetted. I have no idea who the singers were but the performance was wonderful to me.
I remember the duke in the La Donne Mobile aria lost a cap in his teeth and spent the rest of the performance trying to hold his cap,
Leonard Warren is my all time favorite singer. He was incredible. Sadly he died at age 49 on the stage of the Metropolitan Opera during a performance.
@stevevandien YES YES AND YES--- I heard him sing on sirius met. radio yesterday in Forza from 1954 a live performance with Penno and Zinka and he out sang penno in his Role, his voice sounded huge in both solenne and Invano duets. Penno had a big tenor voice but Warren had all that power and a rich creamy sound Besides, the Verdi King! he was fantastic!
Wow! Warren's Rigoletto is not just a superstitious buffoon. Here's a man who is employed by a puppet Duke (whose hangers-on control him by managing his appetites). The Courtiers' dog-kicking hubris equal the Duke's in purveying a very sheltered girl as the week's bed toy. Warren's Rigoletto turns the screw past it's last stop, and seeths with the blood craving of a man who now must amuse and cajole for Gilda's life because the Duke's gentlemen are not above permanently resolving - problems.
@LordMgls The only reason I am not sending you "there" is that you are my friend. :-) Well. When I listen a Schubert's lieder by Dieskau, he is insuperable, but not here. At least for me. He does great what he can do, but the matter is that he CAN'T really sing this with his soft voice. At least for me...
I've heard he is not able to sing without digital remasteration, etc. I don't know it; therefore, I can't judge him out of what he shows in that recording with Scotto & Bergonzi + Kubelik. A very enigmatic interpretation, in my idea. He's romantic in the meaning of the word; but in the historical and artistic sigificate, Verdi is a Romantic as well. I like it. (Thanks for not sending me 'there' - yet. LOL)
Nucci is more reccitativo, it even seemsAnArioso, but it could be anywayAndWeDidnTCatchIt
If I was playing one of Gilda's kidnappers next to Warren's Rigoletto, I'd probably have peed my pants after hearing him deliver that first line, and returned Gilda to him at once!
warum sehne ich mich nach Aufnahmen mit Interpreten aus besagter zeit, einige wie Vickers und Vinay habe ich noch erleben dürfen..oder Mc Cracken(als opernhördebütant).....dann kam mit den grosen 3 die herbe enttäuschung, oberflächlichkeit und vermarktschreierisches Gehabe...Schade um den Reichtum Oper
Simply frightening...in my opinion the 1950 Rigoletto he recorded with Berger and Peerce to this day remains the greatest commercial recording of this opera.
Warren's voice was huge AND hugely powerful. His vocal technique encompassed a gorgeous mezza-voce and ppp along with his wall-shaking fortes. We Americans (USA AND Canada) have produced some outstanding operatic baritones, from Bispham and Whitehall to Tibbett, Lambert, Merrill, MacNeil, Marsh, Qulico, and Milnes. I have heard and admired them all. But Warren, for me at least, remains the best --
@schlusnus Erna Berger was, indeed the Gilda of this recording. Also Jan Peerce as the Duke of Mantua, Italo Tajo as Sparafucile, Nan Merriman as Maddalena, and Richard Wentworth as Count Monterone. The chorus was the Robert Shaw Chorale. Recorded in the ballroom at Manhattan Center, New York City, in March of 1950 (that accounts for the oceanic echo!).
i have been listening to opera for many years and this is unquestionably the best baritone voice I have ever heard. The tone is rich, the expression and phrasing is unmatched and his high notes are full and sustained
Grazie de aver postato un brano del nostro baritono americano--bravo qui per l'emozione vocale. A fine baritone in Italian roles, perhaps not idiomatic to all, but wonderful vocal color here.
Thank you very much for this! I've heard his name from my mum, she said he was the best bariton of a XX. centrury.
1927edith 1 month ago
I grew up on this recording....nothing comes close to Leonard Warren in this role. I feel so fortunate to have had the education that included opera in my life.
My first version of a live Rigoletto performance was in 1952 at City Center in NYC. I was 8 years old and rivetted. I have no idea who the singers were but the performance was wonderful to me.
I remember the duke in the La Donne Mobile aria lost a cap in his teeth and spent the rest of the performance trying to hold his cap,
mrspanamadi 5 months ago
Bastianini? Warren? Warren? Bastianini?... I can never choose! Awesome.
theropodia 6 months ago 2
Leonard Warren is my all time favorite singer. He was incredible. Sadly he died at age 49 on the stage of the Metropolitan Opera during a performance.
harley75604 6 months ago
The best in the role ever. Bravo! RIP
SHICOFF1 10 months ago
What a voice! :-)
Even italian accent it's good...
LardoDiColonnata 1 year ago
@stevevandien YES YES AND YES--- I heard him sing on sirius met. radio yesterday in Forza from 1954 a live performance with Penno and Zinka and he out sang penno in his Role, his voice sounded huge in both solenne and Invano duets. Penno had a big tenor voice but Warren had all that power and a rich creamy sound Besides, the Verdi King! he was fantastic!
SHICOFF1 1 year ago
That is amazing!!! A real color of Baryton!!! He sings sul fiato and in the correct place!!!
maya4406 1 year ago
Wow! Warren's Rigoletto is not just a superstitious buffoon. Here's a man who is employed by a puppet Duke (whose hangers-on control him by managing his appetites). The Courtiers' dog-kicking hubris equal the Duke's in purveying a very sheltered girl as the week's bed toy. Warren's Rigoletto turns the screw past it's last stop, and seeths with the blood craving of a man who now must amuse and cajole for Gilda's life because the Duke's gentlemen are not above permanently resolving - problems.
VolkgartenBySquirrel 1 year ago 2
As far as baritones go, my heart belongs to Leonard Warren <3
funwithFred 1 year ago 2
He was the best....the best!
funwithFred 1 year ago 2
No words can describe this! I am near crying.
AnryK2690 1 year ago
This is my favourite baritone aria. Great rendition, but I prefer others. :-)
LordMgls 1 year ago
@LordMgls Namely?
Well. Perhaps Gobbi, Bastianini, Bruson.
AnryK2690 1 year ago
You will certainly send me to a certain place, but audibly, I love passioned Rigoletto by Dieskau. Gobbi, Nucci, Milnes. Etc etc. :-)
LordMgls 1 year ago
@LordMgls The only reason I am not sending you "there" is that you are my friend. :-) Well. When I listen a Schubert's lieder by Dieskau, he is insuperable, but not here. At least for me. He does great what he can do, but the matter is that he CAN'T really sing this with his soft voice. At least for me...
AnryK2690 1 year ago
I've heard he is not able to sing without digital remasteration, etc. I don't know it; therefore, I can't judge him out of what he shows in that recording with Scotto & Bergonzi + Kubelik. A very enigmatic interpretation, in my idea. He's romantic in the meaning of the word; but in the historical and artistic sigificate, Verdi is a Romantic as well. I like it. (Thanks for not sending me 'there' - yet. LOL)
Nucci is more reccitativo, it even seemsAnArioso, but it could be anywayAndWeDidnTCatchIt
LordMgls 1 year ago
If I was playing one of Gilda's kidnappers next to Warren's Rigoletto, I'd probably have peed my pants after hearing him deliver that first line, and returned Gilda to him at once!
GermanOperaSinger 1 year ago
warum sehne ich mich nach Aufnahmen mit Interpreten aus besagter zeit, einige wie Vickers und Vinay habe ich noch erleben dürfen..oder Mc Cracken(als opernhördebütant).....dann kam mit den grosen 3 die herbe enttäuschung, oberflächlichkeit und vermarktschreierisches Gehabe...Schade um den Reichtum Oper
taxijunkie 2 years ago
Jmccraken and 34FG.
Dosen't this show the difference in recording techniques
so clear, his voice ideal plus for the jester and like all
comments the best Ive ever heard of cortigiani.
Congrats for airing and and Jmcc for script.
schlusnus 2 years ago
Simply frightening...in my opinion the 1950 Rigoletto he recorded with Berger and Peerce to this day remains the greatest commercial recording of this opera.
GermanOperaSinger 2 years ago 4
@GermanOperaSinger AMEN, BROTHER!!!!!!!!
cantorga 1 year ago
Warren's voice was huge AND hugely powerful. His vocal technique encompassed a gorgeous mezza-voce and ppp along with his wall-shaking fortes. We Americans (USA AND Canada) have produced some outstanding operatic baritones, from Bispham and Whitehall to Tibbett, Lambert, Merrill, MacNeil, Marsh, Qulico, and Milnes. I have heard and admired them all. But Warren, for me at least, remains the best --
stevevandien 2 years ago 17
This is the real LW at his best in Verdi, sad he made a few records not quite upto his normal greatness.
I think he sang with Erna Berger in Rig: not sure but
if so what a perfect court jester.
schlusnus 2 years ago 4
@schlusnus Erna Berger was, indeed the Gilda of this recording. Also Jan Peerce as the Duke of Mantua, Italo Tajo as Sparafucile, Nan Merriman as Maddalena, and Richard Wentworth as Count Monterone. The chorus was the Robert Shaw Chorale. Recorded in the ballroom at Manhattan Center, New York City, in March of 1950 (that accounts for the oceanic echo!).
jmccracken1963 2 years ago
What a noble voice! I can't believe how huge his voice is at the low register. I say "My God!".
tonyhan0903 2 years ago 7
Bravo!!!!!
mirzahrustanovic 2 years ago
This is Great!
Achbar 2 years ago 2
wow
emaleroland 2 years ago
He's great. I like him even better than Gobbi. Awesome. Bravo!!
tonyhan0903 2 years ago 3
they are twoo completely different singers, but yeh they are incomparable warrens rich tone is just monstrous
pavoman23 2 years ago
people never realize how great of a technician LW was...and how huge his voice was. unmatched
songsofscarlet 2 years ago 4
I prefer the Rigoletto by the great Gobbi
gomongio 2 years ago
Sì. Anche io.
BassoAntico 2 years ago
Warren must have kept Gobbi "regular"...every time he heard him it must have scared the s--t out of him!
Operaddict 2 years ago 2
This is an ugly thing to say. Not flattering about either of these great artists.
vilabreze 2 years ago
i have been listening to opera for many years and this is unquestionably the best baritone voice I have ever heard. The tone is rich, the expression and phrasing is unmatched and his high notes are full and sustained
operadoc 3 years ago 4
@operadoc you are in the vast majority-- truly an instrument that dominated every role he ever sang -He takes a back seat to no one
roselandalvin 1 year ago
Grazie de aver postato un brano del nostro baritono americano--bravo qui per l'emozione vocale. A fine baritone in Italian roles, perhaps not idiomatic to all, but wonderful vocal color here.
sospello 3 years ago 2