Interesting! I never saw the MGM Boskos growing up, though I read about them as an adult. It's kind of refreshing to see him get mad for a change. In the WBs he was ALWAYS cheerful. And that little brat doesn't need just a spanking - he needs a 2X4 upside the head. I cheered when he didn't get his ice cream at the end. YAY!
since rudolph ising had made bosco at warner brothers origianlly he took advantageof mgms bigger budjet for cartoons and made it better i blieve this was the first and last in cinecolor if disnety id not hold the copy right of three color at that time it would of been in 3 color technicolor
There was this concentrated energy and rock-solid sense of shape and form displayed in the very few Oswald / Bosko shorts between 1927 and 1935 with the original Disney studio core (i.e. Iwerks / Harman / Ising / Freleng etc).
Seems like all of Disney's efforts after '35 went into trying to quantify the magic using a series of formulas. Sometimes it worked, sometimes it didn't.
Bruno looks a hell of a lot like Pluto. And the little kid wears red pants with yellow buttons and yellow shoes like Mickey Mouse. Those things don't suprise me. Harman and Ising actually worked for Walt Disney during the 1920s, while Disney was in Kansas City.
It goes beyond that. I'd go so far as to say that Disney's approach during the '30s became American animation's "house style" the same way that the basic "anime look" has become a general "house style" in Japan. Yes, in both cases, there are many different individual styles within that, but distinct trends are definitely there.
Of course, during the 30s, most of Disney's imitators weren't as good.
Why, oh why, didn't Disney find a way to keep working with these guys? The world would have been SO different if Oswald the Rabbit (drawn by Harman / Ising / Disney / Iwerks and crew) had evolved through the 30s. Instead, well...we all know what happened!
@BucketFurter Reason he didn't want to work with these guys was because they double crossed him with Charles Mintz. True, Walt himself was straining the animators unfairly, but it was only because of what Mintz was forcing on him...and then after Mintz stole his workers and his creation, well...poor Oswald was thrown to the dark side.
@Emichwan88 A lot of pride got into the mix with the Mintz business. I think Disney should have made almost any sacrifice to keep working with that crew.
You can see tangible regret on both sides: Disney's 'toons became more somber in tone and the MGM folks slid more towards the 'fine art' style of Disney. Maybe their relationship was like a keg of TNT but that same keg gave us Oswald AND Mickey Mouse.
@BucketFurter and Elichwan88 Let's not forget that Walter Lantz did hilarious cartoons with Oswald the Lucky Rabbit with the help of "Bill" Nolan (who is given credit for creating the "rubber hose" animation) and a young Fred "Tex" Avery.
So did a certain "Friz" Freleng for Margaret Winkler.`
The Oswald series jumped the shark after the character was redesigned in late 1935, as an attempt to catch up with the realistic Disney style of animation.
at 7:37, and its a quick frame, they have BOSKO written on the "Looney Tunes ending board where bosko hops from behind in the WB cartoons. The dog is in the MGM logo.
This is OK but seems to miss some of the character of the original WB Looney Tunes Bosko cartoons.
It is amazing seeing all the old WB footage in color. Very well done! I wanted to see this cartoon for years since I am a big fan of the early Bosko, not so much of the later "black sambo" Bosko.
I vaguely recall a cartoon i watched as a kid that once had an episode featuring Bosko as the sad cartoon that was forgotten, does anybody know what that cartoon was?
@UzUmAkIAyAmE - You may be thinking about "Tiny Toon Adventures" on TV in the 90s. One of the cartoons featured a mysterious figure who asked Babs (one of the Tiny Toons) to build a theater for the sole purpose of showing old "Honey" cartoons. The mysterious figure turned out to be Bosko. They were drawn differently from their WB days, but I think this is the cartoon you're thinking about.
While Bosko was Harmon-Ising's answer to MICKEY MOUSE in a somewhat human form, there is clearly an attempt to follow the MICKEY MOUSE format in this cartoon. The BOSKO's produced for Leon Schlesinger and Warner's were not of this level. The fact that they were making a MICKEY MOUSE type of cartoon in color seems like an attempt to seriously compete with Disney, especially since many of the MICKEY MOUSE elements are here.
This plays like a cheater episode, borrowing bits from all the older Warner Bros. cartoons. But it's not a cheater at all: all the animation is new and in color.
I think I was wrong. I read somewhere that this really is a cheater and that everything came from the older Warner Bros. shorts. It does add color, of course, but evidently the animation is old.
@Butterflygirl373 well bosko and mickey mouse came out at the same time
tonelligiuliana 5 days ago
holy shit i remember this.. I WANNA ICE CREAM CONE XD
TheCorpseCircus 1 week ago
Pretty funny when he turns into Jimmy Durante!
Lampshade51 1 week ago
If it weren't for Leon Schlesinger, Bosko would have carried Looney Tunes into a new generation. At least Bosko continued on to MGM in color.
AMEwrestling 2 weeks ago
I though bosko was warner brothers not MGM
raverjames2003 2 weeks ago
This has been flagged as spam show
Does anyone know the name of the one where there were little dolls and toys that would sing "Beep beep bo da be dopy po po bido, ooo waa waa" ???
Liv2Dance22 2 weeks ago
Wait so this is kinda the very old Mickey mouse show
butterflygirl373 2 months ago
This was before kids had TV to entertain them.
NJTotire 3 months ago
If Bosko was my babysitter, id be bored to death too.
knuclear2010 3 months ago
Comment removed
joneagle102 4 months ago
he never got his ice cream cone
joneagle102 4 months ago
LOL my name is Bosko :-D my dad got me the dvd of Bosko part 1 and 2 a few years ago ;-)
BOK23Q 5 months ago
this is actually very funny
friskyfido 5 months ago
And I thought the Lion at the beginning was gonna be Tanner...but I remember he didn't star until 1954.
Nodog438 6 months ago
Who does he impersonate at 5:40
BlacksPrower 7 months ago
@BlacksPrower thats Jimmy Durante, the comedian with the huge nose.
2reeler 4 months ago
@BlacksPrower Jimmy Durante.
darebinroad 3 months ago
That little kid is gonna become a real man
BlacksPrower 7 months ago
Bosko is hitting that MILF :D
refard5 8 months ago
classic I love it
thethunderbird87 8 months ago
Comment removed
thethunderbird87 8 months ago
Interesting! I never saw the MGM Boskos growing up, though I read about them as an adult. It's kind of refreshing to see him get mad for a change. In the WBs he was ALWAYS cheerful. And that little brat doesn't need just a spanking - he needs a 2X4 upside the head. I cheered when he didn't get his ice cream at the end. YAY!
WSenator1 9 months ago
@WSenator1
This is the first time I've seen one of them, too. And I guess now I know what they mean by "two-strip Technicolor."
Marbles471 8 months ago
CAN I HAZ ICE CWEAM COEN???!!!
Snailguy11217 9 months ago
The was before the BIG WAR
interstateruler 9 months ago
I kinda hoped he was gonna smash the kid in the book
BigJonB36 11 months ago
since rudolph ising had made bosco at warner brothers origianlly he took advantageof mgms bigger budjet for cartoons and made it better i blieve this was the first and last in cinecolor if disnety id not hold the copy right of three color at that time it would of been in 3 color technicolor
mikemcgee 1 year ago
@Johnpicha
Copy That!
"Bosko"...
BLANKNOTING 1 year ago
the kid has mickey mouse shorts
DCdorian 1 year ago
There was this concentrated energy and rock-solid sense of shape and form displayed in the very few Oswald / Bosko shorts between 1927 and 1935 with the original Disney studio core (i.e. Iwerks / Harman / Ising / Freleng etc).
Seems like all of Disney's efforts after '35 went into trying to quantify the magic using a series of formulas. Sometimes it worked, sometimes it didn't.
BucketFurter 1 year ago
@1000davy
@Johnpicha
You Start Work That...
3-D Animation...
Thank You...
BLANKNOTING 1 year ago
This has been flagged as spam show
New Super Smash Bros. Brawl:
"Betty Boop".(Personal Fighter)
New Super Smash Bros. Brawl:
"Jessica Rabbit".(Personal Fighter)
New Super Smash Bros. Brawl:
"Roger Rabbit".(Personal Fighter)
New Super Smash Bros. Brawl:
"Prof Grampy".(Personal Fighter)
BLANKNOTING 1 year ago
That kid needs a spanking! He's a spoiled brat! xD
31operafan 1 year ago 13
Bruno looks a hell of a lot like Pluto. And the little kid wears red pants with yellow buttons and yellow shoes like Mickey Mouse. Those things don't suprise me. Harman and Ising actually worked for Walt Disney during the 1920s, while Disney was in Kansas City.
31operafan 1 year ago 7
@31operafan
It goes beyond that. I'd go so far as to say that Disney's approach during the '30s became American animation's "house style" the same way that the basic "anime look" has become a general "house style" in Japan. Yes, in both cases, there are many different individual styles within that, but distinct trends are definitely there.
Of course, during the 30s, most of Disney's imitators weren't as good.
Marbles471 8 months ago
@31operafan That's not "that kid". That's Bosko, in fact he was the original star of Looney Tunes.
avalanchesuperstar 7 months ago
man, that kid is so annoying!
pokemanmaster03 1 year ago 3
Watch these vids while you can! somebody keeps reporting these old MGM cartoons as copyright infringements.
spikeg79 1 year ago
@spikeg79 probably some faggot avatar fan
illuminatioracle 1 year ago
bosko rulz
sm37skater 1 year ago
This lil kitty will RIP UR HEAD OFF!! Coffee RULZ!!
now316 1 year ago
Why, oh why, didn't Disney find a way to keep working with these guys? The world would have been SO different if Oswald the Rabbit (drawn by Harman / Ising / Disney / Iwerks and crew) had evolved through the 30s. Instead, well...we all know what happened!
BucketFurter 1 year ago
@BucketFurter Reason he didn't want to work with these guys was because they double crossed him with Charles Mintz. True, Walt himself was straining the animators unfairly, but it was only because of what Mintz was forcing on him...and then after Mintz stole his workers and his creation, well...poor Oswald was thrown to the dark side.
Emichwan88 1 year ago
@Emichwan88 A lot of pride got into the mix with the Mintz business. I think Disney should have made almost any sacrifice to keep working with that crew.
You can see tangible regret on both sides: Disney's 'toons became more somber in tone and the MGM folks slid more towards the 'fine art' style of Disney. Maybe their relationship was like a keg of TNT but that same keg gave us Oswald AND Mickey Mouse.
BucketFurter 1 year ago
@BucketFurter and Elichwan88 Let's not forget that Walter Lantz did hilarious cartoons with Oswald the Lucky Rabbit with the help of "Bill" Nolan (who is given credit for creating the "rubber hose" animation) and a young Fred "Tex" Avery.
So did a certain "Friz" Freleng for Margaret Winkler.`
The Oswald series jumped the shark after the character was redesigned in late 1935, as an attempt to catch up with the realistic Disney style of animation.
vmpickle123 1 year ago 3
That little kitty is sooo cute, but sooo bratty!
ksharmaine 1 year ago
They started drawing Hunny with a top
Antnj81 1 year ago
at 7:37, and its a quick frame, they have BOSKO written on the "Looney Tunes ending board where bosko hops from behind in the WB cartoons. The dog is in the MGM logo.
This is OK but seems to miss some of the character of the original WB Looney Tunes Bosko cartoons.
canonet17 1 year ago
It is amazing seeing all the old WB footage in color. Very well done! I wanted to see this cartoon for years since I am a big fan of the early Bosko, not so much of the later "black sambo" Bosko.
VinylLad 1 year ago
I vaguely recall a cartoon i watched as a kid that once had an episode featuring Bosko as the sad cartoon that was forgotten, does anybody know what that cartoon was?
UzUmAkIAyAmE 2 years ago
@UzUmAkIAyAmE - You may be thinking about "Tiny Toon Adventures" on TV in the 90s. One of the cartoons featured a mysterious figure who asked Babs (one of the Tiny Toons) to build a theater for the sole purpose of showing old "Honey" cartoons. The mysterious figure turned out to be Bosko. They were drawn differently from their WB days, but I think this is the cartoon you're thinking about.
WSenator1 8 months ago
Doesn't sound like the same voice Bosko had for Warner Brothers.
WWEChampion16 2 years ago
The cat is wearing Mickey Mouse shorts!
WWEChampion16 2 years ago
While Bosko was Harmon-Ising's answer to MICKEY MOUSE in a somewhat human form, there is clearly an attempt to follow the MICKEY MOUSE format in this cartoon. The BOSKO's produced for Leon Schlesinger and Warner's were not of this level. The fact that they were making a MICKEY MOUSE type of cartoon in color seems like an attempt to seriously compete with Disney, especially since many of the MICKEY MOUSE elements are here.
RayPointer 2 years ago
@RayPointer
Not to mention, that this was just a year before Mickey would make his color debut.
ESLinstructor1 1 year ago
This plays like a cheater episode, borrowing bits from all the older Warner Bros. cartoons. But it's not a cheater at all: all the animation is new and in color.
deadlyshoesalesman 2 years ago
@deadlyshoesalesman ::
How can you tell its all 'new'( via 1934)? I can see some new frames but most seems to be from the WB series.
canonet17 1 year ago
@canonet17::
I think I was wrong. I read somewhere that this really is a cheater and that everything came from the older Warner Bros. shorts. It does add color, of course, but evidently the animation is old.
deadlyshoesalesman 1 year ago
color!!! thank you for a fantastic vid buddy!!!!!!
431516020205 2 years ago