Sauer was good, but I get the feeling that he plays the song for the virtuosic aspect of it. I mean, that's obviously there, but I feel that the song is about more than that. I think he was a little superficial with it. It can be more explosive and meaningful
but I wouldn't call him superficial for that - he could have well been on to something
he tried to master a different approach with explosions of overwhelming virtuosic meaning, though his expectations of what Liszt had in mind for his horses running around with a piano on the piano (virtuoso style) were of course not the same
each of Liszt's students had different souls each one different from Liszt
Sauer was good, but I get the feeling that he plays the song for the virtuosic aspect of it. I mean, that's obviously there, but I feel that the song is about more than that. I think he was a little superficial with it. It can be more explosive and meaningful
The former comment was directed mainly towards the beginning. But I do acknowledge his scales, they were very fast, as was his playing of the entirety.
This is how Mr. Sauer wants it..., and I enjoy how he plays it... This piece can be played a million different ways, and it depends on how you depict a person tied undressed to a galloping-raging-bucking horse, being between life and death... -my most prefered version for M is Nyiregyhazy`s.
How very curious - this sounds absolutely nothing at all like Sauer's playing. The Welte roll of this work from Sauer was made in 1905. I presume that this roll is the Aeolian/Duo-Art one then....? This might explain it: those rolls did not record the dynamics of the performance, but the dynamics were added in later, onto a edited copy, once the initial live-time roll had already been created. (cont.)
Just like Nyiregyhazi I listened to before...he's playing piano;not the piece. The biggest dilemma with a piece like this is on evidence here. Here we have a great lyrical liszt player who after 1,000,000 hours of practicing this,stopped hearing it(somewhere along the way) as expression and lyric: & only as tempestuous expression.
This will thrill pianists who will fight to the death to defend it...particularly the ones,who haven't the technique to do it,but for non-pianists;it's just notes.
It IS an interpretation...and interpretations should always be of interest to the student, as long as the performer is competent and well intentioned.
Ofc it's an interpretation, everything is. I said I didn't like it, because he plays if fast all the time, and the music doesn't relax anywhere. I know it's one of Liszt's students. But it doesn't have to be good onlt because of that?
Oh yeah, you're probably right.. He just wrote "This is how I want my mazeppa! Don't you dare have your own opinion" on my Facebook. And I met him a week ago and had a little chat with him, over a cup of tea, about how he would like his music.
You met him aswell? Oh, what a stupid question! Of course you met him, since you knkow how he wanted it. Ah, stupid me!
well i wouldnt wholly agre this is how liszt wanted it, but id be confident enough to say that this is one of the closest if not closest interpretation to that of liszt'. von sauer was on eof his most well established students, as a far as piano is concerned. even if plante had recorded mazeppa that wouldbe pretty close too.
Nein on the contrary, playing as the music would describe not as either man or composer wants. perhaps he had changed his opinions however i think that sauer has been true to the music throughout this recording, regardless of authenticity and the like.
sauer was a pupil of liszt, so i'd say its safer to trust his interpretation than the rantings of some wanna-be music critic on youtube 100 years later.
This comment has received too many negative votesshow
Yes, you're right. Let's all play exactly as Von Sauer! Let us all play like someone else, and we will become great pianists!!
Let all with own opinions die and burn in all eternity! Why do we even play the piano?! Since obviously someone else already has played exactly as Liszt wanted it to sound (And that is the most important, as we all know!) Let's call ourself pianorecorders, and on every concert we play this, and tell the world that none else can have their own opinion!
But sometimes you have to ask yourself: What does Liszt really want? After all, he composed the piece - his soul is fermented in his creation. If you play blindly according to your own opinion you shun this aspect of the music and ultimately fail. Therefore Emil von Sauer's effort should be respected. But you condemn his playing because your tiny brain fails to grasp Liszt's genius.
And when it comes to who best portrays the intentions of liszt, emil von sauer is irrefuteably
It's all about the balance between composer's intention and performer's interpretation. A pianist should add his little "extra" to something but it shouldn't be to the point that the pianist just plays for his own indulgence
But it is ok for someone to say that they don't like an interpretation, so pianisteny, I think you definitely deserve an opinion and I'm sorry that people jumped all over you. still, the composer is IMPORTANT to hte piece!
With all respect, but it's not because Von Sauer was Liszt's pupil, that his interpretation is the best, or better than recently born pianists' versions.
@StrmUndDrng You're so right, though I personally don't like the way he played 0:06 - 0:11 of the piece. It's a little fast for me but other than that the rest is perfect. Too bad it's just a piano roll. It might have sounded better.
Best recording of the Mazeppa!
BaardTheLegoDude 5 days ago
This has been flagged as spam show
Properly: Hero name - Ivan MAZEPA(one "p")
Ukrainian hetman.
Fighter against moskwian tzar Petr !st
(With SwedenKing Karl XII)
gardarart 5 days ago
Mazeppa was a revolutionary galoping in the steppe.....
mousigama 1 month ago
Berman is great, but he recorded in tone-better and more flexibility studios
mirkojorgovic 6 months ago
Sauer was good, but I get the feeling that he plays the song for the virtuosic aspect of it. I mean, that's obviously there, but I feel that the song is about more than that. I think he was a little superficial with it. It can be more explosive and meaningful
JamesMGarren 10 months ago
exactly, the virtuoso shouldn't be abused
but I wouldn't call him superficial for that - he could have well been on to something
he tried to master a different approach with explosions of overwhelming virtuosic meaning, though his expectations of what Liszt had in mind for his horses running around with a piano on the piano (virtuoso style) were of course not the same
each of Liszt's students had different souls each one different from Liszt
.one of his students was a maniac I think
PrincessDesert 6 months ago
Sauer was good, but I get the feeling that he plays the song for the virtuosic aspect of it. I mean, that's obviously there, but I feel that the song is about more than that. I think he was a little superficial with it. It can be more explosive and meaningful
JamesMGarren 10 months ago
This and Arrau's versions are the best!
1993eph 11 months ago
@1993eph Come on....Both Berezovsky and Berman blow Arrau out of the water! His rendition is good, but he is nothing compared to these two Jews!
boohellokitty 9 months ago
@boohellokitty they are just virtuosos, but arrau its both virtuoso and musical
1993eph 9 months ago
this is a really nice sounding roll....
ReturnOfTheStienway 1 year ago
I like the plodding from 2:43 to 3:00
aardvaark069 1 year ago
Wow! What a fascinating and virtuosic interpretation!
martinadler73 1 year ago
a travers de ce recording nous avons une conception solide de cette composition ainsi la demonstration de la technique Liszt. Tres interessant.
uhartchristian 1 year ago
I am convinced that if Liszt back to life and began to play Mazeppa, some YouTube user could say that he prefers another interpretation
dragonforce81 1 year ago 7
@dragonforce81 I'd say sometimes maybe a performer can perform it better than the composer? Such as the whole Rachmaninoff/Horowitz thing...
OverFjell 1 year ago
@dragonforce81 lol
ReturnOfTheStienway 1 year ago
there are some very helpful alterations to the text here - the way von s. plays it is the most coherent i've ever heard. thank you!
kasyapa 1 year ago
Wonderful *****
eduardofdez 1 year ago
oh it is a piano roll :(
alexilmagnifico 2 years ago
Von Sauer was a Liszt´s pupil. He should know how to play this music. Besides, this is not bad... it just "different"
henseltetude 2 years ago 2
This comment has received too many negative votes show
Not bad at all, but could be (much) better, especially musically.
I don't believe this music should be played like a machine.
geertdehoux 2 years ago
I believe that is the piano roll which gives this mechanical impression
TheVieuxchat 2 years ago 13
The former comment was directed mainly towards the beginning. But I do acknowledge his scales, they were very fast, as was his playing of the entirety.
morvensky 2 years ago
This is how Mr. Sauer wants it..., and I enjoy how he plays it... This piece can be played a million different ways, and it depends on how you depict a person tied undressed to a galloping-raging-bucking horse, being between life and death... -my most prefered version for M is Nyiregyhazy`s.
gainweighttoday 2 years ago 2
Comment removed
morvensky 2 years ago
How very curious - this sounds absolutely nothing at all like Sauer's playing. The Welte roll of this work from Sauer was made in 1905. I presume that this roll is the Aeolian/Duo-Art one then....? This might explain it: those rolls did not record the dynamics of the performance, but the dynamics were added in later, onto a edited copy, once the initial live-time roll had already been created. (cont.)
d60944 2 years ago
They were frequently heavily edited to "tidy" arpeggiations as well. Anyway - it's sort of exciting, but shows nothing of Sauer's art really.
d60944 2 years ago
amazing! :))
kajohada 3 years ago
I think you (including me) should all get away from youtube and Ipods, and get practicing, and bring back this level of playing.
maxi937 3 years ago 2
This is magnifique.
alexongcs 3 years ago
Just like Nyiregyhazi I listened to before...he's playing piano;not the piece. The biggest dilemma with a piece like this is on evidence here. Here we have a great lyrical liszt player who after 1,000,000 hours of practicing this,stopped hearing it(somewhere along the way) as expression and lyric: & only as tempestuous expression.
This will thrill pianists who will fight to the death to defend it...particularly the ones,who haven't the technique to do it,but for non-pianists;it's just notes.
ClassicalMusicReview 3 years ago
Thank you for sharing this.
ffurgy 3 years ago
I really didn't like this.. Too bad, it's a great piece, and it was a boring interpretation. There was no single time to breath.
Pianisteny2k 3 years ago
It IS an interpretation...and interpretations should always be of interest to the student, as long as the performer is competent and well intentioned.
ffurgy 3 years ago 2
Ofc it's an interpretation, everything is. I said I didn't like it, because he plays if fast all the time, and the music doesn't relax anywhere. I know it's one of Liszt's students. But it doesn't have to be good onlt because of that?
Pianisteny2k 3 years ago
do you know the history of mazeppa?This sound is like liszt wanted it to.
JakWho92 3 years ago
Oh yeah, you're probably right.. He just wrote "This is how I want my mazeppa! Don't you dare have your own opinion" on my Facebook. And I met him a week ago and had a little chat with him, over a cup of tea, about how he would like his music.
You met him aswell? Oh, what a stupid question! Of course you met him, since you knkow how he wanted it. Ah, stupid me!
Pianisteny2k 3 years ago
well i wouldnt wholly agre this is how liszt wanted it, but id be confident enough to say that this is one of the closest if not closest interpretation to that of liszt'. von sauer was on eof his most well established students, as a far as piano is concerned. even if plante had recorded mazeppa that wouldbe pretty close too.
namarcil 3 years ago
Oh, comeon! This was "recorded" 1925. Years after Liszt death, I Think Mr. Von Sauer changes his opinion couple of times since...
Anyhow, I don't see the point of being this sort of slave that you describe: Playing as the Composer wants it, and not how you want it.
I will get a billions of thumbs down for this, but I really don't see the point.
Pianisteny2k 3 years ago 2
Nein on the contrary, playing as the music would describe not as either man or composer wants. perhaps he had changed his opinions however i think that sauer has been true to the music throughout this recording, regardless of authenticity and the like.
namarcil 3 years ago
sauer was a pupil of liszt, so i'd say its safer to trust his interpretation than the rantings of some wanna-be music critic on youtube 100 years later.
StrmUndDrng 3 years ago 21
This comment has received too many negative votes show
Yes, you're right. Let's all play exactly as Von Sauer! Let us all play like someone else, and we will become great pianists!!
Let all with own opinions die and burn in all eternity! Why do we even play the piano?! Since obviously someone else already has played exactly as Liszt wanted it to sound (And that is the most important, as we all know!) Let's call ourself pianorecorders, and on every concert we play this, and tell the world that none else can have their own opinion!
Pianisteny2k 3 years ago
But sometimes you have to ask yourself: What does Liszt really want? After all, he composed the piece - his soul is fermented in his creation. If you play blindly according to your own opinion you shun this aspect of the music and ultimately fail. Therefore Emil von Sauer's effort should be respected. But you condemn his playing because your tiny brain fails to grasp Liszt's genius.
And when it comes to who best portrays the intentions of liszt, emil von sauer is irrefuteably
StrmUndDrng 2 years ago
Gah, seriously!
...
Since you cleary don't see my point, I don't even bother to write anything else.
Good Day.
Pianisteny2k 2 years ago
It's all about the balance between composer's intention and performer's interpretation. A pianist should add his little "extra" to something but it shouldn't be to the point that the pianist just plays for his own indulgence
But it is ok for someone to say that they don't like an interpretation, so pianisteny, I think you definitely deserve an opinion and I'm sorry that people jumped all over you. still, the composer is IMPORTANT to hte piece!
babyeinstein12 2 years ago
With all respect, but it's not because Von Sauer was Liszt's pupil, that his interpretation is the best, or better than recently born pianists' versions.
geertdehoux 2 years ago
i get your point, but you have to admit this is excellent
liszt100 2 years ago
@liszt100
In a certain way it is.
geertdehoux 1 year ago
This is very relative.
geertdehoux 2 years ago
@StrmUndDrng You're so right, though I personally don't like the way he played 0:06 - 0:11 of the piece. It's a little fast for me but other than that the rest is perfect. Too bad it's just a piano roll. It might have sounded better.
NFIn843v3r 1 year ago
@Pianisteny2k well you got my thumbs up man....
alejandrothefader 1 year ago
Comment removed
montfortlamaury 3 years ago
This has been flagged as spam show
It is a funny replay , Pianisteny2k ! I agree about the interpretaiton , it is played all the time fast and at the end it is a bit boring.
montfortlamaury 3 years ago
I know it's amazing! Every Lisztian should listen to this.
russtunes 3 years ago
You should add that this is a recording of a piano roll. The roll may be from 1925, but the recording is not.
pianopera 3 years ago
very exciting thanx
chad410 3 years ago 2