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From: latribe
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  • "On the Boardwalk!! In Atlantic City!!" 64' down by the beach!!

  • Gave my Woofer's a work out.

  • Naja, 128`..lol... das hat mit ja Musik noch wenig zu tun..

  • INTERESTING BUT OF NO MUSICAL VALUE.

  • @ALANSKA62 You'd be surprised.

  • Is this for real? Last I heard, there was only one organ in the world with a 64' stop! where is this? Who is this – a hobbyist who somehow built his own 128' stop?

  • @Enantiodromialist This is a simulation of 128ft using frequency division in order to test what musical effect or purpose such low frequencies can be to music and whether they have any place at all. Look for "Latrobian Whirl" where the 128ft was used on certain large notes. Other concerts have used it - possibly Ben Scott - search "Ben Scott Widor Toccata 5th Symphonie" as he's likely to have used it on that. The instrument is intended to allow experiment as well as demonstrating the repertoire

  • I really LOVE to hear an organ, it has 2387687653764 different sounds, but 99 percent you'll never use, they're just there to have fun with them and create earthquakes :P

  • I build transmission line loudspearers to listian to wonderful stuff like this - feel the power! :-))

  • If I was his neighbor I swear to god id fucking kill him

  • @Coricans :-) I do have a neighbour who'd like to take a contract out on my - but he lives half a mile away. Luckily my closest neighbours are very understanding and are GREAT!

  • our ears of course cannot catch those kind of sounds, I wonder how tall the pipes might be

  • video title: how to destroy my sub-woofer XD

  • lovely guy, you can't hear that on youtube. ;) the digital way don't give it..

  • brilliant!

  • I reckon that at 128' and 64' the name "Earthquake" would be quite appropriate

  • How many DB is that 8 and 4 HZ db?

    That is amazing.

  • you should use a rotary woofer for this.

  • @TheElectronicaman Perhaps the makers of rotary woofers might like to sponsor this!

  • @latribe get a rotary woofer , i promise it will the best sound product of your life.

  • @latribe please type up the only subwoofer by J.Peter moncrieff.

  • @TheElectronicaman Perfect application for a rotary woofer I do agree.

  • sounds like a big block engine ideling. thats music to my ears

  • (Quote).....but great fun......yes, indeed

  • And i thought my 16' pedal stop annoyed my neighbors....

  • HOLY F%^K!

    

  • Somewhere there's a bunch of elephants going mad.

  • English organ companies built a great many bland, "ordinairy" sounding organs in the '50's-'80's. Apart from the voicing, an adherence to equal temperament (even when restoring historic organs!) did not help matters. There are still boring sounding organs being supplied, but not nearly as many. There has been particular success with sensitive restorations to historic instruments, such as the superb organ at St. Botolph's, Aldgate, London.

  • I have a Thomas Palace III 3 manual transistor organ from 1966 that is a decent organ, but the bass at 16 foot is not as deep as I would like. If I amplify it separately and put it through a sub woofer 2-12 inch speaker box I have, will it accentuate the bass more than the organ's 15 inch speaker. The Organ's amp is transistor, but only pushing maybe 40 watts on that channel. Surprisingly the organ's Leslie channel is very loud and clear and it uses an identical amp, but it's pushing an 8 inch.

  • Yikes...guy play the damned thing and stop yakking!!!!!!

    English organ building , electronic or otherwise sucks as a rule....

    most sounds from them are better left as sound effects from restrooms

  • @bigsilverdaddy58 If you search "Latrobian Whirl" you'll here this beast in action and the 128ft notes in use in some places. "Potton Reubke" and "Filsell Hollins" are other examples of this instrument the like of which you won't hear in restrooms . . .

  • @bigsilverdaddy58

    He's explaining how the organ works.  Chill out

  • Doesnt he know that 4Hz makes people throw up.

  • i have one of those in my shed!, and i watch when airplanes go overhead.

  • this guy sounds like a british mad scientist who is a little too hyper and over excited lol in a good way man

  • @crustylion123 It's what is achieved that's of importance! Try "Latrobian Whirl" . . .

  • That's a nice contra lawn-mower 128' you got there.. :P

  • @GJmusique Yes - my wife thought I'd started the deisel Unimog engine. But it's an experiment to see what these frequencies add. Strangely in use they mathematically underpin harmony above.

  • im guessing thts an electric organ, i dont see any giant pipes, the real things w/ the pipes sounds better

  • @thetripledoubleZ The real things with pipes don't yet have 128ft pipes. That's the whole point of using electronics to simulate and experiment to see if they are worth building for real . . .

  • @latribe oh, i dont think there worth it, too costly and it probably wont be a pretty note. im good w/ a 32ft pipe, the pipe organ i play (which i just started playing cuz im getting lessons) biggest pipe is 16 ft, but it also haz a 16ft pipe capped.

  • @thetripledoubleZ It's definitely an electronic - and a poor example, in my opinion.

  • @nistorgxx1 Please search "Hugh Potton Reubke" and "Latrobian Whirl" and please comment there: sound depends entirely on what registrations organists choose. Search "Jeremy Filsell Hollins" for this instrument in the hands of a Master

  • @nistorgxx1 Please search "Hugh Potton Reubke" and "Latrobian Whirl" and please comment there: sound depends entirely on what registrations organists choose. Search "Jeremy Filsell Hollins" for this instrument in the hands of a Master.

  • Hi latribe. I've just listened to the Vidor-Toccata played on this electronic beast of an organ.

    I'm really impressed. What a fantastic sounding instrument. :)

  • @UncagedCardinal :-) Yes - it's really great in real life. Of recordings "Hugh Potton Reubke", "Latrobian Whirl", "Hugh Potton Cochereau" and "Jeremy Filesell Hollins" are YouTube videos you might really enjoy on this instrument.

  • Hi latribe, what diameter of speaker are you using to get you down to such low frequencies ?

  • @UncagedCardinal Hi! I'm using two 18 inch units in a box against the wall vented into the floor and a wall beyond. They're driven on around 80 watts only.

  • @latribe 'vented into the floor and a wall beyond' 

    Yikes, that's some huge speaker cabinet.

    Gimme dat long-wave bass !

  • what frequency might induce a blissful org(an)asm ?

    I bet your wife would like that ........... better than a boring old titanic (underwater) engine-room.  :)

  • @UncagedCardinal Sorry - no seat vibration transducers are installed here. Is this really what I need?

  • @latribe Not sure what extra equipment you would need. (I think it might be a State-secret).

    Joking apart though, when I was at music college (many moons ago) we had a music-physics lesson where a lecturer with an note-oscillating-machine got various parts of our bodies to vibrate in sympathy. Eyes moving in sockets and some even weirder stuff. Some of the girls especially really enjoyed the lesson. :)

  • Why not now make a rank of 256 ft organ pipes.

    Pressing bottom-C pedal, you won't be able to actually hear anything, but ....................

    You might just make contact with a parallel universe.

  • everytime i watch this video my left eyelid twitches. Why?!?

  • Where does the actual sound come from? Does it emanate from the end of the pipes, or from the reed "tongue" or both, or vibration of the entire pipe?

  • @djttv Hi! This is actually an electronic experiment to see what the effect would be were one to build real pipes for these frequencies

  • @latribe you've got a really nice accent! Where abouts in England are you from? Or do you speak RP?

  • @MrPresidentToBe :-) Even RP has its variations! I come from south east England and I recall being amused by the change of inflexion in a friend's speech after he had spent three years at Oxford university.

  • @djttv Hi djttv. with an open pipe (diapason/principal/fifteenth) air is drawn into the mouth and exits via the top so the sound comes mainly from the top.

    With a stopped pipe (stopped diapason/bourdon etc) the sound exits through the mouth.

    With a reed pipe (cornopian/trompette/tromba/op­hecliede/contra-trombone etc) the pipe acts like an orchestral oboe. Air passes through a brass 'reed' which forces it to vibrate against a palette, most of the sound exits via the top of the pipe.

  • 128 feet? How is your house still intact after that?

  • Wonderful feeling to feel the 32' stops shaking the place in tune with the higher pitched pedal pipes.

  • You have an actual five manual organ at your house? Lucky.

  • @Desmaad Yes - lucky to have space - but such luck imposes a responsibility to use it well - and this instrument is to raise the profile and appreciation of organ music and repertoire. If you look at the Organ Matters website, and the posting "too late" you'll see why I have created this instrument with such passion. It was 3 manuals when I first acquired it and I added the further two . . .

  • "Most unmusical, but great fun." *loooooooooool*

    ;o)

    Great video!

  • Very interesting effect. ! The bas sounds more deeply :)

  • the neighbors must love you ( at 1:27 he gets so excited he jizz's in his pants)

  • wow

  • My subwoofer was making my room shake while you were playing this.

  • Waste of time, in my opinion....stops are supposed to be "musical"...not flatulent noisemakers...

  • @RonRizzy Hi! Yes - of course I agree - but listen to the video "Latrobian Whirl" and you'll hear the organist using it on a couple of notes. It supports full organ above it

  • well! seven dipshits out there!!!! I liked it.

  • There is a 64' Gravissima in the Wanamaker organ, a resultant of a 32' stop plus a 21 - 2/3 played together and I have both heard and felt the effect. It is unfortunate that I cant hear what you have done in person. Not very impressive through my lap top speakers im afraid.

  • Human hearing does not extend to 8hz or 4 hz.. waste of time. might benifit from upper harmonics and enjoy the thump you feel.

  • @MrFixit150 Hi! Yes- that's what I thought till I tried it. As part of a large sound, it actually supports the higher harmonics of the harmony on full organ and sounds awesome. Search "Latrobian Whirl" and you'll hear it in use on a couple of notes

  • @MrFixit150 Why not better integrate a hemisync unit that couples into brain waves in a musically controllable ways through stereo beat frequencies?

  • This is John Nozum from Moundsville, WV (USA). I am an organist myself. I REALLY enjoyed your video! I guess that you and I both are trying to see how big of a pipe organ that we can emulate! This past Spring, I managed to put together an organ with about 2,000 ranks, including 256' pipes (through computer and MIDI, of course)! I guess that you and I both have a taste for some serious crescendo! May God's peace be with you always!

    From John Nozum

  • @JNozum Hi! Yes! And now I have the Tuba stop on the Choir, as it should be, able to compete with the whole of the rest of the organ put together. This instrument is now starting to sound very fine - see "French Baroque Masterclass" "Hugh Potton Reubke" and "Latrobian Whirl" to hear it being put through its paces. It's much much better now than it was when some of the earlier YouTube recordings were done on it.

  • @JNozum Hi! What a GREAT project! It would be nice if you might be able to join the Organ Matters discussion forum and tell us more about your experiments!

  • huh i did not know some organs could have 128 foot pipes in the petals, i always thought it would just go up to 64 otherwise no human could be able to here it, fascinating

  • well really 64 is the largest, there are two real ones, in the world, the midmer losh in boardwalk hall in atlantic city, and the municipal organ in sydny australia.

    The midmer losh though does have a resultant 128 with real pipes though when the 64 diaphone and the 48 tuba imperial are coupled together when playing.

    but a real 128 would be too big and would not really be heard to be practical in a real organ. the rest is just digital sound if its a 128 done by lowering the octave.

  • @manga12 The idea of this is just to see what it _would_ sound like if someone was daft enough to do it. In fact it does support large chords on full organ very well

  • Right well it would be felt in the sound of the feel of the music more then heard by ear, but it goes without saying, there is confusion that there is a real 128 pipe in a church in germany that goes from floor to top of ceiling, and its more digital then what not.

  • @manga12 Hi! Yes - that German video is a big joke - but it was an inspiration behind my trying to see what it really would sound like!

  • Who want BASS??!! :D

  • i saW pipes but he said speaker...which 1 is it??

  • @allenorgan27 Hi! This is electronic using speakers. The pipe instrument is entirely separate.

    

  • At the bottom of the 128ft you can actually count the vibrations- four per second =)

  • @turbosprint - Really! =)

  • #LOL What's the point of having a pipe that's such a low frequency that it just goes "fwump fwump fwump fwump", shatters the cathedral windows and gives the old man at the back of the room a heart attack when the sheer concussion of it causes cardiac arrhythmia?

  • Fuck yes. Dubstep on the organ.

  • I had read somewhere, that in the 18th century or so, in Germany, there were plans to build an organ with a 256 ft and a 512 ft stop. I highly doubt they were ever built. Could you imagine a 512 ft stop? That would be like, 0.5 Hz! Far below the normal hearing range of a human. Not only that, it would probably cause a cathedral to collapse!

  • @vortexxman Interesting. But without mechanical blowing one would think that pipes of such dimensions would be difficult to wind.

  • @vortexxman that would be more like floor shaking, wall crumbling, knock stuff over, crap your pants than a musical note

  • Ha ha i might try cimbelstern some time :D Nice job i must say... You got that part from Albi quite good...

  • Ha ha i might try cimbelstern some time :D Nice job i must say...

  • I bet that your neighbours love you.

  • is there really a cathedral in germany that has a 128' register? in the video response I could not hear any 128'-unless it was not a reed. Do you know?

  • @juaniluco888 Hi! No. It's a spoof - but a really fun one and indeed it was that that inspired me to try it to see what it might sound or feel like and as to whether it might have any legitmate part in what we appreciate as music. If you go to the video "Latrobian Whirl" I think the organist used it on a couple of big notes . . .

  • i would fuckin hate to be your neighbor

  • @bobscore35 :-) Yes - I am responsible for local earthquakes

  • @latribe heheh =)

  • @bobscore35

    I couldn't stop laughing when I read your comment. I would love to be his neighbour, but would prefer it if I was basically deaf.

  • Listen/watch Frederick Hohman playing Widors Tocatta on youtube for a superb sound.

  • Sounds like a Ship Engine, called Diesel Sound.

    Or men at Work with a "Presslufthammer", or in a Metalfactory, these machines making tin cans.

  • If I heard a sufficiently loud wind instrument going at 3-4 hz, I'd think I was having involuntary convulsions!

  • super excellent! i love it, thanks :)

  • this does sound like a tractor! it sounds just like a '99 or 2000 or 2001 international school bus at idle

  • Interesting, but I don't see why there is any point in having a 128 foot sound, even a 64 foot is unnecessary because when you add that with something, higher notes will drain out the 64 and 128 foot sounds, so I think a 32 foot is enough.

  • :-) Well that's exactly why I wanted to carry out the experiment. In fact it does actually harmonically support chords above it. Have a listen to "Latrobian Dionysan Whirl" and you'll hear it in use on some notes if your speakers can cope.

  • wait--- so you have a mammoth organ like that in your GARAGE? or where is that??

  • It's a historic house in Sussex which is open to the public in the summer and where we try to show people why "heritage" of the past is relevant, why it should be preserved and where we promote concerts and musicians. We hope that by exploring the cutting edge of presenting what is often considered "uncool" with scholarly enthusiasm we can add new dimensions of musical experience which makes it greatly exciting.

  • Some internet people complained that the 'mad scientist' image of Hollywood movies ruined the pipe organ's reputation. But I expect that in a world where reason (or banal capitalism?) will triumph over hell threats and comming generations abandon churches, such associations may even help to keep it in their mind. In few decades mankind will much rather fabour Frankenstein than Jesus as their role model, thus fantasys like Captain Nemo, superheroes and villains at organs is the way to work with.

  • @AerialTheShamen You've got issues, dude. :)

  • I have to agree the recording deficiencies and following compression, storage, retrieval, decompression, and reproduction on inadequate consumer-grade electronic sound reproduction gear is going to impact the ability to experience what you have done there. That being said, I have auditioned material played on that organ as equipped with the 128' stop and the effect IS noticeable. Obviously not a "note", definitely an "effect", somewhat percussive but without the attack of percussion.

  • What happens here is that it interferes with the automatic volume control of the camera . . . The effect is actually felt rather than heard but it supports the harmonic structure of chords above. Some of our recordings do feature the stop. Search "Latrobian Dionysan Whirl" and you'll hear an amazing performance where the organist uses it on certain notes for deliberate effect.

    This video is just the beginning of the story . . . the result is in performance. Search "Hugh Potton Reubke"

  • @latribe I have listened to both, and Jacob's Toccata and Fugue in D minor, and it really does its job when Ben Scott used it to great effect when he played the Widor Toccata, probably could make a cut of that for "Organ makes a rude noise II" when he missed the pedal, the beat resulting from that 1/3hz "error"

    was "intriguing". Dissonance at its finest!

    Wondering if the 128' was coupled to a higher-octave register at the time? If you can't remember, that's fine:-)

  • Hi! It would certainly have been coupled into a 32ft pitch - whether or not any higher ones I haven't a clue . . . Glad that this has produced some amusement - I always wondered what it would really "sound" like

  • Is this a pipe or electric organ?

  • Hi! It's electric and I have put it together as an experimental and inspirational breadboard for exploration of new ideas for pipe organs and also to demonstrate the King of Instruments for concerts.

    Search "Latrobian Dionysian Whirl" to hear this organ in action under the fingers of one of the world's leading organists. He used the 128ft on a note or two as well as my brilliant dirty trumpets which have now been refined - search "French Baroque Masterclass" and you'll find the Grand Jeu

  • What is the point when there is nothing written for these noises? Playing the organ should be about the music rather than playing with electronics.

  • Of course. Yes - I agree with you - at first sight a reasonable comment. But the purpose is to explore - "what if". What if Bill Gates sponsors a new organ to be built and it's going to be the most amazing organ in the world - just what would a 128ft stop sound like? What would it do?

    The experience and reality here in recital is that it is felt and it actually underpins the harmonic structure above. Search "Latrobian Dionysan Whirl" for a great organist giving it a spin in a brilliant piece.

  • those lowest of notes really can be used to generate an outstanding atmosphere.

  • The 32' is the lowest pipe used for music.

    The 64' is the lowest pipe used for effect.

    The 128' is the lowest pipe used for lunatics.

    But then again.... a pipe organ with over 30,000 pipes is not too far short of lunacy, and it sounds awesome.

    5 stars for experimentation sake.

  • ha, but it sounds ...!

  • WOW. Even MY windows and doors and even my computer were shakin thanks to my 6 in base on my computer. Thats amazing!

  • This a great subwoofer-test! Nice experiment. 4 and 8 Hz. damn :D

  • my house also shakes, lol ;)

  • I find this very interesting but I am a total layman, what are the "stops" referred to? Are they used for adding extra low frequency notes to provide extra body to a section of music?

  • All the knobs you see on an organ are the stops. Each stop has a different sound, and often a different pitch. They are labelled with numbers - 16, 8, 4, 2 2/3, 2, 1 1/3, 1. These refer to the length of a pipe playing the bottom C on the keyboard. 8ft is standard pitch, 4ft is an octave up, 16ft an octave down - so you get the picture. 32ft is two octaves down, 64 and 128 are 3 and 4 down. Then each pitch comes in different tones, Principal, Flute, Stopped or Reeds like trumpets and oboes.

  • Therefore, you have proven... by definition and tone... Electronic simulation, as in this video GREATLY EXAGGERATE the REAL implications of the sounds... I've ALWAYS believed... the "Experts" may believe electronics can accurately represent actual audio resonance... But in application, it's proven time and again... The electronic "simulations" greatly exaggerate the effects the testers are trying to "prove." In reality, the electronic simulation of the setting is WAY OFF from REALITY!!!

  • Well actually this is no simulation of reality because the reality of a 128ft does not exist. I wanted to experiment to see what it might "sound" like and whether it would have any place in the musical realm. Performances have shown that it can do . . . search "Latrobian Dionysan Whirl" to hear a piece where the organist used it for a few notes.

    In practice it underpins the harmonics of large chords and audiences feel it. It demonstrates to the nightclub scene that there is music more powerful.

  • 128'...isn't that like 4hz? A little ridiculous but, hey, why not? Better to have it and not need it than............ :D

  • Get those windows shaking!

  • Hey not bad at all that was rattling my doors :)

  • Fantastic!

    Just hope your next door neighbors

    aren't trying to nap.

  • where do you get all that air for it?

  • well the last big organ i saw had a huge *** induction blower in the basement

  • Wow! That really rattles the devil and the dust out of my sub woofer!! cheers!

  • is this organ in a church of venue??

  • It's a historic house in Sussex UK where I am trying to get the organ as an instrument back on the mainstream concert repertoire and in particularly for people who would not dare to venture a foot into church.

    If we don't make efforts to give the organ a universal appeal, the organ and its heritage and its music will die. A whole department of New York University at Purchase has died for lack of interest.

    Look up "St Maximin Bach" for an organ and a performance that will blow you away.

  • my church NEVER uses the organ. im the only one that plays it. people i guess just preferr the piano over the organ. plus, the piano i think it a bit easier to manage.

  • That's sad. Why not give the others a bit of instruction on the organ and perhaps try some Couperin? Quite easy - but play quavers as dotted, a jaunty rhythm - and all the French Baroque music is free to download on the internet. See my other videos, especially with respect to French Baroque or St Maximin for ideas.

    The sound of each note on the piano dies away. It is ephemeral and superficial. The organ is constant. It is always there. Symbolic of permanence - omnipresent and everlasting

  • it really is. its a nice instrument too a 1959 shantz in great condition other than the resovoirs leak alittle. Im not in the music ministry but i read somewhere that organs and go out of tune and mess with the pipes if not played. The organ isn't in a position to be played for daily mass either for the reason that it is in the way back of the church and the choir is in the front.

  • Hello, same problem in Sweden.Every church has an organ that in most cases works and is fully playable,but unfortunately most organists and kantors choose to sit at the piano and TRY to play "pop" hymns,to which no body sings.its just a total embarassement. we have an amazing organ culture over here with every sort of instrument possible,from the big romantic cathedral,to the small 1 man, all wood pipes chappel.

  • Hi! Yes - it's awful and it results in the destruction that we see in my video "A plea for organs", and it's also the reason why I am exploring the excitement of the French Baroque in repertoire and organs which seems to be rather unduly neglected. But with "trumpets fit for the arrival of the king" one has to sit up and take notice.

    In the 1950s there was a naff musical in England called "Salad Days" - quite enjoyable really but not high culture. I object to hymns that sound like those songs.

  • That is amazing! It is so deep, and that is what an organ should be.

  • That's a good experiment. Gregg Bailey claims he has a 64' PVC subcontrabass clarinet which could also play down to the 128' C (or CCCCC or C-2 or 4.09 Hz).  Even though most people are unable to hear (but can feel!) 4-Hz notes, the presence of such low frequencies can make symphony and philharmonic orchestras as well as most organs and pianos have a 'fuller' presence. Also I wish more organs would have provisions to play 64' and 128' notes. Very fascinating!

  • Um...

    can you get us some fundimental?

  • That's funny, I heard the same thing when I sat on the toilet...

    Hah, I jest. That's an amazing instrument you played; you're quite fortunate to have had a go on it!

  • soo epic. is that stock or were there modifications made?

  • maybe that made the great 1907 earthquake

  • lol u never know....

  • Nice car engine. lol

  • what kinda of piano is that ???

  • It's what is known as the King of Instruments - it's an organ: but people hear organs less nowadays because

    - church attendance has fallen,

    - many churches have abandoned their organs for bad and temporary electronics, or drums and guitars,

    - many church organs are played badly by pianists who don't know what splendid repertoire there is for the King of Instruments

    - organs are no longer heard in cinemas

    So go seek out a place with an organ - and make sure it's played well!

  • agreed. im the only one that plays at my parish except for weddings. They don't even use it on holidays anymore its a shame. Its nice organ too a Shantz 1959.

  • Part of the problem is, try finding competent organ instructors these days. At least in the southeast USA, (Florida), it is very difficult to find competent organists that are willing to give instruction, and the very few that do exist have an extremely busy schedule.

  • 16v stops can be wery powerfull because the pich is faster and ,more resonate.

    However it is not imposible to build a thrue 128' stop. And don't be suprised If the are devoloping one right now. But you can't use it. The pitch is to slow, and the note way to powerfull.

  • I had the chance to play the Theatre Organ in the San Francisco Civic Center a number of years ago. If I remember right it had a 64' Bourdon which you could feel. I think the Theatre Organ in the old Chicago Stadiumhad a 64' also.

  • you'd need a superb condenser mic of very small size to pick that up accurately, transcribed direct to digital tape or CD.

  • Lol 3:27 Is that James May lol?!

  • lmao, seems like him, sweater for sure :P

  • "Most unmusical but great fun." :)

  • I'm not sure if it's 'unmusical'. There are infact several substantive 64' stops in existance, and there is one example in the USA of a derived 128' stop. But certainly this is really fun, I think it's just great!!

  • well we can shake the entire cathedral with just 16ft ones and 32 ones, i wonder what will happen if a 64 ft or 128 ft stop would go on and on full organ i think the roof of st. peter's biscilica will fall on the pope's head!!lol!!

  • 'I might try zimbelstern sometime.'

    I actually crack out a wee-bit of a giggle there. I have no idea why., but somehow the mixed imagery of chimes, zimbelstern and a 64 flue makes me laugh.

  • :-) Yes! The instrument is meant to be fun - an experiment of everything you always wanted to be on an organ! The result of this is that perhaps one can make better decisions in specifying a pipe organ to be built . . .

  • But then, one of the jobs of an organist is to make use of the limited sonic resources at hand, isn't it?

    Of course, some say this sort of organ technology is an advance in the instrument, some say soon everything will be played to 'the optimum' registration and the meaning of registration would be dead.

    Pessimistic ramblings aside, forget the Zimbelstern. Why not try the good old fashioned Fuchsschwank or Noli me tangere? I do think it's time for some flying weasel pranks.

  • you crazy man! should found an organ builder company!!! ;)

  • Have you ever come across the 64 foot rank of the Midmer Losh organ at the Atlantic City Convention Hall? What are your thoughts on that?

  • That instrument is WILD! Unfortunately I have not come over to America to experience it - but one day would love to.

  • Im gonna go over for the full tour one day, but ill wait till its playing (at least in part) again.

  • are you a crazy professor or something like that. very amussing. ;)

  • Very interesting and entertaining. I haven't seen such concepts put into action. Where is the organ housed now? Thanks for a great post! C

  • At Hammerwood Park near East Grinstead. All organists are welcome to come and practice by mutual arrangement - most times are convenient. And if anyone likes to play informally over tea on a Wednesday or Saturday afternoon at 3.30pm after a 2pm guided tour from June to the end of September, the purpose of the instrument is to introduce the organ as an instrument to people: many people not having experienced organs in church nor in cinemas nowadays are entirely unaware of the King of Instruments