@slowhand633 i've often wondered the same thing myself. i'm pretty sure it's the tone or the volume, maybe switching between both. he's always had a habit of messing with either/or to fit the feel of the jam.
I love the laid back ambient style jams of 99-00. Anyone have show recomendations from that period? I am woefully unfamiliar with those shows but want to listen to them SOOO bad
Axwell21, how you do you find these gems? Where are you getting the pro-shot footage? This is by far the highest quality Cypress vid I've ever seen, by far far far, except watching the screens themselves. A thousands thanks and keep them coming and if you don't mind, where do you get these and can just anyone get them if they know where to look?
I've gotten pretty much everything through Phish's Vimeo channel. For some reason they had a lot of good footage up on vimeo but not on Youtube. That's why I chose to put these up. Not to mention they've started taking some of them down on Vimeo.
Love to see more and more of the pro-shot making it out by Phish. IMHO, Phish (at the time) really could slide into a slow groove and communicate pace and texture. I truly think it's Page that makes this jam though. Trey is trying to hide behind Page the whole time, and Page is just willing to take it slow.
I don't think this jam is "dark" per se, because there is no real dissonance or lack of resolution to the melody. Just rhythm and groove.
@puffnstuff0210 IMHO, it's what Trey is doing at 3:10 on. At 3:29, he's taken his hands off the guitar. I personally think he wants Page to step up the melody and tempo of the groove. Finally at 4:05, Fishman and Mike pick it up and set the pace and Trey seems almost forced back into the melody part. Trey used to drop his guitar and play his little kit in order to avoid being the "melody maker" in the group. Hiding musically on stage. Either way it looks like we both like it. Enjoy
@aurzada im sure we can go back and forth all day. at 3:10 he is setting up the loop he puts in place at 3:29. then its back to the classic 1999 trey weave. i like these jams mostly because all the members get to speak loudly when they feel comfortable doing so. im not so sure he was necessarily trying to hide behind page. he dropped back, page stepped forward type dealio.
these jams are very open and roomy, which i think is where phish's best creativity originates. happy trails bud
to say this is some of there darker stuff? really? This is is there most amazing stuff and this jam in paticular was a seminal moment for me seeing Phish, it cant be described except to say this jam is some of the most progressive shit ive heard them play...and to mention 99 as a footnote is ridiculous.it was there best year hands down...
THIS IS SO BAD ASS BUT IT GETS EXTRA BAD ASS STARTING AT 7:00 .. SO SMOOTH
Hunsanity 3 months ago
hm let me think should i favorite this?...YES
Hunsanity 3 months ago
the shot of Page at the beginning around 25 seconds in is epic
GratefulVince 3 months ago
I need to invent a time machine
philipwalter87 4 months ago
@freedomisnorml420 lol. i hate being that guy too, but we've all gotta pitch in to fill the void of music education in modern society.
thejustineaster 6 months ago
@slowhand633 i've often wondered the same thing myself. i'm pretty sure it's the tone or the volume, maybe switching between both. he's always had a habit of messing with either/or to fit the feel of the jam.
thejustineaster 6 months ago
iNSTANT SUB !!!
richiemabie 9 months ago
best show ever.
phartknocker 11 months ago
why the hell have they not made a big cypress dvd? they obviously have HD footage of it somewhere...just look at this video!
Freedomisnorml420 1 year ago
This Drowned>After Midnight Reprise, and the Piper>Free that shortly followed at Big Cypress is my favorite Phish ever.
bcterry1984 1 year ago
best jam ever, so tasteful and funky, the best
jonankof 1 year ago
I love the laid back ambient style jams of 99-00. Anyone have show recomendations from that period? I am woefully unfamiliar with those shows but want to listen to them SOOO bad
rawkus1167 1 year ago
Have to say it again, a truly legendary event.
nickilou86 1 year ago
is that just the pickup he keeps switching at around 2:00 min ??
slowhand633 1 year ago
Axwell21, how you do you find these gems? Where are you getting the pro-shot footage? This is by far the highest quality Cypress vid I've ever seen, by far far far, except watching the screens themselves. A thousands thanks and keep them coming and if you don't mind, where do you get these and can just anyone get them if they know where to look?
MarcoGreenberg 1 year ago
@MarcoGreenberg
I've gotten pretty much everything through Phish's Vimeo channel. For some reason they had a lot of good footage up on vimeo but not on Youtube. That's why I chose to put these up. Not to mention they've started taking some of them down on Vimeo.
axwell21 1 year ago
another tempo change at 7 minutes
hopeisunlimited 1 year ago
at 4 min and 5:26 fishman hit tempo change perfectly with band
hopeisunlimited 1 year ago
@hopeisunlimited sorry to be that guy but at 4 min...its not a tempo change, all he did was switch to the hi-hat from the ride. and same with 5:26
Freedomisnorml420 1 year ago
is there a part 2?
nickbrown320 1 year ago
@nickbrown320
Just put it up :)
axwell21 1 year ago
Love to see more and more of the pro-shot making it out by Phish. IMHO, Phish (at the time) really could slide into a slow groove and communicate pace and texture. I truly think it's Page that makes this jam though. Trey is trying to hide behind Page the whole time, and Page is just willing to take it slow.
I don't think this jam is "dark" per se, because there is no real dissonance or lack of resolution to the melody. Just rhythm and groove.
aurzada 1 year ago
@aurzada how is he hiding? LOL is he scared? nervous? timid? not a chance. blend and weave are words your looking for.
puffnstuff0210 1 year ago
@puffnstuff0210 IMHO, it's what Trey is doing at 3:10 on. At 3:29, he's taken his hands off the guitar. I personally think he wants Page to step up the melody and tempo of the groove. Finally at 4:05, Fishman and Mike pick it up and set the pace and Trey seems almost forced back into the melody part. Trey used to drop his guitar and play his little kit in order to avoid being the "melody maker" in the group. Hiding musically on stage. Either way it looks like we both like it. Enjoy
aurzada 1 year ago
@aurzada im sure we can go back and forth all day. at 3:10 he is setting up the loop he puts in place at 3:29. then its back to the classic 1999 trey weave. i like these jams mostly because all the members get to speak loudly when they feel comfortable doing so. im not so sure he was necessarily trying to hide behind page. he dropped back, page stepped forward type dealio.
these jams are very open and roomy, which i think is where phish's best creativity originates. happy trails bud
puffnstuff0210 1 year ago
ive watched this 5 times in a row. says something... very well layered and textured. treys loop at 3:29 is amazing. period
puffnstuff0210 1 year ago
i'm glad i found this video! they took it off vimeo about a month ago...
nickbrown320 1 year ago
Treys reverb makes the jams spacey
Phishboy26 1 year ago
to say this is some of there darker stuff? really? This is is there most amazing stuff and this jam in paticular was a seminal moment for me seeing Phish, it cant be described except to say this jam is some of the most progressive shit ive heard them play...and to mention 99 as a footnote is ridiculous.it was there best year hands down...
move77able 1 year ago
@move77able 7.31.99 bowie from japan... HIYA!
puffnstuff0210 1 year ago
'99 definately had a unique sound. Some of the darkest jams in the catalogue.
guyyute 1 year ago
@guyyute I agree, this is the stuff that made me close my eyes and feel it. I love it.
begguyasommer 1 year ago
Wow, this needs more views. Thanks for sharing, this is incredible.
bennygflecktones 1 year ago
what a great night
jsterrapin 1 year ago