wow mate! really great work! a lot of people improvise on youtube, but writing the scales you play is what makes your videos the best. you earned your self another subscriber :)
NO WAY, YOU HAVEN'T HEARD OF CAT CLEMONS!? Come redeem your shame by checking out my videos and commenting and subscribing! It'll be awesome. Trust me.
really nice! Can i ask a question ? Is this considered a professional solo or its an easier one for educational purposes? Thanks a lot in advance, you are awesome!
hey guys, this is a great video. I'm a 14 year old jazz guitarist and I recently posted a video... It's called logan white jazz jamin MOV 13, its just a jazz track that i wrote and recorded with two keyboards and two guitars. I just improvised to it in the video. Thanks, I hope you enjoy the video.
@jluvsmetal knowing theory is kinda vital to playing at all. your username implies that you like metal music, well a lot of metal leads are just running through spanish based scales. really fast.
I don't think it matters how you get there. Theory is certainly one way. jluvsmetal, would you please post a link to where Santana said he hasn't used theory?
thanks for this video. for all you veiwers who have all the answers on second guessing this guys scale approach, please remember for every chord there are several ways to interpret scale options,ie. g ionian can be thought of as d mixolydian, a dorian, b phrygian etc. for those of you who bad mouth theory, unless you were born with Joe Pass natural from God, shut up and stick to the blues.
@Luisrox123 Nope, he is indeed playing diminished not Locrian. He plays D#s in the second and third repeating phrase at 1:43 which are not in F# Locrian (F#GABCDE) mode but they are in F# whole half diminished (F#G#ABCDD#E#). Also, the giveaway when I heard the phrase is the movement of minor 3rds. Diminished scales are symmetrical and so all he was doing was playing diminished based off of the symmetrical minor 3rd arpeggio notes of that scale. It's a cool trick I use sometimes.
Carlos Santana didn't use theory... He just went with what sounded right and his music is beautiful... I love this style of playing but i can never get the hang of theory with scales and such like. :S
hi! great video. i learnt a lot from it. just one question: what did u play at 3:05? how do i go about soloing over the descending chords Em-Eb7-Dm7-Db7?
stemajor7: Playing chord changes is not the way to think. I've learned from both perspectives and playing tonal center offers the improvisor more to play than thinking chordally. Both can be used but nobody can build chords in their heads fast enough to solo on in a true improvising moment. Chordal thinking almost means 'pocket improvising' on the sound at the moment. How does one's ideas ever flow? Nope. Been there done that.
Well done, sir. I appreciate that you actually annotate your video, explaining what you are playing. Far too many videos feature guitarists "shredding" but they don't explain to listeners what they are actually doing.
Pretty good attempt at teaching what's going on. There are various ways to look at improvising but understanding what the chords are telling you is the first order (what key am I in?). You can play in the key of G throughout this tune and you'll never sound bad. If all else fails, play the melody...it is the framework for your solos!!
@jeffsReed I wouldnt say that youll never sound bad...it could sound bad even if your playing in key. Ive played in key and sounded rubbish for years because i didnt learn the chord changes. Yours is a shortcut that doesnt really help an improvisor, its just an observation that the improvisor discovers *after* learning the chord changes.
@guitarmessiah95 Just start with one chord, playing a scale that corresponds to that chord. Then, start switching the order of the notes in the scales and making up different rhythms. Then start slowing changing chords and scales. Eventually you will hopefully hear melodies in your ear without having to think about scales. You can also quote the melody with variations like he does at the beginning.
ha i know this stuff! and the scary part is im only 13. well i know the modes and chord theory, im still working on how to make a solo that actualy makes sense. only thing i do is play what sounds good
@blackalbino360 even if he does, i can bet august burns red's guitarist actually does know alot of theory. he's had an immense amount of practice and skill.
@goldfish881 Steve Vai is not a heavy metal guitarist. He went to berkeley and studied jazz performance, and studied under joe satriani for his youth. He is rock/fusion/blues. definitely not metal.
i think you're quick to stereotype metal. its not all bring me the horizon and other metalcore crap. lots more to metal than that. besides, 90% of metal is rhythm. 75% of jazz is improv. jazz artists are practically forced to know this much theory. and yes, some do.
@TampoFTW Lol now now lets not pigeon hole metal artist. Its just that they are playing music in a way that they and or the public enjoy. Not everyone enjoys complexity and because complexity is there does that make it palatable? Something to think about for a YouTube Minute.
Actually I am currently in my second year of advanced music theory at my high school and will be studying jazz guitar and theory in college. Heavy Metal is also one of my favorite genres along with classical and jazz fusion. Though I agree alot of metal artists dont delve too deep into theory, people shouldn't be quick to make such sterotypes.
go ahead and tell me that Michale Keene doesn't know much about theory. He would shit all over your useless knowledge. youtube.com/watch?v=HIxQ2DP6Fmk
Im very new to jazz guitar and i must say this helped me a lot, i was able to fight my way through the chords on the lead sheet as well as the basic melody but your video gave me some improvisation ideas. Great tone and Nice guitar! if youtube still had the star system id give you 5 stars
@christopauls I completely disagree with your friend. he must have been living in his own bubble. I know where he's getting at, but man, there's Sylvain Luc, Bireli Lagrene, Alan Holdsworth and Gambale in fusion the list goes on. to say that they're mathematicians is a blasphemy and your friend deserves a knock on his head pls
un genio, un virtuoso en el jazz, tiene unos conocimientos de armonia ufff que dan miedo, dios mio, jejeje, espero pronto tenga esos conocimientos, se requiere mucha paciencia y mucho estudio, no es dificil, es increible el jazz, es magnifico.
Beginners should note that when he plays e.g. the 'dorian phrase' at about 1:10 there are lots passing tones, that is, chromatics around the notes in the scale; that is what sort of fills out the lick and makes it sound jazzy. Ditto for the 'f# locrian' lick at 1:43...the notes in the first figure are all in the g major scale (g ionian/ f# locrian) but the next figure has D# which is not in that scale. Not a criticism, but this kind of stuff was a little confusing to me when I was starting out
The simplest way to explain it is that you use notes outside of the "diatonic" (scale) harmony and then resolve it to notes "inside" the harmony. The overall goal in any sort of music is to create tension and release, and this is most prominent within jazz.
A good way to create tension, and then release, is to use chromatic leading notes. So, play a note "outside" and then a note right next to it that's "in".
Great theory, wish i had better theoretical knowledge so i could improve my improvisation. I still prefer my less jazzy take on this song when i play, even tho it probably is technically worse.
erm,,, i think Em aeolian would b eiter E aeolian or E minor,, E minor Aeolian is another meaning which not mean G major,, im x so sure coz i almos 4got all d theory tat i learnt, correct me if im wrong...keep it on,,bro
wow mate! really great work! a lot of people improvise on youtube, but writing the scales you play is what makes your videos the best. you earned your self another subscriber :)
glitterNdoom 1 week ago
instead of A Dorian over the F#m7b5, try A melodic minor........
effsixteenblock50 2 weeks ago
@effsixteenblock50 i'd be interested to hear how that would sound, although some notes in that scale wouldn't sound right over the later chords
misterbuckethead 2 weeks ago
Pretty awesome you put the scales and explanations up. Really gives a guideline for what jazz guitar takes in theory and skill. helpful stuff!
ooulongtea 3 weeks ago
Really nice!
psouza1974 1 month ago
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CatClemonsOfficial 1 month ago
Can you tell me where you found the backing track?
gabeadams1 1 month ago
Amazing
c0l3r05zk09 1 month ago
really nice! Can i ask a question ? Is this considered a professional solo or its an easier one for educational purposes? Thanks a lot in advance, you are awesome!
odingr 1 month ago
ohhh this music is like..like making love to a beautiful woman , a beautiful European woman - and not having to pay for it.
Alpha7xxx 1 month ago
very very classy playing and beautiful tone
junka22 1 month ago
Should I know music theory to play like this and How can I ;earn the arpeggios or its a matter of imagination and breaking the usual chords?!?!
by the way you are damn god on this guitar!!!
RedCurlyHead 2 months ago
brilliant! really helpful to hear it and see the explanation at the same time!
noisyneil 2 months ago
yeh nice try, but you need to push it mate. might i suggest, check some phrasing like Stochelo Rosenburg & Frank Gambale. best wishes
martincshiel 3 months ago
Awesome Brother!!!
MrTryinghard7 3 months ago
hey guys, this is a great video. I'm a 14 year old jazz guitarist and I recently posted a video... It's called logan white jazz jamin MOV 13, its just a jazz track that i wrote and recorded with two keyboards and two guitars. I just improvised to it in the video. Thanks, I hope you enjoy the video.
LoganW23 4 months ago
thanks for the chords mate ,helped me suss this gem of a tune,
zennygreen 5 months ago
Great Version bro!!! Hope you like my take,
stratakat 5 months ago
wow 0:00-122
Tuesdaydotdotdot 6 months ago
@deadzior best part by the way
gfmgma 6 months ago
Thanx
PhiloverinMalaysia 6 months ago
great stuff and thanks for the explanations
jordyplaysguitar 7 months ago
What does double time phrases mean? And this is in Gminor right? I understand how the root is "dynamic" but it's basically in G minor right?
MarcBeckK 7 months ago
@jluvsmetal knowing theory is kinda vital to playing at all. your username implies that you like metal music, well a lot of metal leads are just running through spanish based scales. really fast.
TcSomers 7 months ago
I don't think it matters how you get there. Theory is certainly one way. jluvsmetal, would you please post a link to where Santana said he hasn't used theory?
Flugulate 7 months ago
At 1:12, I saw 'A Dorian Phrase' and I thought..okay, but which one? Haha but anyway, sweet video man, very helpful.
Bugera369 7 months ago
I am so stoned right now and this music is making sweet love to my ears.
bigtitties1234 7 months ago
Fantastic tone, excellent playing, got my sub.
jafaicandotcom 7 months ago
thanks for this video. for all you veiwers who have all the answers on second guessing this guys scale approach, please remember for every chord there are several ways to interpret scale options,ie. g ionian can be thought of as d mixolydian, a dorian, b phrygian etc. for those of you who bad mouth theory, unless you were born with Joe Pass natural from God, shut up and stick to the blues.
soniclens 7 months ago
At 1:43 you are actually playing sequences from the whole half diminished scale starting on F#. :)
Ateamcaptain 7 months ago
@Ateamcaptain im pretty sure he knows what he's playing..
Luisrox123 7 months ago
@Luisrox123 Nope, he is indeed playing diminished not Locrian. He plays D#s in the second and third repeating phrase at 1:43 which are not in F# Locrian (F#GABCDE) mode but they are in F# whole half diminished (F#G#ABCDD#E#). Also, the giveaway when I heard the phrase is the movement of minor 3rds. Diminished scales are symmetrical and so all he was doing was playing diminished based off of the symmetrical minor 3rd arpeggio notes of that scale. It's a cool trick I use sometimes.
Ateamcaptain 7 months ago
Carlos Santana didn't use theory... He just went with what sounded right and his music is beautiful... I love this style of playing but i can never get the hang of theory with scales and such like. :S
jluvsmetal 7 months ago
@jluvsmetal but surely you'd need a little theory? before i knew some theory i couldnt play much..
Wiltonibanez 7 months ago
@Wiltonibanez aparently not. If you've got a good ear and play your instrument long enough i guess you just get used to what sounds good.
jluvsmetal 7 months ago
AMAZING !!!
Let's see now some puck ass players saying "We don't need theory".
Cause you have no brains...
JollyRoger462 7 months ago
i don't understand much about jazz, but it's really difficult.
I have to pass form the Metal to Jazz
Valerio2381 7 months ago
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if you liked this, check out my version, just enter my channel :)
penialol 8 months ago
Audio chocolate.
FLT1970 8 months ago
where did u get lessons from?
Dgray1392 9 months ago
its a very easy song, i know the melody. the melody chords are Am7 D7 Gmaj7 Cmaj7 F#m7b5 B7 Em B7 Em F#m7b5 B7b9 Em :)
duda90100 9 months ago
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@duda90100 I've always seen it as D9 Em7/Em6
Dazzerx 8 months ago
you'r really Great..i wish i could play that way
rodsteven214 9 months ago
Whoa, there is a lot of knowledge there. Sweet playing and the best improv using sound theory I've ever seen. 5 stars
halibutty 9 months ago
its cool,,
wawan721 10 months ago
As good of a player as I feel like i am can't follow this on my guitar worth a crap. I guess I'm stuck playing rock and blues :-(
ryanintopeka 10 months ago
@ryanintopeka I feel ya, its horrible :(
gabymarshy 10 months ago
@ryanintopeka
no worries, it just takes practice, learn your modes and you got this
AllenK17 9 months ago
Это супер. Вкусно
eltysh 10 months ago
not bad :) agree with blizz :( but great anyway
todandres 10 months ago
you rock!! or, better, you JAZZ!!!
micheledc 10 months ago 6
fake
mirelurk1 10 months ago
@mirelurk1 jealous much?
RideLXbindings 9 months ago
mre
rikiste92 10 months ago
lol siamo so funny
rikiste92 10 months ago
hi! great video. i learnt a lot from it. just one question: what did u play at 3:05? how do i go about soloing over the descending chords Em-Eb7-Dm7-Db7?
ongkybeta 10 months ago
This blows expert village away.
redwashre 10 months ago
man.. how can i think of all those stuff while playing..
moncmon 11 months ago
@moncmon habit. Be patient.
androidguitar 10 months ago
awesome song I realy feel it
RedCurlyHead 11 months ago
brilliant playing, wish i could do this...
bendugard 11 months ago
man dat was so smmooottthh....hands down
2talented4yu 11 months ago
stemajor7: Playing chord changes is not the way to think. I've learned from both perspectives and playing tonal center offers the improvisor more to play than thinking chordally. Both can be used but nobody can build chords in their heads fast enough to solo on in a true improvising moment. Chordal thinking almost means 'pocket improvising' on the sound at the moment. How does one's ideas ever flow? Nope. Been there done that.
jeffsReed 11 months ago
great. please do desafinado if you can.i wish more people would do this way of teaching.thankyou so much
kayakernz 11 months ago
Well done, sir. I appreciate that you actually annotate your video, explaining what you are playing. Far too many videos feature guitarists "shredding" but they don't explain to listeners what they are actually doing.
edthewave 11 months ago
G maj before the key change then you can use e jazz minor
VodooGuitarist 11 months ago
G maj or E jazz minor you can also use.
VodooGuitarist 11 months ago
the worst part was when it ended : (
blizzdizzl2323 1 year ago 23
Pretty good attempt at teaching what's going on. There are various ways to look at improvising but understanding what the chords are telling you is the first order (what key am I in?). You can play in the key of G throughout this tune and you'll never sound bad. If all else fails, play the melody...it is the framework for your solos!!
jeffsReed 1 year ago
@jeffsReed I wouldnt say that youll never sound bad...it could sound bad even if your playing in key. Ive played in key and sounded rubbish for years because i didnt learn the chord changes. Yours is a shortcut that doesnt really help an improvisor, its just an observation that the improvisor discovers *after* learning the chord changes.
stemajor7 11 months ago
Nice explanation and good taste for improvisation. Congratullations.
psouza1974 1 year ago
rock pentatonic? lol
deadzior 1 year ago 44
@deadzior combination f modes and some harmonic minor
spadesofchaos 1 year ago
@spadesofchaos Of*
spadesofchaos 1 year ago
@deadzior What do you mean by that?
5982619 10 months ago
@5982619 have u watched the vid?
deadzior 10 months ago
@deadzior Yeah I did. What I meant was I don't get your joke. (no offense)
5982619 10 months ago
@5982619 then check 2:01
deadzior 10 months ago
@deadzior Its funny because thats like the only scale I know.
5982619 10 months ago
@deadzior No? It was his base, but not his whole solo/tone difference...
Stinnie89 9 months ago
@Stinnie89 what?
deadzior 9 months ago
@deadzior There's no such thing as a Rock Pentatonic. :P. It's just commonly used in Rock soloing.
TintedRedFilms 4 months ago 9
Thank god i take guitar lessons since i am 10 years old.....now i am 15 and can play Jazz like that
SUPERMEINNAME 1 year ago
Thanks for that. Listening to the back track its got a good feel to it, nice chord inversions ect.
I meant jazz standard backtracks in general not just this one.
I would like to get a few together but don'y know were to get quality ones from.
Don't mind paying for good ones if i knew were to get them from.
MrPongo44 1 year ago
@MrPongo44
Hi! There is a site called learnjazzstandards
You'll find a few good backtracks there.
There is also a major publisher of quality jazz backtracks called Hal Leonard.
Look whether you can download or buy them.
Cheers)
Livsie 11 months ago
Like the chords listed on the video and scale explanation underneath.
Does anyone know where to get the jazz standard back tracks used here so i can have a go ???
Would appreciate some feedback on that.
MrPongo44 1 year ago
@MrPongo44 Look to the video's on the right, there's one there called Autumn Leaves Jazz Backing Track (G Minor)
Timmy4pawz 1 year ago
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Great ideas! Nice lines as well. Please... Check out my version of autumn leaves!
FPSpreston 1 year ago
jazz is so damn difficult :(
AraGuitar 1 year ago
Fantastic.
mmontesbr 1 year ago
I still don't fully understand how you improvise over the chord changes and what the scales are for?
guitarmessiah95 1 year ago
@guitarmessiah95 Just start with one chord, playing a scale that corresponds to that chord. Then, start switching the order of the notes in the scales and making up different rhythms. Then start slowing changing chords and scales. Eventually you will hopefully hear melodies in your ear without having to think about scales. You can also quote the melody with variations like he does at the beginning.
Gobob789 1 year ago
that's was pretty cool :)
strachtacular 1 year ago
this is the jazz i love (L) :)
luishem 1 year ago
ha i know this stuff! and the scary part is im only 13. well i know the modes and chord theory, im still working on how to make a solo that actualy makes sense. only thing i do is play what sounds good
Jojomojo221 1 year ago
Stock Pickups maybe?
costagero 1 year ago
Now this is a GREAT lesson. I like how its gets right to it and explains it well.
AcousticBruce 1 year ago
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AcousticBruce 1 year ago
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AcousticBruce 1 year ago
NOOB! i know the first three notes of smoke on the water
bowman1256 1 year ago
@bowman1256 ned tab fur smhmoke on teh watr plz
martintokes 1 year ago
thats been so explanatory video with chords and scales. thnx. u have told about every detail until sound compression :)
TheJazzHarmony 1 year ago
music theory is one of the greatest parts in the world of playing music!
cyrilledebeer 1 year ago
The rest is up to you.........
LOL! typical encouragement , I'm just hoping my rest is not a mess.
OURMASS 1 year ago
DOES YOUR HEAVY METAL ARTISTS KNOW THIS MUCH THEORY?
DIDN'T THINK SO
TampoFTW 1 year ago
@TampoFTW Some of them do. Steve Vai, for one example.
goldfish881 1 year ago
@goldfish881 He said heavy metal :/ I think the ignoramus meant music such as Dethklok, ATR, August burns red, etc. Hes just a troll :P
blackalbino360 1 year ago
@blackalbino360 even if he does, i can bet august burns red's guitarist actually does know alot of theory. he's had an immense amount of practice and skill.
keyblader118 1 year ago
@keyblader118 Oh dont get me wrong, I'm sure he has. I love metal aswell :D Its my fav genre.
blackalbino360 1 year ago
@goldfish881 Steve Vai is not a heavy metal guitarist. He went to berkeley and studied jazz performance, and studied under joe satriani for his youth. He is rock/fusion/blues. definitely not metal.
dantheguitarman88 1 year ago
@TampoFTW do not does.
i think you're quick to stereotype metal. its not all bring me the horizon and other metalcore crap. lots more to metal than that. besides, 90% of metal is rhythm. 75% of jazz is improv. jazz artists are practically forced to know this much theory. and yes, some do.
Jimihendrix6699 1 year ago
@TampoFTW ohhh the ignorance
chronik147 1 year ago
@TampoFTW Lol now now lets not pigeon hole metal artist. Its just that they are playing music in a way that they and or the public enjoy. Not everyone enjoys complexity and because complexity is there does that make it palatable? Something to think about for a YouTube Minute.
xcaluhbration 1 year ago
@TampoFTW
Actually I am currently in my second year of advanced music theory at my high school and will be studying jazz guitar and theory in college. Heavy Metal is also one of my favorite genres along with classical and jazz fusion. Though I agree alot of metal artists dont delve too deep into theory, people shouldn't be quick to make such sterotypes.
RETLAW18 1 year ago
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alalange 1 year ago
@TampoFTW
go ahead and tell me that Michale Keene doesn't know much about theory. He would shit all over your useless knowledge. youtube.com/watch?v=HIxQ2DP6Fmk
alalange 1 year ago
@TampoFTW Not only that, they have better grammar than you.
Paul fucking Waggoner. The man reeks of jazz.
BtArocks3133 1 year ago
@BtArocks3133 Paul Waggoner, John Petrucci, Emil Werstler, Michael Romeo, etc. many great metal guitarists who know jazz
BloodReverence 1 year ago
@BloodReverence I completely agree.
BtArocks3133 1 year ago
@TampoFTW Alex Skolnick does :)
templar03 1 year ago
@TampoFTW You're obviously very ignorant to how talented some metal guitarists are
BananaCo12321 1 year ago
@TampoFTW thats a very very misguided judgement
kassar117 1 year ago
@TampoFTW ur obviously not listening to the right metal bands then!
billylikenoodles 1 year ago
@TampoFTW ignorance is bliss my friend, haha
Im4Dinosaur 1 year ago
@TampoFTW too bad its also your curse
Im4Dinosaur 1 year ago
well done
youngun550 1 year ago
Great modal touches!
kaseyWtrumpet 1 year ago
Im very new to jazz guitar and i must say this helped me a lot, i was able to fight my way through the chords on the lead sheet as well as the basic melody but your video gave me some improvisation ideas. Great tone and Nice guitar! if youtube still had the star system id give you 5 stars
MjXllcommando 1 year ago
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NewFaceFace 1 year ago
good tutorial
driverton19 1 year ago
WAS THAT SIMPLY GREAT. MAN YOU ROCK OR SHALL I SAY YOU SIMPLY JAZZ.THOUROUGHLY ENJOYED YOUR WORK. KEEP ON JAZZING !!!!!
sandysuntan 1 year ago
thank you for that :)
kebmo86 1 year ago
A friend of mine say's all the great jazz men are dead. All therest a mathematicians. I don't agree but I see where he's comming from.
christopauls 1 year ago
@christopauls - There are still some Jazz greats who are still alive: Ron Carter, Sonny Rollins, George Benson, Pat Martino, Stanley Clarke.
There's a few, but these guys are in their 60's and 70's and still performing.
JazzyZenBrotha 1 year ago
@christopauls Hey try Pat metheny if ya don't know about him, he's pretty much my archetype for Jazz guitar
PurplePlayer99 1 year ago
@christopauls I completely disagree with your friend. he must have been living in his own bubble. I know where he's getting at, but man, there's Sylvain Luc, Bireli Lagrene, Alan Holdsworth and Gambale in fusion the list goes on. to say that they're mathematicians is a blasphemy and your friend deserves a knock on his head pls
dmnxCGi 1 year ago
check mine! I kinda tried. :D
guitarskrlj 1 year ago
check mine! I kinda trided. :D
guitarskrlj 1 year ago
Beautiful,period!
Autumwithoutu 1 year ago
un genio, un virtuoso en el jazz, tiene unos conocimientos de armonia ufff que dan miedo, dios mio, jejeje, espero pronto tenga esos conocimientos, se requiere mucha paciencia y mucho estudio, no es dificil, es increible el jazz, es magnifico.
jackr3r3r3r3 1 year ago
Beginners should note that when he plays e.g. the 'dorian phrase' at about 1:10 there are lots passing tones, that is, chromatics around the notes in the scale; that is what sort of fills out the lick and makes it sound jazzy. Ditto for the 'f# locrian' lick at 1:43...the notes in the first figure are all in the g major scale (g ionian/ f# locrian) but the next figure has D# which is not in that scale. Not a criticism, but this kind of stuff was a little confusing to me when I was starting out
jamesfgilmore 1 year ago
@jamesfgilmore yea I dont really get that, I don't know how to play out of a scale and make it "fit in"
MarcBeckK 1 year ago
@MarcBeckK you play when a chord that is played has a note thats outta scale, like a full diminshed, you change to a diminished scale
RMLTinSC 1 year ago
@RMLTinSC oh, well that makes sense thanks. I'm actually taking a music theory class now so that'll probably help a lot too.
MarcBeckK 1 year ago
@MarcBeckK
The simplest way to explain it is that you use notes outside of the "diatonic" (scale) harmony and then resolve it to notes "inside" the harmony. The overall goal in any sort of music is to create tension and release, and this is most prominent within jazz.
A good way to create tension, and then release, is to use chromatic leading notes. So, play a note "outside" and then a note right next to it that's "in".
musicalrt 1 year ago
Great theory, wish i had better theoretical knowledge so i could improve my improvisation. I still prefer my less jazzy take on this song when i play, even tho it probably is technically worse.
damnedcarrot 1 year ago
You, sir, are one of the smoothest and coolest musicians ever.
goldenchopsticks 1 year ago
Was ist die Verbindung zwischen F#m7b5 - B7b9 und der Blues Skala in E?
Würde mich über eine Erklärung sehr freuen!
Constantin
ConstantinRupf 1 year ago
@ConstantinRupf Sorry hab grad irgendwie nich an II-V gedacht, alles klar.
Danke für deine tollen Videos.
ConstantinRupf 1 year ago
cool jazz :)
gdxsiempre 1 year ago
the long and hard way....
to be sensitive is the fast way
Cocoletzi23 1 year ago
why was the compression necessary?
AraGuitar 1 year ago
please translate your site to english.. im begging to learn your theory; its kinda hard to do in freaky-deaky dutch
GibsonSpecialist 1 year ago
@MisterMusicMann6 Am/F# IS not F#m7b5, it lacks the C, which is the flat 5th
HomeMadeRice 1 year ago
@HomeMadeRice
But, C is the minor 3 of Am , why couldn't it be arguably the same chord (as long as F# is in the bass?
A C E F# - Am6, right? , with F# in bass, it would just be an inversion, so F# A C E. even if Am doesn't have an F# usually...
F# A C E - F#m7b5 //// F# half diminished
now I don't remember the progression, so you would want it to be called either/or , depending on the context and junk. ii-Vs and all that junk.
PogoStickFrenzy 1 year ago
this is supposed to be a video for people learning stuff. shouldnt he have just notated that that F#m7b5 was really just an Am/F# chord
MisterMusicMann6 1 year ago
Great tone and great improv. Are these flatwound or roundwound strings you're using?
HandyBendyGandhi 1 year ago
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HandyBendyGandhi 1 year ago
HALLO VERY GOOD PLAYING GUITAR IS THIS D Boss GT-10 Multieffekt
bucektralee 1 year ago
ive never understood, how to put different scales/modes to chords. Any ideas, cos this vid doewsn't explain them well...
darbeel1 1 year ago
M bit lazy to put comments on video. But I must say I really liked the playing and moreover cool subtitle's explanation. :-)
manojpjain 1 year ago
good sound!!!!!!!
fastjazzguitar 1 year ago
what guitar is that? it sound wonderful
SkuyaHamilton 1 year ago
@SkuyaHamilton gibson ES-335
emjee 1 year ago
@emjee actually a gibson ES-345 (he mentions in the video) they were available from 1959 - 1982
theblankone 1 year ago
beautiful
emilianop2007 1 year ago
wow that was amazing
unit12band 1 year ago
Amazing improvisation.
DuendecS 1 year ago
thank you
bonifaciodachuva 1 year ago
Thank you very much! as a guitar teacher, I may say this is a very helpful instructional video, one of the best I've ever seen.
helsingforce007 1 year ago
Beautiful//Phil
PhilCLG4 1 year ago
Thank you for not just playing in Dorian the whole damn time.
seamonkeyguitars 1 year ago
Awesome. So relaxing. Just, awesome.
ruskibog935 1 year ago
that improvisation make me feel relax a better is awesome
music5931 1 year ago
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TheJesperAble 1 year ago
This comment has received too many negative votes show
decent, but i had the feeling i could kill you for CONSTANTLY playing your end note twice at the end of your phrase, sooooo annoying.
fend14 1 year ago
I wish I was like some people and can just hear what note to play next in my mind.
sunburststratocaster 1 year ago
Very smooth and relaxing, I love it and your playing style is great!
Guitarist9196 2 years ago
erm,,, i think Em aeolian would b eiter E aeolian or E minor,, E minor Aeolian is another meaning which not mean G major,, im x so sure coz i almos 4got all d theory tat i learnt, correct me if im wrong...keep it on,,bro
holynooblike 2 years ago
*5^^awesome^^5*i love it
horizont20001 2 years ago
seems complicated. is this spontaneous scale/mode switching in this song, or just numerous key swithces.
mikese93 2 years ago