thanks for this video. I see a lot of teachers on the internet talk about scales, and only scales, when In my opinion rhythm is as important as the notes we choose. Specially in jazz. at least for me!
I got the name "free jazz" I guess that is the term i'd looking for but What i Really wanna know is some artist name who make this kind of music.I think 4/4 is really really booring so Can you tell me some 3/4 songs i Mean diffrent time signature songs something new or old doesn't matter I'm just looking for different kind of emotion.
@RedCurlyHead I'm not sure what you question is, but one term to coin those different time signatures is "odd time" or "odd time signatures". Was that you question?
@jazzguitarlessonsnet I got the name "free jazz" I guess that is the term i'd looking for but What i Really wanna know is some artist name who make this kind of music.I think 4/4 is really really booring so Can you tell me some 3/4 songs i Mean diffrent time signature songs something new or old doesn't matter I'm just looking for different kind of emotion.
@SimonLeferink Yes. In fact what is referred to as "Third Stream" is a mixture of through composed music and the liberty of small ensemble jazz (from the bebop era.) It`s worth reading about it from writers / musicians / scholars such as Gunther Schuller. Musically, Charles Mingus is often referred to as a third stream jazz composer.
@toolfan5566 Basically yes! Remember, your diatonic scale only has 7 notes (usually), so you only have five choices to make this same scale "bebop". Experiment, listen, etc. Thanks for watching. (-:
It's very welcoming to see a true teacher explaining instead of just showing off chops. You are very appreciated. Live long and keep blowing great my friend.
@flamencojazz5 Well... that's what they say. I've heard interesting things from the great Nicolas Payton though. It makes me reconsider the use of the word itself.
You got me re-examining the"Bebop scale". Particularly expanding it to modes other than dominant or major. Interesting discovery...I had been combing the notes of dorian and jazz minor(off the same root),particularly when faced with yet another "one chord" minor vamp. Anyway it turns out to be the same as dorian bebop(when combined) Can I get a confirmation? Thanks, what you're doing with your site is fantastic. Peace.
You got me re-examining the"Bebop scale". Particularly expanding it to modes other than dominant or major. Interesting discovery...I had been combing the notes of dorian and jazz minor(off the same root),particularly when faced with yet another "one chord" minor vamp. Anyway it turns out to be the same as dorian bebop(when combined) Can I get a confirmation? Thanks, what you're doing with your site is fantastic. Peace.
@UnitedEffect Well. I don't know about nomenclature, but if you're using 8 or 10 notes (even numbers) and chord tones fall on the beat, then zat sit! What's you "Dorian bebop" like?
Bebop is a musical period first. Playing bebop means play like charlie Parker or dizzy or Monk etc. so it's important to listen music from them. But down beat is important in bebop with aim notes. bebop scale give possibility to paly aim notes in down beat. every licks in bebop are with that concept: a mixe of chromatismes, appogiature, jump etc to play on down beat: third, fith, seven etc. speed and rythmic device are important in bebop.
I found very usefull the theory on jazzguitarlessonsnet, just found your web yesterday, cause I'm trying to understand the mechanics of jazz in a way blues is teached. Thanks.
I have been playin guitar for around 5 years now..mostly classic rock..and just getting into some fusion sounds and trying to incorporate different sounds in my playin.. your lesson on diagonal playing was one of the most helpfull for me to get out of my boxed patterns. thanks for posting this online for free. best of luck with everything you do.. will subscribe to your channel and looking forward to more lessons on become a better player.. kind regards
I have been playin guitar for around 5 years now..mostly classic rock..and just getting into some fusion sounds and trying to incorporate different sounds in my playin.. your lesson on diagonal playing was one of the most helpfull for me to get out of my boxed patterns. thanks for posting this online for free. best of luck with everything you do.. will subscribe to your channel and looking forward to more lessons on become a better player.. kind regards
hmm, that theory is rather suspect, being that the hundreds of years of music prior to Bebop, was also mostly in 4/4 or 3/4 time, and they managed to not need the "bebop" scale. Gee, i think its because, um, there's no such thing as "the bebop scale". The amount of misinformation on YT is mindnumbing.
@Guitarwizard Well, I agree that "there's no such thing", but I do not agree that they did not "need it" before. I have studied Mozart and Beethoven enough to notice a lot passing tones in the major scale. (Say we are in C major, the note G# or Ab). I believe their are 2 reasons for that : 1 - The rhythmic evenness in 8th notes 2- The fact that we get a fully-diminished 7th chords in the scale : D-F-Ab-B (often in V7(b9) in Beethoven piece.) Please respect my content, I'm not "misinforming"...
@Guitarwizard there is actually a bebop scale! Multiple variations though. Pianist Pro has it in there for the iPad, u can also google it! It also on wiki
but I should add that having a pure jazz sound (e.g. Charlie Parker) is much more than just the "bebop scale". I am always searching for the various ways to develop that sound.
@ahioud Yes, of course. It's almost impossible to describe the "real thing" of jazz improvisation in a single video (or article)
As you may know, I'm trying to give snippets of information to anyone who's interested (here or directly on the JazzGuitarlessons. net website)... it's obvious that I can never encompass the whole "big picture" in just 5 minutes!
I just wanted to answer the deadly question : "... but, what IS a bebop scale?". After all, a lot of my students still ask this question!
I've looked into bebop dominant and bebop major. I like the #5 in bebop major but I have never understood the reason why it was used. I tell people that I learn everything off of youtube. You contribute to that statement :]
Just for rhytm? Wouldn't it be better to say for rhythm & for outlining the harmony? Or do you say that when you outline the harmony that has to do with rhythm?
@maganz Well, yes and yes! Or, another way to put it (quoting Barry Harris) : "if you play good notes in bad rhythms, notes will end up sounding wrong anyways, because they're not in the right place."
The lesson is indeed clear and concise. But still too darn hard and confusing. The stigma of guitar theory being complicated remains for one reason: it's complicated. You can teach jazz, but one thing one cannot teach: talent. I just wish I could grasp this stuff; I'm so bored of three chord garage material. I've not yet come across any book, video- dvd or otherwise- or any other format that can teach jazz in a truly user friendly, usable way. So frustrating.
@jazzguitarlessonsnet No need to apologize at all. And your effort to help other aspiring guitarists is much appreciated. My frustration is more about my limited ability than your skill in teaching; the lesson is a good one. Just beyond my grasp. Cheers.
@gabinacu777 Thank you. I've told I'm "old school" sometimes! I was with a friend yesterday and she said that I was giving advice in a way her grandpa would; go figure ...
you know what? a few months ago, it was like you were speaking a foreign language to me. Couldn't understand the theory in your explanation. Now, everything makes sense! Point is, guitar theory has this stigma of being complicated and boring. Really, ....it's not a big deal. Everything starts to come together once you start to learn the theory. Great lesson! keep it up!
Man, I hate when people unfairly criticize other people's video postings. Conn6m let's see your video explaining the bebop scale since you're such an expert.
@rz0svp I believe conn6m is correct. I also do not think it was a negative comment but an expansion on the material that was given. Lets face it these videos are just spinets of knowledge. In other words you better supplement them with face to face instruction.
Great. Thank you. I tried to do some stuff with some modes on one of my videos. But I definitely will use the bebop scale.. I think that basically it's just going chromatically from the 6th degree of the scale to the octave.
thanks for this video. I see a lot of teachers on the internet talk about scales, and only scales, when In my opinion rhythm is as important as the notes we choose. Specially in jazz. at least for me!
StromboliKicks 3 weeks ago
@StromboliKicks "Time is of the essence". Thanks for watching!
jazzguitarlessonsnet 3 weeks ago
This has been flagged as spam show
I got the name "free jazz" I guess that is the term i'd looking for but What i Really wanna know is some artist name who make this kind of music.I think 4/4 is really really booring so Can you tell me some 3/4 songs i Mean diffrent time signature songs something new or old doesn't matter I'm just looking for different kind of emotion.
Thank you.
RedCurlyHead 3 weeks ago
I realy wanna know how it's called this kind jazz in 3/4 6/4 14/19 and all like this.
If you have some suggestions please answer me ;d
RedCurlyHead 3 weeks ago
@RedCurlyHead I'm not sure what you question is, but one term to coin those different time signatures is "odd time" or "odd time signatures". Was that you question?
jazzguitarlessonsnet 3 weeks ago
@jazzguitarlessonsnet I got the name "free jazz" I guess that is the term i'd looking for but What i Really wanna know is some artist name who make this kind of music.I think 4/4 is really really booring so Can you tell me some 3/4 songs i Mean diffrent time signature songs something new or old doesn't matter I'm just looking for different kind of emotion.
Thank you.
RedCurlyHead 3 weeks ago
@RedCurlyHead
I think you are talking about a jazz style called the third stream.
That style has a lot of odd time signatures.
SimonLeferink 2 weeks ago
@SimonLeferink Yes. In fact what is referred to as "Third Stream" is a mixture of through composed music and the liberty of small ensemble jazz (from the bebop era.) It`s worth reading about it from writers / musicians / scholars such as Gunther Schuller. Musically, Charles Mingus is often referred to as a third stream jazz composer.
jazzguitarlessonsnet 2 weeks ago
so are you saying that to make a diatonic scale "bebop" i can add any note as a passing tone?
toolfan5566 4 weeks ago
@toolfan5566 Basically yes! Remember, your diatonic scale only has 7 notes (usually), so you only have five choices to make this same scale "bebop". Experiment, listen, etc. Thanks for watching. (-:
jazzguitarlessonsnet 3 weeks ago
@jazzguitarlessonsnet cool thanks man
toolfan5566 3 weeks ago
It's very welcoming to see a true teacher explaining instead of just showing off chops. You are very appreciated. Live long and keep blowing great my friend.
zenncatt 2 months ago
@zenncatt Thank you! (-:
jazzguitarlessonsnet 2 months ago
jazz
flamencojazz5 2 months ago
@flamencojazz5 Well... that's what they say. I've heard interesting things from the great Nicolas Payton though. It makes me reconsider the use of the word itself.
jazzguitarlessonsnet 2 months ago
This has been flagged as spam show
You got me re-examining the"Bebop scale". Particularly expanding it to modes other than dominant or major. Interesting discovery...I had been combing the notes of dorian and jazz minor(off the same root),particularly when faced with yet another "one chord" minor vamp. Anyway it turns out to be the same as dorian bebop(when combined) Can I get a confirmation? Thanks, what you're doing with your site is fantastic. Peace.
roads lead to Rome they say
UnitedEffect 5 months ago
You got me re-examining the"Bebop scale". Particularly expanding it to modes other than dominant or major. Interesting discovery...I had been combing the notes of dorian and jazz minor(off the same root),particularly when faced with yet another "one chord" minor vamp. Anyway it turns out to be the same as dorian bebop(when combined) Can I get a confirmation? Thanks, what you're doing with your site is fantastic. Peace.
roads lead to Rome they say
UnitedEffect 5 months ago
@UnitedEffect Well. I don't know about nomenclature, but if you're using 8 or 10 notes (even numbers) and chord tones fall on the beat, then zat sit! What's you "Dorian bebop" like?
jazzguitarlessonsnet 3 months ago
Bebop is a musical period first. Playing bebop means play like charlie Parker or dizzy or Monk etc. so it's important to listen music from them. But down beat is important in bebop with aim notes. bebop scale give possibility to paly aim notes in down beat. every licks in bebop are with that concept: a mixe of chromatismes, appogiature, jump etc to play on down beat: third, fith, seven etc. speed and rythmic device are important in bebop.
bruce68 6 months ago
I found very usefull the theory on jazzguitarlessonsnet, just found your web yesterday, cause I'm trying to understand the mechanics of jazz in a way blues is teached. Thanks.
mcagnin 8 months ago
@mcagnin Thank you! I'm glad you liked it. M-A Seguin
jazzguitarlessonsnet 8 months ago
This has been flagged as spam show
I have been playin guitar for around 5 years now..mostly classic rock..and just getting into some fusion sounds and trying to incorporate different sounds in my playin.. your lesson on diagonal playing was one of the most helpfull for me to get out of my boxed patterns. thanks for posting this online for free. best of luck with everything you do.. will subscribe to your channel and looking forward to more lessons on become a better player.. kind regards
nunorocks80 11 months ago
I have been playin guitar for around 5 years now..mostly classic rock..and just getting into some fusion sounds and trying to incorporate different sounds in my playin.. your lesson on diagonal playing was one of the most helpfull for me to get out of my boxed patterns. thanks for posting this online for free. best of luck with everything you do.. will subscribe to your channel and looking forward to more lessons on become a better player.. kind regards
nunorocks80 11 months ago
@nunorocks80 I'm glad you liked it! Thank you, and I'll see you soon on the website (jazzguitarlessons -dot- net) Marc-A
jazzguitarlessonsnet 11 months ago
hmm, that theory is rather suspect, being that the hundreds of years of music prior to Bebop, was also mostly in 4/4 or 3/4 time, and they managed to not need the "bebop" scale. Gee, i think its because, um, there's no such thing as "the bebop scale". The amount of misinformation on YT is mindnumbing.
Guitarwizard 1 year ago
@Guitarwizard Well, I agree that "there's no such thing", but I do not agree that they did not "need it" before. I have studied Mozart and Beethoven enough to notice a lot passing tones in the major scale. (Say we are in C major, the note G# or Ab). I believe their are 2 reasons for that : 1 - The rhythmic evenness in 8th notes 2- The fact that we get a fully-diminished 7th chords in the scale : D-F-Ab-B (often in V7(b9) in Beethoven piece.) Please respect my content, I'm not "misinforming"...
jazzguitarlessonsnet 1 year ago
@Guitarwizard there is actually a bebop scale! Multiple variations though. Pianist Pro has it in there for the iPad, u can also google it! It also on wiki
Ishmen 3 months ago
nice video.
but I should add that having a pure jazz sound (e.g. Charlie Parker) is much more than just the "bebop scale". I am always searching for the various ways to develop that sound.
ahioud 1 year ago
@ahioud Yes, of course. It's almost impossible to describe the "real thing" of jazz improvisation in a single video (or article)
As you may know, I'm trying to give snippets of information to anyone who's interested (here or directly on the JazzGuitarlessons. net website)... it's obvious that I can never encompass the whole "big picture" in just 5 minutes!
I just wanted to answer the deadly question : "... but, what IS a bebop scale?". After all, a lot of my students still ask this question!
jazzguitarlessonsnet 1 year ago
@ahioud sure!!
bruce68 6 months ago
Great lesson..keep doing this..Thanks a lot!!!
PanosTzoum 1 year ago
@PanosTzoum Thank you.
jazzguitarlessonsnet 1 year ago
Solid gold brotha
phillynn79 1 year ago
@phillynn79 Thank you!
jazzguitarlessonsnet 1 year ago
Comment removed
jezmundberserker 1 year ago
Excellent lesson! Thanks a lot!
robertklokk 1 year ago
@robertklokk Thanks for watching!
jazzguitarlessonsnet 1 year ago
first guy person that makes understand the background of bebop thanks
LOLOKAKASOSO 1 year ago
@LOLOKAKASOSO Thanks!
jazzguitarlessonsnet 1 year ago
I've looked into bebop dominant and bebop major. I like the #5 in bebop major but I have never understood the reason why it was used. I tell people that I learn everything off of youtube. You contribute to that statement :]
BlikeNave 1 year ago
@BlikeNave Thank you. Did you check out "dorian bebop" yet? (-;
jazzguitarlessonsnet 1 year ago
awsome Brother , very useful for me , thank you!!!!!
cmelodymaker 1 year ago
@cmelodymaker Thanks for watching!
jazzguitarlessonsnet 1 year ago
Excellent lesson. Much thanks! Really cuts through all of the hype and confusion to lay it out clean. Made perfect sense to me.
tclane47 1 year ago
@tclane47 Thank you.
jazzguitarlessonsnet 1 year ago
very usefull thanks
MEGUEZARD 1 year ago
@MEGUEZARD Thank you.
jazzguitarlessonsnet 1 year ago
Just for rhytm? Wouldn't it be better to say for rhythm & for outlining the harmony? Or do you say that when you outline the harmony that has to do with rhythm?
maganz 1 year ago
@maganz Well, yes and yes! Or, another way to put it (quoting Barry Harris) : "if you play good notes in bad rhythms, notes will end up sounding wrong anyways, because they're not in the right place."
jazzguitarlessonsnet 1 year ago
The lesson is indeed clear and concise. But still too darn hard and confusing. The stigma of guitar theory being complicated remains for one reason: it's complicated. You can teach jazz, but one thing one cannot teach: talent. I just wish I could grasp this stuff; I'm so bored of three chord garage material. I've not yet come across any book, video- dvd or otherwise- or any other format that can teach jazz in a truly user friendly, usable way. So frustrating.
hammill444 1 year ago
@hammill444 I have the same problem
idigmusicjohn 1 year ago
@hammill444 I'm sorry you're having such difficulties. I'm trying very hard to help people like you (and guitarists in general). I wish you luck. M-A
jazzguitarlessonsnet 1 year ago
@jazzguitarlessonsnet No need to apologize at all. And your effort to help other aspiring guitarists is much appreciated. My frustration is more about my limited ability than your skill in teaching; the lesson is a good one. Just beyond my grasp. Cheers.
hammill444 1 year ago
Totally cool!
MRCPIANOCOACH 1 year ago
@MRCPIANOCOACH Thanks.
jazzguitarlessonsnet 1 year ago
Very clear explanation... it reminds me of the old school teachers. Well done!
gabinacu777 1 year ago
Very clear explanation... it reminds me of the old school teachers.... well done!
gabinacu777 1 year ago
@gabinacu777 Thank you. I've told I'm "old school" sometimes! I was with a friend yesterday and she said that I was giving advice in a way her grandpa would; go figure ...
(-;
jazzguitarlessonsnet 1 year ago
Je crois reconnaitre un accent québécois, je me trompe?
Merci pour l'explication, c'était très claire et concis!
Dave Dubé
acirka 1 year ago
@acirka
Je ne puis, en effet, renier mes origines!
(surtout 3 jours après la Fête Nationale...)
Au plaisir,
Marc-André
jazzguitarlessonsnet 1 year ago
thanks so much dude, really nice suggestions, much appreciated.
zebopper 1 year ago
@zebopper My pleasure. I'm glad you can get something out of it!
jazzguitarlessonsnet 1 year ago
you know what? a few months ago, it was like you were speaking a foreign language to me. Couldn't understand the theory in your explanation. Now, everything makes sense! Point is, guitar theory has this stigma of being complicated and boring. Really, ....it's not a big deal. Everything starts to come together once you start to learn the theory. Great lesson! keep it up!
frijolero01 2 years ago
Thank you. (That means I should also include some theory stuff on the website and in some videos!)
jazzguitarlessonsnet 2 years ago
Man, I hate when people unfairly criticize other people's video postings. Conn6m let's see your video explaining the bebop scale since you're such an expert.
rz0svp 2 years ago
@rz0svp I believe conn6m is correct. I also do not think it was a negative comment but an expansion on the material that was given. Lets face it these videos are just spinets of knowledge. In other words you better supplement them with face to face instruction.
6stringdaveyM 1 year ago
jazz is typically played over 7th chords and various other extensions last time I checked, not major and minor triads.
bootryfly 2 years ago
Allright. It's clearer now. Looking forward to a video of yours explaining it all in words and music. Thanks for the nice comments!
jazzguitarlessonsnet 2 years ago
i think Conn6m may be mentally retarded.... you've explained the bebop scale accurately.
bootryfly 2 years ago
I'm not sure what you mean by that... "explained wrong"?
jazzguitarlessonsnet 2 years ago
Thank you so much! Great lesson, good teachin'!!
Thrillhouse56 2 years ago
hi from turkey again..plz dpnt stop sharing videos i love jazzzzzz u r a big man thaaaaank uuuuuuuuuuu
lostincrowded 2 years ago
just found you and subbed you, great lesson.
dealer205 2 years ago
Great. Thank you. I tried to do some stuff with some modes on one of my videos. But I definitely will use the bebop scale.. I think that basically it's just going chromatically from the 6th degree of the scale to the octave.
orpheus06 2 years ago
Very interesting,and very helpful.Thank you.
jimmmmybrady 2 years ago
Thank you jimmy.
jazzguitarlessonsnet 2 years ago