Well, we'll never know if that D should be or not natural, but I would like to point out an example of a mistake in the viola part during that same middle section. Check in your score for bar number 42, last 16th note or, 2:23 in this video. If you play that note as written ( D#), I'm quite sure it will sound horrible; it should be played D natural. So, why not think in the possibility of two other mistakes (bars number 36 and 48).
The D natural sounds beautiful and lends a certain sobriety and gravitas, but I personally prefer the D# for the piquancy it adds to the performance -- or maybe that's only because my favorite performance by the Martfeld Quartet uses the D#. In any case, thank you for posting this, one of my all time favorite chamber works. I am always very happy to hear another interpretation.
We just played Puccini's Manon Lescaut in my school's orchestra for the advance level festival... man was that one tough too.. his music is all so beautiful :3
Very wel played loved it. i love this piece though it's really hard 2 play. my varsity high school orchestra tried his but it's just so complicated we had a lot of trouble :/ my conductor decided it was 2 hard so he put it aside i REALLY hope we get 2 play this it's really beautiful <3
The debate about D# / D natural rumbles on..... we would be very interested to see what Puccini wrote in the autographed score. If it is a D natural we can then make sure all future performances are authentic! Nonetheless, I would be surprised if groups such as the legendary Juilliard or the Alberni quartets would have recorded it with a D# if that was not what was printed it in a reliable edition? Also, the Mendelssohn Quartet have a beautiful version of it on their website - also with the D#
I'm a Puccini fan. Never heard a version with that D#. Sounds weird. Anyway, the interpretation is sublime. Wonderful musicians. Thanks for helping spread these puccinian wonders!!! 5*
I was there! To be honest, I don't care what type of "D" they played, just to hear live music played this well and in this setting of a small traditional English church was wonderful.
MHM played a wonderfully eclectic set of music for us, and i cannot recommend them too highly.
Thanks for this feedback, but there is obviously a discrepancy in different printed editions of this work. Apart from our score having the D# at 2:07 and 2:42, it is worth referring to two classic recordings of this piece - one is the 1974 recording by the Juilliard Quartet and the other is the 1979 recording by the Alberni Quartet - both ensembles play a D# at both points, so it seems this is authentic.
great job, i love puccini and this work is a fine piece of music. He used the melody later for Manon Lescut opera.... what a genious. Thanks for poting this
Well, we'll never know if that D should be or not natural, but I would like to point out an example of a mistake in the viola part during that same middle section. Check in your score for bar number 42, last 16th note or, 2:23 in this video. If you play that note as written ( D#), I'm quite sure it will sound horrible; it should be played D natural. So, why not think in the possibility of two other mistakes (bars number 36 and 48).
tanquedequeda 10 months ago
hope that cougher at 4:00 was thrown out
magior329 11 months ago 2
The D natural sounds beautiful and lends a certain sobriety and gravitas, but I personally prefer the D# for the piquancy it adds to the performance -- or maybe that's only because my favorite performance by the Martfeld Quartet uses the D#. In any case, thank you for posting this, one of my all time favorite chamber works. I am always very happy to hear another interpretation.
Best wishes,
Nick
geopolicraticus 1 year ago
My orchestra director is using this recording as a reference for our upcoming performance...thankyou for posting!
3y3tiger 1 year ago
We just played Puccini's Manon Lescaut in my school's orchestra for the advance level festival... man was that one tough too.. his music is all so beautiful :3
denisej242 1 year ago
i'm playing this in my tri-country orchestra!!!!
rockstarelectric659 2 years ago
Very wel played loved it. i love this piece though it's really hard 2 play. my varsity high school orchestra tried his but it's just so complicated we had a lot of trouble :/ my conductor decided it was 2 hard so he put it aside i REALLY hope we get 2 play this it's really beautiful <3
iloverainbows4 2 years ago
we're playing this is pyso its so hard D:
SMILEitsAriel 2 years ago
haha. you're in pyso? what instrument do you play?
UltimateCellist 2 years ago
very nice job! Very hard piece!
Kokeshi16 2 years ago
were playin this in a youth orchestra... damn so hard ,no joke
giggs102 2 years ago
2:33 to 2:56 best part
Centrus67 2 years ago
wonderful piece by great and underrated Puccini's chamber music. Very good performance, bravo to all 4! ...but that D must be definitely natural !
francello75 2 years ago
The debate about D# / D natural rumbles on..... we would be very interested to see what Puccini wrote in the autographed score. If it is a D natural we can then make sure all future performances are authentic! Nonetheless, I would be surprised if groups such as the legendary Juilliard or the Alberni quartets would have recorded it with a D# if that was not what was printed it in a reliable edition? Also, the Mendelssohn Quartet have a beautiful version of it on their website - also with the D#
ManorHouseMusic 2 years ago
@francello75 i meant sharp not flat
snowyzn 2 years ago
un brano bellissmo. esiste anche la riduzione per duo di chitarre. Grazie per aver caricato questo video.
danielbream 2 years ago
I'm a Puccini fan. Never heard a version with that D#. Sounds weird. Anyway, the interpretation is sublime. Wonderful musicians. Thanks for helping spread these puccinian wonders!!! 5*
rafaeldeaguiar 2 years ago
Of horse tail, rosened, drawn across the aging string, does to all attending contentment bring, then I would say that's everything.
And though one says the note is D, viol's sinewave's sqared, so that we see, ultimately, Puccini.
paulhallart 2 years ago
I was there! To be honest, I don't care what type of "D" they played, just to hear live music played this well and in this setting of a small traditional English church was wonderful.
MHM played a wonderfully eclectic set of music for us, and i cannot recommend them too highly.
mrnixie 3 years ago
Good, but My Gosh! at 2:07 and 2:42, the D is natural! Come on!
Damienlave 3 years ago
Thanks for this feedback, but there is obviously a discrepancy in different printed editions of this work. Apart from our score having the D# at 2:07 and 2:42, it is worth referring to two classic recordings of this piece - one is the 1974 recording by the Juilliard Quartet and the other is the 1979 recording by the Alberni Quartet - both ensembles play a D# at both points, so it seems this is authentic.
ManorHouseMusic 3 years ago
Play it as you want.
63023FB 3 years ago
Certainly dynamics and such are subject to interpretation, but the notes themselves should not be changed unless there is a mistake present...!
AliveBroom 3 years ago
I feel your pain.
Tomcatfalsto 2 years ago
great job, i love puccini and this work is a fine piece of music. He used the melody later for Manon Lescut opera.... what a genious. Thanks for poting this
riigoletto 3 years ago
Beautiful...my highschool orchestra is playing this.
abbycadabra11 3 years ago 2
wow what a coincidence... mine is too!
lamppostpizza 3 years ago
if either of u are from river ridge high school, ur version is pretty bad
joeisnice 3 years ago
very pretty! I'm playing this with my college's orchestra =D
demdio07 3 years ago
Good to see this work being performed rather than just hearing it on Radio 3.
Thanks for that.
NiallMS 3 years ago 2