Added: 4 years ago
From: ttb3090
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  • Lovely!  Felt every word.

  • Love the song, great job :) I think the song has a much eerier effect when sung at mezzo-piano max, though. Maybe that's just me though.

  • Be still my beating heart.

  • I enjoyed it... wasn't expecting to, but that happens from time to time. Different, and lovely.

  • This would be a lot better if the style was more accurate. This is an opera aria, not a musical. Plus, his vibrato is nearing oscillation, which means that he has little breath support and control.

  • A voice teacher cannot teach you how to make your voice "exciting" -- which is what Mr. Esparza's instrument has. Just like Garland -- his sound has energy and life. And that, dear readers, is what star quality is all about.

  • Esparza is singing, and his natural vibrato come out as a result. Plain and simple.

    Listen to his speaking voice, and it's quite unique. (and suggestive of a very expressive, nasally-placed, vibrato-ful voice)

  • That Bb is crazy. I'm sorta in love with this guy. Why can't people just respect his voice for what it is?

  • I disagree in these allegations of Esparza being a "self-trained musical star."

    There is a video of him singing "Being Alive" (from Sondheim's "Company") at the Tony's, and he hits a G# on the E vowel perfectly, and the vibrato is the same as always.

    Just because he hasn't perfected it doesn't mean he is forcing is. He is a gifted singer.

  • I don't know what you guys mean by "forcing" the vibrato. Vibrato occurs when the larynx is relaxed. If you force it, it doesn't happen. Some people have a more pronounced vibrato than others. His is just especially strong.

  • it's from street scene. my brother preformed this role. amazing show. it's considered an opera

  • if anyone can help i need to know the musical its from ty berry much

  • I love Raul Esparza very much, crazy vibrato and all. He's an amazing actor and he can sing really well. But I don't think this song is right for him. Luckily this is not a staged performance, but rather a show at Seth Rudetsky's Broadway Chatterbox, so I can forgive him for that. This video is awesome!

  • excellent. i've only heard lotte lenya sing it. imagine if he didn't have to read off the sheet music and had a nice 20 piece orchestra with him. i'd be into it!

  • fierce

  • citrusbust

    you're right. It's a wonderful mix on the B flat. It's some of the other notes around F and G that have some weird vowels and some pushing.

  • I don't at all get why people are complaining. Sure his vibrato might not be your cup of tea, but personally I find his control on those high notes at the end to be quite impressive.

  • @DavidStephens88

    Not to mention that singers' vibratos differ greatly.  It all depends on a singers' training, and also differs a lot from song to song, genre to genre.

    And yes, aren't those high notes just gorgeous? Something I'll never be able to do, that's for darn sure.

  • people should really understand they should not treat this like pop or jazz...it jazz influenced classical music

  • agreed!! why are there no videos of classical singers doing this??

  • Exactly. I heard someone once perform it as a full-on Jazz number with a jazz band and it ticked me off...this is one of my favorite songs...you got it right...a jazzy opera aria.

  • Awesome

  • I think all the comments on here are simple jealously. He's doing it, you're not. His career is great, yours is not.

    It's all a matter of taste where singing is concerned, so all the technical babble you are all coming out with is worthless.

  • You're completely right! Why didn't I think of that?! My perception of his terribly forced vibratto is only an extension of my deeply-rooted jealousy of his career!

    Too bad this is a public forum- where all opinions are valid, even intelligent ones. Maybe you're angry because you can't hear why so many people don't find him amazing.

    (you don't have to read the comments to watch a video, if it upsets you so much)

  • I agree with you. Typically, Raul is good. He's not amazing, but I've heard him sing Being Alive and was very moved by his performance. This, however, did not really impress me. Not so much. That B Flat at the end was good, but you're right. He's forcing everything to vibrate, and at his age, it should already be doing that by itself. I guess that's the problem with those self-trained Musical stars. Lotta sound, not enough technique. =/ Good song though. Impactful lyrics. Interesting setting. ^^

  • He actually uses a variety of vocal qualities.

    Jan Sullivan's vocal style terminology also refers to both vowel modifications and what's happening with the vocal cords.

    When he starts out, he sings in voce finta (breathy classical), moves into pop-legit which sounds nice for a while, and then his singing devolves very sadly into what the ridicule is about.

    He should hold back since he doesn't have the chops for this song either as a male belter or a classical tenor... or just skip the song.

  • does seth's broadway chatterbox still exist?

    does anyone have their website or any info on them?

  • Good God, can't you people just enjoy a lovely off-the-cuff performance without overanalyzing it to death???

  • I love this song, but it really really does take the term "Wobble" in vibrato to a new level. Out of control vibrato and throaty high notes.

  • Questioin. Are you yall commenters on Broadway? With what ever he is doing to hit his notes has gotten him places and far!

  • meh its not bad, sounds like he's using quite a bit of throat on some of the high notes, definately apparent on the Bb cause you can hear the glotal right after he's done....now i'm not saying a Bb is easy mind you ^^

  • I love Raúl as a performer, I do, but I can't bear him singing this song. It takes out of control vibrato to a whole new level. I fast-forward anytime I watch the Chatterbox DVD.

  • watch his abdominal region and lower torso prior to his "belting" of the B flat....you clearly see his incoming breath and he sustains it because of that breath....his neck is not lifted at all hes completely relaxed and nails the note....i doubt you can ever hit that note like he can so why criticize something especially when he's singing pretty damn correctly...

  • You can hear from that note that he's clearly using his head voice.... it's not belting at all.

  • dude are you kidding me.....noones head voice is stronger then legit....definitely not his head voice....men don't quote belt though they just have power because technically all of male singing would constitute belting....hes singing legit and hes singing it well

  • Not all male singing is belting. If you dont know anything about the male voice don't say anything. He is lifting his soft pallette you can hear the space he created for the Bb. Thus he is mixing his headvoice and chestvoice or some people just call it legit singing. He is NOT belting. Belting creates no space whatesoever, it is shutting off the soft pallette and let the air come from behind the nose(so its not nasal) and creating a powerful chesty resonance.

  • Clearly you don't know jack about belting. I agree with the other things you said, but belting (good, correct belting) requires tons of space and air. Read Jan Sullivan's book about the "Pop/Belt Voice," she was basically the first lady to ever pinpoint an actual technique to it. Belt has very modified vowels, lots of space, and more forward placement than classical, and sometimes a slower vibrato. Chest is not belt.

  • No hes actually mixing. Youre right hes not belting.

  • Someone answer me this question, that B-flat was not belted right? He was just legitimately chesting.

  • I love how he mixes the notes like crazy.

  • Let's see what his voice sounds like in 10 years. Hitting the notes and singing them properly (so as to sustain the health of your voice) are two different things. I guess we all make choices. He's making a bad one.

  • Raúl does not consider himself a singer. He's never had any lessons or training - what you hear is just his natural voice. It's far from perfect, even now. I've a feeling his voice won't sound too much different in 10 years. He's an instinctive singer, and so far his instincts have been pretty darn good. And if he somehow does ruin it to the point he can't do musicals, he'll probably just shrug and stick to straight acting. That has always been his stated preference, anyway.

  • I guess we all make "choices." Good to know that some people consider their talents to be disposible!

  • Are you serious? Hes never had any lessons? That ... I can NOT believe.

  • That's what he claims. And listening to the way he sings, I believe it. His technique is...well, let's not go there. He doesn't treat his voice like an instrument, he uses it as simply another facet of his acting ability. He's acting with his singing voice, in the same way he acts with his speaking voice, and with his hands, his face, his eyes, his entire body.

  • He sings like an actor, not a singer. It is not a particularly pretty voice, by any stretch, although he has the ability to make pretty sounds. But he also has the ability to make harsh, horrible sounds when the text and the music require it, and being an actor first, that is what is most important to him.

  • I do believe, though, that in spite of never having studied singing, he has picked up a lot of pointers from professional singers he's worked with over the years. Especially recently, when he was in Company. His technique improved dramatically over the course of the run. I think Raúl the singer will be with us for quite some time to come.

  • D*mn, Raúl! He is just...not to be believed! He sang that absolutely cold - no warm-up, no rehearsal, and it had been so long since he'd last sung it he had to read the music over Seth's shoulder. And it's freakin' Kurt Weill! No one should be able to DO that!

    I love the flabbergasted look on his face when he finished. He even surprised himself!

  • that is a beautiful b flat!!!!

  • Thank you so much for posting this!

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