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From: leonorafl
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  • E CHE SCHIFO SEI TU..? NO ESCUTA, MUITO SIMPLES.....

  • Che schifo

  • grossartig!

  • Er könnte ein wirklich angenehm klingender Tenor sein, wenn er nicht so grauenhaft guttural die hohen Resonanzen verschlucken würde... Eieiei, lieber Jonas, wie kommst du denn auf die Idee, dass das gesund sein könnte??? Von Metternich hast du das nicht gelernt. Und von Rhode? Der konnte das sicher auch nicht so gemeint haben mit dem "aus dem ganzen Körper singen" ... Nee, da hat du wat falsch verstanden, erlaub ick mir zu sage... ;-(

  • I prefer Jon Vickers

  • With all respect for him performing on the most important stages:

    - Here in this recording I think he's quite good.

    - Nevertheless: The high notes dangerously lack ringing. No head resonances, no smoothness, no ease.

    - No mix in the lower registers: mediocre Baritone up to E, forced tenor above that.

    This way of singing is just not my cup of tea. With all respect. Nope.

  • Click here for donations to retrain Jonas as a baritone

  • He is not a tenor. Singing without Squillo, at the end of the aria lack of power. His voice sounds artificial, too dark... it is not the "italian" way of singing.

  • Jonas Kaufmann ist ein großer Sänger und ein wunderbarer Darsteller.

  • He's so disappointing "live"...

  • quoi qu'il chante, il est émouvant par sa profondeur, sa réflexion, ... irremplaçable

  • And he is a great actor too!

  • I love this production at Vienna State Opera back in 2004 b/c of him I own the DVD! =]

  • bravissimo!! bravissimo!! e bravissimo!!!

  • I am not such a big fan of Kaufmann in general, but he masters this hell of an aria really good.

  • Ben si tu préfère j'ai le meme nom qu'un personnage de "fidelio"

  • Bloedsinn. Seine hohen Toene sind strahlend schoen und muehelos.

  • Here is one great tenor but this role is too mature for him at this time! Please hold off and do the more dramatic roles but leave the Heldentenor stuff for later in your career. You will last longer!!!!!!!

  • Moi je m'appelle Florestan je savais pas qu'il y avait une chanson avec mon nom

  • @Muse0Lordi0Acdc

    Ce n'est pas une chanson avec ton prénom... c'est le prénom d'un personnage de l'opéra "Fidelio" de Beethoven !

  • Extraordinaire JONAS!

    Il m'a fait découvrir FIDELIO car j'avoue ne pas apprécier particulièrement Beethoven.

    Depuis WERTER à BASTILLE je n'écoute que lui!

  • "Oh grauenvolle... [meinte er] Stille oder Stimme"?

  • Großartig!!!

  • sex

  • Ich bin ein Opernmuffel und lasse sonst außer Bach nicht viel zu. Aber Kaufmann beeindruckt mich schon, und mit ihm Beethoven.

  • Jonas Kaufmann is maybe the best in his period

  • Best Florestan!

  • @Askade1 na na na ! eigentlich müssten  Sie noch James King kennen! Der war schon nochmal was Anderes. Obgleich ich sagen muss, dass er mir hier ziemlich gut gefällt.

  • Ihre Kommentare sind einfach ätzend! Traurig, wenn man sich nicht mehr unvoreingenommen über eine wunderbare Stimme und Darbietung freuen kann!

  • baritono e non tenore buuuuuuu

  • @mariorussi2010 If he's a baritone then Pavarotti was a coloratura soprano! The only baritone that could sing a high C was Leonard Warren who I had the privilige to sing with many times.

  • @MRhodess pavarotti era un vero tenore kauffman e'un baritono ed anche molto scarso come baritono perche'un vero baritono e'bruson!!!!!!!!!!!!

  • @MRhodess Strange to claim to know all baritones of the world. Not that it is at all relevant when commenting on Jonas Kaufmann's Florestan, but I know several baritones with a high C. I guess you mean that out of the baritones you know, no-one else had this wide range.

  • @MRhodess My teacher is a baritone and has a high c.

  • @ptgunit Mazel Tov!

  • @ptgunit there are more baritones than tenors who have high c's. this is due to the fact that the deeper the voice the longer and thicker the vocal chords are. Basses can sing the highest notes.

  • wenn man keine ahnung hat: einfach mal klappe halten...ihr unwissenden kritiker. "I'm not a professional singer but I sing this here much better" wer schreibt sowas? weeeeer?

  • beautiful phrasing and breath control, great acting, and squillo. The only problem he has and it's a minor one is him trying to take over and make the sound too big which sends the sound back slightly in his throat. Now he only has a minor problem of this and is so slight and he has such a huge voice that he can get away with it. Overall great artistic and technically sound performing. Bravo!

  • Habe NIE einen besseren Florestan Sänger-Darsteller gehört und gesehen! Bravi Jonas!!!

  • He began his concert in hamburg with this aria! amazing.. it was a great concert ;)

  • finally Florerestan who looks like prisoner, and he sings heavenly!

  • Finally Florestan, who looks like prisoner! And of course he sings heavenly!

  • Dies ist eine außerordentliche Darstellung der Szene, sowohl stimmlich als auch dramatisch-schauspielerisch. Ein überzeugender und sehr beeindruckender Florestan!

  • I have nevere heard such a Florestan since the great Jon Vickers!. By the way their voices are quite similar:heroic, powerfull, beaultifull! Bravissimo!

  • @morehlepituachkol I was writing the same thing!! :-) Their voices are really similar!

  • Ich denke, diejenigen, die Kaufmann nicht mögen, sind an ein Timbre gewöhnt, das er nicht bietet. Vergleiche sind müßig, vor allem mit Sängern, die schon lange der Vergangenheit angehören. Dieses ewige "Ja, aber der und der" sollte aufhören. Kaufmann macht seine Sache hervorragend, gestaltet, versteht, worum es geht. Vorbildlich.

  • @Altonahh10 genau darin sehe ich aber ein Problem der heutigen Zeit. Nur weil Sänger wie Fritz Wunderlich schon tot sind müssen wir , die wir jetzt leben nicht eine weitaus schlechtere Qualität als höchsten Standart bezeichnen.

    JK hat nun mal leider keine Stütze für die hohen Töne . Deshalb ist er auch oft bei hohen Passagen ander Grenze seiner Kraft.Er knödelt und hält die Töne dann im Hals fest. Leider ist dies keine Qualität welche den Titel Top verdient.

  • @lecksiekon This is right what you say!

    How Kaufmann sings here is a shame for the entire German country!

    He had such a good voice and changed his technique to a dark neck-voice, using all available muscles.

    His teacher needs a punishment!

    I'm not a professional singer but I sing this here much better!

  • @GERMANYFrankie Dann stell Deine Aufnahme doch mal hier rein - dann wollen wir mal sehen!

  • @GERMANYFrankie Oh Frankie you are so funny

  • @GERMANYFrankie The entire German country deserves a punishment and you with them. It's obvious you are not a professional singer. Jonas has not changed his technique one bit. I would hope that you someday in your wildest dreams earned what Jonas did last year!!!!!!

  • @GERMANYFrankie In your dreams!

  • @lecksiekon

    na Sie haben ja Ahnung, hahah! Wenn der keine Stütze hat, haben Sie keinen Kopf... Ohren und Hirn offensichtlich sowieso nicht.....

  • @uorgel

    mein Lieber, für mich sind Sänger wie Wunderlich oder Fischer-Dieskau oder Prey oder Matthes keine abstrakten Namen gewesen sondern Sänger mit denen ich noch gearbeitet habe . Ach ja --z.B. unter Dirigenten wie Bernstein , Sawallisch , Karajan oder auch Harnoncourt um einen jüngeren zu nennen. Reicht das als Nachweis meiner "Ahnung"???

    Zu schlechter Qualität darf man nicht schweigen.Insbesondere nicht wenn man wie ich selbst wesentlich besseres selbst erlebt hat.

  • @lecksiekon

    Nun, ob das von Ihnen Geschriebene ein Nachweis ist, steht dahin. Wenn es denn wahr ist, was Sie schreiben, wären wir ja Kollegen...

    Ich bleibe dabei, Ihre Kritik an J.K. ist einfach haltlos und zeugt von einem hohen Maß an Unkenntnis !!!

  • @uorgel mein lieber, uorgel,

    in wie weit wir uns als Kollegen bezeichnen möchte ich doch dahingestellt sehen.

    Ich nehme nicht an , dass sie JK auch nur annähernd in eine Reihe mit FW stellen wollen. Und was mein Unverständnis anbetrifft frage ich sie was sie zum nicht (mehr) vorhandenen Vordersitz der Stimme sagen...

    Das in den Hals ziehen der Töne ( angeblich baritonales abdunkeln) beraubt ihn seiner eigentlich guten Voraussetzungen komplett . er singt fachlich einfach falsch

    Fritz du fehlst!

  • @lecksiekon

    ich denke, bei Ihnen ist doch eher der Neid am Werk, weil Sie selbst zu offensichtlich nichts gebracht haben... Ich für meinen Teil kann sehr gut andere bestehen lassen, wenn sie gut sind. Und Jonas ist gut!!!

    Natürlich war Fritz Wunderlich ein Jahrhundertsänger, aber er ist tot, wie wir wissen!!! Mit ewig Gestrigen, wie Sie einer sind, kann ich nichts anfangen, tut mir leid.

  • @lecksiekon

    und noch etwas, wenn Sie wirklich mit Edith gearbeitet hätten, wüßten Sie wie man ihren Namen schreibt. :-))))) Mathis, so ist's richtig!!!

  • @uorgel gut , dass sie mich in meiner rechtschreibung verbessern . wo sie recht haben , haben sie recht .

    mir ist es nur völlig egal, wie oft ich mich vertippe oder übereifrig einfach etwas falsch tippe. Auch schreibe ich mal klein und mal gross .auch hier nicht wirklich genau. es kommt aber immer auf den inhalt an .

    haben sie denn schon mal was von pjotr becscala gehört ? auch falsch geschrieben? macht nix. das ist eine qualität der ich gern eine zukunft gebe . denken sie an den inhalt.

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  • Jonas Kaufmann, l'homme qu'il faut pour chanter Florestan, dans l'opéra qu'il faut, avec Beethoven... qu'il faut à notre époque ... Pièce unique .

    Merci à Leonorafl pour le post .

    Goooooooot ....

  • ich finde er singt das hier außerordentlich gut; außerdem versteht man endlich auch mal den Text, was sonst nicht immer der Fall ist. Er steht auch nicht einfach auf der Bühne und singt seine Arie wie das manche Andere machen, sondern es gibt auch was zu sehen :)

    Großartig

  • Das ist ganz groß!

    Wenn ich dann lese...this is weak...etc. dann frage ich mich, welche Gestalten sich bemüssigt fühlen solche Komentare abzugeben.

    Bin weiß Gott kein Fan , dafür bin ich zu alt und renn zu lange in die Oper (>40 Jahre). Habe in 3mal live gesehen, Carmen im Covent, La Traviata und Lohengrin (besser als Bayreuth seit Dekaden) in MUC und immer war er ausserordentlich gut.

    Breites Repertoire, sehr gute Technik, grosse Stimme was wollt ihr eigentlich mehr??

  • @zweigesundehaende

    Neid, Neid und nochmals Neid , Mißgunst und Gehässigkeit bringen Menschen zu abfälligen Bemerkungen. Es sind Kleingeister- hier wie anderswo, die Schönes kaputt machen,--- weil sie selber kaputt sind.

  • @zweigesundehaende

    "was wollt ihr eigentlich mehr?"

    zB. weniger bis gar kein Knödeln

  • Die letzten Zeilen entsprechend zu singen, gehört zum Schwierigsten was Oper zu bieten hat - Wagner eingeschlossen. Er hat es bravurös gemeistert.

  • UN TENORE DE MENTIRA!

  • Who knows a better Florestan of our times? In expression and voice really deeply moving. Stunning!

  • @singmaus45

    you dont like heppner?

  • Thanks for your answer. I heard Heppner after receiving it in youtube - but regrettable I don't like the pressure in his voice - his singing seems rather strained. Jonas Kaufmann may have sometimes some constriction in his throat but in his height he seems never to have difficulties. Also the interpretation of Heppner cannot not be compared with Kaufmann - his play is very good, too. But this is only my point of view.

  • @singmaus45

    I have to go with Vickers on florestan.  He really has the whole package for me. Total professional

  • Heppner is a hell of a tenor but the visual of Florestan as a middle linebacker is a

    bit disconcerting. (He is a starving prisoner, after all.)

  • Now, if you a real fan of someone, you also have to be critical to his work. I like Jonas, but he just should not (yet or ever) sing everything! Florestan is not for him - there are some nice parts, like "Mein Angel Leonoren...", but the first, slow part is not good at all.

  • Er ist jetzt der Groööööößte !!!!

    Alles andere ist nur Neid !!!

  • Terrible. The initial "Gott" is as foul as the one René Kollo produces with Bernstein. He's just a pale sissy. No colours in a third-rate voice. Ugly timbre, and already worn out. It won't take long till we get rid of him. PEOPLE, where have all your STANDARDS gone? It's a shame!

  • Yes, this performance is weak. The first "Gott" sounds like rotten wood...

  • you are deaf and no offense but you have to have an ear for technique before you can have accurate standards. you may not like his voice but his technique is superb and he has a free easy sound, not worn out at all. few tenors today have the ease kaufmann has. he has the right size voice to sing almost anything with ease and without pushing because big voices easily carry. the size dictates the rep. not the age, as the voice physiologically changes little after puberty. open your ears.

  • I agree, his volume control especially is exemplary- I loved James King's, and this is a nice contrast as well - very tuneful throughout the range.

  • thank goodness someone knows what he's talking about! I am not particularly fond of Jonas's VOICE but ... I cannot stop listen to him for the ease of sound and how he manages everything!

  • @ARTUROPVIOLA Oh yes! With him the "cabaletta" part of the aria is very easy-sounding. And personally, I like his sound.

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  • Long story short, Beautifully done!

  • Très bel emploi vocal.

    Étrange mise en scène: "Ketten" les chaînes sont remplacées par un cordon...

    À moitie visible, son corps me rappele une pièce de Samuel Beckett!

    Beau manteau si propre après des mois encarcéré! Cf le prisionnier dans les film "Bronson" ;p

  • one of the finest tenors alive today! what a voice!

  • Heartbreakingly gorgeous. Oh Beethoven! And Kaufmann....! Is this from the Zurich production which is on DVD??? Because after this, I desperately want to see this redeemed in "O namenlose Freude!" :)

  • Boah, that´s "Ins himmlische Reich" in the end is sooo broken hard!!!

  • I think you are speaking of your taste... my condolences.

  • Some are really crazy. Poor bodiloto Jonas is with Wickers one of the best Florestan. Control of voice, colour, dolor, and hope in his voice.

    Whoa My God.

  • @joanabanyeres : hahahahahaha,ma che scrive,dal vivo la sua voce non passa l'orchestra .............andate ascoltate dal vivo ...........controllo di voce ?haha,colore hahahahahahahaha........... Avete ascoltato Wickers dal vivo ? Ma che scrive ? hahahahahahaha.....

  • ART!

  • I have a new found respect for this opera after seeing this. It's wonderful!

  • Blu Ray Blu Ray Blu Ray

  • Comment removed

  • Extraordinary great rendition! One of the best I have heard. This is a master interpretation in every aspect, vocally, musically and characterization. Jonas Kaufmann demonstrates here that high quality standards for opera singers are possible even nowadays. Thanks for posting it.

  • dg6da, I wanted to reply properly to your comment but since I realized you are one of those frustrated wanna be singers trying to catch attention in this platform I only feel sorry about you! Your singing is pathetic! And your comments even worse!

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  • richtig erkannt.wenigstens einer hier!

  • @dg6da Grossartiges und vor allem absolut korrektes Kommentar!

  • Enfin... Cela faisait longtemps que je vous attendais...

  • Magnifico...Kaufman...Supremo!­!!!

  • Ben Heppner may be the greatest Fidelio at the moment but this is still a great singing and acting performance. He is at the top of his game.

  • Yes where this performance?

    tks

    walter neiva

  • He plays the part ,but ain't the part as Vickers was the part .

    Good attempt -he ain't no artist yet .Just another tenor .

  • oh come on... He is a magnificent artist. Vickers Florestan is different but he had done the role for years! Kaufmann is not just another tenor, listen to the recordings of Manon in chicago 2008. He does le reve des grieux more musically and beautifully than I have ever heard...

  • And the staging is terrible... he's singing in a box for christs sake.

  • .....and what is a prison , if not a box....?

  • umm hello.. it's a prison!! derrr!

  • qu est ce que c'est que cette mise en scene? ? ? ?

  • la mise en scène nulle certes mais quelle voix!

  • oh ! que oui une voix exeptionelle

  • Il n'en a que plus de mérite.

  • EXACT ISA

  • I can´t understand why everbody argues about his ability to sing a Heldentenor. I think he will, but I hope he waits to do so and doesn´t ruin his voice. It would be a great loss. By the way: Hoffmann or Don José are still lyrical pieces. Heldentenor would be Otello, Siegmung, Siegfried, Tristan; maybe Kaiser, Lohengrin, Apollo or Bacchus

  • hot hot hot

  • Wonderful execution. Of course the opera helps. Fidelio is the human side of beethoven.

  • Interesting. . . he certainly stands out as a performer.

  • This is one of my favourite type of tenor. To be a Heldentenor, you must possess a wide vocal range, high stamina, and an extended dramatic deferment.

  • He is NOT a helden tenor. I heard him sing Traviata at LOC and he was inaudible. He can't cut a thick orchestra to save his life. He artificially darkens the sound. Check out his Un Aura Amorosa video. He should be singing Mozart.

  • Yes he is helden tenor. There is no question about it. I'm not sure what you are listening to, but that what he is.

  • Hear him live. He's definitely not a helden. It's the only valid point of reference. You can't judge it by a youtube video or a recording.

  • I knew about him way before youtube, so I know what I am saying.

  • Ever heard him live in a big house with on the heavy rep he's currently tackling?

  • Actually, I have.

  • Really? Where? What piece?

  • He performed in Covent Garden in the year before last in the role of Don Jose in Bizet's Carmen.

  • Very very good (except for the first sound)! The end of this aria is one of the most difficult things ever written for the tenor voice, especially for the heavy Heldentenors that are usually employed in this part (without any musical good sense). Listen to René Kollo in the Bernstein recording: he was simply shouting it.

    Kaufmann is a bit strange, but at least he knows what head voice is.

    The staging is impressive... Probably the director mistook Fidelio for Beckett's Happy Days...

  • Who else agrees that this man was born to sing Hoffmann (Offenbach)? Why he hasn't yet is beyond me!

  • Because nobody has yet offered him to sing it. It's on his wish list.

  • Well, damn...I'LL offer it to him! I want to direct operas, and I'm working on an envisionment of that opera. I guess I'd better get cracking ;)

  • His voice is WAY too small to sing Hoffman. It gets absolutely swallowed in the hall

  • that first messa di voce, is very hard for the tenor, because i think is the very first note he sings in the entire opera. I don´t like this opera!!! sorry lol.

  • Not quite a messa di voce, a crescendo, but hard yes

  • You don't like this Opera???? You Have to die soon! Tan ignorante no mereces vivir!

  • He is so handsome! and what a voice!

  • oooohhhhh mmyy gooooood !!!!!! Amazing voice !! Thank you Mr kauffmann !! Thank you so much !!

  • Es una hermosísima voz. Yo tengo el CD con Lieder de Strauss y es maravilloso lo que hace en cada uno de ellos. No lo había oído en ópera pero es extraordiario como puede hacer de todo y bien!

    Además es un hombre tremendamente atractivo!!

    Todo bien!

  • Estimo que el criterio de "Divamaria" es excesivamente tajante.Pensar que un cantante no tiene Otro que pueda acercarsele no es correcto.El mundo avanza y no siempre el pasado fue mejor.Con ello no digo que Kaufmann sea mejor que Vickers.Solo afirmo que ambos son buenos ,cada uno dentro de sus propios parametros ,con sus propias tonalidades de voz,tecnicas de interpretacion y demas aspectos que intervienen en el canto.Las comparaciones no son justas,porque se tiende a sesgar por gusto subjetivo.

  • Totalmente de acuerdo contigo. Una observacion objetivamente inteligente.

  • a gentle haunting voice which can also become powerful without harshness, a potent combination - saw him last night in Tosca at the Royal Opera House, no idea beforehand I was going to be in for such a treat, how lucky was that

  • Und sogar ER, DER HERRLICHSTE VON ALLEN und vor Allen herrlicher Florestan dieser Tage, hat Probleme mit diesem mörderischen Ende und schleppt sich "ins himmlische Reich". Seitdem ich den Kopfklangmeister Anton Dermota auf einer Aufnahme unter Karl Böhm habe verrecken hören (Kiekser!), verfluche ich Beethoven für dieses Teufelswerk. Und es ist so schön!

  • Ich weiss nicht woruber du dich beschwerst. Er singt das doch perfekt!

  • mdieterk,ich kann im wesentlichen zustimmen, finde es auch verdammt gut. das ende der arie ist zum halsverrenken.

  • Nice amber-colored dark voice, similar to Richard Tauber, but without Tauber's mannerisms which is nice. He seems to be a good actor as well. His new CD is quite good, especially in the French repertoire.

  • Perhaps you are hearing Herr Kaufmann through "nice amber-colored" glasses". To other ears, however, there might be little to remind of Tauber in the Kaufmann voice. Both are tenors and both are unique.

  • Sorry he is full operatic voice and Tauber not!!! Tauber wasn't a full Dramatic voice.

  • Why be sorry? No doubt you are quite right in pointing out that these are two different voices. If you reread and understand my comment (which in any case made no claim that Tauber had a dramatic voice) you may see that we do agree about that,

  • a Johan Botha he is not

  • Nor is Johan Botha a Jonas Kaufmann....

  • Listen to his Cd of Strauss Lieder. impressionnant. His pianisimo in some as Nacht and some others Lieder, oh! l love this singer. His florestan is so dram and his expression so great, he makes me cry..First line tenor.

  • Increible Interpretación.

  • Jonas Kaufmann sounds very much like a young Jon Vickers indeed. I saw him in Canada many times in several roles. Florestan was one of them. He had a very powerful heldertenor voice and I do not know if Jonas has it. I must check him alive, but the recording is incredible similar. And also a great actor !

  • The similarity is there as far as this recording is concerned but the voice I heard live a couple of years ago was a much thinner sound, nicely darkened (a bit of a controversy there) but not remotely around the Heldentenor Fach.

  • Thank you very much for posting. At last a visually credible Florestan, not a big fat bloke to make me laugh when I hear he is starving to death!! I have ordered the dvd of Fidelio after seeing and hearing this. Beautiful voice, beautiful man, great acting. Thank you again for helping me to choose which dvd to buy.

  • Doesn't this guy remind any of you of the great Jhon Vickers. For my part is the first time i heard someone with the same character and powerfull voice of old Jhon...! GO JONAS..!

  • He looks great, he is very expressive, he sounds great -- at least here on You Tube. BUT---If you had ever heard Vickers live, you would NEVER even mention these two together. Vickers was an astonishing artist-- voice was ENORMOUS, a great actor, and always in control. Domingo is lighter in comparison to Vickers, and Kaufmann's voice sounds here as though it might be as large as Domingo. Note that Kaufmann is struggling a bit (ie-PUSHING)his throat is tight.

  • He looks great, he is very expressive, he sounds great -- at least here on You Tube. BUT---If you had ever heard Vickers live, you would NEVER even mention these two together. Vickers was an astonishing artist-- voice was ENORMOUS, a great actor, and always in control. Domingo is lighter in comparison to Vickers, and Kaufmann's voice sounds here as though it might be as large as Domingo. Note that Kaufmann is struggling a bit (ie-PUSHING)his throat is tight.

  • Ach Gott ist der schoen und singen kann er auch.

  • He had very good teachers Hotter, King... This is a great tenor no problems and if we start looking the way he sings, all tenores even Damingo , Pavarotti and.... com They al have something. Jonas is great and good looking thanks. thanks.

  • I made myself a promise not to answer silly comments.

  • For me he is the german José Cura...

  • Yes and no. Kaufmann's voice is growing and getting better. I'm not sure about Cura lasting much longer.