Anyone good at maths can craft these relationships and get whatever number he choises; inversely, he can pick a determinate number and build relationships as instances of composition.
The relationship between several things and a number cannot be used in order to postulate a system (as if there were a coherence behind operating as a structure) because is the assumption of that same coherence wich leads the process of serching instances. What we're facing here are the consecuences of a classic petitio principii.
Im sorry, but i think there's one "omnes genetiones" missing at 0:58, box 23, bass line, so the parallel doesn't exist. This is pure numerology, we cannot be sure if Bach was aware of every single case of these coincidences or if they're mostly fortunate and exciting parallelisms. I love Bach, but i desagree with these "exultation beyond any limits" of his evident both matemathical and logical skills.
@UcronicUtopic In the context of the Bach magnificat that this is a part of, as well as considering the very words being used in the song itself, the number symbolism is most likely representing the generations as shown. And I'm almost positive JSBACH is actually 43. I might be wrong though.
@TheSacredFox yes but Bach used the Latin Alphabet I=J and U=V so his name j.s.bach turn out of 41 and BACH = 14 like in his last contrapunctus 14 on te second motif it has 41 notes,
@thegoddescomposer You merely postulate that Bach was using the Roman alphabet because that's the only way you can force the letters in "J.S.BACH" to add up to 41.
But Bach and his contemporaries routinely used the letters I and V. When Bach abbreviates the prayer "Jesu, juva" in his manuscripts (as did many artists since the Middle Ages) , he writes "J.J.", not "I.I." How do you explain THAT?
@ksj818 the last fugue of contrapunctus of bach the 2th motif has 41 notes = j.s.bach when the 2th motif comes on his last turn back it miss one NOTE i cont it on score, it still have 41 notes and there ends the last fugue of BACH
@thegoddescomposer What evidence is there that Bach deliberately used the old Roman alphabet?
Bach and his contemporaries routinely used the letters I and V.
When Bach abbreviates the old prayer "Jesu, juva" in his manuscripts (as did many artists since the Middle Ages) , he writes "J.J.", not "I.I." How do you explain THAT?
This is usual for Bach. In the Great Passion, there's a recitative where Jesus reveals he's to be given by one of his apostles, and then there's a nice choir where the startled innocent apostles ask "Lord, is it me?" exactly 11 times, and immediately after, Judas -the 12th apostle- asks "Is it me, Lord?", and Jesus answers "You said it".
I don't get it, what is the symbolism? What are you measuring in the first part and what are you counting by in the second? It doesn't seem to bear any resemblance to the music itself.
@zephyrswan: He is counting every time the theme is restated in one of the voices. It appears Bach repeated the theme exactly as many times as there are generations in Christ's ancestry.
@Tulipso How do you count the "generations in Christ's ancestry"? Do you start with Adam & Eve or with David?
Setting aside that thorny problem, the real difficulty with your theory is that the words of the Magnificat aka the "Song of Mary" are about Mary, not Christ. The words "all generations (shall call me blessed)" refer to the generations AFTER Mary, not the generations before Christ!
Bach is the engineer of Music !
waeman 1 month ago
I never noticed that... O.O
21Gnardawg 3 months ago
La video est pourri ils chante comme une casserole
AxelMa06 4 months ago
@AxelMa06
hahahaha t'es rigolo
bangalore117 2 months ago
Anyone good at maths can craft these relationships and get whatever number he choises; inversely, he can pick a determinate number and build relationships as instances of composition.
Shikadyarioto 5 months ago
The relationship between several things and a number cannot be used in order to postulate a system (as if there were a coherence behind operating as a structure) because is the assumption of that same coherence wich leads the process of serching instances. What we're facing here are the consecuences of a classic petitio principii.
Shikadyarioto 5 months ago
@Shikadyarioto Your spelling really pissed me off... Lol.
qxXFidoXxp 3 months ago
Im sorry, but i think there's one "omnes genetiones" missing at 0:58, box 23, bass line, so the parallel doesn't exist. This is pure numerology, we cannot be sure if Bach was aware of every single case of these coincidences or if they're mostly fortunate and exciting parallelisms. I love Bach, but i desagree with these "exultation beyond any limits" of his evident both matemathical and logical skills.
Shikadyarioto 5 months ago
how can that be christs lineage when he was born of Mary (supposing Joseph did not take part) ?
thepweencess 8 months ago
This has been flagged as spam show
Coolest thing ever!
smt0514 9 months ago
Coolest thing ever!
smt0514 9 months ago
WOW
mmenchu 11 months ago
OMNES, OMNES, OMNES!!!!
mattbeattie99 1 year ago 2
41 is J+S+B+A+C+H (10+17
2+1+3+8, without J and K). Bach made his musical signature in this pseudo-fugue! He often did this ...
UcronicUtopic 1 year ago
@UcronicUtopic In the context of the Bach magnificat that this is a part of, as well as considering the very words being used in the song itself, the number symbolism is most likely representing the generations as shown. And I'm almost positive JSBACH is actually 43. I might be wrong though.
TheSacredFox 1 year ago
@TheSacredFox yes but Bach used the Latin Alphabet I=J and U=V so his name j.s.bach turn out of 41 and BACH = 14 like in his last contrapunctus 14 on te second motif it has 41 notes,
thegoddescomposer 1 year ago
@thegoddescomposer Well then, you learn something new everyday lol. Thanks
TheSacredFox 1 year ago
@thegoddescomposer You merely postulate that Bach was using the Roman alphabet because that's the only way you can force the letters in "J.S.BACH" to add up to 41.
But Bach and his contemporaries routinely used the letters I and V. When Bach abbreviates the prayer "Jesu, juva" in his manuscripts (as did many artists since the Middle Ages) , he writes "J.J.", not "I.I." How do you explain THAT?
J. S. BACH = 43.
jschubart1 6 months ago
BACH=14 14=41=14
B=2A=1C=3H=8=14
U guys see what bach was doing here :O!
thegoddescomposer 1 year ago
@thegoddescomposer.... and the number of fugues and canons in "The art of fugue" is......;-) I just love that number thing...
ksj818 1 year ago
@ksj818 the last fugue of contrapunctus of bach the 2th motif has 41 notes = j.s.bach when the 2th motif comes on his last turn back it miss one NOTE i cont it on score, it still have 41 notes and there ends the last fugue of BACH
thegoddescomposer 1 year ago
@thegoddescomposer
j.s.bach = 43, if I am not wrong.
YevgeniyAlexey 1 year ago
@YevgeniyAlexey bach used the latin alphabet so it comes out 41 i=j is the same like u=v they used be the same. so it have 24 letters
thegoddescomposer 1 year ago
@thegoddescomposer What evidence is there that Bach deliberately used the old Roman alphabet?
Bach and his contemporaries routinely used the letters I and V.
When Bach abbreviates the old prayer "Jesu, juva" in his manuscripts (as did many artists since the Middle Ages) , he writes "J.J.", not "I.I." How do you explain THAT?
jschubart1 6 months ago
This is usual for Bach. In the Great Passion, there's a recitative where Jesus reveals he's to be given by one of his apostles, and then there's a nice choir where the startled innocent apostles ask "Lord, is it me?" exactly 11 times, and immediately after, Judas -the 12th apostle- asks "Is it me, Lord?", and Jesus answers "You said it".
DuxCorvan 1 year ago
Incredible. Many thanks for posting.
lucacallegaro 1 year ago
Comment removed
thegoddescomposer 1 year ago
Comment removed
thegoddescomposer 1 year ago
I don't get it, what is the symbolism? What are you measuring in the first part and what are you counting by in the second? It doesn't seem to bear any resemblance to the music itself.
zephyrswan 1 year ago
Look at the circled numbers in the sheet music. It's the count of the entry of the main subject.
jsbachbwv543 1 year ago
@zephyrswan: He is counting every time the theme is restated in one of the voices. It appears Bach repeated the theme exactly as many times as there are generations in Christ's ancestry.
Tulipso 1 year ago 13
@Tulipso How do you count the "generations in Christ's ancestry"? Do you start with Adam & Eve or with David?
Setting aside that thorny problem, the real difficulty with your theory is that the words of the Magnificat aka the "Song of Mary" are about Mary, not Christ. The words "all generations (shall call me blessed)" refer to the generations AFTER Mary, not the generations before Christ!
jschubart1 6 months ago
this is the best performance I ever heard.
feetje2008 1 year ago
Wow! It's fantastic!
jjjjgabesz 2 years ago
come hai fatto a scoprirlo?
alf9q 2 years ago
WOW!!!
TheMrDddreess112 2 years ago 6