I don't see nothingness in this. I see sophism. And furthermore, I see alot of reading into things that are not there. Yes, art is interpretation. This, however, is just exploitation.
Absolutely chilling! This psychological drama set in the dystopia of England's surveillance society boldly explores controversial themes like the fragility of multiculturalism, the loss of personal liberty and the H1N1Pig Flu pandemic unleashed on the population by the government in 2009.
Beutifully acted, this dark paranoid postmodern and antiglobalist tour de force captures the existential terror of English rural life in the early 21st Century.
I am speechless. I have not seen something so profound since Rene Artois spent three hours flinging his own shit against a bus shelter in Dewsbury. There are moments where it just hurts to watch.
Banksy can fuck right off and no mistake. The wanker.
I can't stop crying. The depth of meaning expressed in this work of art is beyond infinite.
Royzoner 1 year ago
I don't see nothingness in this. I see sophism. And furthermore, I see alot of reading into things that are not there. Yes, art is interpretation. This, however, is just exploitation.
EclipseBlue913 1 year ago
Absolutely chilling! This psychological drama set in the dystopia of England's surveillance society boldly explores controversial themes like the fragility of multiculturalism, the loss of personal liberty and the H1N1Pig Flu pandemic unleashed on the population by the government in 2009.
Beutifully acted, this dark paranoid postmodern and antiglobalist tour de force captures the existential terror of English rural life in the early 21st Century.
AaranAardvark 2 years ago
What's that plant just behind Louise's right calf? Urtica Dioica?
mediacopycatkillers 2 years ago
I am speechless. I have not seen something so profound since Rene Artois spent three hours flinging his own shit against a bus shelter in Dewsbury. There are moments where it just hurts to watch.
Banksy can fuck right off and no mistake. The wanker.
SDPlissken 2 years ago
I cried. I couldn't help it, I simply cried.
So moving, it's almost French in its intensity.
However, I found the (admitedly brief) nudity somewhat unnecessary.
fotografics 2 years ago
you are a genius! my favorite parts are 2:32, and at 5:54, it gets very intense. its almost as if they are trying to reach out, but can't.
i like how you mixed the drama with comedy, for exmaple, i couldn't stop laughing at 8:20
as for 9:00, i really didn't see that coming.
11:22 is just masterpiece film making. nice direction.
14:32, i had tears. very moving.
is this part 2 of the series? i can't wait to see part 3.
mitochondriaman 2 years ago