Mine's been up for 18 months. I would be happy to learn what's wrong with my performance (apart, of course, from the numerous wrong notes!) PS: you are confusing Arthur with Anton !
Many thanks. I went and listened to Horowitz and Economou. Strictly speaking, I don't like Horowitz so much. His Liszt (and Mephisto) is often too bizarre, eccentric, freaky. Economou is fantastic.
@16021R I suggest you also listen to the young Khatia Buniatishivili, she's simply electrifying in this piece and like Richters it's a live performance.
Rubinstein is probably my favorite pianist. His playing is the most musical and the most uplifting, and his technique is wonderful: he is always in control, and there are no accidents when he plays.
This definitely one waltz that makes for MUCH better listening than dancing........and i agree with those who think Rubenstein plays it pretty darn well!!!
Rubinstein does play fast but 1) you can't have fast without slow for contrast. 2) the piece is also about seduction and sex and the slow parts are all about that.
A very beautiful piece... Mephisto Waltz.... Rubinstein has a very great understanding to the devil's act in this piece. The craziness of the piece at the opening, and the foolish acts that people starts being drived by the devil.... all of those important elements are played sensitively.
This record is now one of my most loved interpretations of this piece (i didn't say "the best", i did say "my most loved"), along with Bolet's 1983 one (if there is another), Brumberg's and Horowitz'. Sorry for any occasional bad english, including spelling xD
The best interpretation of Mephisto.Bravura in the correct momment not all the time like others do. The way of some pianists plays, the name of this waltz should be called "Bravuramephisto"!!!
In the middle of his long life, Rubinstein took time off to re-refine his technique and work on works that he had brushed aside with too much damper pedal, in an effort to "fulfill" the mandate that he would be one of the world's great pianists. You hear the results here: wonderful articulation and lack of hysteria. Refinement was always his goal (except when it came to women). sanjosemike
Heavenly playing. Rubinstein always delivers an interpretation that is rich in emotion and melodic brilliance. One of the best recordings of this piece.
@71demy I changed totally my opinion. Now I think this performance is not mephistophelic at all. Rather it's very very very and very boring. In my modest opinion, the music is not alive here. Listen to Horowitz and Nicolas Economou and you will understand what i mean.
@sissichopin91 Many thanks. I went and listened to Horowitz and Economou. Strictly speaking, I don't like Horowitz so much. His Liszt (and Mephisto) is often too bizarre, eccentric, freaky. Economou is fantastic.
@sissichopin91 Many thanks. I went and listened to Horowitz and Economou. Strictly speaking, I don't like Horowitz so much. His Liszt (and Mephisto) is often too bizarre, eccentric, freaky. Economou is fantastic.
@sissichopin91 Many thanks. I went and listened to Horowitz and Economou. Strctly speaking, I don't like so much Horowitz. His Liszt - and Mephisto - is often too bizarre, eccentric, whimsical. Economou is fantastic.
the music with the thematic material. Though for sure some aspect of "Devilishness" is conveyed through extreme tempi and virtuosity, that seems like a one sided approach if one wants to bring everything out of this piece. There is a ton of imagery here, and Rubinstein brings much more of it out than anyone I've heard taking the breakneck speed approach. I guess it is interesting how repeated performance of this piece a certain way has conditioned us to expect more of an etude than a waltz.
It's a great thing about music that polar opposites of interpretation can both feel "right". Personally I prefer this tempo to the faster recordings, although no doubt many of them are excellent both technically and interpretively. I just find that the speed most pianists take this piece at obscures a lot of the wonderful detail and the waltz-like nature of the piece, as well as its poetry. It is after all based on a literary theme, and as such I'd wager Liszt was interested in connecting
Something is lost when played with thoughtful deliberation (as here) or risky speed,power. The question will always be "what convinces?" There is much beauty here, but I prefer the power, drama, risk, and speed in this work more. Compelling is Skouras, any way you look at it. Raw. Brilliant. Without concoction or pretense. Pure devilishness!
Artur Rubinstein proves that faster and louder does not always equal better. Mr. Rubinstein takes time to let Liszt's musical genius shine through. He plays it as though it were truly part of him.
Others may play faster. Some may play with greater emotional affect. Others may add fascinating cadenzas and embellishments of their own. Some may give a more spectacular impression, some more lyrical, but THIS is the CLASSIC rendition of Mephisto.
I love this tempo -- anything faster is vulgar and tends to obscure the expressive quality of the piece.
Not THE most exciting -- or the most moving -- BUT it remains the best MODEL for students to follow.
I'd have to agree with you. Rubinstein's taste was practically infallible. Everything about him as a pianist (technique, stage manner, phrasing) exuded elegance and refinement.
I forget where I read the story... But aparently Rubinstein committed some 50+minute long concerto to memory while riding a train through one of the old Soviet Bloc countries.
I remember... It was some documentary I found on YouTube about the man.
@Pischnaholic I agree that this is perhaps the classic rendition of this piece, and I agree that Rubinstein isn't as flashy as some or as likely to add his own embellishments. But as he serves the composer, and this composer is Liszt, I would say that it gives a spectacular enough impression and is also moving enough of itself that he doesn't need to try to give it more than it already has. While Horowitz is always inimitable, I sometimes find that he is too much involved with himself...
@Pischnaholic I have another recording by a current pianist that I'm hesitant to upload onto YouTube (I don't know if she'd approve of it), but I can share with you via e-mail if you'd like. I agree with your post on Rubinstein and Horowitz.
@Buldaner You don't think Rubinstein is moving? He's one of the most sensitive and poetic pianists to have played the instrument. What Pischnaholic is saying, I think, is that Rubinstein is an excellent model for students because he is always more concerned with the actual composition he's playing than impressing with technique that ends up covering up a lot of what the composer wanted the listener to appreciate in the first place. Beyond that, his playing always shows beautiful emotion!
there is a really wonderful performance of this by Earl Wild recorded in a Carnegie Hall recital. it's at least as good as any I've heard, and far better than most.
@Gargantupimp That would be a matter of opinion. I for example completely disagree, though I hold an enormous amount for Rachmaninoff as a composer AND a pianist, I would prefer Gould's interpretations of Bach.
Hm, I may be used to an interpretation with more pedal and blend, but this is a beautiful interpretationof one of my favorite pieces by one of my favorite pianists of all time! Awesome!
@tsukiyo777 .... most pianists ignore/modify the pedal indications in the original edition, as does Rubinstein. This is perhaps a pity as they are part of Liszt's composition too !!!
this is right up there with jorge bolets interpretation of this piece....however once you hear jorge bolet play liszt....you will not want to hear any other interpretur...every note clean and clear....every phrase has the perfect tempo....if you dont believe me....just go and buy liszt favorites by jorge bolet...and i promise your ears will be changed forever.....
Very nice...heard Emanuel Ax play this last week as a concluding piece to an older audience in Palm Springs California with plenty of fire and pedal which managed to rouse the audience after more tranquil Schubert improvisations. Sort of like Yeats suggested...'to keep a drowsy emperor awake'
Finally, we here this piece as Liszt intended. It is a waltz, but most pianists play it with excessive speed, showing off their technique but missing the real depth of the music!
A lot is to be said about Rubinstein's sparing use the damper pedal. His performances and interpretations are clean and to the point, which I find extremely appealing.
Rubinstein doesn't demand the piano too much. The piano is the piano. The piece is up to a listener's imagination. Horowitz on another video from filippeo85 forces the piano to scream like a fiddle, or instruments unheard of. He even tries to call Mr. M himself down on the stage. I don't know who wrote the last part of Horowitz's version. If you try to imitate that on your piano bad things start to happen. I enjoy Rubinstein but gorowitz scares.
Mine's been up for 18 months. I would be happy to learn what's wrong with my performance (apart, of course, from the numerous wrong notes!) PS: you are confusing Arthur with Anton !
gerardbedecarter 1 month ago
Many thanks. I went and listened to Horowitz and Economou. Strictly speaking, I don't like Horowitz so much. His Liszt (and Mephisto) is often too bizarre, eccentric, freaky. Economou is fantastic.
71demy 2 months ago
I read the book Mephisto Waltz by Fred M. Stewart, a book which has led me to this video.
Beautiful song. Liszt is magnificent. Good book as well. ^^
MrJoeHat 2 months ago
I'm practicing this piece, and this video gives quite a good source to learn......
SpringInTheSchool 2 months ago
try André Laplante, he is the most under rated pianist in the world and his version is electric
Nicchelsea 3 months ago
@Nicchelsea What a fantastic rendition by André Laplante.
sissichopin91 2 months ago
The best as always :)
ForsakenRainMan527 4 months ago
@16021R I suggest you also listen to the young Khatia Buniatishivili, she's simply electrifying in this piece and like Richters it's a live performance.
meredith218461 4 months ago
Which year was this recorded in?
forgottenbooks 5 months ago
Rubinstein is probably my favorite pianist. His playing is the most musical and the most uplifting, and his technique is wonderful: he is always in control, and there are no accidents when he plays.
forgottenbooks 5 months ago
This definitely one waltz that makes for MUCH better listening than dancing........and i agree with those who think Rubenstein plays it pretty darn well!!!
altareggo 6 months ago
Rubinstein does play fast but 1) you can't have fast without slow for contrast. 2) the piece is also about seduction and sex and the slow parts are all about that.
JamesinLA1 6 months ago
Un'esecuzione esemplare pulita, cristallina in ogni dettaglio.
Grazie per l'emozionante esecuzione.
TheMarejada 7 months ago
Awesome. As good as or better than any version that I've ever heard. TY f for posting this gem.
paulostroff99 7 months ago
Sorry all you slow tempo lovers out there but The Devil plays FAST, because he/she is a badass!
dizzyvonclutch 8 months ago
A very beautiful piece... Mephisto Waltz.... Rubinstein has a very great understanding to the devil's act in this piece. The craziness of the piece at the opening, and the foolish acts that people starts being drived by the devil.... all of those important elements are played sensitively.
warlover15 9 months ago
mephisto kicks ass
redhandkerchief 10 months ago
needs more bass
amenos42 11 months ago
Слов нет !!! ГЕНИЙ !!!
liuboviza1ify 11 months ago
Brilliant.
forgottenbooks 1 year ago
Sorry to ask a silly question, does anyone know why this is called a Waltz?
hoareg2 1 year ago
@hoareg2 Must be the rhythm.
forgottenbooks 1 year ago
@hoareg2 123,123,123,123,123, thats why
kikiubovilla 11 months ago
@hoareg2 .... it is not a waltz .... it is a tone poem for piano ... based on some waltz motifs.
gerardbedecarter 1 month ago
AWESOME!!! A dunce hat and cookie go to anyone who loves the song but DOESN'T`know who Mephisto is:D
AngryKarin666 1 year ago
Das ist wunderbar!
coldplaywave 1 year ago 2
Not certainly Rubinstein´s cup of tea. Great pianist, but not at easy with this piece. Lacks the passion the music carries..
lufeben 1 year ago
@lufeben ... a refreshing interpretation, though !!!!
gerardbedecarter 1 month ago
I love the ending. It's the best way to convey The End-ness
Bambiezbotron 1 year ago
Just wonderful. Reading Vals Mefisto by Sergio Pitol and listening AR... the best MIX ever!
tmdesierra 1 year ago
This record is now one of my most loved interpretations of this piece (i didn't say "the best", i did say "my most loved"), along with Bolet's 1983 one (if there is another), Brumberg's and Horowitz'. Sorry for any occasional bad english, including spelling xD
GabMelonius 1 year ago
Magnifique!
AotoRar 1 year ago
rubinstein è eccezionale, perfetto.
MrNavarra94 1 year ago
The glissando is superb!
sissichopin91 1 year ago
The best interpretation of Mephisto.Bravura in the correct momment not all the time like others do. The way of some pianists plays, the name of this waltz should be called "Bravuramephisto"!!!
henrique1944 1 year ago
In the middle of his long life, Rubinstein took time off to re-refine his technique and work on works that he had brushed aside with too much damper pedal, in an effort to "fulfill" the mandate that he would be one of the world's great pianists. You hear the results here: wonderful articulation and lack of hysteria. Refinement was always his goal (except when it came to women). sanjosemike
sanjosemike 1 year ago
Il fait parti des meilleurs pianistes qui savent joués Liszt, il n'y à pas de doutes.
morphepit 1 year ago 2
srbija voli rubinstajna i lista .madjari i srbi braca i sestre
grbazoid 1 year ago
Please watch this piece of music on organ by Cameron Carpenter. Search on YouTube.
vincentvuik 1 year ago
Very Romantic in the Genre Connotational sorts. A very stiff waltz to me is what it feels like at the beginning.
daSaboriGuitars 1 year ago
@daSaboriGuitars .... it's the orchestra tuning up !!!
gerardbedecarter 1 month ago
Heavenly playing. Rubinstein always delivers an interpretation that is rich in emotion and melodic brilliance. One of the best recordings of this piece.
mcburgos1 1 year ago
What a marvelous musician.
advisorC101 1 year ago
The best rendition i've ever heard!
The only version I listen to!
Perfect playing
sissichopin91 2 years ago 8
@sissichopin91 Totally agree,but do you know Kappel's version? I like him very much too,in this case.
Ellinidara 1 year ago
@sissichopin91 why don't you listen to France Clidat rendition on Youtube: I thik it's superb! bye
71demy 2 months ago
@71demy I changed totally my opinion. Now I think this performance is not mephistophelic at all. Rather it's very very very and very boring. In my modest opinion, the music is not alive here. Listen to Horowitz and Nicolas Economou and you will understand what i mean.
sissichopin91 2 months ago
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@sissichopin91 Many thanks. I went and listened to Horowitz and Economou. Strictly speaking, I don't like Horowitz so much. His Liszt (and Mephisto) is often too bizarre, eccentric, freaky. Economou is fantastic.
71demy 2 months ago
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@sissichopin91 Many thanks. I went and listened to Horowitz and Economou. Strictly speaking, I don't like Horowitz so much. His Liszt (and Mephisto) is often too bizarre, eccentric, freaky. Economou is fantastic.
71demy 2 months ago
@71demy I'm going to listen to France Clidat. Thanks!
sissichopin91 2 months ago
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@sissichopin91 Many thanks. I went and listened to Horowitz and Economou. Strctly speaking, I don't like so much Horowitz. His Liszt - and Mephisto - is often too bizarre, eccentric, whimsical. Economou is fantastic.
71demy 2 months ago
the music with the thematic material. Though for sure some aspect of "Devilishness" is conveyed through extreme tempi and virtuosity, that seems like a one sided approach if one wants to bring everything out of this piece. There is a ton of imagery here, and Rubinstein brings much more of it out than anyone I've heard taking the breakneck speed approach. I guess it is interesting how repeated performance of this piece a certain way has conditioned us to expect more of an etude than a waltz.
Cancrizans 2 years ago 5
tough he uses speed expremly wel and damm technical
waustrippendewaly 1 year ago
@Cancrizans
71demy 2 months ago
It's a great thing about music that polar opposites of interpretation can both feel "right". Personally I prefer this tempo to the faster recordings, although no doubt many of them are excellent both technically and interpretively. I just find that the speed most pianists take this piece at obscures a lot of the wonderful detail and the waltz-like nature of the piece, as well as its poetry. It is after all based on a literary theme, and as such I'd wager Liszt was interested in connecting
Cancrizans 2 years ago
@Cancrizans Yes! I agree 100%
evifnoskcaj 2 years ago
@Cancrizans .... many pianists look at a Liszt performance as an occasion to play it faster than anyone else ... which is a pity !!!!
gerardbedecarter 1 month ago
Something is lost when played with thoughtful deliberation (as here) or risky speed,power. The question will always be "what convinces?" There is much beauty here, but I prefer the power, drama, risk, and speed in this work more. Compelling is Skouras, any way you look at it. Raw. Brilliant. Without concoction or pretense. Pure devilishness!
Rnfile 2 years ago
i expect nothing less than pure music from this master, despite any technical imperfections. All the new pianists have a lot to learn..
stefthe80 2 years ago 2
This comment has received too many negative votes show
prefer Kissin most of all.
hiddenrivals 2 years ago
a wonderful performance
MATTDUNCAN1 2 years ago 2
Rubenstein was/is the greatest pianist to grace our lives. Thank you for posting.
11777766 2 years ago 5
Artur Rubinstein proves that faster and louder does not always equal better. Mr. Rubinstein takes time to let Liszt's musical genius shine through. He plays it as though it were truly part of him.
madmooster 2 years ago 16
@madmooster wow.. you are so deep. Teach me how to live, please. Do you know what "banal snooty idiot" means? It means "you".
Kreutzersonata37 3 months ago
@madmooster
71demy 2 months ago
OK friends, you will be "stregati dalla luna" if you listen to this! Goodnight and diabolical dreams!
VivaRenata 2 years ago
Horowitz plays with more feeling and passion, but made some mistakes live... Nojima's version if by far the overall best.
8aetroya8 2 years ago
Lazar Berman does the best performance that i have heard
wniendorff 2 years ago
AMEN
passerabianca 2 years ago 2
Music interpretative lesson :)
passerabianca 2 years ago 2
the "glissando" was unbelivably perfect!
Milkshake85 2 years ago 4
Liszt was a master
SkullCowboy333 2 years ago 6
I prefer Rubinsten to Horowitz...
BelLovEdw 2 years ago 4
Others may play faster. Some may play with greater emotional affect. Others may add fascinating cadenzas and embellishments of their own. Some may give a more spectacular impression, some more lyrical, but THIS is the CLASSIC rendition of Mephisto.
I love this tempo -- anything faster is vulgar and tends to obscure the expressive quality of the piece.
Not THE most exciting -- or the most moving -- BUT it remains the best MODEL for students to follow.
Horowitz is SUPERB, but stays INIMITABLE.
Pischnaholic 2 years ago 42
I'd have to agree with you. Rubinstein's taste was practically infallible. Everything about him as a pianist (technique, stage manner, phrasing) exuded elegance and refinement.
Pogouldiwitz 2 years ago 9
I forget where I read the story... But aparently Rubinstein committed some 50+minute long concerto to memory while riding a train through one of the old Soviet Bloc countries.
I remember... It was some documentary I found on YouTube about the man.
He was also fluent in 9 languages lol...
EuphoricDan 2 years ago 4
I like Walter Gieseking's playing. He brings out the composers feeling and the ways that he would play. I also like Gyorgy Cziffra's playing as well.
Starbirdy9999 2 years ago
@Pogouldiwitz .... absolutely !!!!!!!
gerardbedecarter 1 month ago
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Horowitz is FABULOUS!!! Dude liked to go to professional wrestling matches and suck dick.
DrWinstonRelthford 2 years ago
Ummm. Yes, I say ummm. Because your statement is slightly contradictory.
3NUNS 2 years ago
@Pischnaholic I agree that this is perhaps the classic rendition of this piece, and I agree that Rubinstein isn't as flashy as some or as likely to add his own embellishments. But as he serves the composer, and this composer is Liszt, I would say that it gives a spectacular enough impression and is also moving enough of itself that he doesn't need to try to give it more than it already has. While Horowitz is always inimitable, I sometimes find that he is too much involved with himself...
philipvanlidth 1 year ago
@Pischnaholic
Horowitz has nothing compared to Rubinstein. ;)
NjallPiano 1 year ago
@Pischnaholic you should receive an oscar for that speech
nousernamewhatsoever 1 year ago
@Pischnaholic
and what would be the most moving? :P
MrMincer 1 year ago
@Pischnaholic I have another recording by a current pianist that I'm hesitant to upload onto YouTube (I don't know if she'd approve of it), but I can share with you via e-mail if you'd like. I agree with your post on Rubinstein and Horowitz.
OrangeSodaKing 1 year ago
@Pischnaholic Are you trying to produce STUDENTS that play music that is NOT EXCITING and NOT MOVING?
Buldaner 9 months ago
@Buldaner You don't think Rubinstein is moving? He's one of the most sensitive and poetic pianists to have played the instrument. What Pischnaholic is saying, I think, is that Rubinstein is an excellent model for students because he is always more concerned with the actual composition he's playing than impressing with technique that ends up covering up a lot of what the composer wanted the listener to appreciate in the first place. Beyond that, his playing always shows beautiful emotion!
Cancrizans 9 months ago
Final Fantasy at beginning xD
danedaworld 2 years ago
lol i got it XD damn that rhythm, being the same all the time ^^
sabbelsabbel 2 years ago
there is a really wonderful performance of this by Earl Wild recorded in a Carnegie Hall recital. it's at least as good as any I've heard, and far better than most.
exponentu 2 years ago 3
I think Earl Wild plays this better!
=D
JALBERTOQ 2 years ago
Nobody plays better than Rubinstein. period.
BluesAndJam 2 years ago 34
@BluesAndJam
definitely debatable my friend.
for example does he play better Bach than Glenn Gould? I don't think so
scout6686 1 year ago
@scout6686 Nobody plays or played Bach like Glenn Gould did. I've gotta have exact, Teutonic precision in my ole J.S.
Bambiezbotron 1 year ago
@Bambiezbotron Rachmaninoff plays bach better than glenn gould
Gargantupimp 1 year ago
@Gargantupimp I'm not going to argue with that!
Bambiezbotron 1 year ago
@Bambiezbotron well uhh, good, and dont forget it!
Gargantupimp 1 year ago
@Gargantupimp That would be a matter of opinion. I for example completely disagree, though I hold an enormous amount for Rachmaninoff as a composer AND a pianist, I would prefer Gould's interpretations of Bach.
madpianizt 1 year ago
@madpianizt *enormous amount of respect
madpianizt 1 year ago
@madpianizt Well it would be a pity to only listen to Rachmaninoff recordings of Bach as you would be missing out on 99.99% of bachs work then
Gargantupimp 1 year ago
@madpianizt no one plays bach better than gould
hymnofashes 1 year ago
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@scout6686 Nobody plays or played Bach like Glenn Gould did. I've gotta have exact, Teutonic precision in my ole J.S.
Bambiezbotron 1 year ago
@BluesAndJam horowitz
videofreakmanic123 9 months ago
@BluesAndJam
i do. period.
PrincessDesert 8 months ago
@PrincessDesert lol
lolitaeviston 7 months ago
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Good, but Cziffra is really better
DocMatt64 2 years ago
Why? They are diferrent ones.
Neither better nor worse...
seryrzu 2 years ago 7
I want to hear the Richter version. Where do you find it?
Ecthelon 2 years ago
much better than a lot of the other recordings of this I've found on youtube!
eflonmusic 2 years ago 4
Hm, I may be used to an interpretation with more pedal and blend, but this is a beautiful interpretationof one of my favorite pieces by one of my favorite pianists of all time! Awesome!
tsukiyo777 2 years ago
@tsukiyo777 .... most pianists ignore/modify the pedal indications in the original edition, as does Rubinstein. This is perhaps a pity as they are part of Liszt's composition too !!!
gerardbedecarter 1 month ago
@gerardbedecarter
ok so let me hear you guys' recordings and see how it's done right? it's just great to hear a master play who has an actual connection with liszt
dmmm1121 1 month ago
oh my goodness this interpretation is absolutely beautiful!
gredennia 2 years ago
this is right up there with jorge bolets interpretation of this piece....however once you hear jorge bolet play liszt....you will not want to hear any other interpretur...every note clean and clear....every phrase has the perfect tempo....if you dont believe me....just go and buy liszt favorites by jorge bolet...and i promise your ears will be changed forever.....
moonlightgarden12am 2 years ago
One of my favorite Liszt pieces played by one of my favorite pianists.
strausss 3 years ago 7
Truer to the score....two of the 3-4 masters of the last century or so...Horowitz and Rubinstein..... Arthur was a little more earticulate in ,many
venues.....intimated in his piano-playing as well.....
sdorr 3 years ago 3
Very nice...heard Emanuel Ax play this last week as a concluding piece to an older audience in Palm Springs California with plenty of fire and pedal which managed to rouse the audience after more tranquil Schubert improvisations. Sort of like Yeats suggested...'to keep a drowsy emperor awake'
cobbine 3 years ago
Palm Springs is my hometown. Where was it performed?
theazreal 3 years ago
Thanks for the enquiry. Ax played Schubert and Liszt at the McCallum theater in Palm Desert
cobbine 3 years ago
Wow. How nostalgic.
Thanks for the information!
theazreal 3 years ago
Finally, we here this piece as Liszt intended. It is a waltz, but most pianists play it with excessive speed, showing off their technique but missing the real depth of the music!
BRAVO!
yourpianoteacher 3 years ago 12
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evifnoskcaj 3 years ago
WOW!
Phenstyle 3 years ago 2
A lot is to be said about Rubinstein's sparing use the damper pedal. His performances and interpretations are clean and to the point, which I find extremely appealing.
MCarey0608 3 years ago 5
Thank you so much for this video
bandong123456789 3 years ago 4
Rubinstein doesn't demand the piano too much. The piano is the piano. The piece is up to a listener's imagination. Horowitz on another video from filippeo85 forces the piano to scream like a fiddle, or instruments unheard of. He even tries to call Mr. M himself down on the stage. I don't know who wrote the last part of Horowitz's version. If you try to imitate that on your piano bad things start to happen. I enjoy Rubinstein but gorowitz scares.
joesubaruson 3 years ago 10
Not as fiery as Horowitz's interpretation.
jero13595 3 years ago 5