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  • So much precision , insight and imagination! Way ahead of it's time with cutting edge technology.

  • 2:57 and you wonder where Marry Poppins got the penguins from

  • I still believe this is Duke Ellington's tribute to the Harlem Renaissance Jazz Queen Florence Mills. You see her dancing influenced Washington, Josephine Baker and others during that period.

  • Arthur Whetsol had the most heart-breakingly beautiful tone of all the Ellington trumpeters! And did you know that the dancer in this film, Fredi Washington, was the future wife of a future Ellington trombonist, Lawrence Brown?

  • 2:03

    Piano, but no piano sound?

  • @SANTARII Yes, you are right. It must be an editing error in the original movie. Almost all movies use seperate audio and video tracks, that are mixed together later. Even up till today. Now with digital editing it is not difficult to get it together, but in 1929 it was still very complicated.

  • Ahead of it's time

  • @n64wilbert Definitly!

  • @ABrandsma Was distributed by Vitaphone?

  • Comment removed

  • o dislikes..... Ellington gets a perfect score..... again.

  • @103sloppyjoe He deserves it as greatest composer of the 20th century!

  • I heard of this film a while back, and am happy to see it. Love the Ellington genre, and ALL the classics from that era...what a delicious dancer! And just as sad an ending. thx for posting! Favorite-ing it!

  • Would you consider uploading the original in two parts? This is a Dudley Murphy film--rare, valuable, and very difficult to find. What you have here is some of the best-quality footage I've seen, but what's chopped out is some extraordinary camera work, and one of the few short films from Harlem Renaissance artists available, by one of the best avant-garde American filmmakers of the time.

  • Thank God someone had the good sense to record these moments in history! Also, thanks to Jim Demetre for finding this!

  • the girl in this,Fredi Washington,is probably best remembered for the 1934 version of Imitation Of Life with Claudette Colbert.

    I really love this period in Jazz,especially for Ellington..Not enough attention is given to it i think..Its a whole 'nother world of complex rhythms and haunting tone scapes..

  • Had this 2-reeler in my super 8mm film collection back in the early 1970s and it was my favorite and a the biggest crowd pleaser!

  • @malondo7 Ellington always had a lot of magic!

  • Ellington was a great composer; by the time he'd written "Black, Brown & Beige" his reputation, which was already largely set, became sealed with the immortals.

  • BBB was 1943. In my ears his best recordings are the great 1940 band with Blanton/Webster. It is a big pity that the energy and artistic love Ellington put in BBB was not rewarded properly. He should have had the chance to develop further from that. Alas commercial and political pressures prevented that. But anyway he's my favourite composer, regardless of style.

  • The trumpet's amazin, also i didn't know that thing was actually termed a plunger...

    Shame the vid's been cut up... although I'm pretty sure I didn't spot Frankie Half-Pint Jaxon, who wiki said was in it

  • I had to shorten it, since youtube allowed 10 minutes max. So as being a musician, I cut out the dialogue parts.

  • @ABrandsma please put up a video with Frankie Half-Pint Jaxon! i've heard this record of him and it'll be cool to see him perform!

  • @ABrandsma Would you consider uploading the original in two parts? This is a Dudley Murphy film--rare, valuable, and very difficult to find. What you have here is some of the best-quality footage I've seen, but what's chopped out is some extraordinary camera work, and one of the few short films from Harlem Renaissance artists available, by one of the best avant-garde American filmmakers of the time.

  • @hexical23 I had to fit it in 10 minutes, since youtube didn't allow longer then. Being a musician I only took the music parts.

    I could do what you ask for, but not now, since I'm playing in the Cologne Opera House right now and after that will go on tour with the big Chris Barber band to Austria and Liechtenstein afterwards.

    Will take a couple of weeks before I return to my home.

  • WU TANG

  • Ellington was a fucking badass!

  • No, he was the greatest composer in the 20th century.

  • @ABrandsma I would have to agree with that.

  • Isn't that Bubber Miley, not Arthur Whetsol?

  • No, I would almost say, alas not. Bubber Miley had allready left the Ellington band at the time of this recording. You can see the difference when you watch the mute. Bubber always used the plunger mute. Arthur was not specialised in that, so his best way to imitate Bubber's solo was to use a Harmon mute.

    Kind regards,

    Bert Brandsma

  • anybody know where I can find the rest of this

  • I have it complete. The missing parts are mainly dialogue, interesting to hear Ellington's voice at young age. The story is not very strong though, I guess that it was kind of a publicity stunt from Ellington's manager, Erving Mills, to present him in a short movie.

    The problem is that when I uploaded this, youtube didn't allow longer then 10 minutes. Maybe it is on Dailymotion.

    You can buy it on a DVD from Denmark, on the label storyville. It has more nice film by Ellington 1929 - 1943

  • @ABrandsma Actually right after I watched this, I googled it and found the movie segmented into three parts on some video streaming sight, and watched it. the only reason I heard about it is because I am reading this book about jazz that mentioned it. That's also how I can accross Salt Peanuts.

  • Really brill. Heard black and tan fantasy on Jazz record requests on Radion 3 and had to buy c.d.

  • This is absolutely wonderful!

    GRAZIE!

  • What type of mute is he using? I haven't seen one shaped like that.

  • It is called a harmon mute. Inside of it is a pipe.

  • Does anyone know who the woman dancer is at approx 4:50 to 5:40?

  • Hello Karina,

    Her name was Freddie Washington

    Kind regards,

    Bert Brandsma

  • @ABrandsma She played  Louise Beavers' daughter in the first version of Imitation of Life, trying to pass for white. Claudette Colbert was in it too. I think it came out around 1934.

  • @amberlights1 She was married to Lawrence Brown... who was Ellington's trombonist

  • I've long been interested in Ellington's underrated (but not by him) trumpeter Artie Whetsol. He had the most beautiful timbre and Duke thought highly of him both as a friend and as a musician. Artie died young of a brain tumour in 1940 but he left tantalising glimpses behind of his rare talent. He's known for playing "sweet" but as we can see from the movie clip he could stand in for Bubber Miley without fuss. Ellington described him as "one of the really good readers".

    Medunkt in Australia

  • That's right. During this time Ellington's trumpetters all had their showcases, Freddy Jenkins also could play, check Tiger Rag, but history only remembers the plunger solo's by Cootie and Bubber.

    The same with alto sax, people only talk about Hodges, although Sentimental Mood and Sophisticated lady in fact were features for Otto Hardwicke.

  • That's right. During this time Ellington's trumpetters all had their showcases, Freddy Jenkins also could play, check Tiger Rag, but history only remembers the plunger solo's by Cootie and Bubber.

    The same with alto sax, people only talk about Hodges, although Sentimental Mood and Sophisticated lady in fact were features for Otto Hardwicke.

  • quite a nice video.... thanks for sending it...

  • Ausgezeichnet!!!

    What a fantastic little piece--the music is outstanding, and the imagery very stylistic; I loved the use of reflection in fliming the dancers (that flapper/hula girl surely was Pre-Code!).

    My student-trumpeter-daughter plays this kind of stuff with a hardware store plunger for a mute. Maybe the movie people thought that was just too crude....

    Thanks so very much for sharing this; it's a fascinating glimpse into early jazz!

    Love always und vielen Dank,

    Ukulele K-T

  • Originally the solo was also played with the plunger mute, but that trumpetter, Bubber Miley, who was a specialist with the plunger had left the Ellington band when this movie was recorded.

  • One can't hear the age. That's great.

  • It's a remarkable little movie, the story (For that you should watch the entire 18 minutes) is not so strong, but musically it really is a gem.

  • Ah ok ! Merci de votre réponse.

  • Merci ! Quel plaisir !

    Pourquoi supprimer des commentaires ? Tout est bon à lire !

  • Ce n'est pas moi que l'enlèvement

    Il était la personne qui a écrit.

    Merci!

    Bert Brandsma

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