I've become aware of something: Beethoven could say more with less in one symphony (and within a single movement!) than either Mahler's or Bruckner's sprawling sound contraptions.
Is this the only part to it? or is there more? PLEASE ANSWER ME! I'm just starting to listen to calssical music and Beethoven is officail my favorite and more respected.
@90zlaya yes but when napoleon crowned himself emperor, he realized he was also just some sort of mercenary so he tore the dedication page in the front of the piece and named it "Eroica" instead
Wow great quality recording. So far as the interpretation goes.... epic win..... Wish bernstein's recording had this quality... omg I can hear everything!
@SirSebastianWang That's because it is on the period instruments. Most of the modern period instruments are made and tuned to A=415/392 Hz, making it sound much lower. I think though actually if they were on the correct Viennese instruments the pitch would actually be higher. So I'm not really sure what they are playing on...
@ThomasHorter Historically, winds have always determined the tuning. I think wind pitch was already going up in Mozart's day. Strings can, and did, play at organ pitch (A465) up until the early 18th c. Organ pitch was based on Renaissance wind pitch. In Weimar, Bach performed his church music at organ pitch, as did Heinrich Schuetz before him. But winds coming out of France in the late 17th c. had to be tuned A415/392, which led to chamber pitch, even in church music.
La musique classique est un peu comme le concept de dieu,elle nie le temps,l'évolution,l'adaptation de notre espèce à un nouvel environnement.
D'un regard cosmique la musique dévoile (je présume)en échappée la déréliction de notre condition.
Sa répétition me gêne....Fürtwangler,Scherchen,Rosbaud...ont porté cette oeuvre à son sommet,-alors pourquoi remettre ça?je ne comprends pas cette monomanie.
One of only two that take even close to the right temp (the other being the deutsche kammerphilharmonie) and this is the only baroque recording I know of...
The fastest one recorded (yet still five beats slower than the 180 bpm demanded by Beethoven) is Hermann Scherchen's legendary, incredibly intense (and sloppy, but the sheer energy makes up for all the lapses in the ensemble) 1958 recording of this symphony with the Vienna State Opera Orchestra. Definitely worth purchasing. This is a brilliant recording as well, incredibly punchy though I'd wish for a little bit more lyricism between the harsh parts, like in Harnoncourt's recording of it.
from where the 180 metronom bit? is it by Beethoven himself or just a transplant? it is a nice vivid recording, great sound quality, fresh... should we listen to it 10 times to enjoy all of the details?
I've become aware of something: Beethoven could say more with less in one symphony (and within a single movement!) than either Mahler's or Bruckner's sprawling sound contraptions.
UNDENATUREDisaword 1 month ago
It is Roger Norrington, I think, who said that Beethoven was like Haydn gone mad. I like the fast tempo. Beethoven was a rock star. This rocks.
jkryanspark 1 month ago
tune
sean19922k7 1 month ago
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amazing performance, all the intensity of modern performances with a touch of clarity :) love it!
Nimiauredhel 1 month ago
Comment removed
Nimiauredhel 1 month ago
es ist das schonste was ich je gehort habe
johnia55998 3 months ago
the two guys who disliked are apples
rhqudghk 3 months ago
truly incredible! adagio assai! greetings from Estonia!
minaolenmarkus 3 months ago
@lovly399 it should have four movements. I love beethoven too :)
Alexberryscarylovee 5 months ago
To fast for my taste, and little vibrato.
serialkiller1990 5 months ago
@serialkiller1990 Both of which are historically accurate.
ArtD42 5 months ago
Is this the only part to it? or is there more? PLEASE ANSWER ME! I'm just starting to listen to calssical music and Beethoven is officail my favorite and more respected.
lovly399 6 months ago
Did Beethoven composed this symphony in a glory of Napoleon?
90zlaya 8 months ago
@90zlaya Yes, first he dedicated this symphony to Napoleon, but then he disappointed in him and deleted his name from this symphony.
snoopdogg111000 8 months ago
@snoopdogg111000 I have seen this scene in "Immortal Beloved". Thrilling.
90zlaya 8 months ago
@90zlaya yes but when napoleon crowned himself emperor, he realized he was also just some sort of mercenary so he tore the dedication page in the front of the piece and named it "Eroica" instead
joboy1992jesto 8 months ago
This orchestra is a monster at playing
juanmedina1169 10 months ago
Not even the whole song...this video ends somewhere around measure 500/700. Good quality, though.
TrueAck 10 months ago
my sub just inhaled my cat
10cjb 11 months ago
the quickest version and most powerful.... love you beethoven!
Iasamei 11 months ago
Why everyone commenting about JB on beethoven music?
MaxRideWizardLord 1 year ago
Wow great quality recording. So far as the interpretation goes.... epic win..... Wish bernstein's recording had this quality... omg I can hear everything!
AFallingCrate 1 year ago
the most important is that beethoven couldn't heart and this human wasy god!!!!!!!!!!!!
john7maheras 1 year ago
Good, but sounds a little flat...
...sounds like it's in D major.
SirSebastianWang 1 year ago
@SirSebastianWang That's because it is on the period instruments. Most of the modern period instruments are made and tuned to A=415/392 Hz, making it sound much lower. I think though actually if they were on the correct Viennese instruments the pitch would actually be higher. So I'm not really sure what they are playing on...
ThomasHorter 1 year ago
@ThomasHorter Historically, winds have always determined the tuning. I think wind pitch was already going up in Mozart's day. Strings can, and did, play at organ pitch (A465) up until the early 18th c. Organ pitch was based on Renaissance wind pitch. In Weimar, Bach performed his church music at organ pitch, as did Heinrich Schuetz before him. But winds coming out of France in the late 17th c. had to be tuned A415/392, which led to chamber pitch, even in church music.
wcbroccoli 6 months ago
Do you have all 4 movements on your playlist and can we hear them in order?
Elainelps0421 1 year ago
beethoven pushed the envelope when he wrote these symphonies in the classical era
DanDaMan2794 1 year ago
ienvy is epic.
thefuzzykid 1 year ago
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GAYGAYGAYGAYGAYGAY
12qqjimmy 1 year ago
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GAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYY
12qqjimmy 1 year ago
@12qqjimmy stupid jb fan
jigglybandit 1 year ago 7
@jigglybandit JB IS GAY
12qqjimmy 1 year ago
@12qqjimmy IF it werent for beethoven you wouldnt have any other musicians around :) idiot
PlushChronicles 3 months ago
awe yes... much more presto than the other versions I enjoy so much... which usually clock in around 14-16 mins.... love it!!!♥☺♥... to Bonaparte!!!
yoseewails 1 year ago
@yoseewails ... yes... the french horn.... the hero....
yoseewails 1 year ago
@yoseewails ... where's my ending!!!!!!
yoseewails 1 year ago
just found out he write this for Napoleon as a dedication to him... Wow! that's powerful!
jmg2189 1 year ago
@jmg2189 Viva Le Emperor!
SpeedingStudent 1 year ago
La Versione dell'Eroica più veloce che io conosca.
atrebil71 1 year ago
Brash , Impulsive, and bursting with joie de vivre. Perfectly suited for this piece
thebloads 1 year ago
Wild! Always love a fresh interpretation
CarlGauss 2 years ago
La musique classique est un peu comme le concept de dieu,elle nie le temps,l'évolution,l'adaptation de notre espèce à un nouvel environnement.
D'un regard cosmique la musique dévoile (je présume)en échappée la déréliction de notre condition.
Sa répétition me gêne....Fürtwangler,Scherchen,Rosbaud...ont porté cette oeuvre à son sommet,-alors pourquoi remettre ça?je ne comprends pas cette monomanie.
antoinezygfryd 2 years ago
Hi Protestant7 ,
I really appreciate your channel and want to say thank you very much on a great job. Such an excellent selection and great sound quality.
Cheers!
madaboutvoice 2 years ago
excelent!
adrian50centy 2 years ago
wonderful
metal8rocker 2 years ago
Comment removed
rewquiopfdsahjkl 2 years ago
One of only two that take even close to the right temp (the other being the deutsche kammerphilharmonie) and this is the only baroque recording I know of...
awesome.
sonata1992 3 years ago
The fastest one recorded (yet still five beats slower than the 180 bpm demanded by Beethoven) is Hermann Scherchen's legendary, incredibly intense (and sloppy, but the sheer energy makes up for all the lapses in the ensemble) 1958 recording of this symphony with the Vienna State Opera Orchestra. Definitely worth purchasing. This is a brilliant recording as well, incredibly punchy though I'd wish for a little bit more lyricism between the harsh parts, like in Harnoncourt's recording of it.
Nachtmarchen 3 years ago
Thanks for the recommendations!
sonata1992 3 years ago
from where the 180 metronom bit? is it by Beethoven himself or just a transplant? it is a nice vivid recording, great sound quality, fresh... should we listen to it 10 times to enjoy all of the details?
egymagyar1111111 2 years ago
Beethoven wrote "dotted half = 60" over the score, which translates to 180 beats per minute.
Nachtmarchen 2 years ago
wonderful sound, very heroic and at the same time very clear: you can hear all the instruments. Listen the flutes: charming!
unagondolaunremo 3 years ago 12