I need More SUPPORTERS...Please Coment Rate Like Repost Share...if you can I was Blessed with Talent and i want it to be known... PLEASE LIKE & Show Love on My Page
@LastDayStudios Just to let you know, a great tip is to get a good sound at the source. A great way to avoid sibilants is to raise the microphone a few inches, and pointed down toward their mouth. Sibilants tend to come out of the mouth downward, so if your microphone is above that region, it should pick up a clearer sound. A trick I use is placing the pop filter where I want the vocalist to speak as opposed to right in front of the raised mic. Hope that helps!
@rootvalue yeah, this post was a year ago>i've learned sooooo much since then my friend>I actually know that recording technique>and have over six ways to approach sibilant vocals effectively.
That's the hardest part in mixing music man. That's what professionals get paid to do. It takes a really good sound engineer to fix that so it sounds good. But you have to just mess around with the frequencies to get your music to sound less "muffled".
You probably know by now, but I believe the 'sends' are found in the Mix window NOT the edit window. They should be located just above each tracks panning controls.
I suppose it's like on a real console ... aux for sub-mixes, effects etc.
If you choose output only (1-2 for example) on a audio track the auiosignal will be routed to output 1-2 directly without effects on it (it's the dry signal you'll hear) ... if you put a send on it you can choose the due of the dry/wet signal ... if you choose "bus 1-2" in your i/o section (of the audio-track - no output assigned) you hear the wet signal (works like a insert) ...
If you create an audio track and put reverb or delay (or any other effect) on its inserts (like in the video but instead of the aux-track you put it on the audiotracks insert) and in your i/o settings output is selected the effects work like on the aux-track... but you only hear the wet signal (depending on the settings of your effect-plugin) ... if you want the wet signal only you can use output without aux ...
It works like on a real mixer ... inserts and aux-sends ;-)
Is it better to handle the amount of reverb (or any effect) by using the send fader? I usually send 100% to the Bus. then I control the amount (wet/dry) in the Aux Track. Pretty useful when applying reverb to guitars. What do you think?
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I need More SUPPORTERS...Please Coment Rate Like Repost Share...if you can I was Blessed with Talent and i want it to be known... PLEASE LIKE & Show Love on My Page
mookieaka989 3 months ago
You do a good job! I learned a lot!
tjplusproductions 8 months ago
i appreciate this Video bro,thx for uploading...OneLove
jahfus 10 months ago
well the hell happened from 2:28 - 2:37... did you have a brain fart... lol.. i love all the tutorials ... you really helped a lot
judge4yourself 11 months ago
Thanks bro... I was having a hard time figuring out how I could master my song with out having to bounce it and mastering it as a mp3
TheSickRick 1 year ago
lmao @ 2:34
ImSeanConstant 1 year ago
You need to make a video on how you handle sibilant vocals....I WOULD LOVE TO SEE HOW YOU TAME THAT BEAST THAT ENGINEERS GRIEVE SO MUCH.
LastDayStudios 1 year ago
@LastDayStudios Just to let you know, a great tip is to get a good sound at the source. A great way to avoid sibilants is to raise the microphone a few inches, and pointed down toward their mouth. Sibilants tend to come out of the mouth downward, so if your microphone is above that region, it should pick up a clearer sound. A trick I use is placing the pop filter where I want the vocalist to speak as opposed to right in front of the raised mic. Hope that helps!
rootvalue 3 months ago
@rootvalue yeah, this post was a year ago>i've learned sooooo much since then my friend>I actually know that recording technique>and have over six ways to approach sibilant vocals effectively.
LastDayStudios 3 months ago
nice! thanks!
jericho667 1 year ago
digi 003 rack ha dirty ha
stevewaiatutube 2 years ago
Thank you so much
RichaudLegacy 2 years ago
what was that shit at 2:38?
maxneu 2 years ago
@maxneu lol
isbister1500 1 year ago
That's the hardest part in mixing music man. That's what professionals get paid to do. It takes a really good sound engineer to fix that so it sounds good. But you have to just mess around with the frequencies to get your music to sound less "muffled".
Y3KHmongMusician 2 years ago 2
How do you create a "Send" section? For my ProTools program I can only do "Inserts".
Y3KHmongMusician 2 years ago
You probably know by now, but I believe the 'sends' are found in the Mix window NOT the edit window. They should be located just above each tracks panning controls.
Happy mixing!
bbunters 2 years ago
i am a pro tool beginner, can someone tell me the difference between sends and output?
pigolet2178 2 years ago
I suppose it's like on a real console ... aux for sub-mixes, effects etc.
If you choose output only (1-2 for example) on a audio track the auiosignal will be routed to output 1-2 directly without effects on it (it's the dry signal you'll hear) ... if you put a send on it you can choose the due of the dry/wet signal ... if you choose "bus 1-2" in your i/o section (of the audio-track - no output assigned) you hear the wet signal (works like a insert) ...
If I'm wrong please correct me ...
Fuchs666 2 years ago
thanks, but can you use output for reverb or delay effects still?
pigolet2178 2 years ago
If you create an audio track and put reverb or delay (or any other effect) on its inserts (like in the video but instead of the aux-track you put it on the audiotracks insert) and in your i/o settings output is selected the effects work like on the aux-track... but you only hear the wet signal (depending on the settings of your effect-plugin) ... if you want the wet signal only you can use output without aux ...
It works like on a real mixer ... inserts and aux-sends ;-)
Fuchs666 2 years ago
thanks! do you know why there is a lock next to shuffle mode? I've asked a professional, who still doesn't know why.
pigolet2178 2 years ago
may need to master it (making sure that the sample rate is correct, eq, and stuff like that)
kevincowart 3 years ago
llol @ da screw up
emprrah 3 years ago
you can add some gain to your overall track or single them out and apply gain. do you use any eq? what do you put on your master track?
causalityofbeing 3 years ago
Did you check the sample rate and bit depth?
CD works with 44.1 khz of sample rate, and 16 bits.
14Gott 3 years ago
Thank you!
IAmAFugitiveOnTheRun 3 years ago
Thanks a lot, this was great information. This is the first time I ever commented on a youtube video. Thanks.
RayMcDicey 3 years ago
How did you get 32 Buss tracks? I use an mbox and have 16. What should I buy to get 32 ?
yamaximusya 3 years ago
This guy is using a 002... You should get a 003
rudiebassic 3 years ago
haha dude, thanks for the Pro Tools tutorial. You should watch a Imovie tutorial. haha, no but really thanks, good info.
Alwaysbaggyjeans 4 years ago
Is it better to handle the amount of reverb (or any effect) by using the send fader? I usually send 100% to the Bus. then I control the amount (wet/dry) in the Aux Track. Pretty useful when applying reverb to guitars. What do you think?
killthepixelnow 4 years ago