Added: 4 years ago
From: jurek46pink
Views: 8,284
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  • I thank you a lot for this and the many other videos of your samples, which I watched with interest and pleasure.

    Could you tell me - maybe a link - to create videos for youtube? Kind regards, O.

  • He is singing with the Ilya Livshakoff Orchestra

  • Thank you.

    It is announced in this video at 0:04.

  • @jurek46pink

    I must have been doing something else! Sorry!

  • This version and the Fred Bird version both have a haunted sound to them, as if the band and the singer both sensed that Everything was about to change. Probably you are not supposed to have an image of Hitler outside the door, but knowing what was going to happen, that sense is there in the music. Even the American version with Paul Whiteman has a feeling of something lost and a nervousness about the future.

  • You are making very deep analyses. I do share tham, thank you.

  • Deep analysis, indeed, Jurek, but I think fedtrooper is absolutely on target. This tango does somehow have a sense of foreboding.

  • What would YouTube be without You and Your BEAUTIFUL music...nothing at all...!

  • Jurek46pink, This is spectacular. It just oozes passion. Regards, J.

  • My great favorite - such a haunting, penetrating interpretation; thanks.

  • Perry's version cannot compare to this version. This rendition is beautiful. This one is very dramatic. Thank you.

  • How i appreciate your being true !

    Just got up, 6:15 a.m. and a ruuuuun !

  • And I thank you; how about American version which ia completely different, yet very nice ?

    Good nite; 11:05 p.m. and ordinary work early tomorrow...:-)

  • Two beautiful versions of this perennial. They are so different in period and style, yet equally so appealing. Personally, I'm a sucker for the old vocal and orchestral sound, so I go for the Monosson version (which I hear for the first time). Thanks, J.

  • I'm obliged. And if I could...invite you to my reply given under American version. Many thanks.

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