I'm gonna give you the definition of STUPID hatred...what people of color have been enduring for years...as well as other sects...from STUPID people...HOW the FUCK can you listen to this...all the way through and then you say you dislike...2 STUPID HATE FILLED (obviously) people!
Hey, could you guys play it a little faster?: Lol Every solo......rippped!!!! Tony Williams was what, 17, 18 years old? These 'cats' were all at the top of their game!!!
One of the secrets of Miles' longevity was his ability to recreate himself. Never complacent, never in the comfort zone, always moving on. This tune sums it up. The moody study of modes from the 1950s has grown into a breakneck tour de force. I love both but this is music at the edge. Dangerous.
It is said that it was Tony Williams that push Miles to improve his speed at playing the trumpet. The story doesn't tell how he made to convince the Sorcerer but he did, that's a fact.
This is an amazing example of the command Miles has over his music. The time blends with the universe in a seamless flow. The tones are so vivid as to reflect his total mastery of the space in and around each note. The Lord is with him.
WOW! The chops were flyin'! Never heard Miles play like that before. George Coleman great, the rhythm section unbelievable! The greatest ever? This is jazz played at it's highest level.
Coleman's playing for me is VERY enjoyable. I love the My Funny Valentine album. I bought it when it was on wax and a lot later got it on a 2 disc CD. A lot, lot later Coleman did some excellent work with somebody Miles admired greatly, Ahmad Jamal.
... I'm very sure it was Coleman on the boss reed, not Mobley. Coleman is merely competent and while I've grown to appreciate him somewhat, in my later years, he doesn't compare to Mobley or, to be sure, the great J.C.
not really...check out Mile's benefit performance for a civil rights organization at one of NYC's cultural institutions. the one with Miles wearing a polka-dot tie and holding his trumpet in that iconic pose. The Columbia LP from, I believe 1964. I don't have the LP with me, now but check out the liner notes.
@flugeliscious Right. Coleman had a plodding, earnest style which, while competent, couldn't hold its own next to that dazzling harmonic ribbon of sound Coltrane started spinning in the late fifties, early sixties.
I remember buying Mile's columia rec., "My Funny Valentine" and being bitterly disappointed, having just heard "Kind of Blue"
@flugeliscious Right. Coleman's style was a bland, plodding earnestness which, while competent, didn't measure up to Coltrane's dazzyingly harmonic musical ribbon.
I remember spending my paper route money on Mile's "My Funny Valentine" on Columbia after just listening to "Kind of Blue" and being, well, let down at Coleman's playing.
@rockyL48 u got it wrong my funny valentine had hank mobley and trane. Both Mobley and coleman, miles main tenor players between 1960-64 are fantastic saxophonists!!
those are some full blown coke glasses ive i ever seen em. strange link between cocaine and insane head dress, i guess him n george clinton shopped at the same place.
Actually, the glasses Miles is shown wearing were au curant for the late sixties and early seventies. Milestones is a tune emblematic of his work from the late fifties to mid-sixtiesl
And, drugs? Miles had kicked heroin by the time he was headlining on Prestige and Columbia, in the late fifties, early sixties. The drugs of choice for jazz musicians, during that period, were marijuana and heroin. Cocaine was unheard of in all but the most chi-chi circles.
Sad to hear ;that, artistml. I grew up on Davis(I was eight when my uncle got me hooked on Miles): Miles, by the time I had started listening to him, had kicked the H and, by the force of his will, gotten Coltrane straightened out, as well (which precipitated trane's explosive burst of creativity on the later atlantic recordings and Impulse.)
....My interest in Miles's doings started to wane with the release of "Orbit" and flatlined upon my hearing "Bitches Brew" so I'll freely admit that anything after 1967 ala Miles would not be something I'd have closely followed
@analbleediscool Chic--usually connoting [what was then], the arty, well-off crowd. Imagine some obscure but loaded [in every sense of the word] Baronness and the like cavorting at Newport, circa 1958.
@rockyL48 he said in his autobiography that he did small amounts of coke before forty-twenty type shows, and once he eliminated those, he didn't need them much.
@ddecto Thanks for the heads-up, ddecto! Bebop and its progeny (cool, modal, hard-bop) was, for me, a revelation. I didn't care much about rock, motown, etc (although, later,I did tweek on modal rock [Byrds, Crosby, Stills & Nash, Buffalo Springfield) because of its relative chordic/harmonal complexity).
I freely admit that, after the mid-to-late sixties, my interest in Miles waned. I wasn't even well into my teens and I was beginning to act like an old fogey.
Studio version is moderately fast, this is very fast. The tempo of the song's performance could vary even more, as the 1969 band played a version of "Milestones" that appears to be half-speed from this 1963 live version! I've got a live recording where the band plays "Miles Runs The Voodoo Down" which has a mid-tempo groove and it immediately segues into "Milestones" in similar tempo.
Man this brings back memories washing moms car on sunday morning listening to KBCA in L.A. I was in High School I remember going to the lighthouse in hermosa beach This is COOL
coleman is also on the complete concert CD.....miles said it was the best he ever heard him play that night. I love the bit in Stella where miles plays this bad-ass line, and then leaves it open, and some cat in the audience yells out so loud that it picks up on the mic. CLASSIC!!
Its on the CD 1964 The Complete Concert My Funny Valentine......and the cut is Stella by Starlight....just listened to it this morning, to get my day going in a cool way.....trust me, its worth it.
never heard this one.blazing tempo. not the famous berlin version with wayne. i say george coleman on tenor having a GREAT night,herbie,ron, and tony.
Awesome!
kasken2009 1 week ago
esto es Jazz, esto es música!!
chamosuarez 2 weeks ago
This is not free jazz form, but stays the best band of all times (i have a preference for W. Shorter).
lollito84 4 weeks ago
Waou, too fast for me...this bopers are really crazy to play so fast...crazy, I should say drugged....
Mizamort 1 month ago
good job basist
AakwardAardvark 3 months ago
wait so this isn't coltrane?
dnvndvd 3 months ago
fantastic
MrFlick72 5 months ago
Fantastic !
Thank you for uploading.
nonamenanone 5 months ago
flagged & faved !!!!
katofromgreenhornet 6 months ago
my all time jazz favourite
I like the energy in this song
always makes me happy
yeah Miles! thanks for creating this!
Format303 6 months ago
Yeah..this is very explosive..take tune man and do not hurry..only listen to it and relax.
JAZZI40 7 months ago
woooooow!
powerful, elegant, intense.
stefanobass75 7 months ago
Why the FUCK would you even punch this into your search....STUPID, DUMB...HATER...FUCKS...This Is The SHIT!!!!!!!
sonicboomfunk 10 months ago
I'm gonna give you the definition of STUPID hatred...what people of color have been enduring for years...as well as other sects...from STUPID people...HOW the FUCK can you listen to this...all the way through and then you say you dislike...2 STUPID HATE FILLED (obviously) people!
sonicboomfunk 10 months ago
This has been flagged as spam show
Wonderful!
Listen more in yesraul.blogspot.com
Abraço!
raullimabass 10 months ago
Wow! Burnin'! Is this before Wayne joined the band?
miketharipr 10 months ago
brilliant tempo
TheRajfather 10 months ago
Hey, could you guys play it a little faster?: Lol Every solo......rippped!!!! Tony Williams was what, 17, 18 years old? These 'cats' were all at the top of their game!!!
peppersax 11 months ago
One of the secrets of Miles' longevity was his ability to recreate himself. Never complacent, never in the comfort zone, always moving on. This tune sums it up. The moody study of modes from the 1950s has grown into a breakneck tour de force. I love both but this is music at the edge. Dangerous.
thermosoverfil 11 months ago 2
@thermosoverfil
It is said that it was Tony Williams that push Miles to improve his speed at playing the trumpet. The story doesn't tell how he made to convince the Sorcerer but he did, that's a fact.
WAMEDJO 9 months ago
All awesome musicians
BriansThing 11 months ago
Tony Williams is da bomb on drums
vinny6737 11 months ago
holy crap thts like 320bpm miles and coltrane are insane!! Not sure who the drummer is here but hes insane too! AMAZING performance
makasoona34 11 months ago
This is an amazing example of the command Miles has over his music. The time blends with the universe in a seamless flow. The tones are so vivid as to reflect his total mastery of the space in and around each note. The Lord is with him.
vibes7drum2 1 year ago
Miles was a wizard. His mid 60s 5tet is the dogs. Check Live At The Plugged Nickel . . . magic!
klassiekerrally 1 year ago
AMAZING!!!
ryan216 1 year ago
AMAZING
ryan216 1 year ago
pure...........
turhan47 1 year ago
This has been flagged as spam show
it's not free jazz-not even close.
MrTedbleen 1 year ago
It's not free jazz-not even close.
MrTedbleen 1 year ago
Is this really free jazz?
WugglesMartin 1 year ago
Eu ficaria o dia inteiro ouvindo isso. O que e´ isso? Copiando o colega acima. Um balsamo para os ouvidos...
1deborahsf 1 year ago
Why nobody told me about this GREAT MUSIC?
intoto2007 1 year ago
2 dislikes...too raw for their ears!
sabalouie2000 1 year ago 2
This music is incredible.
cutececi5 1 year ago
This has been flagged as spam show
ArtEmar4you... 2MilesDAVIS4Ever... ! )
:::
In someway love it's just like a "Bank Account"...
Nothing you'll put in it and nothing you'll find in it... ::: PG :::
:::
Congratulations for such wonderful music-video of A GREAT MASTER OF JAZZ-MUSIC LIKE... "Miles DAVIS" !!! )
:::
ArtEmar4you 1 year ago
WOW! The chops were flyin'! Never heard Miles play like that before. George Coleman great, the rhythm section unbelievable! The greatest ever? This is jazz played at it's highest level.
mikethesax 1 year ago 2
so fast!!!
quilombyte 1 year ago 9
Cool performance and glasses 8)
dahmin 1 year ago
check out my 26 best blues and jazz guitarist's video
johngoo343 1 year ago
Biff Henderson!
lancasterII 1 year ago
what a brilliant tempo opposed to the recorded version
SLAYER0429 1 year ago
Miles Tones = Milestones !
TheManRaptor 1 year ago
how good are those glasses aye!
KA1ZR 1 year ago
if only i had those glasses
jw22345 1 year ago
Coleman's playing for me is VERY enjoyable. I love the My Funny Valentine album. I bought it when it was on wax and a lot later got it on a 2 disc CD. A lot, lot later Coleman did some excellent work with somebody Miles admired greatly, Ahmad Jamal.
LuizPagan 1 year ago
... I'm very sure it was Coleman on the boss reed, not Mobley. Coleman is merely competent and while I've grown to appreciate him somewhat, in my later years, he doesn't compare to Mobley or, to be sure, the great J.C.
rockyL48 1 year ago
not really...check out Mile's benefit performance for a civil rights organization at one of NYC's cultural institutions. the one with Miles wearing a polka-dot tie and holding his trumpet in that iconic pose. The Columbia LP from, I believe 1964. I don't have the LP with me, now but check out the liner notes.
rockyL48 1 year ago
I dig this Jazz instrumental!
jadams7961 1 year ago
im playin this for jazz band i see why my jazz band doesnt play his version lol
ThePimpfuls 1 year ago
Shit this is moving!
ClassicRockFan1220 1 year ago
Comment removed
marlondavis1000 1 year ago
fuck thats quick!! miles davis on his bebop times awesome
nonameformetodaypf 1 year ago
This is George Coleman on tenor sax. Please correct; it's definitely not
John Coltrane!
flugeliscious 1 year ago
@flugeliscious Right. Coleman had a plodding, earnest style which, while competent, couldn't hold its own next to that dazzling harmonic ribbon of sound Coltrane started spinning in the late fifties, early sixties.
I remember buying Mile's columia rec., "My Funny Valentine" and being bitterly disappointed, having just heard "Kind of Blue"
rockyL48 1 year ago
@flugeliscious Right. Coleman's style was a bland, plodding earnestness which, while competent, didn't measure up to Coltrane's dazzyingly harmonic musical ribbon.
I remember spending my paper route money on Mile's "My Funny Valentine" on Columbia after just listening to "Kind of Blue" and being, well, let down at Coleman's playing.
rockyL48 1 year ago
@rockyL48 u got it wrong my funny valentine had hank mobley and trane. Both Mobley and coleman, miles main tenor players between 1960-64 are fantastic saxophonists!!
Rugt980 1 year ago
great tune
SIRONEDRAGON 1 year ago
those are some full blown coke glasses ive i ever seen em. strange link between cocaine and insane head dress, i guess him n george clinton shopped at the same place.
maomaotittymcmao 1 year ago
exactly you can take those glasses off and walla perfect place to chop coke or heroin.
OrganicThumb420 1 year ago
I'd like to know what session is it.
PIEROROMOLO 1 year ago
Trane is the boss.
Honz230 2 years ago 2
Actually, the glasses Miles is shown wearing were au curant for the late sixties and early seventies. Milestones is a tune emblematic of his work from the late fifties to mid-sixtiesl
And, drugs? Miles had kicked heroin by the time he was headlining on Prestige and Columbia, in the late fifties, early sixties. The drugs of choice for jazz musicians, during that period, were marijuana and heroin. Cocaine was unheard of in all but the most chi-chi circles.
rockyL48 2 years ago 4
@rockyL48 Miles was on Cocaine during various times in his later period. This is fairly common knowledge.
artistml 2 years ago
Sad to hear ;that, artistml. I grew up on Davis(I was eight when my uncle got me hooked on Miles): Miles, by the time I had started listening to him, had kicked the H and, by the force of his will, gotten Coltrane straightened out, as well (which precipitated trane's explosive burst of creativity on the later atlantic recordings and Impulse.)
.
rockyL48 2 years ago
....My interest in Miles's doings started to wane with the release of "Orbit" and flatlined upon my hearing "Bitches Brew" so I'll freely admit that anything after 1967 ala Miles would not be something I'd have closely followed
rockyL48 2 years ago
@rockyL48 as a being of this era i must ask what chi-chi means?
analbleediscool 1 year ago
@analbleediscool Chic--usually connoting [what was then], the arty, well-off crowd. Imagine some obscure but loaded [in every sense of the word] Baronness and the like cavorting at Newport, circa 1958.
rockyL48 1 year ago
@rockyL48
"I could be a great musician if only i could be free" C. Parker
So, he started to use drugs.
aldcor 1 year ago
@rockyL48 he said in his autobiography that he did small amounts of coke before forty-twenty type shows, and once he eliminated those, he didn't need them much.
ddecto 1 year ago
@ddecto Thanks for the heads-up, ddecto! Bebop and its progeny (cool, modal, hard-bop) was, for me, a revelation. I didn't care much about rock, motown, etc (although, later,I did tweek on modal rock [Byrds, Crosby, Stills & Nash, Buffalo Springfield) because of its relative chordic/harmonal complexity).
I freely admit that, after the mid-to-late sixties, my interest in Miles waned. I wasn't even well into my teens and I was beginning to act like an old fogey.
rockyL48 1 year ago
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Haha pffff, thats some fast-ass shitt!
these niggaz were on some drugs that day, definitely!
OneofakindCrew 2 years ago
LMAO.
Cocaine is a hell of a drug.
HateRunsDeep 2 years ago
you can't imagine what they have played
CZGagi 2 years ago
Masters Miles,Tonny Williams,great version.....
noiculo 2 years ago
¡Mucho mejor punch!
douglasgorney 2 years ago
Miles was the epitome of............cool! Aren't people wearing those glasses now?
peppersax 2 years ago
gee wizz, thats fast. 360bpm?
aghoranathi 2 years ago
Yes, it is fast. I like it though. What's the speed of the studio recording?
angelbeta 2 years ago
Studio version is moderately fast, this is very fast. The tempo of the song's performance could vary even more, as the 1969 band played a version of "Milestones" that appears to be half-speed from this 1963 live version! I've got a live recording where the band plays "Miles Runs The Voodoo Down" which has a mid-tempo groove and it immediately segues into "Milestones" in similar tempo.
stereom 2 years ago
Esta es mjor versión que la del 58 (con cannonball adderley y coltrane) mucho mejor punch y tempo. Los solistas están más sueltos.
George Colleman tenor, Herbie Hancock piano, Ron Carter contrabajo, Tony Williams Batería.
ggnzlz2008 2 years ago
드럼 베이스 죽일셈-_-;;;;
myhanmei 2 years ago
DAMN!!!!!!!!
loudrussell 2 years ago 2
mmmm mmmmmmmm mmmmmmmmm campbells good
KINGOFMETAL767 2 years ago
Milestones, live and kickin. Never heard this track before. Amazing solo work, thanx for posting. Gotta love youtube.
am3155 2 years ago
Nothing better...
ansyf125 2 years ago
Man this brings back memories washing moms car on sunday morning listening to KBCA in L.A. I was in High School I remember going to the lighthouse in hermosa beach This is COOL
wrldbfree2 2 years ago
its from four and more,george coleman
sheriffii 2 years ago
I gotta get those glasses.
kaguth 2 years ago
Welding glasses.
Harryvin007 2 years ago
holy shit this is amazing
jazzmangiant 2 years ago
where did you get the picture?
wefwef08 2 years ago
The Phrasing is so different of Coltrane and also the sound. He's no John.
amusicianinparis 2 years ago
Comment removed
WG164 2 years ago
late 60's possibly early 70's. Trane likely dead by then.
crackheadwillie 2 years ago
yer wilding, miles didn't play like this then
joznick1 2 years ago
this aint john coltrane, its george coleman or someone
BrutalBeef666 2 years ago
I think it is wayne shorter, if it is the 65' formation with herbie Ect...
chatmancat 2 years ago
Can't you just hear that that isn't Coltrane just by his sound... Coleman's and Trane's sounds are pretty different
Jazzman303 2 years ago
i do this in my school band and i play bass! so fun..
basshero449 2 years ago
hell yeah
joznick1 2 years ago
great performance.
and,
this tenor is coltrane.
bubyuki2003 2 years ago
No.. Its not Trane... Trane swings way harder.. but George is the man.
Jazzman303 2 years ago
Damn. That's textbook epicness everyone's listening to right here!
ToroQ3000 2 years ago
this is not john coltrane , its george coleman i believe...thanks for posting it though!
nyshoefly 2 years ago 2
Interesting tempo for this song, but I like it.
jazztrmpr94 3 years ago 3
coleman is also on the complete concert CD.....miles said it was the best he ever heard him play that night. I love the bit in Stella where miles plays this bad-ass line, and then leaves it open, and some cat in the audience yells out so loud that it picks up on the mic. CLASSIC!!
circuscbx 3 years ago
which concert CD? i want to buy it just to hear what you described
zdamned1 3 years ago
Its on the CD 1964 The Complete Concert My Funny Valentine......and the cut is Stella by Starlight....just listened to it this morning, to get my day going in a cool way.....trust me, its worth it.
circusbone 2 years ago
Maybe this is track 3 in the album "Miles Davis In Europe".
I found it now, and I also want to listen to this.
meissonen 2 years ago
That's it !
Miles Davis (Trompette)
Herbie Hancock (Piano)
Ron Carter (Contrebasse)
George Coleman (Saxophone ténor)
Tony Williams (Batterie).
In 1963, at Antibes.
chatmancat 2 years ago 29
It wasn't a member of the audience, it was Tony Williams.
MilesTrane21 2 years ago
Is this Milestone from album "Miles in Berlin" or "Miles in Europe"?
JAZZI40 3 years ago
um, that aint Coltrane playin...
4eyedCyclopes 3 years ago
never heard this one.blazing tempo. not the famous berlin version with wayne. i say george coleman on tenor having a GREAT night,herbie,ron, and tony.
jimbosingleton 3 years ago
FUCKING cool version! The solos are really killing, this tempo is real bad. Amazing.
bassscape 3 years ago
This is the best "Milestones".
so fast.
hoven 3 years ago 3
He's not Coltrane! And this is the 2nd quintet of Miles Davis!!! What a ignorance!
wrowuess 3 years ago 2
Right, this is the Miles of the 60s. Miles + Coltrane was 1956-1960, interrupted by Coltrane's stint with Monk in 1957.
BuckshotLaFunke 3 years ago 2