Just incredible. The whole jam is pretty great, but Charlie's playing is simply incredible, so fluid and melodic, and swings like crazy. Thanks a lot for this.
Les Paul said in his "Chasing Sound" video that Charlie "nailed him to the wall, and rightfully so." It's hard to imagine anybody cuttin' Les' head, but if there was ever a guy to show LP a thing or 2, it would have to be Charlie. The man's phrasing, sense of swing, and harmony are nothing short of genius. Anybody who plays guitar, no matter what style, can learn something from this gentleman.
yeah, django's fingers were flyin up and down the fretboard in the 30's before charlie's scene. charlie probably got a lot of inspiration from django and vice versa
This is the swinginest musician I ever heard. Also, this is the first be-bop recording and actually he is one of the pioneers of solo electric guitar whatsoever! @tsawkeedatalle
@alexjrmarino this is the first be-bop recording? thats a funny one, how is this even be-bop? check out the rythmic section, even charlies phrasing is still pretty much django inspired... he eventualy became involved in the be-bop scene but this clip is not an example of that definately
@hmfrod hey fella.. it's 1941, be-bop wasn't developed in any deliberate way and is still in progress, but anyway charlie had a recording of Django and that's all - they never met! Bop is fast, virtuosic improvisation. Listen for the rhythmic phrasing.Emphasized asymmetrical,weak and off beats.. he often ends the phrase on the second half of the fourth beat..if that's not early bop, idk what else ? :)
@ndinigwe Not true. Guys like Eddie Lang, Django Reinhardt and electrically George Barnes in the field of Jazz. George Barnes also recorded the first electric guitar which is falsely attributed to Eddie Durham who recorded 15 years after the fact. Also, Eddie Durham is the man that introduced the guitar to Charlie. I'm am an Okie and well aware of our musical roots.
d'après Laurent de Wilde, ("Monk"Folio 3009 p 35), Monk n'a , hélas, jamais été enregistré avec Charlie Christian, même si ils ils ont bien souvent joué ensembles au Minton's. nombre de labels pirates prétendent le contraire: celui ci en serait donc un.
je ne trouve d'ailleurs pas que ce soit très Monk ce qu'on entend au piano! c'est le moins qu'on puisse dire!
yep Cholocharlie is correct charlie Doesn't play scales, he just run changes shaping the inside or ouside of chords in geometric shapes linking them with little chromatic runs called passing notes ... Simple but Deadly. never heard anything like it since..
Also anticipating a chord change by a couple of beats creating a feeling of great drive like a plane diving, Charlie Parker used this Technic too.
Beautiful, atmospheric, dazzling and bloody so jazz. Man i love you Charlie i wish you were on this earth longer. Hope your jammin with the greats somewhere.
I went through a Charlie Christian phase and then Mclaughlin's long illustrious career sidetracked. but now that I'm actually trying to play some bop, I'm back to Charlie Christian full time. the guy is so free in his rhythmic improvisation, it actually reminds me of Hendrix. I did hear that Christian's running mate for awhile was none other than T-Bone Walker. wow, now there is a story for the ages. anyway, Christian is amazing a pleasure to listen to his blues bop journey's.
charlie c, is jazz , django is some kind of hungarian and franch follk musik mixture , i like charlie christian guitar ,he is aguitar god......................................
For me the greatest guitarist who ever lived. No one else quite had feel and groove. The consistent greatest of his soloing matched any other jazz musician on any instrument!!
from charlie christian to t-bone to chuck berry---hmmmmmm....--interesting in tracing the roots up to montgomery,benson,joe pass, metheny---its fascinating just like a chord progression---hmmmmmm.....
Il n'existe aucunes vidéos sur Charlie Christian ?pourtant c'est une époque qui ne manquait pas de Cinéastes . Merci quand même aux techniciens du son et aux photographes qui on su nous faire connaître ce géant du JAZZ .
well, Dudemeister, Charlie used more chromatic passing tones than Django. Django used alot more sweeping and arpeggios. Charlie phrased more like a horn, and Django used harmonic minor, while Charlie iused more bluesy licks
I know I'm gonna get slammed for saying this, but I have a hard time not hearing this as straight-up django imitation. Can anyone tell me what they see as the big distinguishing qualities?
Sorry mate but I think they couldn't be more different. Django had the gypsy thing going on and Charlie is a straight up swing/early bop style player. Charlie was the first electric guitarist and Django played acoustic...... Sure they are a little similar but I can spot one from the other after half a bar of playing...... Hope this clears things up a little.... D
Upon listening to some of the other cuts up here I totally get the difference. I just happen to find this one especially Django-like. I'm a pretty serious guitarist so this isn't some really naive call I'm making. This phrasing is right out of Django's bag, and the tune sounds just like a gypsy tune. Django also switched to electric later on as many folks have already pointed out. The stuff that wilsonmcphert put up has a lot more characteristic playing.
yeah no doubt they are similar but Django had a sound all his own whereas CC took a lot from the swing/be-bop players. I'm a guitarist too and have studied both those guys and think they represent the finest Jazz guitar that can be found from their era. Django normally (90% of the time) used those funky Django acoustic guitars and had a radically different sound from Charlie who (to my ears) sounds more like a 1940's New York horn player (as far as phrasing goes).
Word. I'm psyched to hear some better recordings of Charlie. I got this CD called The Genius of Charlie Christian and I couldn't hear a damn thing he was playing over Benny Goodman. These recordings here are the first I've heard of him out front. Django has been a favorite of mine for like 6 years. I totally get the difference now, but can't help but notice the similarities. I think one of the biggest differences is the way Charlie treated the rhythm changes. He really goes for the tritones.
Charlie's playing was far more modern and hip than Django's. You could walk into a jazz club in any major city tonight and play Charlie's solos note-for-note and it would still sound fresh to a contemporary audience (Wes started his career by doing just this). Most audiences wouldn't be able to nail it down to a particular time or style. Django's style, on the other hand, was straight gypsy and thus symptomatic of a particular time and genre. DR was immense, but CC was prescient.
To say this solo is a uniquely Charlie Christian solo is a great disservice to Django and his influence. I understand the difference, but this is a great example of "standing on the shoulders of giants".
To be sure, Charlie listened to Django. Members of the Goodman Sextet commented that Charlie listened to Django on the radio and could sing his solos note-for-note. But, if you listen to Charlie's repetoire, along with this song, it becomes readily apparent that Charlie's doing his own thing. If he's standing on the shoulders of anyone, it's Lester Young, his bigggest influence. CC admitted in a "Downbeat" article that he wanted his guitar to sound like a tenor saxophone - and it did.
really kinda pointless.. it's the ol' Apples& Oranges thing- Django was an illiterate Gypsy,
self-taught; played ALmost everything with his index & middle fingers (due to a severely burned hand when he was a kid). Charlie is inCREDible- no doubt about it- and HUGEly influential- but Django had that oh-so-cool Gypsy meets jazz thing that made him
@codyr222 In my view no one of the two stood on the shoulders of the other but both had riffs of their own that none of most contemporarys were able to play.
So they were both unique. Charlys style was probably imitated by more musicians than Djangos, thats all. But today its changing and a lot more are becoming able to imitate DR. So u could even say DR was ahead of its time !
Among the five most influential non-claasical guitarists of the twentieth century. Here's my top five in influence, in not particular order;
1 Charlie Christian
2 Django Reinhardt
3 Chet Atkins
4 Jimi Hendrix
5 Eddie Van Halen
Notice that I did say "influential" (not necessarily my faves. Whatt is interesting and sad about both Christtian that they both had greatly shortened, meteoric careers and the world was cheated by their deaths. Thanks for posting this.
good list - however, as great as Chet Atkins is, he owes his fingerstyle approach to Merle Travis -- they don't call those Travis patterns for nuthin' !
Hi, florga91. Chet once said that if he would have listened to Travis more, he would have sounded too much like him. So Chet, of course did acknowledge Travis' influence on his playing (along with Dajngo's). All of these guys had their influences, of course, The reason I list Chet is because of his wide, wide crossover appeal, influencing generations of Country, bluegrass, rock and pop players and virtually creating the Nashsville sound as a producer.
This should be called Swing To Bop To Rock To Funk. In the first 3 minutes of this, you can hear remnants of the past, Lang & Reinhardt, and precursors of the future, Hendirx, Clapton, even Jeff Beck. Everone of them had to have used this as thier Bible. It's almost regrettable to have it interrupted at 3:27 by Gillespie's ( great ) trumpet.
The Jazz/Swing/Bop age contributed many virtuoso who became synonymous with their instrument. Christian is the Tatum of the guitar, the Beiderbecke
Simply the best, he anticipated every thing that was to come after. This improv is often called "From Swing to Bop" and is based on "Stomping at the Savoy"
boppin the blues, I guess you can call it the best solo in history, all the secret s how to anticipate and run chord changes , built the tension till the bridge than dive!!! hi aaa
Sometimes that's very much the case! Brazilian styles like Bossa Nova are very much latin jazz. But a native style like choro is not (check out Raphael Rabello - Cry My Guitar). Flamenco is totally its own style, native to the Gypsys of Andalucia in Spain (although modern pseudo flamenco players have adopted Rumba rhythms). Early fusion was totally jazz too but I feel through players like Holdsworth it now has its own TOTALLY unique identity seperate from contemporary jazz. Best regards mate!
thank you, im not very much into jazz but i have a lot of respect for its mucisians, because they are often the best and most talented but not the most heard about
That is undeniably true, but Charlie Christian is the reason that everyone in the world plays electric guitar. Even Django switched to electric guitar in the late 1940s.
@kevinherbert d'après Laurent de Wilde, ("Monk"Folio 3009 p 35), Monk n'a , hélas, jamais été enregistré avec Charlie Christian, même si ils ils ont bien souvent joué ensembles au Minton's. nombre de labels pirates prétendent le contraire: celui ci en serait donc un.
je ne trouve d'ailleurs pas que ce soit très Monk ce qu'on entend au piano! c'est le moins qu'on puisse dire!
this makes me happy!
neilraoufsw 1 week ago
Just incredible. The whole jam is pretty great, but Charlie's playing is simply incredible, so fluid and melodic, and swings like crazy. Thanks a lot for this.
Lafforte 3 months ago 2
wow
thank you
arjhendrix 3 months ago 2
Les Paul said in his "Chasing Sound" video that Charlie "nailed him to the wall, and rightfully so." It's hard to imagine anybody cuttin' Les' head, but if there was ever a guy to show LP a thing or 2, it would have to be Charlie. The man's phrasing, sense of swing, and harmony are nothing short of genius. Anybody who plays guitar, no matter what style, can learn something from this gentleman.
jpalberthoward9 4 months ago
I come back to the video time and time again, blows my mind.
fujifour 4 months ago
this song is awesome, this guitarist is amazing
marinelovesuperman 5 months ago
There is a passage at 2:32 that is absolutely beyond what anyone has done, then or since. A Rosetta Stone moment. Well, in my humble opinion.
gruniongrady 6 months ago
Charlie and Django were jazz and guitar pioneers greats. I mean, alltime greats!
msilva12000 6 months ago
really did not know that Charlie Christian is that marvellous player. And all these years I have listened to Hendrix and Jimmy Page and so on.
papmjny 8 months ago
yeah, django's fingers were flyin up and down the fretboard in the 30's before charlie's scene. charlie probably got a lot of inspiration from django and vice versa
sakofben 8 months ago
@sakofben This guy had an unique sound.It was original.I heard that T-bone walker,and him were friends.
oramikleepunk 8 months ago
This is the swinginest musician I ever heard. Also, this is the first be-bop recording and actually he is one of the pioneers of solo electric guitar whatsoever! @tsawkeedatalle
alexjrmarino 8 months ago
@alexjrmarino this is the first be-bop recording? thats a funny one, how is this even be-bop? check out the rythmic section, even charlies phrasing is still pretty much django inspired... he eventualy became involved in the be-bop scene but this clip is not an example of that definately
hmfrod 8 months ago
Comment removed
alexjrmarino 8 months ago
@hmfrod hey fella.. it's 1941, be-bop wasn't developed in any deliberate way and is still in progress, but anyway charlie had a recording of Django and that's all - they never met! Bop is fast, virtuosic improvisation. Listen for the rhythmic phrasing.Emphasized asymmetrical,weak and off beats.. he often ends the phrase on the second half of the fourth beat..if that's not early bop, idk what else ? :)
alexjrmarino 8 months ago
Not bad for a country boy from OKLAHOMA.!i Charlie was hip man!i Digg it!i
tsawkeedatalle 9 months ago
The first solo guitarist. Before him guitar was just for rythm accompaniment
ndinigwe 9 months ago
@ndinigwe Not true. Guys like Eddie Lang, Django Reinhardt and electrically George Barnes in the field of Jazz. George Barnes also recorded the first electric guitar which is falsely attributed to Eddie Durham who recorded 15 years after the fact. Also, Eddie Durham is the man that introduced the guitar to Charlie. I'm am an Okie and well aware of our musical roots.
tsawkeedatalle 9 months ago
@ndinigwe You just dissed Django Reinhardt!!!
SatchmoSings 8 months ago
thank you so much for uploading
babs2999 10 months ago
Absolutely stunning! What creativity, what inventive reshaping of chords from within and what drive that just sweeps you up and blows you away!
DancingOwl 11 months ago
what a comment that Charlie is "from the '40;s". And sounds modern.
theodoresmithsr 11 months ago
Comment removed
hubertrogers 1 year ago
only 25 years of life was been sufficient to change forever the future of the guitar....great Charlie
melantoriano 1 year ago
CC was the greatest, Bird copied his licks. That's the greatest tribute a musician can get.
GhostofCliffGullett 1 year ago 2
@GhostofCliffGullett and bird copied Monks harmonies also hahaha god damn junkies
sk8ter3699 1 year ago
Hard to comprehend this is from the 40s. Sounds just as fresh today.
CadillacL 1 year ago 16
Music like this is one of a kind!
HecG 1 year ago
wow!! When was this recorded? mid 40s? where on earth did you find this? speachless
djoutrage18 1 year ago
d'après Laurent de Wilde, ("Monk"Folio 3009 p 35), Monk n'a , hélas, jamais été enregistré avec Charlie Christian, même si ils ils ont bien souvent joué ensembles au Minton's. nombre de labels pirates prétendent le contraire: celui ci en serait donc un.
je ne trouve d'ailleurs pas que ce soit très Monk ce qu'on entend au piano! c'est le moins qu'on puisse dire!
kaledoik 1 year ago
WOW !!! Stunning !
Thanks for sharing.
Corrie121 1 year ago
klook! killing it.
jaimepaullamb 1 year ago
klook!
jaimepaullamb 1 year ago
I bought this record many years ago, and still dream the same old dream.
monjoUtube 1 year ago
yep Cholocharlie is correct charlie Doesn't play scales, he just run changes shaping the inside or ouside of chords in geometric shapes linking them with little chromatic runs called passing notes ... Simple but Deadly. never heard anything like it since..
Also anticipating a chord change by a couple of beats creating a feeling of great drive like a plane diving, Charlie Parker used this Technic too.
callasexperience 1 year ago
diz, charlie and kenny , monk .. 4 of the 5 pioneer for bebop. the other is bird.
bobsunda 1 year ago
Beautiful, atmospheric, dazzling and bloody so jazz. Man i love you Charlie i wish you were on this earth longer. Hope your jammin with the greats somewhere.
fujifour 1 year ago
What a lineup. Thx for posting!
gtrrs71 1 year ago
Wow... that guy is just amazing :O
2c26 1 year ago
チャ-リ-・クリスチャンって、凄いギタリストですね。
iwgpventures 1 year ago
You'd have thought that the sheer bad-assness of this band would have caused the entire room to levitate.
TenTonHorse 1 year ago
Amazing !
ndounakis 1 year ago
This. Is. Music.
Groongers 1 year ago
monk solo starts @5:50,....wow
1Delta 1 year ago
I went through a Charlie Christian phase and then Mclaughlin's long illustrious career sidetracked. but now that I'm actually trying to play some bop, I'm back to Charlie Christian full time. the guy is so free in his rhythmic improvisation, it actually reminds me of Hendrix. I did hear that Christian's running mate for awhile was none other than T-Bone Walker. wow, now there is a story for the ages. anyway, Christian is amazing a pleasure to listen to his blues bop journey's.
thanx man
1Delta 1 year ago
About 40 years ago I bought an LP by C.C. to find out what all the hyperboles were about. Alas I was underwhelmed by the offering !
But now I know exactly what they meant,
THANKS TO YOU Rootmese.
oxybent 1 year ago
Among the best music ive ever heard, truly an amazing guitarist, and with the likes of Dizzy Gillespie by his side this truly is amazing
jkgatling 1 year ago
charlie c, is jazz , django is some kind of hungarian and franch follk musik mixture , i like charlie christian guitar ,he is aguitar god......................................
nikola4195 1 year ago
i did not expect such an amazing line up...pleasant shock
GassyMaskz 1 year ago
loooooooooooove Charlie Christian. And could you ask for a BETTER lineup than this?! Dizzy? Thelonious Monk? Kenny Clarke?
kalloused 1 year ago 2
this is incredible, oh my god.
TheBrownTies 1 year ago
Wes Montgomery taught himself how to play by listening to Charlie Christian Records.
TheEspsetmefree 1 year ago 6
For me the greatest guitarist who ever lived. No one else quite had feel and groove. The consistent greatest of his soloing matched any other jazz musician on any instrument!!
jibsmokestack1 1 year ago 2
69 years ago and it still sound modern, as in contemporary, not '50s modern!
imafanindeed 1 year ago
from charlie christian to t-bone to chuck berry---hmmmmmm....--interesting in tracing the roots up to montgomery,benson,joe pass, metheny---its fascinating just like a chord progression---hmmmmmm.....
EMCEMITCH 1 year ago
cool
HeavyHunter16 1 year ago
Il n'existe aucunes vidéos sur Charlie Christian ?pourtant c'est une époque qui ne manquait pas de Cinéastes . Merci quand même aux techniciens du son et aux photographes qui on su nous faire connaître ce géant du JAZZ .
docteurblas 1 year ago
I only discovered this music today... I've really been missing out
xp0ferens 1 year ago 3
jazz disputes, gotta love it
jazsper123 1 year ago
He was also the first to do this with electric. Many would that that was his biggest distinguishing factor from other early soloists.
ProfessorMarvel 1 year ago
well, Dudemeister, Charlie used more chromatic passing tones than Django. Django used alot more sweeping and arpeggios. Charlie phrased more like a horn, and Django used harmonic minor, while Charlie iused more bluesy licks
Jazzyteach65 1 year ago
I know I'm gonna get slammed for saying this, but I have a hard time not hearing this as straight-up django imitation. Can anyone tell me what they see as the big distinguishing qualities?
Dudemeister 2 years ago
Sorry mate but I think they couldn't be more different. Django had the gypsy thing going on and Charlie is a straight up swing/early bop style player. Charlie was the first electric guitarist and Django played acoustic...... Sure they are a little similar but I can spot one from the other after half a bar of playing...... Hope this clears things up a little.... D
DubvibeProd 2 years ago
Upon listening to some of the other cuts up here I totally get the difference. I just happen to find this one especially Django-like. I'm a pretty serious guitarist so this isn't some really naive call I'm making. This phrasing is right out of Django's bag, and the tune sounds just like a gypsy tune. Django also switched to electric later on as many folks have already pointed out. The stuff that wilsonmcphert put up has a lot more characteristic playing.
Dudemeister 2 years ago
yeah no doubt they are similar but Django had a sound all his own whereas CC took a lot from the swing/be-bop players. I'm a guitarist too and have studied both those guys and think they represent the finest Jazz guitar that can be found from their era. Django normally (90% of the time) used those funky Django acoustic guitars and had a radically different sound from Charlie who (to my ears) sounds more like a 1940's New York horn player (as far as phrasing goes).
DubvibeProd 2 years ago
This has been flagged as spam show
Word. I'm psyched to hear some better recordings of Charlie. I got this CD called The Genius of Charlie Christian and I couldn't hear a damn thing he was playing over Benny Goodman. These recordings here are the first I've heard of him out front. Django has been a favorite of mine for like 6 years. I totally get the difference now, but can't help but notice the similarities. I think one of the biggest differences is the way Charlie treated the rhythm changes. He really goes for the tritones.
Dudemeister 2 years ago
Judging by the end, they're playing Topsy. Or at least the same changes. One of Django's favorites. Booyeah!
Dudemeister 2 years ago
Charlie's playing was far more modern and hip than Django's. You could walk into a jazz club in any major city tonight and play Charlie's solos note-for-note and it would still sound fresh to a contemporary audience (Wes started his career by doing just this). Most audiences wouldn't be able to nail it down to a particular time or style. Django's style, on the other hand, was straight gypsy and thus symptomatic of a particular time and genre. DR was immense, but CC was prescient.
codyr222 1 year ago 2
To say this solo is a uniquely Charlie Christian solo is a great disservice to Django and his influence. I understand the difference, but this is a great example of "standing on the shoulders of giants".
Dudemeister 1 year ago
To be sure, Charlie listened to Django. Members of the Goodman Sextet commented that Charlie listened to Django on the radio and could sing his solos note-for-note. But, if you listen to Charlie's repetoire, along with this song, it becomes readily apparent that Charlie's doing his own thing. If he's standing on the shoulders of anyone, it's Lester Young, his bigggest influence. CC admitted in a "Downbeat" article that he wanted his guitar to sound like a tenor saxophone - and it did.
codyr222 1 year ago
Comment removed
timjmoran 1 year ago
CODY R.. comparing Charlie C & Django is
really kinda pointless.. it's the ol' Apples& Oranges thing- Django was an illiterate Gypsy,
self-taught; played ALmost everything with his index & middle fingers (due to a severely burned hand when he was a kid). Charlie is inCREDible- no doubt about it- and HUGEly influential- but Django had that oh-so-cool Gypsy meets jazz thing that made him
sound like NO one else, b4 nor since.
Let's just say BOTH were great
and leave it at that! AWEsome jam, tho.
timjmoran 1 year ago
Comment removed
timjmoran 1 year ago
@codyr222 In my view no one of the two stood on the shoulders of the other but both had riffs of their own that none of most contemporarys were able to play.
So they were both unique. Charlys style was probably imitated by more musicians than Djangos, thats all. But today its changing and a lot more are becoming able to imitate DR. So u could even say DR was ahead of its time !
Littlewhitelephant 1 year ago
blasphemy!.
benthemiester 1 year ago
this is brilliant!
chappahx 2 years ago
Comment removed
Dudemeister 2 years ago
Among the five most influential non-claasical guitarists of the twentieth century. Here's my top five in influence, in not particular order;
1 Charlie Christian
2 Django Reinhardt
3 Chet Atkins
4 Jimi Hendrix
5 Eddie Van Halen
Notice that I did say "influential" (not necessarily my faves. Whatt is interesting and sad about both Christtian that they both had greatly shortened, meteoric careers and the world was cheated by their deaths. Thanks for posting this.
zalman595 2 years ago
good list - however, as great as Chet Atkins is, he owes his fingerstyle approach to Merle Travis -- they don't call those Travis patterns for nuthin' !
florgat91 2 years ago
Hi, florga91. Chet once said that if he would have listened to Travis more, he would have sounded too much like him. So Chet, of course did acknowledge Travis' influence on his playing (along with Dajngo's). All of these guys had their influences, of course, The reason I list Chet is because of his wide, wide crossover appeal, influencing generations of Country, bluegrass, rock and pop players and virtually creating the Nashsville sound as a producer.
zalman595 2 years ago
most amazing shit ive heard in a while
earthchild100 2 years ago 3
oh yeah!!
blueingreentrain 2 years ago
i wonder when this was recorded
FaustyFob 2 years ago
@FaustyFob most probably 1941
SweetUpDown40 2 years ago
Fabulous guitarist.
HighZombiesRule 2 years ago 10
also charlie mingus
CryptoJew 2 years ago
What a great ledgon.Here i am a rock bassest and i cant stop listening to this it just blows me away
bassthumper1964 2 years ago
This should be called Swing To Bop To Rock To Funk. In the first 3 minutes of this, you can hear remnants of the past, Lang & Reinhardt, and precursors of the future, Hendirx, Clapton, even Jeff Beck. Everone of them had to have used this as thier Bible. It's almost regrettable to have it interrupted at 3:27 by Gillespie's ( great ) trumpet.
The Jazz/Swing/Bop age contributed many virtuoso who became synonymous with their instrument. Christian is the Tatum of the guitar, the Beiderbecke
MJLatora 2 years ago 2
@MJLatora agree with you -legend of the guitar. Joe Guy on trumpet as far as I know.
wesm65 1 year ago
They should just call it fiercely-argue-over-who-is-the-best-guitarist-tube.
gsdev1 2 years ago 3
here begins the bebop
rollingsaxophoons 2 years ago
was this really improvised? Either way it's incredibly easy to listen to.
ColbertandStewartpwn 2 years ago 2
Simply the best, he anticipated every thing that was to come after. This improv is often called "From Swing to Bop" and is based on "Stomping at the Savoy"
dudedad629 2 years ago 2
check ou the title, for crying out loud.....
MrRidgeroad66 2 years ago
ジャズやロックのギターソロを時代を問わずいろいろ聴いているけど、僕は60年以上前のこのギターソロがベストだ。
amndla911 2 years ago
Charlie es un genio. ¡increible!
jate001 2 years ago 2
boppin the blues, I guess you can call it the best solo in history, all the secret s how to anticipate and run chord changes , built the tension till the bridge than dive!!! hi aaa
callasexperience 2 years ago
What a choice of notes! So many years ago but no one has ever done it better...
elsoultero 2 years ago
maybe not in jazz but i still think hendrix is the best guitarist ever... charlie is sick too
arsenalfanforlife 2 years ago
Indeed, not in jazz, fusion, classical, flamenco, brazilian or country. Hendrix was a great player however, one of the greats.
matthewhenson1 2 years ago
yeah, but doesnt fusion go under jazz and flamenco and brazilian under latin jazz?
arsenalfanforlife 2 years ago
Sometimes that's very much the case! Brazilian styles like Bossa Nova are very much latin jazz. But a native style like choro is not (check out Raphael Rabello - Cry My Guitar). Flamenco is totally its own style, native to the Gypsys of Andalucia in Spain (although modern pseudo flamenco players have adopted Rumba rhythms). Early fusion was totally jazz too but I feel through players like Holdsworth it now has its own TOTALLY unique identity seperate from contemporary jazz. Best regards mate!
matthewhenson1 2 years ago 3
thank you, im not very much into jazz but i have a lot of respect for its mucisians, because they are often the best and most talented but not the most heard about
arsenalfanforlife 2 years ago
if you havn't heard of or listened to either django rienhardt or ocar aleman, they are both great players and BIG influences on later music! :)
FaustyFob 2 years ago
That is undeniably true, but Charlie Christian is the reason that everyone in the world plays electric guitar. Even Django switched to electric guitar in the late 1940s.
Hoopermazing 2 years ago 4
flamenco is not latin jazz. lol, not even close.
polishcomedy 2 years ago
ok sorry
arsenalfanforlife 2 years ago
Talent...on steroids !!!!!!!!!!!!!!!!
kevinherbert 2 years ago
I can't believe this is from 1940-is. He sounds totally modern. Incredible talent.
dragmio 2 years ago 23
I'm just checkin charlie more seriously... thats what I wanted to say.
eurabio 2 years ago
Yeah! Swings like hell! I guess they jammed all night long...(fade in - fade out...)
jazzbein 2 years ago 3
It sounds like that Johnny Cash song at 1:50. "Going to Cut you Down"
depechemodevilla 2 years ago
Swings as hard as any guitarist ever. Maybe the hottest jazz guitar solo of all time.
cyrussink 2 years ago 5
well key word being recorded...who knows what went down at mintons night to night
brianrhg 2 years ago 5
Who are the band?
kevinherbert 2 years ago
Charlie Christian (guitar); Don Byas (tenor saxophone);
Dizzy Gillespie, Joe Guy (trumpet);
Thelonious Monk, Kenny Kersey (piano);
Nixk Finton (bass);
Kenny Clarke (drums).
rootmese 2 years ago 8
that's heavy man... too many greats in one room. where do i find more minton's recordings?
wutrain 2 years ago
@rootmese Damn, what a line up.
Alexcantsee 1 year ago
@rootmese best band ever! :)
BeatBay 1 year ago
@rootmese not Diz or Monk, but Guy & Kersey.
goaliedave67 1 year ago
@rootmese ya , but what about kenny g?
wilhoitsux 1 year ago
@kevinherbert d'après Laurent de Wilde, ("Monk"Folio 3009 p 35), Monk n'a , hélas, jamais été enregistré avec Charlie Christian, même si ils ils ont bien souvent joué ensembles au Minton's. nombre de labels pirates prétendent le contraire: celui ci en serait donc un.
je ne trouve d'ailleurs pas que ce soit très Monk ce qu'on entend au piano! c'est le moins qu'on puisse dire!
kaledoik 1 year ago
@kaledoik : merci beaucoup
kevinherbert 1 year ago
He cooks the arse off everything he wants to.....great post...I can dance all night......
kevinherbert 2 years ago 2
Incredible ... a guitar that made history, if regrettably in a far too short time. Excellent stuff.
Feel free to visit my little jazz & swing blog. For link see profile.
Brewlite
BrunoJazzmanLeicht 2 years ago 5
Charlie was way ahead of his time :)
CadillacL 2 years ago 6
And still is.....
kevinherbert 2 years ago
Haven't heard this since I have been unable to pay my old 33 Lp. I had forgotten how good this is. Thanks for the post.
casilet 2 years ago 4
i can never find this cd, brilliant
benjammin420420 2 years ago 4
Maravilhosíssimo!!!!!!
thiri1902 2 years ago 4
WOW,,,,Nuf Said Dude was awesome... Charlie Christian was just relentless.
albabyluv7 3 years ago 5
Kenny Clarke is having a field day on the drums too
MJLatora 2 years ago
cc was a genious
FerutElCampeador 3 years ago 7
I am pretty much a novice. I just started learning to play Grand Slam. Never played any solo before. Love this sound and the forceful swing to bop.
JSDJerry 3 years ago 9