I heard a group led by Frans Bruggen do this piece. They played it as if the music started at some indefinitely low pitch, below the range of their instruments, and would then continue up the scale and beyond. So in the beginning you only heard a couple of notes, then a few more as the canon repeated, then a few more. Eventually you heard everything, then the lower pitches would drop out, then more, until it all disappeared, as if the music were on some kind of teleprompter. Fun, and weird.
@simonsmatthew If you want to hear it on a modern piano, an instrument that Bach never heard of, try Konstantin Lifschitz's recording. It's pretty good, although I think he over-pedals the ricercars!
@thebpl Bach had heard of the piano, Frederick the Great even led him around his palace, showing off his collection of Silbermanns. Bach supposedly even met with Silbermann himself and criticized his instruments and was possibly a driving factor in later improvements.
@simonsmatthew If you want to hear it on a modern piano, an instrument that Bach never heard of, try Konstantin Lifschitz's recording. It's pretty good, although I think he over-pedals the ricercars!
Also, my own recording (this one) sounds a lot better on the CD than it does in this video copy from it. I "overheld" some of the arpeggios to bring out their harmonic content, which is easier to hear there than it is here.
@simonsmatthew Actually, the piano was invented right before Bach's death. It wasn't a modern piano however. I personally think that the piano is a much better sounding instrument and that certain aspects of it suit Bach's style better. If you want to hear some good piano versions of his work check out Glenn Gould.
I did: in 1982. Good book. I sent the author a copy of this recording and some other notes a few years ago (c2008), since his work had inspired some of mine.
@thebpl How do you read the original score? I'm try openly score it myself, but keep coming up with uninteligible dissonance whenever I try to realize it.
Read about Bach in Wikipedia. They don't clean up his life like most bios. Both parents dies when he was young. He went to jail for a month for reusing to stay at a job. Almost pulled a knife on someone in a fight. Theres sadness and pain in his music. As muych as Beethoven. More than Mozart, until his Requiem. What they tell you is, he was a religious family man. Yeah well, that's only part of the story.
@BaronVonLichtenstein According to the Weimar ducal court secretary's report, Bach was confined "for too stubbornly pressing the issue of his dismissal," not "for refusing to stay on the job." There was plenty of "sadness and pain" in the lives of both rich and poor in those days. There's no evidence that Bach had more than his share. Bach & his contemporaries would find odd the notion that a composer's music is supposed to tell a story about his life. That's silly 19th romantic thinking.
@BaronVonLichtenstein We're not talking about our time. In those days many children were orphaned at a young age. The children of one of Bach's Weimar ducal employers were both orphans. Bach's Coethen employer, Pince Leopold, who was about the same age as Bach, died in his 30s, within months after both his children died. Young and old, rich and poor, died unexpectedly from common illnesses that we routinely cure with antibiotics or prevent with vaccines.
This comment has received too many negative votesshow
Bach was uneven. His best is as good as anyone's but he wrote a lot of boring organ music. And like most music to order. However Handel, Corelli, Gabrieli and a few others were more consistent. In general, I prefer baroque, but still think nothing beats Mozart's Requiem. He didn't use minor keys much.
I favourited and rated this video a five star before I even before I heard the music, because Bach is Bach, ever so amazing...indeed it didn't let me down!
Yes. Sure. But i don't know anyone who has earned succes with baroque music, maily cause it's just out of date. But among amateurs, (some are quite good, accually really good) you have baroque composers.
there might be composers with a great talent in counterpoint and canons and such, but the baroque period was between (aprox obviously considering all forms of art) 1500 to 1750, with the death of JS Bach.
So unless, there's someone that's a couple of hundred years old, there's no baroque composers around :)
@JMCaldwellAcademy The baroque music era ran from about 1590 to 1760. Counterpoint wasn't invented in the Baroque. And there were canons in the Miiddle Ages. And canon didn't end with the baroque. Mozart wrote canons. One of William Schuman's symphonies opens with a canon. Canon is a compositional technique, not just a type of composition.
@wcbroccoli Bach is the undisputed father or music as we know it. There was an eight voice chorale found not long before Mozart's death and upon seeing it, Mozart laid the score out so he could see it all and hear it in his head as only he could. Even after all the composing he had done to that point he made the most profound and shocking statement in music's history. The elderly Mozart said, "Wow, I can learn so much from this". He knew who the master was.
@skinkusmetalicus The "elderly" Mozart? When Mozart died in 1791, he was only 35. The Bach piece he heard in 1789 in Leipzig was a double chorus motet ("Singet dem Herrn ein neues Lied"), not "an eight voice chorale". After hearing it he said, "Now, there is something one can learn from!" Not "Wow, I can learn so much from this". What he laid out was not "the score" of this motet, but the performing PARTS of ALL the Bach motets that the St. Thomas School had preserved.
@skinkusmetalicus The 33-year old Mozart's statement was neither profound nor shocking. It merely shows his own shock upon hearing some Bach vocal works for the first time, works which were unknown to him, had never been printed, and reflected a musical tradition that he and his generation were out of touch with.
@wcbroccoli 26 y.o. Mozart was introduced to JSB by Baron van Swieten in 1782 and Mozart transcribed fugues from JSB's WTC bk 2 for string trio, Contrapunctus 8 Art of the Fugue, a prelude JSB's Organ Sonata No 3, a prelude Bach's Organ Sonata No. 2, fugal 3rd movement in C minor from the same sonata; and Fugue No. 8 by W.F. Bach. Mozart wrote about 10 plus Masses, with Fugues; in the conservative bastion of Church music, Mozart was well acquainted as were others with "a music tradition."
@Renshen1957 Even before Bach's death many of his keyboard pieces were already known in Austria, France, Italy & England via hand copies. WTC was widely circulated in hand copies & AofF was published in 1751. So it's no surprise Mozart was acquaitned with these keyboard works. But in Mozart's time Bach's vocal works were unpublished and virtually unknown outside Leipzig. Mozart did not encounter Bach vocal works until his visit to Leipzig in 1789.
@Renshen1957 You confuse the tradition of composing masses with the musical tradition of an era. A Mozart mass is nothing like a Palestrina mass. The fact that Mozart composed many masses doesn't signify that he had any familiarity with church music of the time of Palestrina. or. for that matter, Bach. No one will ever confuse the sugary masses of Mozart's era with sublime church pieces of earlier generations.
@Renshen1957 Mozart was introduced to Bach vocal music (which you can't seem to distinguish from his keyboard music) in a visit Leipzig 1789. It is that visit that I commented about before you put in your 2 cents. According to an eyewitness account, "Mozart knew Bach more by hearsay than by his works, which had become quite rare; at least his motets, which were completely unknown to him" and came as revelation, even shock, to him.
@skinkusmetalicus I thought the story was Mozart heard a performance of Bach's motet Singet dem Herrn ein neues Lied under the direction of J F Doles (a student of Bach who became Kantor of St. Thomas Kirk) that reportedly made such a deep impression on Mozart. Mozart looked at all the parts of the score as there was no complete manuscript at the performance.
@NihilNominis Please tell me you use modern harmony and rythyms along with your baroque influences, or something else new, and are not just copying Bach...
I can't think of any who have actually poured all the labor into the craft they did back then, even the best ones of nowadays... the modern lifestyle simply doesn't allow it.
@PraeludiumUndFuge but Bach would have dominated all of creation if he had computer programs. As he said, it is just about hard work so somebody could do it if they were rich or a music major not into some John Cage bullcrap
I think Bach too would have been distracted by all the flashyness of computers and wouldn't have had the peace of mind to compose like he did. Hence why there are such few legends these days
It is interesting to wonder what Bach would like. Who can say? Coldplay? U2? Quadraphenia? Ygwie Malmsteen? There's no way of telling. Unless there parents put them through training the classical composers could have just formed rock bands. Been the next Black Sabbath. Bach's parents were both dead by the time he was 10. Maybe he would have joined a punk band like Blink 182. Born in the 1920s or 30s he might have written swing. It's impossible to say.
Bach was in to harmony. He was a religious man. Sure if his life experiences were different he would have been a different man. But the Bach that was would find very little interesting in what you mentioned. His ear may be picked by Yngwie, but then he'd realise he was being plagiarised. And not convincingly.
Religion is another thing based almost entirely on upbrining. It is unlikley he would have been religious brought up today. Bach was a natural keyboardist. Maybe he would have done something like Eric Carmen, Elton John, Billy Joel, ELO, ELP? He had soul. A lot of his music was dark, from both parents being dead by ten. He practically knifed someone once.
@BaronVonLichtenstein EVERYONE in Bach's day was religious. Everyone in the Lutheran Germany of his era learned the Lutheran catechism, sat in church for 3-6 hours on Sundays, listened to hour long sermons flanked by cantatas, heard organ chorale preludes and sang chorales, and read (if they could read) the Bible. Religion poked its head into everyone's business 24x7. There was no escaping it.
@wcbroccoli Everyone was religious? I don't believe that anyone has ever been religious. They were forced to act as if they were. You can't claim to know what is in other people's heads. Look at the church now. These are despicable people. They would not do what they do if they really believed what they talk about. Also, deep down society knows that it is hogwash. We put people in asylums for talking to ghosts, why not believers? Cos we know it is just theatre. Embrace your atheism!!
Well you get chessmasters, olympic athletes. But that is a good point. It would be very hard to write like Bach without constant training, exposure to that music. Its so much easier to just write pop rock. I knew someone that went to Julliard very young, and his originals were like a bad imitation of Asia. I think the best schools take students with clerical skills, and dont even look for imagination.
Btw, credibility is not gained through providing offensive dialogue. Your commentary, and refusal to accept the idea that classical music still exists outside of the film format, is indicative of a reactive, sub-par intellect.
It also does nothing to boost your argument. Your first statement is as silly as all that follow.
Not trolling just telling you to pipe down if you don't know what you're talking about.
I'll give you this... Classical composers day are not as widely known by name as film scorers for the fact that 'serious' classical music has been eclipsed in popularity by other styles of music for the past 60 years or so (if not longer)... therefore other musicians of other styles receive more attention NOW.
This is NOT to say that classical composers aren't around and this is NOT to say that classical music is dead.
@RainMan34 Isn't that why they call it "classical"? E.g., classical music, classic art, classic literature, classic cars?
They don't make these things anymore, and if they did still make them, then they wouldn't be called "classic" or "classical", would they.
In the early 18th c, they mostly listened to and played contemporary music. There wasn't much interest in "classical music." That didn't happen until the end of the 18th c., with the growth of public concerts.
I could only see your latest comment in my email so I'm just replying to this one. I think Bach might have been a scientist or something. If Bach were in the 21st century though and could use computers, his output would be insane
loool. Writing a canon that modulates with every repetition isn't that difficult xD
It's all just music theory. Of course this kind of thing wasn't done very often during Bach's lifetime though, and it takes a great deal of skill to do this without any "model" to look at. Good piece, good performance! (It takes patience to write out all that by hand, too!)
@tempodimarcia I realize this but there is a certain level of artistry and high quality in Bach's compositions which elevate them beyond mere exercise. It's hard to match him even if you are well trained and consciously imitate him. Mozart fell short in his attempts. Beethoven, Haydn and Albrechtsberger also did. I know how to look at Bach in perspective since I have studied him in depth but he is really quite implacable.
it's eerie b/c it defies our ability to interpret where it is going to lead to. We can't own or predict it. Such insight is rare. Such talent is infinitely rare. Where does this kind of insight to create come from... it seems impossible that a keen eye of a man like bach can detect mathematical principles in nature to a degree which seems to indicate a spiritual link to another world.
It's taking us somewhere we haven't been, as all good works of art often do. It's beautiful.
Absolutely. When I hear a Bach piece (especially from contrapunctus variations), it is like falling in love for the first time or riding a roller coaster for the first time.
There is something unexpected and exhilarating about it
How do you know which one of the 2 voices start first on the lower staff? why is this the bass key that goes first ?
This is just impossible to play it with the original score, you have to read the 2nd staff with 2 different clef and you have to read it on 2 differents bars at the same time, and when the first voice come back to the first bar in G minor, the second voice is still at the last bar i C minor !!!
how could even Bach write something like that ?! and so beautiful !!!
I know Bach did compose a piece called "The Little Harmonic Labyrinth," but man that name could very very aptly be used for this piece. It sounds like you're walking in a spiral. A very eerie spiral.
Look, you start in c-minor, when it ends it means it starts again, but in d-minor, then e-minor, f-sharp minor etc.... And then you have one more time c-minor,then d-minor..... Neverending..... :]
So this just goes on until you run out of keyboard? Or do you have to jump down a register or five to start again? How funny! It just sounds like.. I dunno... a joke or something. I keep wondering when the fingers will run out of keys! I can´t stop laughing! This is SO FUNNY!
Learn piano tuning. How-to-do's are availanle on the internet. Buy an old 5$ piano on a flea market, put it in your garage and try to make it "sounding". Listening to the intervals, chords and overtone interferences will suddenly make you recognize what Bach wants to tell us.
Apologies if my video response was deliberately removed...I was having YouTube difficulties, and so I reposted it.
NihilNominis 2 weeks ago
...whoa...
AsmodelSoljah 1 month ago
What BWV number is this piece?
bobmusick 1 month ago
@bobmusick Part of BWV 1079.
thebpl 1 month ago
I heard a group led by Frans Bruggen do this piece. They played it as if the music started at some indefinitely low pitch, below the range of their instruments, and would then continue up the scale and beyond. So in the beginning you only heard a couple of notes, then a few more as the canon repeated, then a few more. Eventually you heard everything, then the lower pitches would drop out, then more, until it all disappeared, as if the music were on some kind of teleprompter. Fun, and weird.
gatesurfer 5 months ago
It's an amazing canon. Love it!
exelpaperclip123 7 months ago
nice analysis. can someone explain the bass clef and the tenor clef together on the bottom?
mxgirl918 10 months ago
@mxgirl918 Those two clefs indicate the two different voices, each playing in a different key.
thebpl 10 months ago 2
@thebpl Harpsichords kinda irritate me hehe. Got an anecdote? Bach. now he's a genius squared.
MrJackanthony 3 months ago
Clever stuff.
Wonder why Bach didn't get the job.
Eye music. The harpsichord doesn't let us hear the effects of suspensions.
Thanks for posting.
1401JSC 11 months ago
BACH, the great master!
guitarradeviento 1 year ago
This would sound better on the piano - if you had exceptionally good technique and pedalling that you could here the rich harmonic material.
simonsmatthew 1 year ago
@simonsmatthew If you want to hear it on a modern piano, an instrument that Bach never heard of, try Konstantin Lifschitz's recording. It's pretty good, although I think he over-pedals the ricercars!
thebpl 1 year ago
@thebpl Bach had heard of the piano, Frederick the Great even led him around his palace, showing off his collection of Silbermanns. Bach supposedly even met with Silbermann himself and criticized his instruments and was possibly a driving factor in later improvements.
SpatsMcGee 4 months ago
@simonsmatthew If you want to hear it on a modern piano, an instrument that Bach never heard of, try Konstantin Lifschitz's recording. It's pretty good, although I think he over-pedals the ricercars!
Also, my own recording (this one) sounds a lot better on the CD than it does in this video copy from it. I "overheld" some of the arpeggios to bring out their harmonic content, which is easier to hear there than it is here.
thebpl 1 year ago
@simonsmatthew Actually, the piano was invented right before Bach's death. It wasn't a modern piano however. I personally think that the piano is a much better sounding instrument and that certain aspects of it suit Bach's style better. If you want to hear some good piano versions of his work check out Glenn Gould.
mightyafrowhitey 5 months ago
YOU MUST READ! ETERNAL GOLDEN BRAID!
ImDrunkOnBaileys 1 year ago 8
I did: in 1982. Good book. I sent the author a copy of this recording and some other notes a few years ago (c2008), since his work had inspired some of mine.
thebpl 1 year ago 6
@thebpl How do you read the original score? I'm try openly score it myself, but keep coming up with uninteligible dissonance whenever I try to realize it.
JupiterIV 9 months ago
@ImDrunkOnBaileys I'm listening to this BECAUSE I read the book.
chenhsi2 1 year ago
@ImDrunkOnBaileys Great book... Gödel, Escher, Bach...
MaggieFloats 10 months ago
@ImDrunkOnBaileys I did once.....still 'reading'!
bretbryan 9 months ago
Read about Bach in Wikipedia. They don't clean up his life like most bios. Both parents dies when he was young. He went to jail for a month for reusing to stay at a job. Almost pulled a knife on someone in a fight. Theres sadness and pain in his music. As muych as Beethoven. More than Mozart, until his Requiem. What they tell you is, he was a religious family man. Yeah well, that's only part of the story.
BaronVonLichtenstein 1 year ago
@BaronVonLichtenstein According to the Weimar ducal court secretary's report, Bach was confined "for too stubbornly pressing the issue of his dismissal," not "for refusing to stay on the job." There was plenty of "sadness and pain" in the lives of both rich and poor in those days. There's no evidence that Bach had more than his share. Bach & his contemporaries would find odd the notion that a composer's music is supposed to tell a story about his life. That's silly 19th romantic thinking.
wcbroccoli 1 year ago
@wcbroccoli
No evidence Bach had more than his share of pain? His mother died at 9, his father a year later. Did your parents both die before you were ten?
BaronVonLichtenstein 1 year ago
@BaronVonLichtenstein We're not talking about our time. In those days many children were orphaned at a young age. The children of one of Bach's Weimar ducal employers were both orphans. Bach's Coethen employer, Pince Leopold, who was about the same age as Bach, died in his 30s, within months after both his children died. Young and old, rich and poor, died unexpectedly from common illnesses that we routinely cure with antibiotics or prevent with vaccines.
wcbroccoli 1 year ago
G.E.B.
cambridgewong 1 year ago
Bach is the perfection..stop
fracche 2 years ago
This comment has received too many negative votes show
Bach was uneven. His best is as good as anyone's but he wrote a lot of boring organ music. And like most music to order. However Handel, Corelli, Gabrieli and a few others were more consistent. In general, I prefer baroque, but still think nothing beats Mozart's Requiem. He didn't use minor keys much.
BaronVonLichtenstein 1 year ago
I favourited and rated this video a five star before I even before I heard the music, because Bach is Bach, ever so amazing...indeed it didn't let me down!
bubblykings 2 years ago
Subiendo,siempre subiendo para encontrarse sin bajar y así hasta el infinito.
"La bandera se mueve".
"El viento se mueve".
paradoxicus 2 years ago 5
@paradoxicus basto !
bernhardfranz 11 months ago
are there any modern day baroque composers alive?
rh7189 2 years ago
i'm not sure but this beautiful music should never die.
Roy161718 2 years ago 3
Yes. Sure. But i don't know anyone who has earned succes with baroque music, maily cause it's just out of date. But among amateurs, (some are quite good, accually really good) you have baroque composers.
fortune32 2 years ago
Comment removed
BaronVonLichtenstein 1 year ago
no.
there might be composers with a great talent in counterpoint and canons and such, but the baroque period was between (aprox obviously considering all forms of art) 1500 to 1750, with the death of JS Bach.
So unless, there's someone that's a couple of hundred years old, there's no baroque composers around :)
JMCaldwellAcademy 2 years ago 7
Comment removed
BaronVonLichtenstein 1 year ago
@JMCaldwellAcademy The baroque music era ran from about 1590 to 1760. Counterpoint wasn't invented in the Baroque. And there were canons in the Miiddle Ages. And canon didn't end with the baroque. Mozart wrote canons. One of William Schuman's symphonies opens with a canon. Canon is a compositional technique, not just a type of composition.
wcbroccoli 1 year ago
@wcbroccoli Bach is the undisputed father or music as we know it. There was an eight voice chorale found not long before Mozart's death and upon seeing it, Mozart laid the score out so he could see it all and hear it in his head as only he could. Even after all the composing he had done to that point he made the most profound and shocking statement in music's history. The elderly Mozart said, "Wow, I can learn so much from this". He knew who the master was.
skinkusmetalicus 1 year ago
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wcbroccoli 1 year ago
Comment removed
wcbroccoli 1 year ago
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@skinkusmetalicus The "elderly" Mozart? When Mozart died in 1791, he was only 35. The Bach piece he heard in 1789 in Leipzig was a double chorus motet ("Singet dem Herrn ein neues Lied"), not "an eight voice chorale". After hearing it he said, "Now, there is something one can learn from!" Not "Wow, I can learn so much from this". What he laid out was not "the score" of this motet, but the performing PARTS of ALL the Bach motets that the St. Thomas School had preserved.
wcbroccoli 1 year ago
@skinkusmetalicus The 33-year old Mozart's statement was neither profound nor shocking. It merely shows his own shock upon hearing some Bach vocal works for the first time, works which were unknown to him, had never been printed, and reflected a musical tradition that he and his generation were out of touch with.
wcbroccoli 1 year ago
@wcbroccoli 26 y.o. Mozart was introduced to JSB by Baron van Swieten in 1782 and Mozart transcribed fugues from JSB's WTC bk 2 for string trio, Contrapunctus 8 Art of the Fugue, a prelude JSB's Organ Sonata No 3, a prelude Bach's Organ Sonata No. 2, fugal 3rd movement in C minor from the same sonata; and Fugue No. 8 by W.F. Bach. Mozart wrote about 10 plus Masses, with Fugues; in the conservative bastion of Church music, Mozart was well acquainted as were others with "a music tradition."
Renshen1957 1 year ago
@Renshen1957 Even before Bach's death many of his keyboard pieces were already known in Austria, France, Italy & England via hand copies. WTC was widely circulated in hand copies & AofF was published in 1751. So it's no surprise Mozart was acquaitned with these keyboard works. But in Mozart's time Bach's vocal works were unpublished and virtually unknown outside Leipzig. Mozart did not encounter Bach vocal works until his visit to Leipzig in 1789.
wcbroccoli 1 year ago
@Renshen1957 You confuse the tradition of composing masses with the musical tradition of an era. A Mozart mass is nothing like a Palestrina mass. The fact that Mozart composed many masses doesn't signify that he had any familiarity with church music of the time of Palestrina. or. for that matter, Bach. No one will ever confuse the sugary masses of Mozart's era with sublime church pieces of earlier generations.
wcbroccoli 1 year ago 2
@Renshen1957 Mozart was introduced to Bach vocal music (which you can't seem to distinguish from his keyboard music) in a visit Leipzig 1789. It is that visit that I commented about before you put in your 2 cents. According to an eyewitness account, "Mozart knew Bach more by hearsay than by his works, which had become quite rare; at least his motets, which were completely unknown to him" and came as revelation, even shock, to him.
wcbroccoli 1 year ago
@skinkusmetalicus mozart was never an elder xD
faleru 1 year ago
@skinkusmetalicus I thought the story was Mozart heard a performance of Bach's motet Singet dem Herrn ein neues Lied under the direction of J F Doles (a student of Bach who became Kantor of St. Thomas Kirk) that reportedly made such a deep impression on Mozart. Mozart looked at all the parts of the score as there was no complete manuscript at the performance.
Renshen1957 1 year ago
@JMCaldwellAcademy
maybe in the style but not in the period.
VolkColopatrion 1 year ago
@JMCaldwellAcademy There are Neo-Baroque composers around. ;) Some of us don't think those Classical modernisers ought to have had the last word.
NihilNominis 1 year ago
@NihilNominis Please tell me you use modern harmony and rythyms along with your baroque influences, or something else new, and are not just copying Bach...
kratanuva725 1 year ago
@kratanuva725 I have to reach Bach's level before I can exceed him. Further, I'd like an example of something I could use which Bach *didn't*?! :D
NihilNominis 1 year ago
@NihilNominis Bach didn't use 5/4 time... (as far as I know anyway, if he did, I would really like to hear it)
kratanuva725 1 year ago
@kratanuva725
No indeed, but he did write an impossible low B for organ pedals.
Handel wrote an aria in 5/8 in "Orlando" (mad scene).
1401JSC 11 months ago
@NihilNominis I'm sorry...ur request is contradictory...
JamesTR4 11 months ago
I can't think of any who have actually poured all the labor into the craft they did back then, even the best ones of nowadays... the modern lifestyle simply doesn't allow it.
PraeludiumUndFuge 2 years ago
The depth of the old music is unmatched basically.
PraeludiumUndFuge 2 years ago
@PraeludiumUndFuge but Bach would have dominated all of creation if he had computer programs. As he said, it is just about hard work so somebody could do it if they were rich or a music major not into some John Cage bullcrap
parquar 1 year ago
I think Bach too would have been distracted by all the flashyness of computers and wouldn't have had the peace of mind to compose like he did. Hence why there are such few legends these days
Dodlemcno 1 year ago
It is interesting to wonder what Bach would like. Who can say? Coldplay? U2? Quadraphenia? Ygwie Malmsteen? There's no way of telling. Unless there parents put them through training the classical composers could have just formed rock bands. Been the next Black Sabbath. Bach's parents were both dead by the time he was 10. Maybe he would have joined a punk band like Blink 182. Born in the 1920s or 30s he might have written swing. It's impossible to say.
BaronVonLichtenstein 1 year ago
Bach was in to harmony. He was a religious man. Sure if his life experiences were different he would have been a different man. But the Bach that was would find very little interesting in what you mentioned. His ear may be picked by Yngwie, but then he'd realise he was being plagiarised. And not convincingly.
So there. I can say.
Dodlemcno 1 year ago
@Dodlemcno @Dodlemcno
Religion is another thing based almost entirely on upbrining. It is unlikley he would have been religious brought up today. Bach was a natural keyboardist. Maybe he would have done something like Eric Carmen, Elton John, Billy Joel, ELO, ELP? He had soul. A lot of his music was dark, from both parents being dead by ten. He practically knifed someone once.
BaronVonLichtenstein 1 year ago
@BaronVonLichtenstein EVERYONE in Bach's day was religious. Everyone in the Lutheran Germany of his era learned the Lutheran catechism, sat in church for 3-6 hours on Sundays, listened to hour long sermons flanked by cantatas, heard organ chorale preludes and sang chorales, and read (if they could read) the Bible. Religion poked its head into everyone's business 24x7. There was no escaping it.
wcbroccoli 1 year ago
@Dodlemcno Every composer in Bach's era was "in to harmony", and everyone in Lutheran German of his day was religious.
And the hysteria over "plagiarism" is a modern preoccupation, along with copyright hysteria. Only people of our generation fret over such things.
wcbroccoli 1 year ago
@wcbroccoli Everyone was religious? I don't believe that anyone has ever been religious. They were forced to act as if they were. You can't claim to know what is in other people's heads. Look at the church now. These are despicable people. They would not do what they do if they really believed what they talk about. Also, deep down society knows that it is hogwash. We put people in asylums for talking to ghosts, why not believers? Cos we know it is just theatre. Embrace your atheism!!
skinkusmetalicus 1 year ago
@BaronVonLichtenstein then why discussing it?
faleru 1 year ago
Comment removed
BaronVonLichtenstein 1 year ago
Well you get chessmasters, olympic athletes. But that is a good point. It would be very hard to write like Bach without constant training, exposure to that music. Its so much easier to just write pop rock. I knew someone that went to Julliard very young, and his originals were like a bad imitation of Asia. I think the best schools take students with clerical skills, and dont even look for imagination.
BaronVonLichtenstein 1 year ago
I dont even think there are many modern day classical composers alive. Who has both the training and skill?
BaronVonLichtenstein 2 years ago
Classical music does NOT = baroque, alone. This is a misconception among peeps who aren't very familiar with classical music.
There are many forms and styles of classical music which are very much alive and well currently.
RainMan34 1 year ago
I didn't say it wa only baroque. Just that there are not many writing classical music now, outside of movie scores.
BaronVonLichtenstein 1 year ago
That's incorrect. What are you basing this on?
RainMan34 1 year ago
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BaronVonLichtenstein 1 year ago
That statement is completely false.
RainMan34 1 year ago
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BaronVonLichtenstein 1 year ago
No need to get feisty, Mr. Credible.
Btw, credibility is not gained through providing offensive dialogue. Your commentary, and refusal to accept the idea that classical music still exists outside of the film format, is indicative of a reactive, sub-par intellect.
It also does nothing to boost your argument. Your first statement is as silly as all that follow.
Not trolling just telling you to pipe down if you don't know what you're talking about.
Keep that in mind.
RainMan34 1 year ago
Then list classical composers today outside of film scores, you incompetent liar.
BaronVonLichtenstein 1 year ago
Now then. I'll explain my position.
I'll give you this... Classical composers day are not as widely known by name as film scorers for the fact that 'serious' classical music has been eclipsed in popularity by other styles of music for the past 60 years or so (if not longer)... therefore other musicians of other styles receive more attention NOW.
This is NOT to say that classical composers aren't around and this is NOT to say that classical music is dead.
RainMan34 1 year ago
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BaronVonLichtenstein 1 year ago
@RainMan34 Isn't that why they call it "classical"? E.g., classical music, classic art, classic literature, classic cars?
They don't make these things anymore, and if they did still make them, then they wouldn't be called "classic" or "classical", would they.
In the early 18th c, they mostly listened to and played contemporary music. There wasn't much interest in "classical music." That didn't happen until the end of the 18th c., with the growth of public concerts.
wcbroccoli 1 year ago
I could only see your latest comment in my email so I'm just replying to this one. I think Bach might have been a scientist or something. If Bach were in the 21st century though and could use computers, his output would be insane
parquar 1 year ago
@rh7189 The Baroque period is long over. In fact, it died together with J.S. Bach.
Chromometron 2 years ago
loool. Writing a canon that modulates with every repetition isn't that difficult xD
It's all just music theory. Of course this kind of thing wasn't done very often during Bach's lifetime though, and it takes a great deal of skill to do this without any "model" to look at. Good piece, good performance! (It takes patience to write out all that by hand, too!)
tempodimarcia 2 years ago
I think its the harmonisation that is used in this piece that we have to look at , and admire , which is amazing : )
sailingforde04 2 years ago
@tempodimarcia I realize this but there is a certain level of artistry and high quality in Bach's compositions which elevate them beyond mere exercise. It's hard to match him even if you are well trained and consciously imitate him. Mozart fell short in his attempts. Beethoven, Haydn and Albrechtsberger also did. I know how to look at Bach in perspective since I have studied him in depth but he is really quite implacable.
PraeludiumUndFuge 1 year ago
Its so beautifully eary. Almost sureal.
I am actually getting freaked out listing to it
man0fthehour 2 years ago
it's eerie b/c it defies our ability to interpret where it is going to lead to. We can't own or predict it. Such insight is rare. Such talent is infinitely rare. Where does this kind of insight to create come from... it seems impossible that a keen eye of a man like bach can detect mathematical principles in nature to a degree which seems to indicate a spiritual link to another world.
It's taking us somewhere we haven't been, as all good works of art often do. It's beautiful.
RainMan34 2 years ago
well said rainman. Many Bach pieces take numerous listens for the 'surprises' to go away and for me to remember what is happening
parquar 1 year ago
Absolutely. When I hear a Bach piece (especially from contrapunctus variations), it is like falling in love for the first time or riding a roller coaster for the first time.
There is something unexpected and exhilarating about it
RainMan34 1 year ago
Hmm i don't understand. when you read the original score. the 2 last notes of the first bar. when you read with the F-clef : B-flat A , ok.
but when you read in C-clef : F-flat E ?
anisometropie 2 years ago
How do you know which one of the 2 voices start first on the lower staff? why is this the bass key that goes first ?
This is just impossible to play it with the original score, you have to read the 2nd staff with 2 different clef and you have to read it on 2 differents bars at the same time, and when the first voice come back to the first bar in G minor, the second voice is still at the last bar i C minor !!!
how could even Bach write something like that ?! and so beautiful !!!
anisometropie 2 years ago
I know Bach did compose a piece called "The Little Harmonic Labyrinth," but man that name could very very aptly be used for this piece. It sounds like you're walking in a spiral. A very eerie spiral.
FireAndFlames 2 years ago
Don't you have a ruler?..
acurrucu3 2 years ago
I don't get it. Somebody explain it please.
msopher 3 years ago
The way the composition goes up by a whole step every time it repeats?
thebpl 3 years ago
I don't hear anything repeating. Where does it go higher each time?
msopher 3 years ago
It repeats itself every 35 seconds (approximately) in this performance, a step higher each time.
thebpl 3 years ago
Okay, got it.
msopher 3 years ago
Look, you start in c-minor, when it ends it means it starts again, but in d-minor, then e-minor, f-sharp minor etc.... And then you have one more time c-minor,then d-minor..... Neverending..... :]
Patryczeq155 3 years ago
What's the BWV number of this?
smalin 3 years ago
One Thousand, and Seventy Nine
JupiterIV 2 years ago
beo beo beo!!!!!!!
turatino 3 years ago
Reincorporad Introduccion:Canon Eternamente Remontante Crearéis Anteponiendo RICERCAR.
debartzen 3 years ago
wow, incredibly amazing.
jerguismi 3 years ago
nice work ! !
Davidoff73 3 years ago
So this just goes on until you run out of keyboard? Or do you have to jump down a register or five to start again? How funny! It just sounds like.. I dunno... a joke or something. I keep wondering when the fingers will run out of keys! I can´t stop laughing! This is SO FUNNY!
ezekieloak 3 years ago 2
In the words of Ton Koopman...
"Bach is for me the greatest genius in musical history, and that is because there is a fantastic balance between emotion and intelligence.
I think this piece really shows the intelligent side of Bach more than anything.
Funkypotat0 3 years ago 2
Did you copy this entire manuscript, manually, with pencil?
codonauta 3 years ago
Yes. A good exercise, writing out the whole thing. That's the way Bach taught his own students, too: make a handwritten copy of the piece....
thebpl 3 years ago
Yes, I do that too , ( or did ). But to music softwares. We really learn a lot doing that.
codonauta 3 years ago
@thebpl LOL How else would one of Bach's students have obtained a copy? There were no copy machines!
wcbroccoli 1 year ago
How can I learn to really appreciate this kind of music ?
88ale 3 years ago
It sounds like you already do. Keep listening and follow scores with the audio.
Daniel Leo Simpson
danielleosimpson 3 years ago
Learn piano tuning. How-to-do's are availanle on the internet. Buy an old 5$ piano on a flea market, put it in your garage and try to make it "sounding". Listening to the intervals, chords and overtone interferences will suddenly make you recognize what Bach wants to tell us.
It's all about harmony.
Isosphere 3 years ago
bach o chaz
eliodevoto 3 years ago
bach o chaz
eliodevoto 3 years ago
Great and marvelous post. Thanks for posting about the Prince of baroque musicians: Bach.
Salut!
ariastoteles 3 years ago
king
clubsandwedge 3 years ago 6
astonishing!
Timrath 3 years ago
I do like this better.
stankylittleangus 3 years ago
That was very useful studying this canon ;)
jannokas85 3 years ago
Great for my students!
Thanks!
KrazyKrasinski 4 years ago
BAch is the true father of music
wolfgang7445 4 years ago 2
says Wolfgang Amadeus!
yashil17 3 years ago 2
good job. thx for the notation
Lavariall 4 years ago
Thanks for posting, wonderfull!
Monrealese 4 years ago