Just heard Pagliacci today on a recorded "live" from La Scala. The baritone was very good, but as we say in NY - OY VEY! We can't duplicate this type of singing. I love the dark quality of his voice for this aria.
is the recording slow? That was not a "G" at the end. It's a F#. However, that is truly a great voice! What I would call an actual Dramatic Baritone..we don't have any truly dramatic baritones anymore just pushed lyric or kavalier baritone. Thick, rich, metallic sound with plenty of squillo....
@796824 For what my educated opinion is worth, [I studied voice for 15 years with Horne's first teacher, Joe Klein] I agree with you. There are no baritones at the Met today
Danise isn't obscure or forgotten. He's not as well known perhaps as Ruffo, Straciari, or Amato but there is an article on him in Grove's and there are recordings of him in most of the baritone compilations.
He is in fact remembered. Quick, who played Jolson's mother in "The Jazz Singer"? Who ever the hell she was, she's forgotten.
This is a very good recording of a very good voice.
на слух слышу шикарную школу пения! поёт как разговаривает! легко! смех шикарный! нет горла, "индюка" пылесоса в себя, очень естественно звучит голос, ля-бемоль шикарная и естественная! поёт без напряжения! похоже на шикарную школу пения через А
it is not without some trepidation that I say this, but i disagree . I find his phrasing clumsy in places, in some places his pitch his all over the lot, and i simply do not hear great vocal production. i have profound respect for primobaritono, his knowledge and taste are of the highest order, Im not familiar with danise, and this may be a bad example, but i just listened to it again and i think it is pretty mediocre, if not down right poor.
His recordings, at least the ones i have were issued in the states on Brunswick . Probably if he would have been on Victor he would have been better known.
wow thats all i got to say. Its sad that he has been for gotten . Can you please put more vid of him !!!! He is really good better then some of the baritones of today.
guiseppe danise was a wonderful baritone of the golden era of caruso whom he sang with. he was also bidu sayao's husband and a good teacher. one of his students was the very good tenor barry morrell.
see... some of us remember the giants of yesterday :--) i sure miss this type of sound
overwhelming vocal and interpretive richness! The rising of pitch (A444 is basically the norm today, ask any harpist you meet), the need to have a presence on three continents at once. louder orchestras and "shirtless" productions are all somewhat to blame. Training that reduces the individuality (harder to conduct or stage without lengthier collaboration) of a young singer is also culpable. We have to keep trying as teachers and audiences need to start demanding as well.
overwhelming vocal and interpretive richness! The rising of pitch (A444 is basically the norm today, ask any harpist you meet), the need to have a presence on three continents at once. louder orchestras and "shirtless" productions are all somewhat to blame. Training that reduces the individuality (harder to conduct or stage without lengthier collaboration) of a young singer is also culpable. We have to keep trying as teachers and audiences need to start demanding as well.
Each age is an age unto itself. These comments, though enjoyable, range from high humor to sheer ignorance. All of the singers from the past were great. Today any fool can make a record. There wouldn't be a record of their singing if they weren't rich or great. The wonderful young lions of today will mellow, and another generation will be making the same stupid comments (you know who you are). Better to be a singer than a critic. Try it, put yourself on YouTube and let us have a go at you.
He was part of that cornucopia of great baritons of the Italian school in the period 1880-1930. The first was Giuseppe Kashmann, la last Carlo Tagliabue, the greatest (for me) Pasquale Amato. In addition: Mattia Battistini, Carlo Galeffi, Giuseppe Stracciari, Titta Ruffo, Giuseppe de Luca, Mario Ancona. Each of them would be considered the number one today. And they were singing almost in the same period. If the term golden age has a sense, that was golden age!
I started listening in the '40s, and Danise's name was still bandied about. But records were scarse and expensive, and I don't think I ever heard him. Thanks for reviving this legendary baritone.
Not only was he one of the greatest baritones of the century,but a great teacher as well.Singers like this are never forgotten. They live on throughout the ages because of their great art. Singers today could not hope to polish this great mans shoes. The art of singing today is dead. There are no great singers anymore or great teachers> Today the music schools crank out singers that all sound the same. They have no personality or understanding of the art. In short they do not know how to sing.
Generalizations and derision don't exactly elevate fine singers such as Danise. Neither does such a comment contribute to the perpetuation of the singing art. In my humble experience at music school, respect for great singers of both past and present was encouraged. It is possible to enjoy many of the wonderful living artists on their own terms. Even during the communication age, individual legacies can take time to establish.
I am a professional Opera Singer myself. Please sit down and listen to Rosa Ponselle, Leonard Warren, Jussi Bjorling, and Beniamino Gigli. Can any of todays singers compare to any of them? The teachers in the music schools do not have a clue about the GRand Tradition. Music schools these days are a joke. At least you know who Danise was.
AMEN. Singing today, if one can call it that, is ludicrous to the extreme. No one has the vaguest idea what Chiaroscuro singing is all about. How fortunate to have collectors who air the Golden Age of Singing on You Tube.
Well said. In every age there seem to have been - and continue to be - fine singers to enjoy. Good singing no doubt would be encouraged by informed appreciation; it is unlikely to thrive on negativity. Having so many singers, past and present, available here at YouTube happily enables listeners, if they wish, to form their own opinions.
The claque of yesteryear knew when Danise sang, the walls of the Metropolitan shook It didn't require electronic enhancement as seen today. No singing to match this now
Well, without entering the squabble over old and new singers, let me say a huge thank you to Primobaritono for acquainting me with this thrilling voice. I'm 71 and still discovering new vocal marvels (the most recent being the worldclass instrument of Joseph Shore - Cameratamaestro).
Uno dei motivi è dovuto all'accordatura delle orchestre, ai tempo di Verdi e subito dopo era mi pare 4,36. Adesso è più alta, a volte anche 4,44.Una cosa davvero irritante!!!
That's kinda crap, isn't it? You've only heard a few recordings of this guy. True, he sounds really good. But in performance on his worst day, people would sell an appendage to sing like Terfel. You have no idea how often this guy sang well or badly in actual performance, right? Wanna hear a great singer, sadly forgotten, who always delivered? John Charles Thomas. Forgotten due to rep, not his singing. HE was a truly great 'forgotten' singer.
with all my respect for mr.terfel and the other baritones of today,and,obviously!,for you....I would sell my soulto the devil for to sing almost a bit like the golden voices of the past!!!!!
Expressivity,emotion,fierce strngth...but delicate feelings in each note...
art is a language from heart..and to heart...
not from pocket to pocket,sir!!!
and,today,the...eh,mmmmm"artists"?...are much more interested in their very rich pockets....
After years of listening to "Golden Age" singers, I am amazed audiofiles prefer old singers uncritically. As if being dead makes them great. I think, when I listen to his contemporaries, that one reason Caruso was special is that he sang more consistently in tune than others. Bad pitch is called expression, bad rhythm.. rubato. I won't call older generations crap. But there are so many lovely contemporary singers. Don't judge them by scratchy recordings of out-of-tune singers.
i`m 39 years old....maybe this is the reason,being an old woman,of to prfer the old recordings,the nostalgic sounds...forgive me for my terrifying ignorance,sir!!!
now,about mrterfel:sir,he`s the sole baritoen whom i can call baritone,and very serious artist in our days...!the famous(sadly famous,indeed!)1989 cardiff contest must be won by him...from my humble oppinion.I think that his Hans sachs was incomparable!
John Charles Thomas. Next to his name should be this: If you want to learn to sing, listen to this man; Flawless technique.
Yes, he sang many things most likely frowned upon by "real" opera singers. Chaliapin refused to sing with him again because Thomas (Valentin, in Faust) received more acclaim. Shows you the childish ego of Chaliapin.
Well, that's a bit far-fetched. It is clear that Danise is another category vocally. Terfel, however, has an incredible stage presence. His Leporello is always fun to watch.
Terrific. We hear the full, rich tone and ringing top with the substantial tonal core (no wooliness or woofiness) typical of Danise and his contemporaries among Italian baritones --
Great. Never heard of him. I often wonder where you get this stuff? And the photos of Leoncavallo, what a dandy. Looks like Rossini. I wonder if he too was so successful as to have a house on Bois de Boulogne full of dancers from the Crazy Horse? Thanks.
My dad and I collect historic recordings, it's sort of our hobby. I don't know much about Leoncavallo's life, but I bet reading a biography on him would be interesting.
"Il balen", or anything else! I'd like to hear him sing Happy Birthday!
Varlaam42 1 month ago
Wondrous singing.TY primo for posting this gem.
paulostroff99 5 months ago
Just heard Pagliacci today on a recorded "live" from La Scala. The baritone was very good, but as we say in NY - OY VEY! We can't duplicate this type of singing. I love the dark quality of his voice for this aria.
cantorandopera 10 months ago
reminds me of Perelli from Sweeney Todd
transparentknife 11 months ago
He was one ugly mother fucker
davda57 1 year ago
@davda57 you should have seen his handsome father --- He walked on 3 knuckles
redgrapeskins 1 year ago
шикарно!!!!
svjatazarov 1 year ago
superb!
russell7771181 1 year ago 2
great singer.....thanks for this. what dou you all think about Marcello Giordano?a great rigoletto.and Simone.
heron520 1 year ago
is the recording slow? That was not a "G" at the end. It's a F#. However, that is truly a great voice! What I would call an actual Dramatic Baritone..we don't have any truly dramatic baritones anymore just pushed lyric or kavalier baritone. Thick, rich, metallic sound with plenty of squillo....
bassobaritono 1 year ago
timeless, eternal, refreshing after the thousandth repetition.
Capta1nAm3rica 1 year ago
But, we have the great Tomasito!! (ha,ha)
Fantatic Danise.
Thanks.
pepeelsordo 1 year ago
There are no Baritones in the Metropolitan today, Danise far outshines any of them.
796824 2 years ago 2
@796824 For what my educated opinion is worth, [I studied voice for 15 years with Horne's first teacher, Joe Klein] I agree with you. There are no baritones at the Met today
orovalleydude 1 year ago
It's heartening to find a connoisseur
796824 1 year ago
FANTASTIC ! Thanks for uploading ! (but man! your Karajan's Brandenburg video is horrible) 8^B "Deutce Liberace"?
barrocke 2 years ago
The quality of a singer is measured by his intelligent interpretation. Danise is a baritone to be reckoned with at any age.
hashatz 2 years ago
Danise isn't obscure or forgotten. He's not as well known perhaps as Ruffo, Straciari, or Amato but there is an article on him in Grove's and there are recordings of him in most of the baritone compilations.
He is in fact remembered. Quick, who played Jolson's mother in "The Jazz Singer"? Who ever the hell she was, she's forgotten.
This is a very good recording of a very good voice.
Agorante 2 years ago
+ 100 !!!!!
bodiloto 2 years ago
на слух слышу шикарную школу пения! поёт как разговаривает! легко! смех шикарный! нет горла, "индюка" пылесоса в себя, очень естественно звучит голос, ля-бемоль шикарная и естественная! поёт без напряжения! похоже на шикарную школу пения через А
svjatazarov 2 years ago
He sounds Great!
Achbar 2 years ago
Thank you for this engaging historical
journey. Danise is new to me but his
dramatic power is undeniable. The
photos truly "flesh" out his persona
(sorry) and enrich the audio.
Kievest 2 years ago
it is not without some trepidation that I say this, but i disagree . I find his phrasing clumsy in places, in some places his pitch his all over the lot, and i simply do not hear great vocal production. i have profound respect for primobaritono, his knowledge and taste are of the highest order, Im not familiar with danise, and this may be a bad example, but i just listened to it again and i think it is pretty mediocre, if not down right poor.
operalament 2 years ago
please check out my vocal workouts......
"alberto hernandez vocal 12,3,4,5,6,7 and 8".......appreciate any feed back...
ahtenor 2 years ago
Honestly speaking, I didnt have heard of him. A really great voice! Thanks for posting and info.
Aetion 2 years ago
His recordings, at least the ones i have were issued in the states on Brunswick . Probably if he would have been on Victor he would have been better known.
butchfoot 2 years ago
He has a great covering sound!
aboxguitar 3 years ago
I remember the name, but never actually heard or saw Danise. He sings this beautifully, although the Ab and G are not among the best.
raythespian 3 years ago
Oh, it's the first time ever I heard about this baritone! None artist should be forgotten, so thanks for the memory, primobaritono!
acla9000 3 years ago
wow thats all i got to say. Its sad that he has been for gotten . Can you please put more vid of him !!!! He is really good better then some of the baritones of today.
geok53 3 years ago
This might be the best rendition of this aria I've ever heard.
leadoffeohippus 3 years ago
peccato non canti "puntato", appoggia un po', comunque voce di primo piano
neronnenn 3 years ago
vocal perfection! we are sooooooo far from this nowadays.
pasfresh123 3 years ago 7
Never heard of him before, and I hate to judge on one recording, but he sounds first rate.
I'd love to hear him sing "Il Balen".
johnhoie 3 years ago 5
Wonderful baritone, such great flow of sound.
Brilliant laugh as well! Sometimes laughing well is stupidly hard. =D
LIANG14 3 years ago 3
Dude i play a baritone and ya....im a girl and not many girls play baritones so "BARITONES UNITE"
Shinollama 3 years ago
A baritone? Cool!
What are you acting in?
singinginachurch 3 years ago
if you sing baritone, you're not a girl, period
arn123321 3 years ago
i DON'T sing baritone I play an instrument called a baritone horn!
Shinollama 3 years ago
@Shinollama Is impossible even for a contraalt o-o
Lantogh 6 months ago
Whoa! Talk about line! Virtually the entirety of the aria is one long flow of sound. Amazing singing!
stefakamelpash 3 years ago 2
Hi everybody,
Do you know that Giuseppe Danise' site is on line since 2004?
giuseppe-danise dot com.
It's the official site.
The web site contains rare pictures and document from Danise's personal and family archive-
Please visit our web site
greatvoicewebsite 3 years ago 2
TEST
greatvoicewebsite 3 years ago
guiseppe danise was a wonderful baritone of the golden era of caruso whom he sang with. he was also bidu sayao's husband and a good teacher. one of his students was the very good tenor barry morrell.
see... some of us remember the giants of yesterday :--) i sure miss this type of sound
operacaster 3 years ago
Never knew Danise was Bidu Sayao's husband!
Thank you for this significent nugget of information. Danise: fine, fine baritone.
Thanks, too, to the poster.
gmmix 3 years ago
overwhelming vocal and interpretive richness! The rising of pitch (A444 is basically the norm today, ask any harpist you meet), the need to have a presence on three continents at once. louder orchestras and "shirtless" productions are all somewhat to blame. Training that reduces the individuality (harder to conduct or stage without lengthier collaboration) of a young singer is also culpable. We have to keep trying as teachers and audiences need to start demanding as well.
michonnetsu 3 years ago
overwhelming vocal and interpretive richness! The rising of pitch (A444 is basically the norm today, ask any harpist you meet), the need to have a presence on three continents at once. louder orchestras and "shirtless" productions are all somewhat to blame. Training that reduces the individuality (harder to conduct or stage without lengthier collaboration) of a young singer is also culpable. We have to keep trying as teachers and audiences need to start demanding as well.
michonnetsu 3 years ago
Each age is an age unto itself. These comments, though enjoyable, range from high humor to sheer ignorance. All of the singers from the past were great. Today any fool can make a record. There wouldn't be a record of their singing if they weren't rich or great. The wonderful young lions of today will mellow, and another generation will be making the same stupid comments (you know who you are). Better to be a singer than a critic. Try it, put yourself on YouTube and let us have a go at you.
gpoec 3 years ago
He was part of that cornucopia of great baritons of the Italian school in the period 1880-1930. The first was Giuseppe Kashmann, la last Carlo Tagliabue, the greatest (for me) Pasquale Amato. In addition: Mattia Battistini, Carlo Galeffi, Giuseppe Stracciari, Titta Ruffo, Giuseppe de Luca, Mario Ancona. Each of them would be considered the number one today. And they were singing almost in the same period. If the term golden age has a sense, that was golden age!
discoverer05 3 years ago
Giuseppe Kashmann is not Italian. he was born in Croatia on island Mali Losinj
civoknum 3 years ago
I started listening in the '40s, and Danise's name was still bandied about. But records were scarse and expensive, and I don't think I ever heard him. Thanks for reviving this legendary baritone.
raythespian 4 years ago
that hilarious mustache was so worth it.
popertop 4 years ago
Bravissimo. Thank you for sharing.
mvconnelly 4 years ago
Unbelievably good!
paulostroff99 4 years ago
Not only was he one of the greatest baritones of the century,but a great teacher as well.Singers like this are never forgotten. They live on throughout the ages because of their great art. Singers today could not hope to polish this great mans shoes. The art of singing today is dead. There are no great singers anymore or great teachers> Today the music schools crank out singers that all sound the same. They have no personality or understanding of the art. In short they do not know how to sing.
Giovannifabuloso 4 years ago
Generalizations and derision don't exactly elevate fine singers such as Danise. Neither does such a comment contribute to the perpetuation of the singing art. In my humble experience at music school, respect for great singers of both past and present was encouraged. It is possible to enjoy many of the wonderful living artists on their own terms. Even during the communication age, individual legacies can take time to establish.
Chum2MarchHare 4 years ago
I am a professional Opera Singer myself. Please sit down and listen to Rosa Ponselle, Leonard Warren, Jussi Bjorling, and Beniamino Gigli. Can any of todays singers compare to any of them? The teachers in the music schools do not have a clue about the GRand Tradition. Music schools these days are a joke. At least you know who Danise was.
Giovannifabuloso 4 years ago
i agree
iamamusIim2 4 years ago
AMEN. Singing today, if one can call it that, is ludicrous to the extreme. No one has the vaguest idea what Chiaroscuro singing is all about. How fortunate to have collectors who air the Golden Age of Singing on You Tube.
796824 3 years ago
Well said. In every age there seem to have been - and continue to be - fine singers to enjoy. Good singing no doubt would be encouraged by informed appreciation; it is unlikely to thrive on negativity. Having so many singers, past and present, available here at YouTube happily enables listeners, if they wish, to form their own opinions.
rupepill 3 years ago
A roaring lion!!! What a voice!!!
TheAdmiringFool 4 years ago
The orchestra is probably Edison Orchestra and they are not a very good opera-orchestra.
OPERASVERKER671 4 years ago
those treble notes near the end were great.
mrtyles 4 years ago
The claque of yesteryear knew when Danise sang, the walls of the Metropolitan shook It didn't require electronic enhancement as seen today. No singing to match this now
796824 4 years ago
Well, without entering the squabble over old and new singers, let me say a huge thank you to Primobaritono for acquainting me with this thrilling voice. I'm 71 and still discovering new vocal marvels (the most recent being the worldclass instrument of Joseph Shore - Cameratamaestro).
TITO13ITALIAN 4 years ago
Thanks for posting; a truly great singer.
jayboytheplayboy 4 years ago
Chiaroscuro,bellezza,inalterabile potenza!!!!
dove sono i baritoni come lui oggidì?
Non ce ne sono più voci così in questo mondo?perchè?
ankhsnammon
Ankhsnammon 4 years ago
Uno dei motivi è dovuto all'accordatura delle orchestre, ai tempo di Verdi e subito dopo era mi pare 4,36. Adesso è più alta, a volte anche 4,44.Una cosa davvero irritante!!!
Costantino80 4 years ago
Today he would be considered a bass-baritone. How sad. It is wonderfully chiaroscuro!
MrCafiero 4 years ago
You're right ! He's got a lot more weight in his voice than Terfel. And more squillo, too.
primobaritono 4 years ago
Sirs,please!at Danise's side,Terfel doesn`t exist!!!
Ankhsnammon 4 years ago
That's kinda crap, isn't it? You've only heard a few recordings of this guy. True, he sounds really good. But in performance on his worst day, people would sell an appendage to sing like Terfel. You have no idea how often this guy sang well or badly in actual performance, right? Wanna hear a great singer, sadly forgotten, who always delivered? John Charles Thomas. Forgotten due to rep, not his singing. HE was a truly great 'forgotten' singer.
bradleyjenks 4 years ago
Sir,dear sir:
with all my respect for mr.terfel and the other baritones of today,and,obviously!,for you....I would sell my soulto the devil for to sing almost a bit like the golden voices of the past!!!!!
Expressivity,emotion,fierce strngth...but delicate feelings in each note...
art is a language from heart..and to heart...
not from pocket to pocket,sir!!!
and,today,the...eh,mmmmm"artists"?...are much more interested in their very rich pockets....
with respect,ever!
ankhsnammon
Ankhsnammon 4 years ago
After years of listening to "Golden Age" singers, I am amazed audiofiles prefer old singers uncritically. As if being dead makes them great. I think, when I listen to his contemporaries, that one reason Caruso was special is that he sang more consistently in tune than others. Bad pitch is called expression, bad rhythm.. rubato. I won't call older generations crap. But there are so many lovely contemporary singers. Don't judge them by scratchy recordings of out-of-tune singers.
bradleyjenks 4 years ago
i`m 39 years old....maybe this is the reason,being an old woman,of to prfer the old recordings,the nostalgic sounds...forgive me for my terrifying ignorance,sir!!!
now,about mrterfel:sir,he`s the sole baritoen whom i can call baritone,and very serious artist in our days...!the famous(sadly famous,indeed!)1989 cardiff contest must be won by him...from my humble oppinion.I think that his Hans sachs was incomparable!
ankhsnammon
Ankhsnammon 4 years ago
John Charles Thomas. Next to his name should be this: If you want to learn to sing, listen to this man; Flawless technique.
Yes, he sang many things most likely frowned upon by "real" opera singers. Chaliapin refused to sing with him again because Thomas (Valentin, in Faust) received more acclaim. Shows you the childish ego of Chaliapin.
hermanzoon 4 years ago
Well, that's a bit far-fetched. It is clear that Danise is another category vocally. Terfel, however, has an incredible stage presence. His Leporello is always fun to watch.
radsvid 4 years ago
Yes,Sir.this is true.His Leporello is very very nice tosee...an to listen to!
ankhsnammon(Nina)
Ankhsnammon 4 years ago
The great Danise, incredible singing like in all his records. I've never heard his prologue, thanks for sharing this.
xavierfersanta 4 years ago
Terrific. We hear the full, rich tone and ringing top with the substantial tonal core (no wooliness or woofiness) typical of Danise and his contemporaries among Italian baritones --
stevevandien 4 years ago
Wasn't he Bidu Sayao's husband?
contediwarwick 4 years ago
Yes indeed.
primobaritono 4 years ago
Great. Never heard of him. I often wonder where you get this stuff? And the photos of Leoncavallo, what a dandy. Looks like Rossini. I wonder if he too was so successful as to have a house on Bois de Boulogne full of dancers from the Crazy Horse? Thanks.
sagalat 4 years ago
My dad and I collect historic recordings, it's sort of our hobby. I don't know much about Leoncavallo's life, but I bet reading a biography on him would be interesting.
primobaritono 4 years ago