There is quite a bit of difference between the stage show and the movie. But, the changes that were made reflect the different mediums. In the stage show, the Ballad of Sweeney Todd is needed to bookend the show and provide seamless transitions throughout the show. The movie did not need such bookends or transitions. The song 'Look at me' needed to be after 'Greenfinch and linnet bird' to show the love connection. With the movie, only a look was needed to express this emotion. Etc. Etc.
@emmyrossumfn101 Anyone Can Whistle, Carousel, A Little Night Music, Into the Woods, among others. He's the most prolific composer and lyricist for musical theatre and film. How do you not know anything else?
I agree Jerraph! I love to hear him speak about his formulaic approach to scaring the hell out of the audience. His are the only pieces that I fully invest...taking no notice of those around me in the theatre. What a wonderful gift that is to give. He's brilliant.
Ahhhh! I love just getting a peak into that genius' mind. I liked how he was very objective about his view on the movie. He didn't quite say whether he liked that his masterpiece was altered and cut, but remained professional and used great tact.
@JollyMe08 Oh don't be silly. Burton first approached Sondheim about his adaptation idea almost 2 decades ago. He wasn't known in film as he is these days.
I liked the movie too - but i prefer the stage version. I found it difficult to get my head round all of the chorus music being cut - and I thought HBC was badly miscast. But the movie looks amazing and the finale was great. I don't agree with what he says here about 'Cabaret' - it's very much a movie adaptation of a stage show, more-so than the Sweeny movie (just in my opinion!).
I agree with you. They changed much more in the "Cabaret" film than they did in the "Sweeney Todd" film actually...But, you know, Sondheim doesn't really like "Cabaret", I think...*grins*
I lvoe how he says that this is a different "film on stage musical" hes right, It really does depend on what you saw first, If you saw the movie first, and haven't seen the stage production then ya your going to have a different opinon about it. Its just like the 2004 version of The phantom of the Opera. everyone has their views. I love all of it.
I think it depends whether you can approach things with a totally open mind. I loved the film and I love the stage musical too and I'm happy to mix opinions rather than have it in black and white. For example I liked the way they used actors without singing expirence so that it became about acting as much as it was about singing but on the other hand I still think Patti Lupone is the best Mrs. Lovett ever.
This fantastic. Can you please listen to kwiatman on utube.....and his version of "Not While I'm Around". He would love to record this but can't find a way to get in touch with Mr Sondheim to ask permission. Do you know how we could contact him please?
Wow. That's cool. I didn't even know who Sondheim was, and I went on Wikipedia and read all about the origin of Sweeney Todd. I discovered that Sonheim wrote one of my favorite songs from a different musical. Small world.
It depends on what version of Cabaret you saw. The latest vogue in revivals of past shows on broadway and the subsequent small theatre productions is to do what many are referring to as a "revisal." This was done to the revival of Cabaret in 1998. Between the film version of Cabaret directed by Bob Fosse and the "revisal" of Cabaret, the former would be the most faithful to the original version produced and directed by Hal Prince on broadway in 1966.
I'm talking about the film version in comparison to the original stage show, which at the time of the film, was the only stage version there was. The "revisal" is a combination of the stage and screen versions. That's my point, is that the film version of Cabaret actually took complete songs out and replaced them with entirely new ones. The story is completely shifted, characters and their relationships with each other are different, etc. Sweeney Todd is an incredibly faithful adaptation.
SUP BRO! COME AT ME BRO!
vietkiet 2 months ago 2
@emmyrossumfn101 ah so many great things. and there's this amazing thing called the internet where you can find answers to your questions
Golightly143 1 year ago
There is quite a bit of difference between the stage show and the movie. But, the changes that were made reflect the different mediums. In the stage show, the Ballad of Sweeney Todd is needed to bookend the show and provide seamless transitions throughout the show. The movie did not need such bookends or transitions. The song 'Look at me' needed to be after 'Greenfinch and linnet bird' to show the love connection. With the movie, only a look was needed to express this emotion. Etc. Etc.
jcanepa07 1 year ago 3
Comment removed
jcanepa07 1 year ago
Julia Mackenzie is the best Mrs Lovett I have ever seen.
Lansbury is over the top.
H.Bonham Carter is nowhere.
Lupone.Terrible.
madgeson 1 year ago
Does anyone know what else Sondheim did? I'm only familiar with Sweeney Todd.
emmyrossumfn101 1 year ago
@emmyrossumfn101 he wrote the lyrics for West Side Story :D
FlabbergastedDude 1 year ago
@emmyrossumfn101 Anyone Can Whistle, Carousel, A Little Night Music, Into the Woods, among others. He's the most prolific composer and lyricist for musical theatre and film. How do you not know anything else?
boooohoo9 11 months ago
@boooohoo9 Carousel??
flaggerify 10 months ago
@boooohoo9 carousel was written by rodgers and hammerstein
charlottekane123 9 months ago
@emmyrossumfn101 WICKED, Into the Woods, Assassins, Company, .. a ton of stuff. worth looking into
Britt3Nic 6 months ago
@Britt3Nic He Didn't Do Wicked, That Was Stephen Schwartz (:
TheatreGeek333 6 months ago
I agree Jerraph! I love to hear him speak about his formulaic approach to scaring the hell out of the audience. His are the only pieces that I fully invest...taking no notice of those around me in the theatre. What a wonderful gift that is to give. He's brilliant.
raymom2 1 year ago
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I've been spoiled to Tim Burton's Sweeney Todd adaptation. Nobody does this scene better than Johnny Depp and Helena Bonham Carter. <3
MimiKon36 1 year ago
Ahhhh! I love just getting a peak into that genius' mind. I liked how he was very objective about his view on the movie. He didn't quite say whether he liked that his masterpiece was altered and cut, but remained professional and used great tact.
EngorgedxSpleen 1 year ago
I, for one, think he sold his soul.
JollyMe08 1 year ago
@JollyMe08 Oh don't be silly. Burton first approached Sondheim about his adaptation idea almost 2 decades ago. He wasn't known in film as he is these days.
overthemoo 1 year ago 2
Sondheim - the greatest composer in musical theatre in the world right now. Genius and master of his art.
Jerraph 2 years ago 60
i like it how people say it put the stage play to shame but the man who made the play loves the movie
sonicfan74 2 years ago 32
he is inspirational! :D
magicalfascination 2 years ago 7
I liked the movie too - but i prefer the stage version. I found it difficult to get my head round all of the chorus music being cut - and I thought HBC was badly miscast. But the movie looks amazing and the finale was great. I don't agree with what he says here about 'Cabaret' - it's very much a movie adaptation of a stage show, more-so than the Sweeny movie (just in my opinion!).
stickyfixer 2 years ago
I agree with you. They changed much more in the "Cabaret" film than they did in the "Sweeney Todd" film actually...But, you know, Sondheim doesn't really like "Cabaret", I think...*grins*
yougottagetagimmick 2 years ago
Hahahaha! No it's definitely not!
claytonwoot 2 years ago
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its mr. filch from harry potter
paranormalgirl1 2 years ago
genius!
LusciousBaybee 2 years ago
I lvoe how he says that this is a different "film on stage musical" hes right, It really does depend on what you saw first, If you saw the movie first, and haven't seen the stage production then ya your going to have a different opinon about it. Its just like the 2004 version of The phantom of the Opera. everyone has their views. I love all of it.
dupbr13 2 years ago
I think it depends whether you can approach things with a totally open mind. I loved the film and I love the stage musical too and I'm happy to mix opinions rather than have it in black and white. For example I liked the way they used actors without singing expirence so that it became about acting as much as it was about singing but on the other hand I still think Patti Lupone is the best Mrs. Lovett ever.
mousesandwich 2 years ago 4
he is simply a genius....
bflo710 2 years ago 5
He's such a genius!
mrslovvet 2 years ago 4
He is extremly cool :)
EHMNB 2 years ago 5
aaaaaaaaaa he's old!!! noooooooooooooooooooooooooo
I love him so much o gohs
he's like one of my absolute idols (i have many)
phionexflames 2 years ago
This fantastic. Can you please listen to kwiatman on utube.....and his version of "Not While I'm Around". He would love to record this but can't find a way to get in touch with Mr Sondheim to ask permission. Do you know how we could contact him please?
irishgalsal 2 years ago
Wow. That's cool. I didn't even know who Sondheim was, and I went on Wikipedia and read all about the origin of Sweeney Todd. I discovered that Sonheim wrote one of my favorite songs from a different musical. Small world.
Eohrider 3 years ago 2
i love the music in sweeney todd i listen to it all the time !!! its like the only thing i listen to
sweeneytoddfan24 3 years ago 4
Wow he's brilliant
SweeneyTodd98 3 years ago
Nice interview.
moviemom4 3 years ago 6
Brilliant, but the film version of Cabaret is nothing like the stage version. It takes far more liberties than Sweeney Todd did.
bckesler 4 years ago
It depends on what version of Cabaret you saw. The latest vogue in revivals of past shows on broadway and the subsequent small theatre productions is to do what many are referring to as a "revisal." This was done to the revival of Cabaret in 1998. Between the film version of Cabaret directed by Bob Fosse and the "revisal" of Cabaret, the former would be the most faithful to the original version produced and directed by Hal Prince on broadway in 1966.
bassman462 3 years ago
I'm talking about the film version in comparison to the original stage show, which at the time of the film, was the only stage version there was. The "revisal" is a combination of the stage and screen versions. That's my point, is that the film version of Cabaret actually took complete songs out and replaced them with entirely new ones. The story is completely shifted, characters and their relationships with each other are different, etc. Sweeney Todd is an incredibly faithful adaptation.
bckesler 3 years ago
What a brilliant composer!
TurkeyToast 4 years ago 9
Brilliant mind!
FallingRedRose 4 years ago 4
Omg he's so hot
devlyshbabiipnay 4 years ago 5
???? Great composer though ^_^
GormanToons 4 years ago 4
He is so modest.
MutantViolin 4 years ago 2
oh no. he is looking so old.
nightcrawler42 4 years ago
He's so cool!
cupcake101 4 years ago
He's a genius. I love all his works.
BlueUltraViolet 4 years ago
What a guy.
He is Jesus.
MatthewwMatthew 4 years ago
Of course he is. He's even Jewish.
rmelofranco 4 years ago 3
more or less.
MatthewwMatthew 4 years ago
less
pdpMASTERP 4 years ago
He was born Jewish and stepped into a synagogue at the age of eighteen. That's all he can say for being Jewish, so less would be correct.
MatthewwMatthew 4 years ago