Added: 1 month ago
From: Lot2learn
Views: 2,237
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  • Roger, this is my favorite tune right now. Love the latin left hand thing thing. Gotta learn it. I always look forward to when you post.

  • Amazing. As usual. How did you go about creating the accompaniment (bass&drums)?

  • Your left hand is a killer! Wow...

  • @LeonMarvel Thank you for your comment.

  • Also, keeping doing original tunes and playing!

  • Great tune for guitar!

  • @jazz1bro Yes Mark, this would sound nice on guitar!

  • Roger, I really love your playing and the useful information that you have posted. While attempting to follow some of your great licks I noticed that you don't use the little finger of the right hand very often except for octaves and in a few scales. I hope you don't my asking why, as I have a hand with about the same geometry as yours, perhaps smaller with a significantly short little finger. I'm working on licks and trying to get them sounding even.

  • I've noticed that it's much harder to play triplets when the 3rd and 4th finder are both involved, or roll to the next octave when playing a scale if the little finger is involved. Is there some logic to this? I've gotten comfortable with harmonies, but the improvisation licks just aren't getting better due to fingering non-coordination. Sometimes I feel like quitting, but the beauty of jazz pulls me back to the piano.

  • @desertlight I guess coming from a self-taught, non-classical background I developed my own "technique" over the years. This is not always good, as it does limit me in some respects, but I guess it also lends itself to providing me with my own "voice". I have developed my 2nd, 3rd and 4th fingers better than my 5th, that's why I use them heavily in my single line playing. There's a lot2learn when it comes to music - no matter how long we've been playing. ;-)

  • @Lot2learn Thanks for the reply. When I watch players with long fingers (longer than the key tops - like spider legs) and little fingers that are almost as long the the 3rd finger I realize that I'll never be able to do some things on the piano such as left hand 10ths. For someone self taught, you should congratulate yourself on a great accomplishment. If you played in our area(Utah) I would definitely come out for the experience. I'm learning from you...a heartfelt thanks!

  • One of my favorites from your album. Nice to hear another take on it.

  • @djbelc01 Thanks Dan!

  • bravissimo

  • @mrhitmanisback Thank you.

  • Beautiful!

  • @TheTruth285 I appreciate your comment.

  • I am your big fan from China Mainland!

  • @MRYeahyoung Thank you very much for your comment.

  • Sounds real nice,Roger! Didn't knew you also compose! All the best - Levi

  • @MrKeys57 Thanks Levi.

  • This is awesome. Do you have any more compositions, or lead sheets of this one? Would love to hear more!

  • at last you add the video tutorial at this beautiful your composition

    thank you roger

  • @tonydivicino Glad you like it Tony.

  • fantastic composition

  • Reading the title, saying it out loud, I am hearing "Fats Waller".

    I enjoyed this video a lot. Will try to send you a rough lyric !!!

  • Great Roger. I really love that Cuban piano inspired montuno-like left hand figure you use on the F7sus and C7#9 chords - 0:34 to 0:45. And of course those wonderful pentatonic sequences that you so effortlessly string together!

    Doug

  • @jazz2511 Thanks Doug. I really like the voicing of the Fsus while the bass plays a Db making it a Db69. Then by moving the F to a G during the "montuno-like" figure it adds the #11 (G) to the Db. The second chord then uses a C7#9 voicing while the bass plays a Gb so the figure then alters between a Gb7 and Gb6. I never really thought that much about it until you mentioned it!

  • @Lot2learn Thanks for the explanation Roger. Mine was a really dumb analysis of what you were doing! I didn't listen to the bass notes under the piano figure - just assumed (not sure why) you were playing in Fm. I guess those chords based on 4ths that you used fooled me! Doug

  • WONDERFUL! Reminds me of Francis Lai or Henry Mancini!

  • @jsbach15 Thank you for your comment.

  • Simply awesome!

  • So many things to learn! Portion of the chord progression sounds like Maiden Voyage.

  • @cloudz7 Thanks. Yes, the extended tag at the end has some similar sounding chords.

  • geniale!

  • Fantastic, love it * * * * *

  • muy linda composicion, suena muy bien.

    saludos

    jose

  • This is great!

  • @nicholas9999 Thanks!

  • 1 word: WOW!

  • una delizia come sempre ascoltarti .

  • sweet, reminds Scofield's "Keep me in mind" a little bit :)

  • @Relhby I'd never heard that song before, thanks for telling me about it - great song. Yeah, it has that one line in it that is similar. ;-)

  • Super cool Bossa Nova...Eu gosto muito!!

    

  • Awesome! I'm really impressed, Roger. It's a pleasant listening piece. I enjoyed it very much. Like! (thumb up) and I include it on my Latin Jazz (due to Bossa tempo) playlist. Greetings from Spain :)

  • @RodrixMusic Thanks Rodrigo!

  • Ah the song I forever remember as the Dancing Lady Passing the Camera tune ;)

  • @Vayshen Ha, ha - you are so right! I am totally going to have to rename this song. ;-)

  • Wow, this is great. Love it! =D

  • @poohjazzrockanime I appreciate your comment.

  • @Lot2learn You are welcome, sir. Your videos really inspire and teach me a lot. =D

  • Great tune!

  • @jplanejazz Thankyou!

  • Yah man!

  • @tjjazzpiano Thank you Mr. TJ Bach.

  • Hey! I know that tune!! Lush left hand chords and you take it way out from a rhythmic perspective. Fantastic!!

  • @7notemode Thanks Tom!

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