In the 14th century this was sung during an Easter Celebration wherein the clergy DANCED upon the cathedral's Labyrinth and tossed a golden ball back and forth. This version seems much more appropriate to Dancing and ball playing. Do you have more information on the CD this comes from, please?
A decent rendition and though it's not supposed to have it, the harmonies are nice... however, traditionally Gregorian Chant is done sans organ... also, what is with the dotted rhythms for what is supposed to be a straight rhythm?
@erickamcc1701 why do you think chant isn't supposed to have harmonies? Of course it can be performed a cappella or accompanied. The practice of harmonizing chant has been around now for several hundred years. To address your question about the rhythmic version of this chant - Of course rhythm became more important in the 14th century - rhythmic modes were also often applied to chant
This is great. Liturgy should look, sound and even smell 'otherworldly', as if a time and space were rent open inside the church, and a glimpse and taste of heaven and eternity were spilled through the crack into our 'vale of tears' for us to know and desire to have.
El tema victimae Paschali que se aprecia en este video no es propiamente gregoriano,que tiene visos del tema original ciertamente, por lo tanto se le ha de criticar como tal, como una version del tema gregoriano, a mi pobre parecer es una bella intepretacion, llena de caracter," .. dinos que has visto Maria en la mañana?... a mi Señor glorioso la tumba abandonada... resucito de veras mi amor y mi esperanza Aleluya... Amen... MUY MUY BELLO
As vozes até são boas mas o andamento está completamente errado levando a erros de pronunciação das palavras. Está a ser cantado como se fosse uma pauta e estivesse cheia de colcheias e semi-colcheias.
O andamento da música ficou perfeito. Os sopranos, contraltos, tenores e baixos em sintonia perfeita.
Muito boa a gravação. Domingo 04/04/2010 vou cantar com o coral da Universidade Católica de Petrópolis na Catedral São Pedro de Alcantara essa música.
The recording sounds like what they do at Notre Dame in Paris.
btw I think this setting while, polyphony is outstanding.
They took the "tune" of the Gregorian tune and harmonized and set a metered rhythm. This is not uncommon, even at St. Peter's they have archives of music by composers over the centuries elaborating on the chants of the Church.
Well, I'm rather shocked with the entire "chant." I'm going to play this and unfortunately I stumbled upon this "rendition" first. Hopefully, I can get the rhythm out of my head. You know the old adage -- what you initially hear is what you recall. UGH.
Very neat rendition of the Victimae sequence! That is a mystical moment if ever, on Easter Sunday, when this is chanted, IF it is chanted in such a way that is mystical!!
There is a CD with this piece, "Grandes Heures Liturgiques A Notre-Dame De Paris (FYCD 001) with the Notre-Dame choir and Pierre Cochereau playing the organ interludes on the Great Organ. The notes' only credit says, "Attributed to Wipo, chaplain at the court of Burgundy from 1024 to 1060." In this YouTube recording the diction is clear, while the Notre-Dame recording is more elaborate and has Cochereau apparently playing full organ, but with the diction less clear.
That performance is on YouTube also. This arrangement is very far from the original Gregorian chant. Not only is it harmonized, but the rhythm has been altered to that of a folk carol. Nothing wrong with that, but surprising to hear.
There is a long tradition of original chants being set to hymn format, I actually like this version alot! Nun Komm den Heiden Heiland, Puer Nobis, to name a couple.
Sono del tuo stesso parere. Apprezzo le improssivazioni di Gaston Litaize su questa antichissima melodia, ma questo arrangiamento per coro a 4v. snatura assai la primigenia linea melodica...
Such a beautiful, prayerful, and victorious peice. What's more: I first discovered this setting on YouTube in Eastertide whilst in Israel before working amongst poorer and oppressed Palestinians when going to Palestine. It sings of the victory over all sin that is in Christ.
Beautiful hymn of sublimity and Lord's glory of resurrection. Resurrexi et adhoc tecum sum, Alleluia! Yes, Lord, stay with us till the dawn of Your return with the celestial choirs of yore that really sang your glory. Thanks for the marvelous piece
very nice. the video of the sheet music was an especially interesting touch. about 5 years ago, i switched from evangelical baptist to Catholic, and i looked at various protestant sects as well. thus i've done some studying of Christian history. also i like to play things on keyboard.
'Victimae Paschali Laudes' is a sequence prescribed for the Roman Catholic Mass of Easter Sunday. It is usually attributed to the 11th century Wipo of Burgundy, chaplain to the German Emperor Conrad II, but has also been attributed to Notker Balbulus, Robert II of France, and Adam of St. Victor.
For the Latin text and translations see Choralwiki.
Re: a few posts down, I don't think it's a matter of obeying or disobeying the principles of Gregorian music. This is a choral arrangement of the Sequence based on the Gregorian melody. Durufle did the same thing (albeit in a different style) with his Requiem. It is clearly not intended as a rendition of chant, but as an alternative to the original chant.
I'm not particularly religious, but I'm learning about Christianity in my Humanities class...Honestly I am astonished by the beauty of Gregorian Chant.
Wonderful, the sequence for Easter, should I feel have the organ, after the plainsong of Lent. This is the version I prefer to hear each Easter Sunday at High Mass. Please post the sequence for Pentecost Veni Sancte Spiritus, if done by this choir it should be the most beautiful version and the one I also hear each year. Exquisite!!!!
I know the Victimae Paschali Laudes very well as I learnt it last year (I'm going to sing it this year with one of the priests of the cathedral I serve) and the rythm here shocked me...
Gregorian chant is theology in music, so the text is the important thing. It developed in abbeys and monasteries for highly trained male choirs to be sung 'a cappella' (unaccompanied).
In my opinion this rendition the accompanying organ is too loud. But, what is worse, the choir do not respect the accents of the Latin words which in turn are clearly indicated in the sheet music. The effect is strange.
The rhythm used here is standard for this kind of sequence - Pange Lingua is also sung like this. Check Guerrero's setting of it, written 450 years ago. Can't tell you why but it is perfectly normal!
In the 14th century this was sung during an Easter Celebration wherein the clergy DANCED upon the cathedral's Labyrinth and tossed a golden ball back and forth. This version seems much more appropriate to Dancing and ball playing. Do you have more information on the CD this comes from, please?
AKLabyrinth 5 months ago
Comment removed
eabernathy1 9 months ago
Comment removed
eabernathy1 9 months ago
so beautiful
manfredfinch 10 months ago
A decent rendition and though it's not supposed to have it, the harmonies are nice... however, traditionally Gregorian Chant is done sans organ... also, what is with the dotted rhythms for what is supposed to be a straight rhythm?
erickamcc1701 10 months ago
@erickamcc1701 why do you think chant isn't supposed to have harmonies? Of course it can be performed a cappella or accompanied. The practice of harmonizing chant has been around now for several hundred years. To address your question about the rhythmic version of this chant - Of course rhythm became more important in the 14th century - rhythmic modes were also often applied to chant
eabernathy1 9 months ago
Hate the organ. Should be a capella. Otherwise it sounds like a christmas carol.
NayHarris 1 year ago
@NayHarris you should find a good organ being played by a good organist!
eabernathy1 9 months ago
Mystical, yet joyful in sound. Good balance with the organ. Thanks for posting
Mackaronni 1 year ago
This is great. Liturgy should look, sound and even smell 'otherworldly', as if a time and space were rent open inside the church, and a glimpse and taste of heaven and eternity were spilled through the crack into our 'vale of tears' for us to know and desire to have.
MrLamontSanford 1 year ago 2
that final alleluia sounds awesome
thenamesfrancisco 1 year ago
El tema victimae Paschali que se aprecia en este video no es propiamente gregoriano,que tiene visos del tema original ciertamente, por lo tanto se le ha de criticar como tal, como una version del tema gregoriano, a mi pobre parecer es una bella intepretacion, llena de caracter," .. dinos que has visto Maria en la mañana?... a mi Señor glorioso la tumba abandonada... resucito de veras mi amor y mi esperanza Aleluya... Amen... MUY MUY BELLO
diavoloinmvsica 1 year ago
Whts is the name of the cd please?
trabalhosmanuais 1 year ago
As vozes até são boas mas o andamento está completamente errado levando a erros de pronunciação das palavras. Está a ser cantado como se fosse uma pauta e estivesse cheia de colcheias e semi-colcheias.
alexlealmartins 1 year ago
Beautiful.
eaglescout5 1 year ago
sorry ,no !
demedallis 1 year ago
beautiful
ladyzuzi 1 year ago
Interestng rhythmic quality to this performance.
stpetric 1 year ago
This has been flagged as spam show
Americani... capiscono quello che capiscono
Frizzolone2009 1 year ago
Americani... capiscono quello che capiscono
Frizzolone2009 1 year ago
@Frizzolone2009 infatti!
lent77cv 1 year ago
Americani...
Frizzolone2009 1 year ago 2
O andamento da música ficou perfeito. Os sopranos, contraltos, tenores e baixos em sintonia perfeita.
Muito boa a gravação. Domingo 04/04/2010 vou cantar com o coral da Universidade Católica de Petrópolis na Catedral São Pedro de Alcantara essa música.
Muito bom. Adorei
araisatorres 1 year ago
@araisatorres
Já deu uma olhada na versao desta música na Catedral de Notre Dame em Paris?
34.644 aufrufe
bispofr
cristianevallim 1 year ago
Maravilloso
DeusMeDixit 1 year ago
The recording sounds like what they do at Notre Dame in Paris.
btw I think this setting while, polyphony is outstanding.
They took the "tune" of the Gregorian tune and harmonized and set a metered rhythm. This is not uncommon, even at St. Peter's they have archives of music by composers over the centuries elaborating on the chants of the Church.
joyfullbunny 1 year ago
so beautiful...thank you philipcandido
lilyofvaly1 1 year ago
Well, I'm rather shocked with the entire "chant." I'm going to play this and unfortunately I stumbled upon this "rendition" first. Hopefully, I can get the rhythm out of my head. You know the old adage -- what you initially hear is what you recall. UGH.
gnosticimp 2 years ago
There is no SATB in chant! This is polyphony!
magpie4321 2 years ago
This ain't chant people! It's polyphony!! Pretty bad!
magpie4321 2 years ago
q asquerocidad de versión, maten a esa gente de mierda que cantó eso, con música? deben estar locos!!!
saynomore251 2 years ago
ma che è sta cosa orribile?????
LASCIATE STARE IL CANTO GREGORIANO CHE é MERAVIGLIOSO COSI' COME é STATO CANTATO PER SECOLI!!!!!!!!
hotmusic84 2 years ago
Very neat rendition of the Victimae sequence! That is a mystical moment if ever, on Easter Sunday, when this is chanted, IF it is chanted in such a way that is mystical!!
MrLamontSanford 2 years ago
finalmente qualcuno che ha interpretato in maniera corretta un brano di tale portata...
SingingGio 2 years ago
love the dorian scale : )
Sensenwerk 2 years ago
thank you very much !!!:-)
psychodingo 2 years ago
Non condivido per niente l'interpretazione del gregoriano! in tempo composto... sarà, ma non son abituato Xd
compositore92 2 years ago
hello
Do you have this interpretation at format .MP3?
Thank you
parismars 2 years ago
ΧΡΙΣΤΟΣ ΑΝΕΣΤΗ ΕΚ ΝΕΚΡΩΝ, ΘΑΝΑΤΩ ΘΑΝΑΤΟΝ ΠΑΤΗΣΑΣ,
ΚΑΙ ΤΟΙΣ ΕΝ ΤΟΙΣ ΜΝΗΜΑΣΙ, ΖΩΗΝ ΧΑΡΙΣΑΜΕΝΟΣ.
lingualpfeife 2 years ago 2
RESURREXIT SICUT DIXIT ALLELUJA
lent77cv 2 years ago
Χριστός Ανέστη! (christos anesti)
Christ est ressuscite'!
nikos261175 2 years ago 8
@nikos261175 Aleithos Anesti! Indeed he IS risen! (im greek melkite!)
MegaKrishan123 4 months ago
This is a great setting (for SATB). Does anyone know who the arranger is and any other details?
allwasforanapple 2 years ago
There is a CD with this piece, "Grandes Heures Liturgiques A Notre-Dame De Paris (FYCD 001) with the Notre-Dame choir and Pierre Cochereau playing the organ interludes on the Great Organ. The notes' only credit says, "Attributed to Wipo, chaplain at the court of Burgundy from 1024 to 1060." In this YouTube recording the diction is clear, while the Notre-Dame recording is more elaborate and has Cochereau apparently playing full organ, but with the diction less clear.
blogson 2 years ago
That performance is on YouTube also. This arrangement is very far from the original Gregorian chant. Not only is it harmonized, but the rhythm has been altered to that of a folk carol. Nothing wrong with that, but surprising to hear.
Rankett16 2 years ago
@Rankett16
There is a long tradition of original chants being set to hymn format, I actually like this version alot! Nun Komm den Heiden Heiland, Puer Nobis, to name a couple.
Paschalboy 2 years ago
Thank you for posting this and have a blessed Easter.
prawnsmango 2 years ago
Happy Easter !
maciekk7 2 years ago
J'ai la partition avec cet arrangement (4 voix)... Quelqu'un est intéressé ?
bispofr 2 years ago
je veux bien la partition (4 voix)...
parismars 2 years ago
bonjour,
Cette séquence est vraiment une des plus belle.
Si cela est possible, je serais intéressé par la partition de ce très bel arrangement. Son auteur est-il connu ?
blebr45 2 years ago
si ma con questo ritmo sposta tutti gli accenti.....non è che sia una trascrzione molto felice
Falstaff87 3 years ago
Sono del tuo stesso parere. Apprezzo le improssivazioni di Gaston Litaize su questa antichissima melodia, ma questo arrangiamento per coro a 4v. snatura assai la primigenia linea melodica...
wings4weels 2 years ago
me encanta... es una pena que no este tan bien el audio... ritmo propio del triduo pascual! aleluya
tapadillo415 3 years ago
This one lost the true beauty of it's chants.
Chants are ususlly sung with only five notes.
Try Gregorin Chants styles !
teresasfsol 3 years ago
Beautiful version!!. Thank you
Eudora74 3 years ago
yeah
beuys1234 3 years ago
Gives me shivers, it's so beautiful!
prolifegal 3 years ago
Sounds beautiful to me. I love all my faith music that glorifies His Name. Thanks you Heavenly Father for my faith of Catholicism.
RonFetty 3 years ago
Such a beautiful, prayerful, and victorious peice. What's more: I first discovered this setting on YouTube in Eastertide whilst in Israel before working amongst poorer and oppressed Palestinians when going to Palestine. It sings of the victory over all sin that is in Christ.
cmrgandulf26 3 years ago
Forgot to say I was in Galilee when I heard it first and thus the reference to Galilee in this peice especially means a great deal to me.
cmrgandulf26 3 years ago
Not how it's supposed to be sung, but still beautiful.
lutheranorthodoksi 3 years ago
Finally.... the right way to sing the sequences !!! Thanks for this video !
Paxetbenedictio 3 years ago
Well i like this sequence, too.
I sung it two hours ago :D
I'm in a catholic chorus and we learned that sequence for a CD. And i noticed that the accentuation of this performance is false :(
But nethertheless nice!
Janosch103 3 years ago
Beautiful hymn of sublimity and Lord's glory of resurrection. Resurrexi et adhoc tecum sum, Alleluia! Yes, Lord, stay with us till the dawn of Your return with the celestial choirs of yore that really sang your glory. Thanks for the marvelous piece
MARTINKUK1 4 years ago
very nice. the video of the sheet music was an especially interesting touch. about 5 years ago, i switched from evangelical baptist to Catholic, and i looked at various protestant sects as well. thus i've done some studying of Christian history. also i like to play things on keyboard.
coventrygardens 4 years ago
As for the composer, from Wikipedia:
'Victimae Paschali Laudes' is a sequence prescribed for the Roman Catholic Mass of Easter Sunday. It is usually attributed to the 11th century Wipo of Burgundy, chaplain to the German Emperor Conrad II, but has also been attributed to Notker Balbulus, Robert II of France, and Adam of St. Victor.
For the Latin text and translations see Choralwiki.
cilicio 4 years ago
Somebody, please- who is the composer of this version? It's wonderful!
MarkHusey 4 years ago 2
Re: a few posts down, I don't think it's a matter of obeying or disobeying the principles of Gregorian music. This is a choral arrangement of the Sequence based on the Gregorian melody. Durufle did the same thing (albeit in a different style) with his Requiem. It is clearly not intended as a rendition of chant, but as an alternative to the original chant.
tomasz1641 4 years ago
I'm not particularly religious, but I'm learning about Christianity in my Humanities class...Honestly I am astonished by the beauty of Gregorian Chant.
blackacacia94 4 years ago
This version is special. Never heard anything like it.
Nielsng 4 years ago 6
The sequences are most beautiful treasures of the church.
FlorianRebel 4 years ago
Please also post if possible, the sequence for Corpus Christi----Lauda Sion Salvatorem--it is also exquisite and gorgeous!!!!!!
cjijccii 4 years ago
Wonderful, the sequence for Easter, should I feel have the organ, after the plainsong of Lent. This is the version I prefer to hear each Easter Sunday at High Mass. Please post the sequence for Pentecost Veni Sancte Spiritus, if done by this choir it should be the most beautiful version and the one I also hear each year. Exquisite!!!!
cjijccii 4 years ago
The music is so beautiful...
I know the Victimae Paschali Laudes very well as I learnt it last year (I'm going to sing it this year with one of the priests of the cathedral I serve) and the rythm here shocked me...
SimplyDavid42 4 years ago 2
very beautifull! if is possible, what is the name of this recording? is avaiable in cd?
hieromonasticus 4 years ago
beautifully done/executed. wish I had been there to hear in person.
jonberts 4 years ago
I think the organ adds to the festal nature of this peice
elton1981 4 years ago
The accent problem is because they are french, in french every accent fall in the last sylable. I think that's the explanation.
DanVilAl 4 years ago
Gregorian chant is theology in music, so the text is the important thing. It developed in abbeys and monasteries for highly trained male choirs to be sung 'a cappella' (unaccompanied).
In my opinion this rendition the accompanying organ is too loud. But, what is worse, the choir do not respect the accents of the Latin words which in turn are clearly indicated in the sheet music. The effect is strange.
cilicio 4 years ago 2
Correct. I perfectly agree. It disobeys the fundamentals of gregorian music
catheh06 4 years ago 2
The rhythm used here is standard for this kind of sequence - Pange Lingua is also sung like this. Check Guerrero's setting of it, written 450 years ago. Can't tell you why but it is perfectly normal!
tenortubby 4 years ago