Added: 4 years ago
From: Elfinsafety
Views: 19,194
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:
see all

All Comments (19)

Sign In or Sign Up now to post a comment!
  • after 4:59 there're many fasle notes..

    I like this performance!! nice! ღღღღღღ

  • It IS in my opinion the best performance. I really love Kovacevich's too, but Gilels is the best.

    Did Gilels really walk about saying Richter was better than him? I read that he said that often when he was touring the US.

  • On his first tours of the US in the 1950s, apparently he responded to praise of him as the greatest USSR pianist by saying "Wait till you hear Richter". Most seem to have interpreted him as saying that Richter was even better than him, but I think he could have meant 'Wait till you hear Richter... and then decide.' Anyway there's no doubt both were equally great but in their own way. :)

  • tempo and interpretation made it very classy... :)

  • tutti lo fanno molto veloce, ma a questo andamento viene fuori molta più musica.E' assai più facile ingoiare un metronomo,ma i risultati sono quelli che contano!

    opera54

  • what are the chord progressions from 3:58 to 4:15?

  • @NNomad ist just a sequence of falling fifths with major 7, beginning with D

  • Whoa! Listen to Gilels left hand at 4:24, so typical for a waltz. Gilels and Arrau are the only ones who made them audible. Most just prefer to play the whole passage more brilliant.

  • yes, he does it wonderfully, doesn't he :)

  • If you like the way Gilels plays it, you should check out Amir Katz interpretation. Krystian Zimerman also does a nice job as well. What do you think?

  • I have been waiting for this performance for over 45 years! It's the only one I've ever heard performed at the proper tempo. It completely embodies Clara Schumann's reflections on how the piece should be played, especially the final movement. She warns specifically against rushing and losing the "waltz feel" that should be maintained throughout. Coupled with Gilels' usual technical mastery, dynamics, phrasing, musicianship..etc, this may be the greatest performance of this great work ever!

  • That's what I've read as well. Arrau, Bolet and Lympani played this at a similarly slower-than-normally-heard-tod­ay tempo. Also I've read books where Clara Schumann pupils warn against rushing it. :)

  • @michsturge Somehow the "wrong tempo" Mitsuko Uchida's performance of the same piece is better )

  • Allegro Vivace is not about speed but character."Munter und Lebendig" would be the

    german translation.

  • Wow... He really makes this tempo work, and all the counterpoint is so clear in the orchestra at this tempo. It sounds almost like Brahms.

  • Wonderful! I love the tempo.

  • Sooo many more vids of Horowitz, but even he cant match Emil Gilels for top spot. What say you?

  • oh, i love the tempo!! it's his style

  • How come he plays so slow for this movement? The orchestra also... I thought it suppose to be allegro vivace?

Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more