Added: 2 years ago
From: StCyriakus
Views: 42,730
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (33)

Sign In or Sign Up now to post a comment!
  • I would like to perform something like this, just to say I did it. Nothing wrong with that I think. The audience might be a little confused or...well, frightened. So I would probably follow it with something light, happy, and tonal. Like Mozart. He's safe...predictable.

  • Do not imagine that Art is something which is designed to give gentle uplift and self-confidence. Art is not a brassiere. At least, not in the English sense. But do not forget that brassiere is the French word for life-jacket.

    - Julian Barnes

  • great work.

  • Gxi estas la ekzemplon de la frenezo de la artoj. TRE BONE!!

  • so when are we actually allowed to change our views from "this is a masterpiece!" to "wow that was pretty shitty"? because i understand what Schoenberg was doing but damn it just can't ever sound right

  • @biggiebrownn Well it can never sound right cause it s a composition based on the technique "Dodekaphony"...which you should now means, that he just picked out some notes, gave them numbers and then ordered them however he wanted to...which results in this piece.

    I wouldn´t describe it as wonderful either, but I think you shouldn´t call this modern, for Schönberg´s time revolutionary, music "shitty".

  • @KonnytheViolin I'm a music student so I understand his style entirely, I just don't think we can consider it music when it sounds like a cat walking across a sound effects keyboard

  • @biggiebrownn Well...I guess you are right, but I think Schönbergs "music" is not even labeled as music it is rather a technique...but anyways, it doesn´t sound great, but I just thought shitty is a harsh word =)

  • @KonnytheViolin fair enough

  • @biggiebrownn

    i didnt wanna say it but you just dont get it

  • @dianava84 im a music major so i know that he was attempting something different for his time but when you get down to it its just a bunch of random noises. for example: john cage's 4'33" is a "song" with no sound whatsoever. we can say what we want about how inovative it was but ive seen roadkill perform that just as good as an orchestra

  • @biggiebrownn i dont care about your example. shit you dont get it

  • @biggiebrownn let this poor fellow feel great because of his great comment. one more thumb up for you so no one could ever reach you.

  • @dianava84...ok....?

  • @biggiebrownn yo sigo viendo este video porque me gusta pierrot pero amigo tu solo quieres ver tu comentario y el de los de mas. why do you keep watching pierrot? freak

  • These poems are cast in strict rondel form with its scheme ABCD EFAB GHIJA, in which the letters A &B represent the "rondel", offered a firm grip to the composer.

    In No. 21 O alter Duft every return of the rondel is associated with the return of a

    "main theme", which functions as a musical refrain.

  • I am doing a project on Schoenberg...and wowwwwwwwwwwwww. that is scary.

  • La música como cualquiera de las artes es la expresión del alma más pura que alguna vez pueda encontrarse. Asismismo abogo por esa lin¡bertad al contradecir a aquellas personas que han criticado esta excelente pieza.

    Viva Pierrot Lunaire.....

  • @Lirian04

    Completamente de acuerdo, siempre me a gustado muchisimo esta obra.

  • Te atrapa en un mundo libre de ataduras tonales del que cuesta salir sin maravillarse

    muy bueno

  • vahotito esto es música del siglo XX simplemente, intenta reflejar un mundo hecho con cristal, hormigón y cemento... si tú estás en el XVIII puedes ir a Cuba por si necesitan esclavos en algún ingenio y cantar alguna de esas pachangadas precapitalistas

  • @rlhernaiz Jajajajajjajaj buenisismo....

  • A first rate performance of a very difficult work. Bravo and thanks for posting.

    To mongemark: Schoenberg killed nothing. He opened doors which one can either enter or forego. But his work is magnificent on purely musical terms. One simply has to stop expecting triads to dominate in a totally chromatic realm where the difference between dissonance and consonance is only a matter of placement on the overtone series.

  • absolument, totalement, irrévocablement en accord avec vous !! Schoenberg est bien loin d'avoir prétendument tué la musique (n'importe quoi ... !!). il est le tenant d'une tradition, et toute son écriture ne peut, ne veut que la respecter ... cela s'entend dans l'écriture instrumentale, bien au-delà du fait de savoir si l'oeuvre est atonale ou pré-sérielle (on entend déjà effectivement le raffinement de la Sérénade op. 24 ...).

  • This Sprechesang gets me scared!

  • oh no! arnold shoenburg is giving me nightmares!!! muhahahahahahaha.

  • @Norgelt lol yea it's so psychedillic, and scary too!!!

  • I love this

  • Really? i love how this expresses a lot of emotion, but never would listen to this, casually.

  • Excelente interpretación. Sátrapa aquel que manifieste su gusto como opinión e un loro que repite la ignorancia de los tiempos. Abajo la tonalidad! y su dictadura de la forma.

  • Puccini listened Pierrot Lunaire and said : He's fool (è matto!)

    but some years after it remembered in Turandot (I act, dead's chorus)

    Schoenberg is a genius but he has killed the music

    however ... excellent performance (Pousseur)

  • Marianne Pousseur is simply fabulous...

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more