Heartbreak Hotel, Elvis' first big hit, was written by Hoyt Axton's mother. Hoyt's dad was career military. See Dave McGowan's research into LAUREL CANYON MUSIC scene to understand the connection, magnitude and implication. ( davesweb dawtt cnchost daughtt komme ). The song was inspired by a suicide of man who attempted to eradicate his existence before leaping from a hotel window. This extremely dark interpretation is probably most accurate to the spirit behind this song.
This is utterly fantastic. The arrangement is chilling and brilliant, but the mix of musicians is also fantastic. This particular version continues to make my spine tingle. It's d:a:r:k: Side note: whatever Shawn did or stopped doing that resulted in her returning to a healthful weight, good news. She is dangerously skinny in this video.
Cool...our band is playing Heartbreak Hotel Halloween so I was running through some covers on YouBoob. I think we will play the INTRO and OUTRO like this and put the pedals to the metal in between...thanks for posting...hauntingly magnificent musical emotion...
Ok...we played HBH on Halloween as our first song. We did the INTRO like this (frist two verses and chorus only) and then we stoped for 4-beats of complete silence and then the whole band jumped in.with the up-beat Elvis version repleat with our lead guitarist as Elvis - AWESOME !!!
The best version of all time of this song is on Cale's album Guts. It's how a real heartbreak hotel would sound. It isn't sweet, which the sax on this arrangement is at times.
I have wanted to hear this song ever since I saw it on Television in the early 90's. Still gives me goose bumps. YouTube shines with gems like these... thanks for posting!
This really is an incredible version. They took it as far in the other direction as they could. Brilliant instrumentation and vocals, I love this trio.
This shows that there are more than 2 ways perform a good song! There is the one that anybody could do, like Elvis who the f-ck is Elvis, and there is this fantastic way wich is beyond my fantasy and more than fantastistic. And, are there more ways?
I have seen Cale perform this,alone on the piano and it is truly one of the most evocative versions of this bleak classic. Hearing him perform with the great Richard Thompson, as well as the beaytiful sax work by David Sanborn makes this a special performance indeed.
This is the best i've heard so far. This is really a depressing song. The composition of this song clearly speaks for the lonliness of this song. Totally Moving!
I bought Slow Dazzle by John Cale in about 1973/4 and this was the first track on side two. Remember when records had two sides? The version on the album was slow but it worked up into a great, screaming climax. This version doesn't and is all the more depressing for that. Excellent performances all round.
Gosh this is bleak. John Cale has a unique style to Heartbreak Hotel, but the sax and steel guitar take it to a new level. Makes you wonder how anyone took it seriously as a Rock and Roll song. 5 stars
The "80's sax" is kinda what you get in an 80's video (I'm guessing late 80's, judging from Richard Thompson's appearance). And David Sanborn was really more of a seventies sax player.
>> I wanted to hear the music and not the synth or 80's sax. :(
Well, there is no synthesizer used, and I'm not sure what makes a sax sound like the 80's, so I don't really see the point of your comment. Maybe you mean you just don't like this version, which is fine with me.
I like this version. It typifies why Night Music was a great show. It took musicians you would not normally see performing together and let them create interesting art.
Perhaps it was the cheesy sax that dominated in the 80's that sounds far too much like a synth. Unfortunately, for me the stellar line up was marred by the lightweight jazz.
I'm glad you like this version. As the world of taste goes, vive la difference (sp?)
@scmm42 i think pang5 mistakenly refers to the lap pedal steel guitar being played as a synth, an understandable error considering its otherworldly quality. this performance blows my mind--guess i'll be tracking down the rest of Night Music...
I would never had believed this. I have been looking for this one for about a year now. Of course, You Tube has it! Not since it was on T.V. have I been able to enjoy this version. Thanks for posting!
This was a Sanborn tv show that aired for only a few years. If i'm not mistaken Hal Willner helped produce it also. I'm not big on Sanborn...too easy listening, but we can't forget he probably cordinated this coming together of some greats and he's been on enough great albums to warant us not to bad mouth him. He is not Kenny G by a long shot.I write this not having read more than one page of comments. Perhaps someone addressed this already.
I loved this arrangement of the song (as adapted from the version on Cale's 'Fragments from the rainy season' the Chopinesque piano got to heart of the song, more than any other version. Thankyou.
Fantastic clip and yes, an odd matching of musicians. I always associate Sanborn with the worst kind of frothy, latte jazz, but he sounds suitably avant garde here. Shawn Colvin sings powerfully and Thompson provides subtle, understated licks. Eerie, strange reconstruction of a classic song.
Jeriblank trembles at the cosmic alignment on my behalf. Holy fsck. Gotta love YouTube; not only did I not know this had happened, it was beyond me to *imagine* it had happened. (Thanks scmm42!)
Actually, Cale appeared very memorably on _Bryter Layter_, Thompson distinctively on _Five Leaves Left_ (and the alternate take of Drake's "The Thoughts of Mary Jane"). Richard Thompson's one of the barrage of guitarists on _Fear_'s "Momamma Scuba". Cale & Thompson: an inspired pairing! (Did John Cale ever work with David Bowie? Lou Reed with Brian Eno? Odd if not.)
Heartbreak Hotel, Elvis' first big hit, was written by Hoyt Axton's mother. Hoyt's dad was career military. See Dave McGowan's research into LAUREL CANYON MUSIC scene to understand the connection, magnitude and implication. ( davesweb dawtt cnchost daughtt komme ). The song was inspired by a suicide of man who attempted to eradicate his existence before leaping from a hotel window. This extremely dark interpretation is probably most accurate to the spirit behind this song.
33rdPatriot 10 months ago
Very interesting and unique adaptation.
JohnnyJazz365 11 months ago
This may make up for "Junkfood Junkie."
mikewarns 1 year ago
nothing better than hearing a song you like played the way the band likes. this is what makes grow
djlegand 1 year ago
Night Music was vastly cool.
babashee 1 year ago
This is utterly fantastic. The arrangement is chilling and brilliant, but the mix of musicians is also fantastic. This particular version continues to make my spine tingle. It's d:a:r:k: Side note: whatever Shawn did or stopped doing that resulted in her returning to a healthful weight, good news. She is dangerously skinny in this video.
CescaJanece 1 year ago
Fantastic. A marvelous and haunting arrangement.
kelime 1 year ago
Cool...our band is playing Heartbreak Hotel Halloween so I was running through some covers on YouBoob. I think we will play the INTRO and OUTRO like this and put the pedals to the metal in between...thanks for posting...hauntingly magnificent musical emotion...
ibgkneil 1 year ago
Ok...we played HBH on Halloween as our first song. We did the INTRO like this (frist two verses and chorus only) and then we stoped for 4-beats of complete silence and then the whole band jumped in.with the up-beat Elvis version repleat with our lead guitarist as Elvis - AWESOME !!!
ibgkneil 1 year ago
The best version of all time of this song is on Cale's album Guts. It's how a real heartbreak hotel would sound. It isn't sweet, which the sax on this arrangement is at times.
michrigan 1 year ago
Brilliant rendition, and eclectic mix of muso's.
KEITHS135 1 year ago 2
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Can't you just listen!
ekku3 1 year ago
Can't you just listen!
ekku3 1 year ago
I believe the 80's synth would actually be called a steel guitar in any year.
sherriffofhongkong 1 year ago
This is a brilliant performance, thank you from the bottom of my heart for posting this clip.
hclee 1 year ago 2
I have wanted to hear this song ever since I saw it on Television in the early 90's. Still gives me goose bumps. YouTube shines with gems like these... thanks for posting!
SeansCafe 2 years ago
Absolutely outstanding - and what youtube is all about. Whenever would people get a chance to experience something as good as this?
greywirral 2 years ago
great version of a great version of a great tune (if that makes sense) Haunting to boot...
sbilts 2 years ago
That's Cajun great Jo-el Sonnier on the accordion.
colbybelk 2 years ago
@ colbybelk
No way -- Superman's Dad was a Cajun?!
smartalek1 1 year ago
It reminds me at his concert at "Rockpalast" (1984) - a great performance!
rafaeleivissa 2 years ago
Oh, I like John very much!
SadLisa777 2 years ago
Cale's arrangement enhanced is truly a marvel. The additions of Thompson and Colvin are strokes of brilliance. Nightmarish! and Classic!
(iamathatiam...grow a set of ears...)
murgatroydfl 2 years ago 10
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first degree murder this one, they may be good but they killed this, where's the energy, the groove yuk hate it
iamthatiam 2 years ago
David Sanborn Rules...
donnyoh 3 years ago
This really is an incredible version. They took it as far in the other direction as they could. Brilliant instrumentation and vocals, I love this trio.
I can't emphasize it enough. Brilliant.
gobo0m 3 years ago
night music was such a great show - of course, the dipshit network killed it asap
jackhillty 3 years ago
Wonderful. The voices and notes echoing the sounds of real loneliness.
janetathensbay 3 years ago
Magnificent version...best yet.
JFROXY 3 years ago 2
plus the great B.J. Cole on pedal steel!
elflopso 3 years ago
I grew up in the hey-day of Elvis, I really like this version. Very nice interpretation. Of course Shawn Colvin adds a great vocal to it.
clouseau62n 3 years ago
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If you like experimental music, just try TACUARA NOD, available on youtube
uhj4 3 years ago
This shows that there are more than 2 ways perform a good song! There is the one that anybody could do, like Elvis who the f-ck is Elvis, and there is this fantastic way wich is beyond my fantasy and more than fantastistic. And, are there more ways?
bobbisen12 3 years ago
its supposed to be depressing, great song.
Gev1 3 years ago
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boooooooooooooooooooooooring!!!
yogoshun 3 years ago
nevermind that last comment of mine.
I actually really enjoy listening to this version.
yogoshun 3 years ago 4
I have seen Cale perform this,alone on the piano and it is truly one of the most evocative versions of this bleak classic. Hearing him perform with the great Richard Thompson, as well as the beaytiful sax work by David Sanborn makes this a special performance indeed.
pathis56 3 years ago 4
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You can´t treat a great song like that.
this is a terrible version of Heartbreak Hotel.
Elvissivlelives 3 years ago
that's the way it was supposed to be played in the first place.
audible67 2 years ago
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Terrible version. It shouldn't be played like this.
DingDangDo12345 3 years ago
idiots on the other side please...
audible67 2 years ago
This is the best i've heard so far. This is really a depressing song. The composition of this song clearly speaks for the lonliness of this song. Totally Moving!
issue89 3 years ago
I bought Slow Dazzle by John Cale in about 1973/4 and this was the first track on side two. Remember when records had two sides? The version on the album was slow but it worked up into a great, screaming climax. This version doesn't and is all the more depressing for that. Excellent performances all round.
Pwecko 4 years ago 2
this is kind of a depressing version
gregspencewolf 4 years ago
that's the point, it's a depressing song, about the singer's girl that left...
Grovetussen 3 years ago
Just goes to show how you can interprit a song!
When Elvis sang this, he was referring to booze. When Cale handles it, he's singing about heroin.
I agree with the previous 'bleak' comment! Spot on!!
I've seen him perform this twice in Sydney - and both performances were simply stunning!
Toyboy789 4 years ago
cheese sandwich
cave82 4 years ago 2
Gosh this is bleak. John Cale has a unique style to Heartbreak Hotel, but the sax and steel guitar take it to a new level. Makes you wonder how anyone took it seriously as a Rock and Roll song. 5 stars
quelian 4 years ago 2
Good for you, Lisarata. You were willing to listen to the performance as it was, not as you thought it should be.
gruniona 4 years ago
is that BJ's pedal steel guitar that sounds like a synth?
fantasticvoyages 4 years ago
The "80's sax" is kinda what you get in an 80's video (I'm guessing late 80's, judging from Richard Thompson's appearance). And David Sanborn was really more of a seventies sax player.
brencz 4 years ago
neat
charizardag 4 years ago
Goosebumps...love it!
mrgb46 4 years ago
What's the meaning of this?! Oh well, might as well try it. Artistic license, nobody said you had to do it the same way as Elvis, right? Hm.
Lisarata 4 years ago
Elvis who ?
RTFan52 4 years ago
I wanted to hear the music and not the synth or 80's sax. :(
pang5 4 years ago
>> I wanted to hear the music and not the synth or 80's sax. :(
Well, there is no synthesizer used, and I'm not sure what makes a sax sound like the 80's, so I don't really see the point of your comment. Maybe you mean you just don't like this version, which is fine with me.
I like this version. It typifies why Night Music was a great show. It took musicians you would not normally see performing together and let them create interesting art.
scmm42 4 years ago 4
Perhaps it was the cheesy sax that dominated in the 80's that sounds far too much like a synth. Unfortunately, for me the stellar line up was marred by the lightweight jazz.
I'm glad you like this version. As the world of taste goes, vive la difference (sp?)
pang5 4 years ago
cheesy sax owns. how would of the majority of chicago cop tv series be invented without it?
shandling 4 years ago
Hehehe. Point taken. :D
pang5 4 years ago
@scmm42 i think pang5 mistakenly refers to the lap pedal steel guitar being played as a synth, an understandable error considering its otherworldly quality. this performance blows my mind--guess i'll be tracking down the rest of Night Music...
daelvo 2 weeks ago
I would never had believed this. I have been looking for this one for about a year now. Of course, You Tube has it! Not since it was on T.V. have I been able to enjoy this version. Thanks for posting!
cruiserc57d 4 years ago
This was a Sanborn tv show that aired for only a few years. If i'm not mistaken Hal Willner helped produce it also. I'm not big on Sanborn...too easy listening, but we can't forget he probably cordinated this coming together of some greats and he's been on enough great albums to warant us not to bad mouth him. He is not Kenny G by a long shot.I write this not having read more than one page of comments. Perhaps someone addressed this already.
dsf2378 4 years ago
I loved this arrangement of the song (as adapted from the version on Cale's 'Fragments from the rainy season' the Chopinesque piano got to heart of the song, more than any other version. Thankyou.
walkerbear 4 years ago
Fantastic clip and yes, an odd matching of musicians. I always associate Sanborn with the worst kind of frothy, latte jazz, but he sounds suitably avant garde here. Shawn Colvin sings powerfully and Thompson provides subtle, understated licks. Eerie, strange reconstruction of a classic song.
vidfan2006 5 years ago
Thats fuckin great LOvet it Thanks
flash418 5 years ago
Yeah, just ignore the fact that David Sanborn is there, too. Jeezalou.
lyletuck 5 years ago
Jeriblank trembles at the cosmic alignment on my behalf. Holy fsck. Gotta love YouTube; not only did I not know this had happened, it was beyond me to *imagine* it had happened. (Thanks scmm42!)
angelagunn 5 years ago
wow!!! does not seem to do this justice
dogbreath3000 5 years ago
John Cale and Richard Thompson on the same stage? I wonder which planets the gods had to readjust in order for that to happen...
jeriblank 5 years ago
the outer ones
aaronprice 4 years ago
The same cosmic alignment which produced Nick Drake's _Bryter Layter_ and John Cale's _Fear_. Cale and Thompson have a longtime shared history....
markdcarter 4 years ago
Actually, Cale appeared very memorably on _Bryter Layter_, Thompson distinctively on _Five Leaves Left_ (and the alternate take of Drake's "The Thoughts of Mary Jane"). Richard Thompson's one of the barrage of guitarists on _Fear_'s "Momamma Scuba". Cale & Thompson: an inspired pairing! (Did John Cale ever work with David Bowie? Lou Reed with Brian Eno? Odd if not.)
markdcarter 4 years ago
John Cale & Brian Eno recorded an album called 'Wrong Way Up', which is one of the best by both of them. Highly recommended.
demarconia 4 years ago
Yeah, it's fantastic, agreed! A favourite of mine: warm, mysterious, irresistible. God's electro-artpop!
markdcarter 4 years ago
oops, I misread that last line. Lou Reed and Brian Eno SHOULD work together.
demarconia 4 years ago
does anyone have that song She Hasnt Got A Bone thru Her Nose?
thjinxter 5 years ago
Fan-fucking-tastic!
BobCrain 5 years ago 2