Added: 2 years ago
From: plavos
Views: 2,014
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (51)

Sign In or Sign Up now to post a comment!
  • Very good singing but the cello needs to improve...

  • Very nice emotional interpretation!!

    Very touching

    Greetings from Canada

    Pierre

  • @opera1232010 What did I tell you?:-) Very emotional, full of shimmering beauty! And very very touching indeed!

    Greetings to you from Canada too!:-)

    Yana.

  • Everybody transposes sometimes, even just a bit. Makes it just that bit smoother on your own vocal chords and thus on the listeners ears. And that's who they do it all for.

  • Beautiful performance, thank you for sharing!

  • COOL!

  • A touch of heaven. Simply magic!

    A.S.Angelo

  • FANTASTICO!!!!!

  • I heard Janet Baker sing this many years ago with Geoffrey Parsons at the piano. It must have been in the early 80s. We met for a moment after the recital. I have never forgotten it. Geoffrey Parsons and I became more known to each other over the years that followed. I feel equally blessed by this sensitive and so serene rendering of one of the most beautiful songs ever written. How you so simply eaves drop us in. Bless you Mr. Spanos!

    Favourited with pleasure.

  • I thought I had heard the best until I listened to Nicholas Now I know I have heard the best.......

  • Wow! what a voice and what beautiful music!

  • Beautiful!!! Thanks for sharing... love and light to you my friend <3

  • Nicholas just keeps getting better and better, doesn't he? More polished as a performer. Purer sound. More sensitive interpretation. Lovely.

  • Seulement magnifique. Merci de ce moment.

  • Brilliant. Exquisite.

  • Really stunning. Beautiful and definitely did the music justice. Gorgeous voice!

  • Very interesting, thank you for sharing.

    Wonderfull music (:*+*+*

  • OUTSTANDING!

  • Very unusual for a countertenor! Beautiful rendition :-)

  • What a beautiful & magnificent performance, this is really excellent. Thanks so much for sharing.

  • Brilliant!

  • Bien joué, bien chanté

  • Very lovely!

  • Quelle pureté et quelle délicatesse... c'est superbe !

    Beaucoup de musicalité, un pur délice ! Merci pour ce doux moment. Michèle

  • Beautiful music and wonderful performance music and beautiful voice, I loved it, congratulations to everyone.

    Thanks for these good times.

  • Super!!!! Wirklich genial!! Weiter so :-)

    5*****

  • υπεροχο!!! Ευχαριστω παρα πολυ!!!! Καλο βραδυ 5*********!!!!!

  • Excelente!!!!!

  • Exquisite !!!!!

    thanks for sharing with me

    G E J ♪♪♪♥♪♪♪

  • awesome!

    very expressive voice.

    Thank you.

  • I just listened and compared again several versions of this song. Baker's version is very beautiful but IMO 2 great tenors' versions Denis Korolev's and Fritz Wunderlich's are richer and more expressive. But when I heard again Spanos's interpretation for me there's no doubt that his version is the very best, the most beautiful and expressive one, full of shimmering, enchanting, from a better world BEAUTY! He is a unique artist and nobody can show this RARE beauty better than he can! Thank you!

  • @fourmi1060 Spanos does have a wonderful sense of pitch. I keep coming back to this version over and over.

  • magnifique par ce contre ténor!

    La couleur ajoute au mystère de l'ambiance matinale!

  • I'm singing this piece for a concert in February AND I'm a countertenor. It's only the basis of natural evolution that the countertenor voice is looking for moments and venues to broaden the voice's horizon. I think this vocal category is capable of producing beautiful tonalities and expressions, thereof. Although, I am partial to Janet Baker's performance, I'm delightfully unopposed to this performance. Nice job Spanos ;-) .

  • The opposite, I would say that this kind of voice adds an unexpected colour to this very sensitive interpretation. I would call it "angel like" and I don't need to identify the angel's sex.

  • Very often composers wrote their songs to be performed by a specific singer . This doesn't mean they shouldn't be performed by anyone else as this would be a violation of the composer's intentions.

  • I think THIS is absolutely right. It's a version arranged for a countertenor's voice. I agree with the first comment and totally convinced too! Tastes differ. Female sopranos sound in a different way. Countertenors DO sound like men with high voices. Spanos's rendition is wonderful with his angelic timbre and unique colour! Bravo!

  • No, I do not think this is right. When Strauss wanted a higher register he put it in a soprano voice. Look at his operas.

    But, it should also be known that I don't appreciate the countertenor voice at all. Men should sound like men, I think.

  • What you say is insulting... you may dislike the countertenor voice, but throughout history, it has ALWAYS been a MALE voice, and was appreciated as such, for its musicality and artistry, NOT as a trans-gender monstrous effect! Stick to the music and judje that, NOT the instrument. The vast majority of baritones posess falseto voice. Who is to say that it is unnatural? ... ...

  • Strauss himself, besides, has composed parts for falsettists in "Die Frau ohne Schatten" as well as "Salome", and it is written so in the score... I say, if a voice can make such music out of this piece, they are welcome to do so. I am sure by the way Spanos sounds up there, that he can do it also in the original key. If he chose to transpose, I guess it's for musical reasons, NOT due to incapability.

    It sounds as if you have a wonderful rose and you refuse to smell it because of prejudice.

  • If you found Janet Baker's version "perfect", it's your own opinion. But there is no need for generalization how the others should sound. Countertenors have a specific colour which no other category of voices has. I agree that what you said is insulting.

  • Yes, but my argument was that Strauss meant this to be sung by a Soprano, which history documents. My distaste for countertenors has nothing to do with this argument, so about that we can agree to disagree.

    "if a voice can make such music out of this piece, they are welcome to do so"

    Call me a music purist, but I believe that the composers intents are the primary rules to follow for interpretations. About this too, I suppose, we must agree to disagree.

  • "if a voice can make such music out of this piece..." is not my comment at all. You can dislike countertenors' singing and prefer anybody else. It's your right. Tastes differ. But you said that "men should sound like men" and according to you countertenors don't sound like men. I agreed only that this is insulting. My argument was that countetenors (falsettists) Do sound like MEN with high voices and specific tone. It's just a different category of voices. Not only basses sound like men...

  • The male voice is not normally in that range (talking, etc.). It has to be manipulated. And since I think that art should reflect some of the beauties of reality, I find falsetto should be used rarely for effect (the high notes of a serenade, for example).

    "Not only basses sound like men..."

    I agree, but I prefer full voice tenors, so I guess that we are stuck on a difference of opinion. The only difference being you allowed yourself to be offended, and I did not.

    Happy listening!

  • Who is offended?! It's just sharing opinions. You expressed your opinion, I expressed mine. That is all.

  • A high A-flat is an average high note to be sung by a tenor in full voice? Have you ever heard anyone talking up there? Or does a coloratura order coffee on her high Ds? All operatic voices are "manipulated" in most of their range.

  • Falsetto in the high notes of a serenade normally "depicts the beauty of the reality" that the tenor cannot sing the high note in a satisfactory piano mixture. Sorry, but I couldn't resist this one...

  • @jth0134 I think a better question here is do you think the music is presented in a pleasing and artistic fashion, rather than "I do or do not like XXX voice type." People get so caught up in labels that they stop actually listening to the music.

  • I ADORE this piece, I never expected it of a countertenor, but I am entirely convinced!!!! 5 stars!

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more