Bien sûr la voix bouge, la puissance est amoindrie, ainsi que le souffle MAIS: chaque note est un moment de musique et de théâtre. C'est le génie à l'état pur. L'inverse même de Corelli qui ce soir là chante excellement mais bêtement.
DID I READ WELL??...ANYONE MENTIONED TEBALDI?...ARE YOU INSANE?..HOW COMPARE LA DIVINA WITH THAT OTHER LADY WHO COULD NOT ACT AT ALL AND GAVE ALWAYS BORING PERFORMANCES?. PLEASE, STOP JOKING, LA CALLAS WAS, IS AND FOREVER WILL BE THE ONE AND ONLY !!!!
SHE WAS SUCH A COMPLETE ARTIST, SUCH A WONDERFUL ACTRESS AND SINGER, WE WILL NEVER SEE OTHER SINGER LIKE HER, YOU ARE SO MISSED MARIA, REST IN PEACE, WE WILL NEVER FORGET YOUR ART AND YOUR PERSON, THANKS FOR ALL YOU GAVE !!!!!!!!
46 years ago, on the 5th July 1965, La Divina gave her farewell presentation in Covent Garden. She sang "Tosca". This is the first opera she sang at the beginning of her career in Athens in August 1942. She will remain unforgotten.
Con el juicio del gran crítico Rodolfo Celleti, con el cual estoy plenamente de acuerdo, digo: "Vissi d´Arte es un refugio impenetrable y seguro de RENATA TEBALDI"...y si no, sientan esos cascados agudos de Callas, esa voz árida, carente de belleza.
ME LLAMO MAURICIO IGLESIAS... Y DEJO MI CORREO PERSONAL POR SI QUERES RESPONDER... COMO CANTANTE DE OPERA... NO PEUDO MAS QUE ABORRECER ESTE COMENTARIO TAN RIDICULO.. Y PLAGADO DE IGNORACIA... HAY LIBERTAD DE EXPRESION.. CLARO... PERO ESTO... DEJA DE SER EXPRESION... PARA SER UN ACTO ARROGANTE... Y DIGNO DE LADRIDO... MAS Q DE COMENTARIO RACIONAL... LA CALLAS AUN CONLA VOZ CASI EXTINTA.. TRANSMITE VIDA CON CADA NOTA .. LA TEBALDIO NO ERA MAS Q ESO... NOTAS.... RIDICULOªª
@MrArthurovenezuela la plebe es incapaz de comprender la belleza de la voz de Callas, es un consepto ajeno a el vulgo. El arte y lo sublime es lo que la voz de Callas daba vida. Desafinada Tebaldi es algo que la plebe si puede comprender.
@StuartLou I was there. I was a standee for the performance, and we stayed outside on the streets of NYC all night in March waiting in line to get tickets for this. One of my most precious MET moments. The standees all dressed up to the hilt for the performance. I was a big Gobbi fan. But now I am more a Corelli fan. Loved the OLD MET!!!
@susanmdunn1 You stood up all night in the streets of New York to get a ticket. I stood up all night in 1958 and 1959 in Floral Street, London to get tickets to see her Traviata and Medea. It was well worth every minute of it.. I would never have done it (and have never done it since) for anyone else. We were in our teens studying music at the time so it didn't seem so much of an inconvenience. The performances were out of this world and I would do it again!!!!
Callas, Corelli, Gobbi. On paper, probably the best cast ever assembled in Tosca. Unfortunately, Callas is in less than ideal form, even for 1965 (she is in better voice in the other live recording of this production, made a few days later with Gobbi and Richard Tucker), and the sound is rather dim. Still, this is a deeply moving Vissi d'arte. A flawed gem, but a gem nonetheless.
This Recording is amazing just like her others...you guys have no idea what you are talking about with the dramatic notes at the end of this video...she let it all go because she is saying how god left her in her time of need, and what did she do to deserve it? This is about drama and passion, not about pretty notes. You can tell she scored a home run by the audience...they went crazy, and everyone knows met crowds tell it like it is. :)
@mauroangelucci La Tebaldi quest'aria poteva solo "cantarla", e senza dubbio bene, ma mai "interpretarla" cosa che invece fa in modo sublime, da par suo la Callas, pur con le evidenti difficoltà di una voce che nel 1965 non era più quella degli anni cinquanta. La mancanza di pathos nella voce era il grande limite della Tebaldi che è stata l'ultima grande di una scuola antica dove al cantante lirico si chiedeva soltanto di cantare bene. L'avvento della Callas rivoluzionò proprio questo concetto.
@foratti Vero, è molto triste ascoltare la Callas quando purtroppo la sua voce si era deteriorata. Ma allo stesso tempo questo è un documento di valore inestimabile perché perpetua quello che è stato il vero insegnamento della Callas, ovvero l'arte di interpretare, l'espressione data alla parola cantata, l'emozione che traspare dal canto. E proprio perchè la voce non rispondeva bene ai suoi comandi, si ammira l'impressionante tecnica vocale che consentiva alla Callas di essere grande sempre.
A brave effort, despite the strained high B and the tremendous loss of volume. One of her very last Toscas.
Yes, her life was sad and lonely in the end, but her career is the stuff of legend, and in two roles (Norma and Violetta) she touched the divine and remains the definitive interpreter, more than 50 years later in the 21st century. Think also of her Medea, Gioconda, Anna Bolena, Leonora, Lucia, Lady Macbeth! Still arousing such tremendous passion, 33 after her death, she will live forever.
@philipc67 this is so true and if you dont believe it just check out how many fans she still commands on Facebook and in the sales of her CDs - Maria will always be with us
What many viewers many not know is that Callas, not having an agent, arrived in New York thinking she would be treated like accomlished professional she was.
Rudolf Bing gave her no orchestra or stage rehearsals for these 2 performances and no rehearsals with the singers in the cast. She had to walk on cold for both sold out peformances. She was livid, but went on anyway. I have no idea how she did it. Incredible!
What many don't know, is the Rudolf Bing gave her no stage or orchestra rehearsal time for those performances, nor any rehearsal time with the other singers. She had to walk on to a soldout audience both performances under such appalling conditions. She was livid to be treated like this (again! by Bing), but went on like the true professional she always was. I don't know how she did it. aplumer
What many don't know, is the Rudolf Bing gave her no stage or orchestra rehearsal time for those performances, nor any rehearsal time with the other singers. She had to walk on to a soldout audience both performances under such appalling conditions. She was livid to be treated like this (again! by Bing), but went on like the true professional she always was. I don't know how she did it. aplumer
What many don't know, is the Rudolf Bing gave her no stage or orchestra rehearsal time for those performances, nor any rehearsal time with the other singers in the cast. She had to walk on to a soldout audience both performances under such appalling conditions. She was livid to be treated like this, but went on like the true professional she was. aplumer
whoever said she didn't hit the hight pitch note at the end on the actual performance that night and judge Maria Callas for losing her talent is an ingorant. Aren't we all expose as humans to make mistakes? I wasn't there and didn't get to hear it, but if It was the case, M.Callas had already shown the world the quality of her singing. Who cares if the high F sounded indeed as a high E, After the years, people can still sit and listen to the best Soprano of all Times, Maria Callas, La Divina.
On sent qu'elle n'a plus que la moitié de sa voix, mais cela reste bouleversant et on croit entendre cette rengaine pour la première fois- et surtout elle l'intègre au drame, alors que sur scène cela toujours l'air d'un morceau en concert. Callas pour toujours....et quand on sait qu'elle n'a plus que quelques represéentations de vant elle....
I think what so many people fail to realize or remember about this aria...is that firstly,it is/was written as an 'aside',meaning that it was a few short moments that Tosca had to herself before she did the 'dirty deed' with Scarpia...so in effect it is actually written as a prayer that Tosca offers up!!Secondly...Maria always wanted to AXE this aria from the opera,as she thought it interfered with the 'flow' of the drama!!Most sopranos sing this as a 'set piece',a chance to 'show off'!!Callas >
> always tried to INTEGRATE this aria INTO the drama...rather than using it as an opportunity to do a little vocal 'showing off'' to the audience...and she never STOPPED trying to make this aria 'work' within the context of the drama...!!So,although (of COURSE!!) she was having difficulties at this stage of her career...the way she performs/performed this aria ia/was exACTly as it was WRITTEN to be!!So...once again..."BRAVA CALLAS"!!!!
No, it was not with Tosca. It wasduring a performance of Norma in Paris where her voice broke on a high C. She stopped the orchestra, recomposed herself and signaled the conductor to restart and the high C was there.
The incident actually occured in 1964 at the Paris Opera during Norma. Her voice cracked on a high note during the final scene. As her detractors in the theater began to shout and complain loudly, She asked the conductor to stop the orchestra, and restarted the missed part. The second time, the note was perfect... Her detractors remained silent until the end and the public went crazy... This is very unusual at Opera and made the big titles in the news ...
It's a little painful listening to this... That voice was hur, although the feeling was SOOO there! Love Callas, she rtruly understood drama and power.
It makes me sad listening to this aria. Maria at the end of her career. She had a sad life and managed to channel it so well into her portrayal of 'Tosca' that it becomes vividly real and so poignant.
@operaspark She had a MAGNIFICENT life!!!!It's only her betrayal by Onasiss that was beyond the realms of ego driven cruelty that 'faked her up'...and he suffered TERRIBLY for that betrayal,as he betrayed his OWN love for Maria,as well as hers for him!!She was deified all her life/career...she couldn't GET any 'higher' than she 'got',and lived a life that many aspire to but precious few even come CLOSE to achieving!!!!
@TheMrMarilyn Why do a lot of people think she had such a " sad " life??? I've read that many times here. She was declared the, " Greatest Soprano Of All Time ", and here we are fighting over her, 30 years after her death, yet many think she had a sad life. WHY???
@hammer55292 I guess it's like i said below...she played the greatest tragedians in opera and i guess people like it that way...like a real life Violetta (Traviata)!!It was the betrayal by Onassis that 'knifed' her!!She lived a great and satisfying life...though like i said...she DID die in emotional agony!!That was real sad!!XXXX!!
On sent la voix fragile- c'est sa dernière année. Mais quelle émotion dans ce dernier retour au Met.Mais au pire d'elle-même, Callas est géniale, elle est la musique.
Bien sûr la voix bouge, la puissance est amoindrie, ainsi que le souffle MAIS: chaque note est un moment de musique et de théâtre. C'est le génie à l'état pur. L'inverse même de Corelli qui ce soir là chante excellement mais bêtement.
opera751 2 months ago
DID I READ WELL??...ANYONE MENTIONED TEBALDI?...ARE YOU INSANE?..HOW COMPARE LA DIVINA WITH THAT OTHER LADY WHO COULD NOT ACT AT ALL AND GAVE ALWAYS BORING PERFORMANCES?. PLEASE, STOP JOKING, LA CALLAS WAS, IS AND FOREVER WILL BE THE ONE AND ONLY !!!!
simisimi9 4 months ago
This has been flagged as spam show
@simisimi9
How would you know? You never heard her.
Hako2004 4 months ago
SHE WAS SUCH A COMPLETE ARTIST, SUCH A WONDERFUL ACTRESS AND SINGER, WE WILL NEVER SEE OTHER SINGER LIKE HER, YOU ARE SO MISSED MARIA, REST IN PEACE, WE WILL NEVER FORGET YOUR ART AND YOUR PERSON, THANKS FOR ALL YOU GAVE !!!!!!!!
simisimi9 4 months ago
best tosca ever. nobody can sing this role, let alone this aria, like she could.
jorgepda 4 months ago
No doubt that she sang perfectly and with emotions. The range is excellent. Only caballe comes close to her and could be better.
Milahi1935 5 months ago
she is and will always be the gold standard for all sopranos past, present and future
bigjoetube 5 months ago 2
46 years ago, on the 5th July 1965, La Divina gave her farewell presentation in Covent Garden. She sang "Tosca". This is the first opera she sang at the beginning of her career in Athens in August 1942. She will remain unforgotten.
Aetion 6 months ago 2
Con el juicio del gran crítico Rodolfo Celleti, con el cual estoy plenamente de acuerdo, digo: "Vissi d´Arte es un refugio impenetrable y seguro de RENATA TEBALDI"...y si no, sientan esos cascados agudos de Callas, esa voz árida, carente de belleza.
MrArthurovenezuela 9 months ago
@MrArthurovenezuela
ME LLAMO MAURICIO IGLESIAS... Y DEJO MI CORREO PERSONAL POR SI QUERES RESPONDER... COMO CANTANTE DE OPERA... NO PEUDO MAS QUE ABORRECER ESTE COMENTARIO TAN RIDICULO.. Y PLAGADO DE IGNORACIA... HAY LIBERTAD DE EXPRESION.. CLARO... PERO ESTO... DEJA DE SER EXPRESION... PARA SER UN ACTO ARROGANTE... Y DIGNO DE LADRIDO... MAS Q DE COMENTARIO RACIONAL... LA CALLAS AUN CONLA VOZ CASI EXTINTA.. TRANSMITE VIDA CON CADA NOTA .. LA TEBALDIO NO ERA MAS Q ESO... NOTAS.... RIDICULOªª
maurizio888 7 months ago
@MrArthurovenezuela la plebe es incapaz de comprender la belleza de la voz de Callas, es un consepto ajeno a el vulgo. El arte y lo sublime es lo que la voz de Callas daba vida. Desafinada Tebaldi es algo que la plebe si puede comprender.
NEBESHIKU 1 month ago
Una voz árida y terriblemente cascada...
MrArthurovenezuela 9 months ago
god, how sad is this? really foreboding...
hinomusic 9 months ago
Maria Callas- " The Greatest Soprano Of All Time " , the BBC, 2007.
hammer55292 10 months ago 3
A night at the old Met. i will never forget. Those were the days. However, it's over. IT'S OVER.
StuartLou 11 months ago
@StuartLou I was there. I was a standee for the performance, and we stayed outside on the streets of NYC all night in March waiting in line to get tickets for this. One of my most precious MET moments. The standees all dressed up to the hilt for the performance. I was a big Gobbi fan. But now I am more a Corelli fan. Loved the OLD MET!!!
susanmdunn1 6 months ago
@susanmdunn1 You stood up all night in the streets of New York to get a ticket. I stood up all night in 1958 and 1959 in Floral Street, London to get tickets to see her Traviata and Medea. It was well worth every minute of it.. I would never have done it (and have never done it since) for anyone else. We were in our teens studying music at the time so it didn't seem so much of an inconvenience. The performances were out of this world and I would do it again!!!!
Ariadne7710 4 months ago
AVE, MARIA
osocubano 11 months ago
madame callas.... i love you <3
bandong1234567890 1 year ago
Callas, Corelli, Gobbi. On paper, probably the best cast ever assembled in Tosca. Unfortunately, Callas is in less than ideal form, even for 1965 (she is in better voice in the other live recording of this production, made a few days later with Gobbi and Richard Tucker), and the sound is rather dim. Still, this is a deeply moving Vissi d'arte. A flawed gem, but a gem nonetheless.
Matt75003 1 year ago
Triste...Et beau tout de même..!
abracadabranque 1 year ago
As maria often said that her critics hiss . How true .
CyprusHot 1 year ago
This Recording is amazing just like her others...you guys have no idea what you are talking about with the dramatic notes at the end of this video...she let it all go because she is saying how god left her in her time of need, and what did she do to deserve it? This is about drama and passion, not about pretty notes. You can tell she scored a home run by the audience...they went crazy, and everyone knows met crowds tell it like it is. :)
babbleguy 1 year ago 2
questa aria era cantata in modo sublime da renata tebaldi, consiglio di ascoltarla e paragonare alla presente.
grazie
mauroangelucci 1 year ago
@mauroangelucci La Tebaldi quest'aria poteva solo "cantarla", e senza dubbio bene, ma mai "interpretarla" cosa che invece fa in modo sublime, da par suo la Callas, pur con le evidenti difficoltà di una voce che nel 1965 non era più quella degli anni cinquanta. La mancanza di pathos nella voce era il grande limite della Tebaldi che è stata l'ultima grande di una scuola antica dove al cantante lirico si chiedeva soltanto di cantare bene. L'avvento della Callas rivoluzionò proprio questo concetto.
Pietraincatenata 1 year ago
@Pietraincatenata :poverina, this is too sad she had no voice anymore
foratti 7 months ago
@foratti Vero, è molto triste ascoltare la Callas quando purtroppo la sua voce si era deteriorata. Ma allo stesso tempo questo è un documento di valore inestimabile perché perpetua quello che è stato il vero insegnamento della Callas, ovvero l'arte di interpretare, l'espressione data alla parola cantata, l'emozione che traspare dal canto. E proprio perchè la voce non rispondeva bene ai suoi comandi, si ammira l'impressionante tecnica vocale che consentiva alla Callas di essere grande sempre.
Pietraincatenata 7 months ago
A brave effort, despite the strained high B and the tremendous loss of volume. One of her very last Toscas.
Yes, her life was sad and lonely in the end, but her career is the stuff of legend, and in two roles (Norma and Violetta) she touched the divine and remains the definitive interpreter, more than 50 years later in the 21st century. Think also of her Medea, Gioconda, Anna Bolena, Leonora, Lucia, Lady Macbeth! Still arousing such tremendous passion, 33 after her death, she will live forever.
philipc67 1 year ago
@philipc67 this is so true and if you dont believe it just check out how many fans she still commands on Facebook and in the sales of her CDs - Maria will always be with us
hunkhk 1 year ago
What many viewers many not know is that Callas, not having an agent, arrived in New York thinking she would be treated like accomlished professional she was.
Rudolf Bing gave her no orchestra or stage rehearsals for these 2 performances and no rehearsals with the singers in the cast. She had to walk on cold for both sold out peformances. She was livid, but went on anyway. I have no idea how she did it. Incredible!
aplumer 1 year ago
This has been flagged as spam show
What many don't know, is the Rudolf Bing gave her no stage or orchestra rehearsal time for those performances, nor any rehearsal time with the other singers. She had to walk on to a soldout audience both performances under such appalling conditions. She was livid to be treated like this (again! by Bing), but went on like the true professional she always was. I don't know how she did it. aplumer
aplumer 1 year ago
This has been flagged as spam show
What many don't know, is the Rudolf Bing gave her no stage or orchestra rehearsal time for those performances, nor any rehearsal time with the other singers. She had to walk on to a soldout audience both performances under such appalling conditions. She was livid to be treated like this (again! by Bing), but went on like the true professional she always was. I don't know how she did it. aplumer
aplumer 1 year ago
This has been flagged as spam show
What many don't know, is the Rudolf Bing gave her no stage or orchestra rehearsal time for those performances, nor any rehearsal time with the other singers in the cast. She had to walk on to a soldout audience both performances under such appalling conditions. She was livid to be treated like this, but went on like the true professional she was. aplumer
aplumer 1 year ago
whoever said she didn't hit the hight pitch note at the end on the actual performance that night and judge Maria Callas for losing her talent is an ingorant. Aren't we all expose as humans to make mistakes? I wasn't there and didn't get to hear it, but if It was the case, M.Callas had already shown the world the quality of her singing. Who cares if the high F sounded indeed as a high E, After the years, people can still sit and listen to the best Soprano of all Times, Maria Callas, La Divina.
chaconazo7 1 year ago 3
Wow! BEAUTIFUL!!!
Thank YOU so much for sharing!
ZIEBELL5 1 year ago
My GOD...what an ovation...though absolutely nothing less than she deserves!!!!
TheMrMarilyn 1 year ago
First of all, don't all three of them look perfect for their parts?! Man, what I would give to see this version, my three favorite voices...sigh...
islandofgrass 2 years ago
On sent qu'elle n'a plus que la moitié de sa voix, mais cela reste bouleversant et on croit entendre cette rengaine pour la première fois- et surtout elle l'intègre au drame, alors que sur scène cela toujours l'air d'un morceau en concert. Callas pour toujours....et quand on sait qu'elle n'a plus que quelques represéentations de vant elle....
opera75frfr 2 years ago
Spijtig voor alle sopranen die dit moeten zingen na Callas.
Zo moet het. Alleen zij kon dat zoals nog veel andere top aria's.
muziekliefhebber1000 2 years ago
Callas is the best!
braveheart030 2 years ago 27
@braveheart030 - That's why she's the QUEEN OF OPERA.
reydogoloyugo23 1 year ago
@braveheart030 No doubt about that!! :-D
Querzeo 1 year ago
An absolute masterpiece!
vocalandchords 2 years ago 6
Great moment of music!
vocalandchords 2 years ago 4
La Divina....
GiuseppeSaronno 2 years ago 6
I think what so many people fail to realize or remember about this aria...is that firstly,it is/was written as an 'aside',meaning that it was a few short moments that Tosca had to herself before she did the 'dirty deed' with Scarpia...so in effect it is actually written as a prayer that Tosca offers up!!Secondly...Maria always wanted to AXE this aria from the opera,as she thought it interfered with the 'flow' of the drama!!Most sopranos sing this as a 'set piece',a chance to 'show off'!!Callas >
TheMrMaz 2 years ago 3
> always tried to INTEGRATE this aria INTO the drama...rather than using it as an opportunity to do a little vocal 'showing off'' to the audience...and she never STOPPED trying to make this aria 'work' within the context of the drama...!!So,although (of COURSE!!) she was having difficulties at this stage of her career...the way she performs/performed this aria ia/was exACTly as it was WRITTEN to be!!So...once again..."BRAVA CALLAS"!!!!
TheMrMaz 2 years ago 6
i have seen in a movie for callas tha she in this perfomance made a falso and stop for 5 seconds.... is that truth?
tazkorinthos 2 years ago
No, it was not with Tosca. It wasduring a performance of Norma in Paris where her voice broke on a high C. She stopped the orchestra, recomposed herself and signaled the conductor to restart and the high C was there.
whipittome 2 years ago 3
Not true.
The incident actually occured in 1964 at the Paris Opera during Norma. Her voice cracked on a high note during the final scene. As her detractors in the theater began to shout and complain loudly, She asked the conductor to stop the orchestra, and restarted the missed part. The second time, the note was perfect... Her detractors remained silent until the end and the public went crazy... This is very unusual at Opera and made the big titles in the news ...
Faust075 2 years ago 3
@Faust075 the whole of the operatic event in the hands of one maria callas, i would have gone crazy in a good way :)
CyprusHot 1 year ago
It's a little painful listening to this... That voice was hur, although the feeling was SOOO there! Love Callas, she rtruly understood drama and power.
espinaca79 2 years ago
What a BEUTIFUL INTERPRETATION..THANK YOU. DO NOT HAVE WORDS TO DESCRIBE IT.
Tenorbravo 2 years ago 5
This has been flagged as spam show
Her voice is so flawed and so little...she really gives pity and the interpretation is so affected and awful
vergoti20 2 years ago
meravigliosa ineguagliabile Callas.......
G66663 2 years ago 2
Bravaaaaaaaaaaaaaaaaaaaaaaa!
thunderboltful 2 years ago 2
Anche in questi anni che sono stati anni scuri e tenebrosi per te,Sei sempre stata una diva..NON ERI UMANA TU ERI DEA!!!!!!
enzoonapulitan 2 years ago 4
parole bellissime... e verissime....
sincerity112 2 years ago 2
i guess they liked her!!!!!
citrussorbet 2 years ago 2
It makes me sad listening to this aria. Maria at the end of her career. She had a sad life and managed to channel it so well into her portrayal of 'Tosca' that it becomes vividly real and so poignant.
operaspark 3 years ago 19
This comment has received too many negative votes show
And she was too egotist to say stop. why had she a sad life? she has got more then she deserved. and her lifestyle became down-going...
goldmundgoldmund1 3 years ago
@operaspark She had a MAGNIFICENT life!!!!It's only her betrayal by Onasiss that was beyond the realms of ego driven cruelty that 'faked her up'...and he suffered TERRIBLY for that betrayal,as he betrayed his OWN love for Maria,as well as hers for him!!She was deified all her life/career...she couldn't GET any 'higher' than she 'got',and lived a life that many aspire to but precious few even come CLOSE to achieving!!!!
TheMrMarilyn 1 year ago
@TheMrMarilyn Why do a lot of people think she had such a " sad " life??? I've read that many times here. She was declared the, " Greatest Soprano Of All Time ", and here we are fighting over her, 30 years after her death, yet many think she had a sad life. WHY???
hammer55292 1 year ago
@hammer55292 I guess it's like i said below...she played the greatest tragedians in opera and i guess people like it that way...like a real life Violetta (Traviata)!!It was the betrayal by Onassis that 'knifed' her!!She lived a great and satisfying life...though like i said...she DID die in emotional agony!!That was real sad!!XXXX!!
TheMrMarilyn 1 year ago
Do you have all record that night?
DanBarthy 3 years ago 3
Yes, I have.
34fgsfgsdtu48w7qtaqt 3 years ago
Please, put the outhers parts.
Thanks
DanBarthy 3 years ago 3
Bravo... What a beautiful piece... How you are missed Callas *sighed*
RadicalDame 3 years ago 4
I totally agree, severely missed.
operaspark 3 years ago 5
On sent la voix fragile- c'est sa dernière année. Mais quelle émotion dans ce dernier retour au Met.Mais au pire d'elle-même, Callas est géniale, elle est la musique.
opera75frfr 3 years ago
Thank you, it's amazing! I would love to hear the 1st act duet from this night!!
jjcbss 3 years ago
Magical!!!!!!!!!!!!
fernandobicudo 3 years ago 2
Thank you so much for posting this memorable moment!
Nacidodelmar 3 years ago
This must have been a magic moment !!!! already have goosebumbs only by hearing the audience...
markivens 3 years ago 2
WHOOOOOOOOOOOOOOOOOOA!!!!
get a load of that audience...they fuckin' love them some of that!!!! What I'd give to be there with them :-)
stgeorge041982 3 years ago 3