This prelude is stunningly beautiful. And she plays it wonderful. The separate voices, the voice in the left hand, the tempo, not too pathetic, just in balance. Great!
Just a few minutes ago, the very first time I listened to this something pierced my ear very badly, a bass note, I stopped and went to check it out and found out there is an E instead of E# in the second bass descent. Can someone explain it this to me. How can both be right? Did Bach intend it be played by choice, since both can fit, each in it's own way?
I just love the way Hewitt plays Bach. I love the way she brings out the counterpoint in this beautiful prelude and the fugue is hauntingly beautiful too.
Admirable Angela Hewitt ! Comme on la sent intime avec l'oeuvre de Bach, avec Bach lui-même ! Le plaisir qu'elle ressent, on le partage. Quelle délicatesse, quelle probité ! Un grand merci pour cette vidéo.
If you guys had to chose a Bach prelude & fugue to play for a piano competition which one would you chose?
I'm just so confused, I've been listening to all of them and I though I'd liked one then, the next one, then just thought too fast, too slow, couldn't make up my mind, they're all really beaufitul!
For a showman's prelude/fugue play A flat Bk 2, or for a stylish and impressive p&f play the C sharp major Bk I or the B flat major / B flat minor Bk 2 as a stunning pair! Good Luck - Remember Bach is our daily bread, said Beethoven
Just listened to Andras Schiff in this little-known work, and found his version equally absorbing for similar reasons, and yet their approach is by no means the same.
Wanda Landowska, Agi Jambor, Myra Hess, Trevor Pinnock, Glenn Gould, Andras Schiff, Angela Hewitt -- take your pick. They are all great, and each gives a different view of thee music.
wonderful experience this one of listening Bach's WTC played by this superb Angela Hewitt interpreter, nice posting of all the preludes and fugues that comprises this colossal work
She is playing an E natural in the left hand on measure 6 of the prelude whereas an E# is found in the score. She does this on the repeat as well. I take it to mean that even the best of us will err.
You have a really good ear! You are correct, she is playing an E natural in measure 6.
However, of the two copies of WTC 2, the Altnickol copy (also known as P43O) that you must have learned from has the marked E#. The London Autograph copy has an E natural within its contents.
Because both copies are viewed as the primary source of the WTC 2, you are then both right! Great ear!!
Some scores do switch a little. I'm playing Nocturne in C# minor by Chopin and I know there's one note that can be played as A and A#. However she might have made a mistake, but if she did it on the repeat then maybe her score is slightly different.
A joy to hear. A lovely legato for the fugue with a strong, positive finale. I normally prefer the clavichord, but a piano in the hands of Angela Hewitt is enchanting.
"this little-known work"
Why o Why does a comment that states something as silly as this
get top voted and stuck to the top of the page? Arrrrgh
Vote me up people so I can displace this base crasness!!!
BachEmotion 1 month ago 4
Great
asv8104 1 month ago
This prelude is stunningly beautiful. And she plays it wonderful. The separate voices, the voice in the left hand, the tempo, not too pathetic, just in balance. Great!
Szpzer 2 months ago
I was imprest by Gould....Richter.......not anymore
demogadget 5 months ago
i wonder why she plays with such a high wrist though.. doesn't it cause tension?
chanerth 7 months ago
beautiful interpretation very soft
lemecdupc 8 months ago
beautiful!
Ingot49 9 months ago
It's just AMAZING!
lalamusic58 10 months ago
I hear SCARLATTI sooo dominantly here!!! Is it just me??
contekkst 1 year ago
Just a few minutes ago, the very first time I listened to this something pierced my ear very badly, a bass note, I stopped and went to check it out and found out there is an E instead of E# in the second bass descent. Can someone explain it this to me. How can both be right? Did Bach intend it be played by choice, since both can fit, each in it's own way?
viborrr 1 year ago
Lovely.
TheFolksinger 1 year ago
Nice played! I also did a try on this piece on my electric piano
marijninaustralie 1 year ago
Wonderful She looks just a young princess Anne
TheYendor1 1 year ago
That is phenomenal!!!
(A real alternative to Friedrich Gulda.)
Played on the highest level!!
wnaenni 2 years ago
This women is a GENIOUS!
I heard her play the complete work over two concerts. By now one of the best classical live experiences in my life.
GabonViper1981 2 years ago
This is yet another example of why she is considered one of the best interpreters of his work.
eyetube7 2 years ago
I just love the way Hewitt plays Bach. I love the way she brings out the counterpoint in this beautiful prelude and the fugue is hauntingly beautiful too.
yourforte 2 years ago 5
Brava Angela...ogni tanto qualcuno che fa provare qualcosa...
lewiscarro 2 years ago
Admirable Angela Hewitt ! Comme on la sent intime avec l'oeuvre de Bach, avec Bach lui-même ! Le plaisir qu'elle ressent, on le partage. Quelle délicatesse, quelle probité ! Un grand merci pour cette vidéo.
saturne46 2 years ago
Hi everyone,
If you guys had to chose a Bach prelude & fugue to play for a piano competition which one would you chose?
I'm just so confused, I've been listening to all of them and I though I'd liked one then, the next one, then just thought too fast, too slow, couldn't make up my mind, they're all really beaufitul!
Please HELP! THANK YOU!
Toccata123 2 years ago
For a showman's prelude/fugue play A flat Bk 2, or for a stylish and impressive p&f play the C sharp major Bk I or the B flat major / B flat minor Bk 2 as a stunning pair! Good Luck - Remember Bach is our daily bread, said Beethoven
trevorheywood 2 years ago
Actually it was Schumann who said that about Bach ("Let it be your daily bread") and he was talking specifically about the works from the WTC.
A perfect description !
dmcII 2 years ago
Both Beethoven and Schumann said it. Beethoven was talking about Bach in general? Schumann was being specific.
trevorheywood 2 years ago
It's just so FINE, I'm almost speechless.
Just listened to Andras Schiff in this little-known work, and found his version equally absorbing for similar reasons, and yet their approach is by no means the same.
Wanda Landowska, Agi Jambor, Myra Hess, Trevor Pinnock, Glenn Gould, Andras Schiff, Angela Hewitt -- take your pick. They are all great, and each gives a different view of thee music.
Ms Hewitt is a wonder.
Pischnaholic 2 years ago 6
@Pischnaholic "Little-known work"?
AntPDC 9 months ago
wonderful experience this one of listening Bach's WTC played by this superb Angela Hewitt interpreter, nice posting of all the preludes and fugues that comprises this colossal work
beethomozart 2 years ago
This has been flagged as spam show
Does not hold a candle to the Glenn Gould version. Utterly lacking in soul. As if played by a dull robot.
jimjoyce25 2 years ago
You must be kidding! Personally, I am very put off by Glenn Gould's humming which is just too distracting!
gerryfarm123 2 years ago 3
Grandioso mi corazon late a 1000 por segundo con Bach.
Gracias por este canal, será mi visita diaria para curar cualquier mal.
Cesar Amaro
6cuerdas6 2 years ago
Quite amazing with one exception:
She is playing an E natural in the left hand on measure 6 of the prelude whereas an E# is found in the score. She does this on the repeat as well. I take it to mean that even the best of us will err.
lesmizzle 2 years ago
You have a really good ear! You are correct, she is playing an E natural in measure 6.
However, of the two copies of WTC 2, the Altnickol copy (also known as P43O) that you must have learned from has the marked E#. The London Autograph copy has an E natural within its contents.
Because both copies are viewed as the primary source of the WTC 2, you are then both right! Great ear!!
truxaltom 2 years ago 3
Some scores do switch a little. I'm playing Nocturne in C# minor by Chopin and I know there's one note that can be played as A and A#. However she might have made a mistake, but if she did it on the repeat then maybe her score is slightly different.
Gr33nkiwi 2 years ago
I'm probably not the first to notice this but has anyone else noticed the similarity of the fugue theme to Dominico Scarlatti's L413?
gerryfarm123 2 years ago
Yes, I was thinking about that today! The start is exactly the same, but Bach's version ends up being "just a bit" different.
jimjoyce25 2 years ago
Beautiful quality sound, fantastic playing and the commentary before the piece is interestling also.
gerryfarm123 2 years ago
lovely
fmk3141 2 years ago
A joy to hear. A lovely legato for the fugue with a strong, positive finale. I normally prefer the clavichord, but a piano in the hands of Angela Hewitt is enchanting.
Fredobel51 2 years ago
best WTC ever !!!!!!
somedudeplayingpiano 3 years ago
Brilliant Bach playing. Thanks for sharing.
contagieux 3 years ago