Added: 4 years ago
From: kiyow
Views: 25,848
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  • How on earth can someone play an incredibly difficult piece like this by heart.... Very impressive indeed.

  • So un-musical.

    

  • @Ansley1685 THIS IS SPARTA! No, actually it's Dupré. They should be played like this

  • The final is awesome!

  • so basically... what youre saying is... youre "fuckin' good"

  • i cant stop listening...after 10 times i like it as much i like it the first time, bravo bravo

  • wow amazing, you are very very good.

  • Kiyo!  Awesome!!!

  • I have listened to many interpretations of this including this one, and still i think John Scott's version on the St. Puals Cathedral organ is best. However this piece is really difficult to play. So anybody who can play this work must truly show some virtuosity

  • Would anyone happen to have the sheets for this magnificent piece?

  • I have a really old copy of this, I could send you a photocopy this Sunday after I retrieve it from church if you give me your email adress.

    - - - Cody.

  • ...oh, and let me add: WAY TOO SLOOOW at 08:42. That part is the "Carillon" part, for wich Dupre is famous and he invented.

  • I'm getting really sick of your comments. If you think it's played wrong lets see you upload a video of this of you playing how its "SUPPOSED" to be played like.

  • huh? why does he shove the bench about an inch back at 4:19 right after the triopart???

  • Why should you care why he shoves it back, calm down!

  • Not bad, but I prefer one thousand times Daniel Roth at Saint-Sulpice in Paris (CD Motette 1999), for the interpretation as well organ and acoustic !!!

  • Fantastically well played, in a typical dead American shed.

  • the best interpretion I ever heard of this piece...sometimes a bit too quick.

  • Slower tempos too fast, and faster tempos too slow, except for the fugue, which if played at that tempo in a really live space would just be mush, especially the pedal. Did you take alot of time between the fugue and finale? Not sure what happened there, couldn't follow a beat. might have been a recording issue. staccatos perhaps a bit too clipped? Perhaps a bit dry, even for french music, (which is hard for us americans to do, since we tend to shlak up french lit too much). Thanks, great!

  • I just love your jury-panel approach to commenting about a performance. He's not auditioning for you, so why do you do this?

  • I hasten to add that Americans do pretty much everything wrong, and I was born and raised in America. The education system is atrocious. Believe me, I taught in higher education for 35 years before high-tailing it out of there.

    As for schlak in French repertoire, I agree that people take entirely too many liberties with it, especially Franck. If only organists would stop and ask themselves 'what would the composer want?' before distoring the music beyond recognition.

  • Forti questi giapponesi... Bravo!

  • Grazie per le vostre parole gentili.

  • Non c'è da ringraziare: esecuzione di alto livello, organo stupendo... Grazie a voi per aver caricato il video!

  • cameron carpenter..

  • and your point is...............?

  • very well played. sehr gut!

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