Hey I'm surprised no one has picked up on the repeat he adds at the last few bars which Tchaikovsky didn't actually write. Interesing - Toscannini does exactly the same thing in his recording with the NBC band
FYI: That principal oboist is NOT Mariotti - it is Florian Mueller, and yes he did teach at the University of Mich - I studied with him. I also studied with Mariotti who also taught at Mich, but much later. As far I know he (Mariotti) never played in the Chicago Symphony - he was principal in Detroit Symphony when I studied with him in high school. I also studied with DSO's 2nd oboist Ron Odmark. It was great to see Mueller when he was younger.
Clyde Wedgwood ,the second horn, use to share his seat with my teacher who was in the Civic Orchestra. Both were "Vertically Challenged" and they needed a little platform so they could put their mutes down with out falling off their chairs. I understand he was very blessed in other areas. Was it his seat or his stand, I can't remember.
My god! No wonder Fritz Reiner is considered one of the all time greats. He communicates intensity and immense energy. That's evident in this performance, the finest I've ever heard of this work. You can tell there would be no nonsense with Reiner. He must have been the inspiration for Phillip Farkas to write in his chapter about practice in The Art of French Horn Playing, "Besides, conductors are not particularly cordial toward musicians with unsolved technical problems!"
I heard that once a double-bass player used a pair of binoculars in rehearsal--a joke because of Reiner's often tiny beat. I understand that he was fired.
Does anyone know this story or whether it's true or not?
The story is true! Reiner wrote a note that read "you are fired", and held it up, so the bassist could see it through the telescope. (it was actually a small telescope on a tripod, not binoculars.)
I heard this story from Ray Still. (who just celebrated his 90th birthday!)
That is Bud Herseth, Phil Farkas, Arnold Jakobs and Ed Kleinhammer. I don't believe this footage is in any of the VAI releases that I know of, please correct me if wrong.
Bernstein was badly theatrical, usually, in live performances, but rendered some excellent ones in the studio and even live as those in Denmark of Carl Nielssen's symphonies.
that's LIVING music. Such a rubato, imagination, the rythm is present and souple, the perfection of the tone, and they are together without to be rigid. It is breathing...
Why do pople idolize Bernstein? He was nothing more than an attention whore who reduced the music through acrobatics (just listen to his stuff!). Now Reiner, there is an artist, directing one's attention away from the conductor and to the music itself. It seems to be a dying art, serving the conductor now rather than the music.
Fritz Reiner, truly one of the greatest of all time.
bernalor1 1 month ago
ライナーさんが、くるみ割り人形に見えてきました…かわいらしいですよね、どことなく…。
automatic84a842 4 months ago
好狂野的一个版本- -
tengtengcai2011 5 months ago
Hey I'm surprised no one has picked up on the repeat he adds at the last few bars which Tchaikovsky didn't actually write. Interesing - Toscannini does exactly the same thing in his recording with the NBC band
MrPoupard 11 months ago
fritz dracula
poopoo111222333 1 year ago
That explains his unusual technique and unique version of the cadenza.
zzindorf 1 year ago
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OboeCanAm 1 year ago
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Wonderful Music
YouTube the Great Great Grandfather in Composition of Peter I. Tchaikovsky:
Iosif Andriasov
immapubrec 1 year ago
Chicago was never the same after Reiner and the CSO
radiootoo 1 year ago
A couple of corrections, if I might:
The harpist is Joseph Vito (not Edward Druzinsky).
The concertmaster is John Weicher (not Sidney Harth).
JJW2009 1 year ago
The harpist is Edward Druzinsky. Almost incomparable.
zzindorf 1 year ago
That is a killer harpist. That is what I call kicking it old-school,
Maskedhaven 1 year ago
2nd oboe: Jerry Sirucek
Principal oboe: Arno Mariotti, who later taught at the University of Michigan for many years.
English Horn:I Robert Mayer.
principal clarinet: Clark Brody He just recently retired after more than 50 years in that position. Leonard Sharrow, on principal bassoon.
I think Adolph Herseth would already have been their principal trumpet.
concertmaster: Sidney Harth joined the CSO as concertmaster. He previously had been concertmaster in Louisville.
brassbend 1 year ago
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@brassbend One correction: Florian Mueller is playing Principal Oboe, Arno Mariotti was Principal of the Detroit Symphony at the time.
OboeCanAm 1 year ago
Comment removed
OboeCanAm 1 year ago
@brassbend
FYI: That principal oboist is NOT Mariotti - it is Florian Mueller, and yes he did teach at the University of Mich - I studied with him. I also studied with Mariotti who also taught at Mich, but much later. As far I know he (Mariotti) never played in the Chicago Symphony - he was principal in Detroit Symphony when I studied with him in high school. I also studied with DSO's 2nd oboist Ron Odmark. It was great to see Mueller when he was younger.
maestrojimbo 10 months ago
@brassbend Clark Brody didn't "recently" retire from the Chicago Symphony; he retired in 1978....
jwinder2 4 months ago
Clyde Wedgwood ,the second horn, use to share his seat with my teacher who was in the Civic Orchestra. Both were "Vertically Challenged" and they needed a little platform so they could put their mutes down with out falling off their chairs. I understand he was very blessed in other areas. Was it his seat or his stand, I can't remember.
brassbend 1 year ago
this performance is colder then a witches tit
davisbone 1 year ago
Fritz is so cool. Look at that baton control!
GTMGUNN 1 year ago
a little too "german" execution....
gaemp 1 year ago
My god! No wonder Fritz Reiner is considered one of the all time greats. He communicates intensity and immense energy. That's evident in this performance, the finest I've ever heard of this work. You can tell there would be no nonsense with Reiner. He must have been the inspiration for Phillip Farkas to write in his chapter about practice in The Art of French Horn Playing, "Besides, conductors are not particularly cordial toward musicians with unsolved technical problems!"
Buttontails 1 year ago
Comment removed
OboeCanAm 2 years ago
Another question: for students of first clarinetist Clark Brody.
He seemed to place VERY little mouthpiece into his mouth. Is this just my perception or was it true? I always admired his playing immensely.
ipmoic 2 years ago
his sound has always been super bright to me, but really warm with lots of edge. nice to my ears
overlord1294 2 years ago
I heard that once a double-bass player used a pair of binoculars in rehearsal--a joke because of Reiner's often tiny beat. I understand that he was fired.
Does anyone know this story or whether it's true or not?
ipmoic 2 years ago
Comment removed
OboeCanAm 2 years ago
This has been flagged as spam show
ipmoic:
The story is true! Reiner wrote a note that read "you are fired", and held it up, so the bassist could see it through the telescope. (it was actually a small telescope on a tripod, not binoculars.)
I heard this story from Ray Still. (who just celebrated his 90th birthday!)
OboeCanAm 2 years ago
probabilmente credeva di dirigere la marcia di Radesky...carini i ritornelli....aggiunti...
creolo3 2 years ago
At 3:59 it looks like Reiner is chewing gum.
Gorboduc 3 years ago
Correct me if im wrong but i believe that is Clark Brody sitting solo clarinet?
overlord1294 3 years ago
Yes, that is Clark Brody. Did you notice the young Ray Still playing 2nd Oboe? Also that is Donald Peck playing principal flute.
ibrokemyfingerbowlin 3 years ago
Those were the good ol' days of music. However, I didn't like Reiner's improvisation at the end.
paulgnr 3 years ago
every member of that symphony is amazing
BloodyPoncho 3 years ago
That is Bud Herseth, Phil Farkas, Arnold Jakobs and Ed Kleinhammer. I don't believe this footage is in any of the VAI releases that I know of, please correct me if wrong.
FValthorn 3 years ago 4
OOHH! This is awesome. How I get the Embed?
JonMongasCineMoment 4 years ago
Wow... What a harpist, my goodness... What the fricking heck, man, that's just astounding
ItzhakRoxMySox 4 years ago 4
yep, that one always pleases. Great little cadenza idea from Tchaikovsky
Sviolinist 4 years ago
Bernstein was badly theatrical, usually, in live performances, but rendered some excellent ones in the studio and even live as those in Denmark of Carl Nielssen's symphonies.
juskisiberiano 4 years ago
Wonderful.One of my all time favourite conductors.
paulostroff99 4 years ago
or would it still be renold schilke?
crwv 4 years ago
That's one heck of a harpist!
nibelungensohn 4 years ago 14
@nibelungensohn too wild and no magic
davisbone 1 year ago
Lol..Bud Herseth should be in here :)
ThaSchwab 4 years ago
He is there. The 2nd player is Rudolph Nashan.
marionettekadaj 4 years ago
Herseth.
marionettekadaj 4 years ago
Looked like him.
ThaSchwab 4 years ago
It is him, played for 50 years in the CSO!
ibizaking 4 years ago
haha, whats with the tag at the end? was that in another version Tchaikovsky wrote?
iaintnot 4 years ago
that's LIVING music. Such a rubato, imagination, the rythm is present and souple, the perfection of the tone, and they are together without to be rigid. It is breathing...
lhiram23 4 years ago
Ah. Philip Farkas on 1st Horn!!
neilsmit667 4 years ago
Damn! sure he is, sweet...
JLwaldhorn 4 years ago
Why do pople idolize Bernstein? He was nothing more than an attention whore who reduced the music through acrobatics (just listen to his stuff!). Now Reiner, there is an artist, directing one's attention away from the conductor and to the music itself. It seems to be a dying art, serving the conductor now rather than the music.
wienerphil 4 years ago
...because they disagree with you and think he was one of the best conductors ever.
this is all subjective ya know.
crwv 4 years ago
Incredible footage - don't make 'em like that any more
winrx 4 years ago 2