Added: 3 years ago
From: wienerfr
Views: 7,451
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  • Strange voice... I could get used to it, but it's not ideal baroque singing. I must say the fast tempo is becoming of this aria.

  • Thank you, wienerfr, for this audio clip. I crossed the English Channel to go to Paris and hear this performance in 2005. I remember Christophe Rousset conducted concert performances of two Handel operas in one day at the Chatelet Theatre- Tamerlano in the afternoon and Alcina at night, both with distinguished casts. This aria was a particular highlight because of Silvia's unique lower register. It was a great trip to Paris!

  • @LondonNano

    Hello,

    You were there too. Both Tamerlano and Alcina were great. It was my best Sunday of 2005 :o).

  • She brings her chest voice way up. Even though it is beautifully blended with her head voice, I wonder if it's really healthy in a long run. I find the tempo a bit too fast for her, but then I noticed before that Rousset seems really ruthless with insisting fast tempos beyond singers' ability. And the da capo ornaments were just unfortunate.

  • omgf for the b*lls of farinelli! she sounds like a boy soprano or a castrato! lol impressive.

  • jesus christ...

  • is that good or bad?

  • i dont know why she uses her chest voice so high, it sounds forced and stale.

    one can admire her effort maby, but she's not a baroque singer.

    and oh my god for expressing opinion.

  • I like her dark timbre and the hard accents in her voice.... although Santa Fe would be a better Bradamante than Ruggero

  • Raté! Il y a des problmes de justesse, l'interpretation est inexistente, les variations sont pas belles, elle hurle et l'orchestre n'est pas mieux... DOMMAGE!

  • much much better technique and style as kasarova - but no message

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