AcePincter: when you are devising these cool effects...do you already know HOW you are going to wire everything up beforehand? Or do you just play around until something cool happens?
They are very different both in concept and functionality.
FL Studio is mainly a sequencer and DAW. Meaning, you could accomplish all your recording in FL.
Reason is a MIDI-driven application that cannot directly record audio in. It does, however, have some of the best sound design capabilities of any piece of software out there.
My advice; get FL Studio AND Reason. You can use Reason inside FL Studio to design your sounds and track and arrange everything in FL...
This was quite enlightening. I reckon when I get home I may have to reinstall my Reason disc and give this a go. It seems like it's much more tweakable than the Granulizer synth in FL, and I'm always looking for new fun ways to make noise.
hey man! this tutorial helped a lot i actually tried it using Redrum, then i write a simple drum pattern then create subtractors and connect the LFO output to the gate input of each channel of redrum so this means i used 10 subtractors for each redrum channel and tweak the shit out of it you get really sick drum patterns by just using this im still working on it
just wanted to thank you and share this if you havent thought about it maybe use this and evolve the idea. u kick ass man
ok i'm doing this step by step(note:i dont have a midi keyboard),so when subtracktors LFO goes to the nn19 gate the sound starts to play continiously..so you say to stop that we connect subtracktors mod envelope to the level input on the nn19..when i do that the sound doesnt really stops,it just plays again after a while..and when i press play i hear my sample pitched and mixed whith my original sample..so i hear two sounds mixed..so why is that happening since i'm doing everything step by step?
sorted, i just wasn't initializing the subtractor when i opened it. I love this technique, great tutorial!
I read another great version in the computer music special magazine which uses the Thor instead of the subtractor lfo, it even has the option to play the sample backwards aswell as forwards. alot more wiring to it though!
I came close to creating a two-sample stereo one of these today, but I can't seem to get full control over the second sample w/o taking it away from the first. By copying and pasting the sampler, gate, and effects and routing them to the splitter. Then create a new combi and route the delay to it, and combi to mix 2. Adjust "spread" with delay panning. Problem is you need two more rotaries for the LFO 2 and Filter 2. Maybe you've figured out a way to do this?
When I hook up the subtractor lfo to the gate it triggers the default NN-19 organ every 5 seconds for 5 seconds, it's extremely annoying! Any ideas how to stop it? I can't get any further in the tutorial because of it.
I got this down actually, it took sometime but I'm using a sample in .wav format through the NN-19 and it's a breakbeat and goes for 6 seconds, and when I press a key on my keyboard and hold it I get the beat but then the beat overlaps itself, is there a correction i'm missing or do i have to play with the sample start or wire anything else?
The sample Start is, in this case, controlled by the MOD ENV on the subtractor, right? So, you can control how fast the sample plays by adjusting the attack, on that particular envelope.
"clap clap clap clap" very very good mate. Im very impressed. I would love to hear some of your music. must have some mad stuff. Im going to try this tommorow. How did you learn this? cos i tought my self reson, but not to this grade....
acutally, no matter what i'm triggering, when i use an envelope to move the start position via a combinator it only moves it from half way when the min and max values are default. could this be becasue of reason 4.0?
It could be because the knob on your rotary input on the rear of the combinator is set for 64? Set it for 128. It's the sensitivity to the input that this knob controls. Remember, it's the knob on the rear where your rotary input is plugged in.
i've been trying this with rex loops loaded into a nn19, triggering one slice at a time and using a envelope to travel through the start position, but it only start from about half way? any idea why?
VERRRRRRRRY NIIIICEEE, MAN!!!!!!!!! :-] i've been using reason for some time now, but i hadn't thought that it could do things like a granulator! i've always wanted to get some granular unit, but i didn't try any. i like to experimentate, but obviously it wsn't enough.. :-) thank you so much for this!
i have one question. I use no master keyboard (i dont have midi, it sux, i know), so when i connect cables from subtractor's LFO 1 to NN-19 gates, i get the sound, that can not turn off. Evev if its nothing drawn in sequencer. How to use this effect without master keyboard ? is it possible? :)
thanks ! i also found out that can turn on/off it in Track Parameter Automation in sequencer. :) thanks for good tutorials, 'cause i hated tutorials, but when i saw yours, i started to like it :)
You can use Thor to set it up so you can change the pitch with the keys (like a normal synth)
in the green part in thor set source to last key, amount to 100 and destination to cv1. Then flip it around and patch the cv1 output to the cv of the nn19
great video. i've been trying to figure out a way to do this with dr. rex. i don't know if you've fooled around with it at all, but you should do a tutorial on that.
Yeah I was trying to, but sometimes my encoder gets weird and menus don't appear. I've used those features before, but it just freaked out on me while recording.
Because your sample itself is fading out? This method might not work well on a "pluck" or "one-off" type of sample. Try it with a loop or voice, something lengthy - to hear the effect.
I've tried just about every kind of sample. I was actually using REX drum loops. I've changed the loop a dozen times and all I hear is the initial "grain" pitch shift a bit lower and then fade out.
I love this effect, and it's really bothering me that it won't work for me.
You're using REX loops? In the NN-19 you'll only be loadinf one Slice at a time, not the whole loop. Did you connect the Subtractor to the GATE on the back of your NN19 or the CV/Note?
Actually, the reason I chose not to use the NN19, is that it does not provide an easy way to actually STOP the sound. You need a subtractor as a gate for your on/off control anyway, and I want to demonstrate the ability to use subtractors as control instruments, rather than audio.
Your ingenuity is top notch...thanks for this one....not sure why u couldn't rename ur rotary on combi...but double click on the name and u can change it unless it was another problem..thx again
Any chance youve figured out how to do this sort of thing to Rex files? I cant get LFO hooked up to the gate on the Dr-Rex and Ive tried using a NN-XT but I cant quite sort it. I just want each key to trigger a different slice and still get that glitch sound.
I know what you're saying! The Rex only has Slice output jack - no real midi controls, EVEN though it accepts true MIDI from the keys! So here's an idea.
Put the Rex in a combinator, and wire up an LFO to the Combinator's Gate in. Make sure your rex is set to "Recieve Notes" in the programmer. You may have to create a subtractor-gate to keep it from sounding off all the time. This way, it should recieve Gate events from the LFO, and Note events from the keys? Worth a try.
Alternately, you could wire up a RV7000 after your Rex, set it to ECHO algorithm with a delay time of 20-40ms. Dry/wet 50%. Use the GATE mode CV either Matrix it or Combinate it with your rex (recieve notes [x]). Don't forget to hit "Gate Enable" on the front.
Thanks for the advice, but Im afraid I still dont have that glitchy snare rush sound Im looking for. Connecting the LFO to the combinators gate just didnt seem to work. I did however have a lot of fun with the RV7000 in the combinator so thanks for that. Let me know if you ever figure something out!
nope Not unless you want to prerecord everything as a Wav. You can use something like Reaktor, Fruity Loops Studio, or your Creative Sound Card's Builtin atmospherics drivers. EAX it's called, if you have one, not that flexible though.
Very helpful. I'm getting reason 4 soon, and i want to know how to make a good guitar sound in reason using the synths/samplers/distortion. Should I load my own samples or make a dr. rex loop? which is better?
I don't have the time to check this out now myself, but one thought: Do you really need to turn off the keyboard tracking? (If you actually want to be able to play notes with the instrument)
Yes. The reason is that you are not actually triggering the NN-19 with the keyboard, or even the sequencer for that matter. The NN-19 is being triggered by the Subtractor's LFO, and thus does not recieve anything other than Gate signals. If you play with Keyb. tracking ON, only the first "grain" takes your keyboard pitch, and the rest default to C.
If you really want to play notes, you'll have to use Matrix's Note output.
Once you know envelopes, it all makes sense. It took me I stumbled upon the LFO>Gate routing on a guess. Cool that it works! Seems as long as you send a signal greater than 63, it triggers gate. I have an Envelope tutorial if you need pointers.
Dude, you rock, I used to get that effect with a matrix gate out routed to a redrum gate in channel 3 to 5, which are the ones that got start knob bue matrix has always been tricky for me, I like yours most, props to you man!
good idea! hadn't thought of that method. You could substitute a Redrum for the nn19 in this tutorial for similar effect. But you lose the pitch bend/mod wheel controls... Skip the matrix though. Use LFO!
One question,if I one to get a resolution smaller than the one that the LFO gives me, how do I do it? instead of 1/32? I've been thinking about the redrum, it gives a resolution as small as 1/128 (A GRAINTABLE!!!) you could get a pseudo malström...
just turn off "SYNC". You can get higher than 1/32. Listen to the difference. Not sure if it's 1/128, but it's damn fast, and being able to adjust fine increments makes for better sound.
Hey dude, trying this on reason 5, cant open any of my samples nor the one you used in the tut, any ideas?
subversa666 1 month ago
Is there any way you can pitch it, like in malstrom? So you can actually use it as an instrument..
RmonikMusic 2 months ago
THANK YOU! great how it works!
SteveStereo1 5 months ago
Could you upload the combinator template please??
matiasespina91 6 months ago
thank you.
Harmography 9 months ago
thanks man, great tutorial ive used this so much beacse its so versatile :P. :) again thanks
MrJAMSAXON 1 year ago
safety..........i like it
spentmoney 1 year ago
NICE !
djbasssick 1 year ago
OMG this is a great idea, thanks! cool stuff.
Rinkul 1 year ago
nice,works perfectly
existentaeinutila 1 year ago
oh, wow great :)
i've done this before, however i used the arpeggiator
rubikbg 1 year ago
however, with your setup, there is no way around playing different notes, is it?
rubikbg 1 year ago
@rubikbg from what ive gathered you can just keep keyboard tracking checked.
chorlion40 6 months ago
fuck you Ace!!!
jurgenrusseill 1 year ago
sick!
piemanonlegs 1 year ago
Awesome trick here Ace! Thanks a heap!
TheAgencyIsWatching 2 years ago
Thank you so much, this is awsome keep up this good work !
deepdicsh 2 years ago
AcePincter: when you are devising these cool effects...do you already know HOW you are going to wire everything up beforehand? Or do you just play around until something cool happens?
MustNotRead 2 years ago 2
what do u think is a better program to use for makin lets say hip hop beats? fl studio 7or8 or reason 3or4.. so FL or Reason?
osoar215 2 years ago
They are very different both in concept and functionality.
FL Studio is mainly a sequencer and DAW. Meaning, you could accomplish all your recording in FL.
Reason is a MIDI-driven application that cannot directly record audio in. It does, however, have some of the best sound design capabilities of any piece of software out there.
My advice; get FL Studio AND Reason. You can use Reason inside FL Studio to design your sounds and track and arrange everything in FL...
SirSedricMusic 2 years ago
@osoar215 REASON ALL THE WAY!!
juggaspark 2 years ago
This was quite enlightening. I reckon when I get home I may have to reinstall my Reason disc and give this a go. It seems like it's much more tweakable than the Granulizer synth in FL, and I'm always looking for new fun ways to make noise.
Thank you.
10inchheels 2 years ago
this was bad-Ass... PLEASE KEEP UPLOADING VIDEOS
carlosnata 2 years ago
Ace...you are the king.
thanks!
TRaddcliff 2 years ago
Very nice :: great trick, very clever...! TNX
Submangalam 2 years ago
Good work ace...
OpusMonk 2 years ago
Instead of the subractor, use the LFO of the NN-19 for the gate.
SLagerZahne 2 years ago
thanks ace!
murdurparadigm 2 years ago
for some reason i cant get the rotary one to make the first grain effect. any help?
millertime660 2 years ago
Most amazing tut on you tube! thank you so much.
plasticro8ot 2 years ago
great tutorial- sounds like you got a tongue ring!
busyframes 2 years ago
Awesome tutorial. Thanks a lot!
YouLoveInsomnia 2 years ago
hey man! this tutorial helped a lot i actually tried it using Redrum, then i write a simple drum pattern then create subtractors and connect the LFO output to the gate input of each channel of redrum so this means i used 10 subtractors for each redrum channel and tweak the shit out of it you get really sick drum patterns by just using this im still working on it
just wanted to thank you and share this if you havent thought about it maybe use this and evolve the idea. u kick ass man
MincentValloy 2 years ago
Very nice tutorial.
Clearly explained !
Jim
kupferm 3 years ago
men, you don't know how much you helped me with this tutorials, i really thank you from argentina!
miguelgiorgis 3 years ago
man?
HedfoneDrumAndBass 3 years ago
btw i really think this is the best way to make a glitch effect so pleeez tell how to make it work for me :P :)
peace
ninjapleeeez 3 years ago
ok i'm doing this step by step(note:i dont have a midi keyboard),so when subtracktors LFO goes to the nn19 gate the sound starts to play continiously..so you say to stop that we connect subtracktors mod envelope to the level input on the nn19..when i do that the sound doesnt really stops,it just plays again after a while..and when i press play i hear my sample pitched and mixed whith my original sample..so i hear two sounds mixed..so why is that happening since i'm doing everything step by step?
ninjapleeeez 3 years ago
sorted, i just wasn't initializing the subtractor when i opened it. I love this technique, great tutorial!
I read another great version in the computer music special magazine which uses the Thor instead of the subtractor lfo, it even has the option to play the sample backwards aswell as forwards. alot more wiring to it though!
falkortheluckdragon 3 years ago
This is damn cool.
I came close to creating a two-sample stereo one of these today, but I can't seem to get full control over the second sample w/o taking it away from the first. By copying and pasting the sampler, gate, and effects and routing them to the splitter. Then create a new combi and route the delay to it, and combi to mix 2. Adjust "spread" with delay panning. Problem is you need two more rotaries for the LFO 2 and Filter 2. Maybe you've figured out a way to do this?
becolt 3 years ago
use the cv mergers/plitter to send cv's to both setups at the same time
djejheckyeah 3 years ago
I GOT IT!
Create a Malstrom and route "Mod Output A" to a cv splitter, then to two of these devices through their "Sequencer Control - Gate In's"
becolt 3 years ago
When I hook up the subtractor lfo to the gate it triggers the default NN-19 organ every 5 seconds for 5 seconds, it's extremely annoying! Any ideas how to stop it? I can't get any further in the tutorial because of it.
falkortheluckdragon 3 years ago
Check your Subtractor LFO - make it faster; or, check your organ AMP ENVelope, you might have a really long release?
AcePincter 3 years ago
Do you teach? 'Cos if you don't you really should.
Szaam 3 years ago
I got this down actually, it took sometime but I'm using a sample in .wav format through the NN-19 and it's a breakbeat and goes for 6 seconds, and when I press a key on my keyboard and hold it I get the beat but then the beat overlaps itself, is there a correction i'm missing or do i have to play with the sample start or wire anything else?
celebratefilms 3 years ago
try to drop the release control all the way down to prevent it from overlaping itself
netbird 3 years ago
i've done all the things you're saying in the video.
i have one question: how can i change the speed?
cause i wanna play it faster.
thanks man ;-)
puaarts 3 years ago
The sample Start is, in this case, controlled by the MOD ENV on the subtractor, right? So, you can control how fast the sample plays by adjusting the attack, on that particular envelope.
AcePincter 3 years ago
insanity.
teddygage 3 years ago
"clap clap clap clap" very very good mate. Im very impressed. I would love to hear some of your music. must have some mad stuff. Im going to try this tommorow. How did you learn this? cos i tought my self reson, but not to this grade....
boldswede 3 years ago
acutally, no matter what i'm triggering, when i use an envelope to move the start position via a combinator it only moves it from half way when the min and max values are default. could this be becasue of reason 4.0?
nhs2 3 years ago
It could be because the knob on your rotary input on the rear of the combinator is set for 64? Set it for 128. It's the sensitivity to the input that this knob controls. Remember, it's the knob on the rear where your rotary input is plugged in.
AcePincter 3 years ago
i've been trying this with rex loops loaded into a nn19, triggering one slice at a time and using a envelope to travel through the start position, but it only start from about half way? any idea why?
nhs2 3 years ago
i dont get it! when i assign the mod envelope to rotary one it only moves the start position from half way...?
nhs2 3 years ago
you can rename the rotaries and buttons on a combinator, you know...
BenCheddar2 3 years ago
I do! but for some reason it doesn't open the little renaming window when my video capture is running!
AcePincter 3 years ago
VERRRRRRRRY NIIIICEEE, MAN!!!!!!!!! :-] i've been using reason for some time now, but i hadn't thought that it could do things like a granulator! i've always wanted to get some granular unit, but i didn't try any. i like to experimentate, but obviously it wsn't enough.. :-) thank you so much for this!
UDSOUDS 3 years ago
nice (Y) dude how u know all these stuff?:+
pMattieq 3 years ago
Experimentation!
AcePincter 3 years ago
nice...very powerful
AussieDolla 3 years ago
i have one question. I use no master keyboard (i dont have midi, it sux, i know), so when i connect cables from subtractor's LFO 1 to NN-19 gates, i get the sound, that can not turn off. Evev if its nothing drawn in sequencer. How to use this effect without master keyboard ? is it possible? :)
MaikUniversum 3 years ago
Create a Matrix and connect its "Gate CV" to the AMP LEVEL on the back of your NN19. Now you can sequence the on/off using the Matrix.
AcePincter 3 years ago
thanks ! i also found out that can turn on/off it in Track Parameter Automation in sequencer. :) thanks for good tutorials, 'cause i hated tutorials, but when i saw yours, i started to like it :)
MaikUniversum 3 years ago
You can use Thor to set it up so you can change the pitch with the keys (like a normal synth)
in the green part in thor set source to last key, amount to 100 and destination to cv1. Then flip it around and patch the cv1 output to the cv of the nn19
DoubleFris 3 years ago
Nice tip! That's quite useful. With this you could use Thor as a Keyboard controller for a number of effects.
AcePincter 3 years ago
great video. i've been trying to figure out a way to do this with dr. rex. i don't know if you've fooled around with it at all, but you should do a tutorial on that.
deadend228 3 years ago
very very thank you for this :)
MaikUniversum 3 years ago
amazing! thanks for the tutorial. thats some creative wiring. i just started with combinator.
distorted303 3 years ago
...and i thought i knew a lot about Reason...
VivaZweiFan 4 years ago
No hard feelings, eh? You know more now than you did before you watched the tut?
AcePincter 4 years ago
no hard feelings at all, this actually motivated me to explore the software to the max, by making music with it.
VivaZweiFan 4 years ago
Yeah I was trying to, but sometimes my encoder gets weird and menus don't appear. I've used those features before, but it just freaked out on me while recording.
AcePincter 4 years ago
Really good idea!
I was wondering if it is possible to do it with the NN-XT? Because you don't have a sample start input, or am I missing something.
kangeroobru 4 years ago
Nope, you nailed it. That's the reason you can't do it with the NNXT. However you could do it with the Redrum if you were so inclined.
AcePincter 4 years ago
This is amazing, lol. Reason is so awesome because you have no choice but to think out of the typical software vsti "box". Cheers!!
voxeleater 4 years ago
I'm very confused as to why the Sample Start knob never works correctly for me, it just kinda fades the sample out.
crieswhicharewings 4 years ago
Because your sample itself is fading out? This method might not work well on a "pluck" or "one-off" type of sample. Try it with a loop or voice, something lengthy - to hear the effect.
AcePincter 4 years ago
I've tried just about every kind of sample. I was actually using REX drum loops. I've changed the loop a dozen times and all I hear is the initial "grain" pitch shift a bit lower and then fade out.
I love this effect, and it's really bothering me that it won't work for me.
crieswhicharewings 4 years ago
You're using REX loops? In the NN-19 you'll only be loadinf one Slice at a time, not the whole loop. Did you connect the Subtractor to the GATE on the back of your NN19 or the CV/Note?
AcePincter 4 years ago
Ok, yeah, I figured it out. I was loading those REX loops instead of actual samples.
I'm an idiot, haha.
But I really appreciate you replying and trying to help me out. You're a good man.
crieswhicharewings 4 years ago
this shit is freaking med out :@
when i load a sample it work fine BUT!!!
sometimes it plays the whole sample out
how to fix it ?????
Maresse 4 years ago
Turn off KBD. Tracking
AcePincter 4 years ago
you could have just used the nn19's LFO...
RamzGT 4 years ago
That's true, but in sync mode you can get good effects out of using a sync'd slow LFO/filter combination
AcePincter 4 years ago
yeah, you're right :D
this is a great tut on how to start the basis of granular synthesis!
RamzGT 4 years ago
Actually, the reason I chose not to use the NN19, is that it does not provide an easy way to actually STOP the sound. You need a subtractor as a gate for your on/off control anyway, and I want to demonstrate the ability to use subtractors as control instruments, rather than audio.
AcePincter 4 years ago
I think I'm going to start making my own granulized combinators and try to use LFOs and matrixes for cool effects. Thanks for the inspiration!
RamzGT 4 years ago
Your ingenuity is top notch...thanks for this one....not sure why u couldn't rename ur rotary on combi...but double click on the name and u can change it unless it was another problem..thx again
siriusseba 4 years ago
"So I can't comment"
Holy crap you sound a lot like Brad Pitt, especially at that point. Anyways, thanks for the helpful video, it came in handy ;).
disengage12a 4 years ago
Great tutorial- really helpful :-)
66Starscream99 4 years ago
nifty!
Musiccalculater 4 years ago
Very nice.
googleconspiracy 4 years ago
a sphincter?
patto2k 4 years ago
Nice vid man!
Any chance youve figured out how to do this sort of thing to Rex files? I cant get LFO hooked up to the gate on the Dr-Rex and Ive tried using a NN-XT but I cant quite sort it. I just want each key to trigger a different slice and still get that glitch sound.
Keep on Reasoning!
1981chrismartin 4 years ago
I know what you're saying! The Rex only has Slice output jack - no real midi controls, EVEN though it accepts true MIDI from the keys! So here's an idea.
Put the Rex in a combinator, and wire up an LFO to the Combinator's Gate in. Make sure your rex is set to "Recieve Notes" in the programmer. You may have to create a subtractor-gate to keep it from sounding off all the time. This way, it should recieve Gate events from the LFO, and Note events from the keys? Worth a try.
AcePincter 4 years ago
Alternately, you could wire up a RV7000 after your Rex, set it to ECHO algorithm with a delay time of 20-40ms. Dry/wet 50%. Use the GATE mode CV either Matrix it or Combinate it with your rex (recieve notes [x]). Don't forget to hit "Gate Enable" on the front.
AcePincter 4 years ago
Thanks for the advice, but Im afraid I still dont have that glitchy snare rush sound Im looking for. Connecting the LFO to the combinators gate just didnt seem to work. I did however have a lot of fun with the RV7000 in the combinator so thanks for that. Let me know if you ever figure something out!
1981chrismartin 4 years ago
Ace did it again. +5
I am new to Reason world and your videos make things a lot easier, especially the patches.
Thanks again
flyhye 4 years ago
can i download that patch?
atxbigballer1 4 years ago
message me with your email address.
AcePincter 4 years ago
Can I use Reason just as an effectprocessor on my Guitar?
icydarkness 4 years ago
nope Not unless you want to prerecord everything as a Wav. You can use something like Reaktor, Fruity Loops Studio, or your Creative Sound Card's Builtin atmospherics drivers. EAX it's called, if you have one, not that flexible though.
AcePincter 4 years ago
Very helpful. I'm getting reason 4 soon, and i want to know how to make a good guitar sound in reason using the synths/samplers/distortion. Should I load my own samples or make a dr. rex loop? which is better?
BenCheddar2 4 years ago
Use Rex if you just want to record a riff. It will be simpler than trying to hypersample a guitar.
You'd be surprised how good some of the "combinator > Guitar" patches sound. Even the ones in the factory sound bank. I use them often.
AcePincter 4 years ago
Great video!
I don't have the time to check this out now myself, but one thought: Do you really need to turn off the keyboard tracking? (If you actually want to be able to play notes with the instrument)
Gameboygenius 4 years ago
Yes. The reason is that you are not actually triggering the NN-19 with the keyboard, or even the sequencer for that matter. The NN-19 is being triggered by the Subtractor's LFO, and thus does not recieve anything other than Gate signals. If you play with Keyb. tracking ON, only the first "grain" takes your keyboard pitch, and the rest default to C.
If you really want to play notes, you'll have to use Matrix's Note output.
AcePincter 4 years ago
Thanks for the video response...
Perhaps you should check out my Refill...
Called Blue Chip...its a the Propellerhead site and my own site...
Maybe it may inspire you with some tutorial ideas...
;-)
synthsonix 4 years ago
That's great routing. How did you learn all that?
itsbuta 4 years ago
Once you know envelopes, it all makes sense. It took me I stumbled upon the LFO>Gate routing on a guess. Cool that it works! Seems as long as you send a signal greater than 63, it triggers gate. I have an Envelope tutorial if you need pointers.
AcePincter 4 years ago
For sure man, matrix never has been kind to me so I'll always bet on a different way, great tut man!
jstylee 4 years ago
Dude, you rock, I used to get that effect with a matrix gate out routed to a redrum gate in channel 3 to 5, which are the ones that got start knob bue matrix has always been tricky for me, I like yours most, props to you man!
jstylee 4 years ago
good idea! hadn't thought of that method. You could substitute a Redrum for the nn19 in this tutorial for similar effect. But you lose the pitch bend/mod wheel controls... Skip the matrix though. Use LFO!
AcePincter 4 years ago
One question,if I one to get a resolution smaller than the one that the LFO gives me, how do I do it? instead of 1/32? I've been thinking about the redrum, it gives a resolution as small as 1/128 (A GRAINTABLE!!!) you could get a pseudo malström...
jstylee 4 years ago
just turn off "SYNC". You can get higher than 1/32. Listen to the difference. Not sure if it's 1/128, but it's damn fast, and being able to adjust fine increments makes for better sound.
AcePincter 4 years ago
there's nobody greater than you man... :')
jstylee 4 years ago
Another amazing video. Thanks! Keep them coming!
drjimuk 4 years ago
I'm kind of running out of tricks! But glad you enjoy them.
AcePincter 4 years ago
wow..dude you def got some skills in programing in Reason...Glad that you are posting this stuff..its really interesting to watch and try..thanks!!
optronix001 4 years ago