I have loved this music ever since I saw the film with Valentine Cortesa and Tito Gobbi. I am so glad you posted this. Right now I am painting a work based on this legend and listening to the music is inspiring. Thank you. You play beautifully. I am going to see if you have others on Youtube,
Thank you for your kind, and most interesting comment. I wish you every success with your painting. I do indeed have a lot more videos here on YouTube!
Just a bit more info for you, re: the Glass Mountain. The main bulk of the music is from the Sinfonia sopra una canzone d'amore's 1st movement. Written in 1947 as a concert work but not orchestrated until 1972. It was also the source (3rd and 4th movements) for the music for Visconti's Il Gattopardo.
This is a wonderful performance, thanks. You'd be surprised there are performances of a fair bit of Rota's non-film stuff online (that trio is one of my least favourites) including his Sonata for Clarinet & piano /watch?v=zbsQN0K_B9U, Sonata for Flute & harp /watch?v=J-AfrkbgAqs and Divertimento Concertante, which is actually rare on CD but I've seen perhaps a dozen performances on YouTube. His scores for Romeo & Juliet '68 and Il Gattopardo tend to be his most cherished works by devotees.
Thank you. I will look out for the other Rota videos you mention. As I say in the description, he seems particularly popular in the US - but he is pretty well ignored in the UK where I am!
I think he should be, as he studied in Philadelphia from 1930-32 and took back with him many jazz inspirations that found its way into his music, but I'm not so sure he is. I think there is some segment of the US audience who enjoys him simply for The Godfather. He is most popular in Italy and, it seems, Japan.
Godfather is one of my least favourite scores by Rota, though I love this flute & piano version of the Immigrant theme from the sequel: /watch?v=vHiCTw3_t5s
That "Immigrant Theme" is just a rip-off of the second subject of the first movement of Tchaikovsky's sixth symphony. One of the most shameless steals in film music history next to Hans Zimmer's "Gladiator" score.
Of course Rota drew influence from good music, and Tchaikovsky was amongst them. You could say John Williams blatantly stole from Dvorak's New World Symphony or Leonard Bernstein stole his main theme for West Side Story from Beethoven's Piano Concerto No.5 2nd movement. Rota was shameless, but so were many others, and not just in film music. Regarding that particular piece, I didn't hear anything purely identical.
Another example is Swan Lake for all of Williams' Harry Potter scores. :/ Anyway, Rota himself didn't do it for fame but because as he said himself "all music has definite foundations, to deny it is anti-cultural".
I don't see how that's evidence to suggest he didn't compose for fame. What if the foundations of his music were money and recognition? Plus, music IS culture, which leads me to think that he said more on the subject than what you have quoted. Your opinion is obviously that he didn't do it for the fame, and I'd like to think that too, but without more evidence I'll remain skeptical.
I think you have to understand the person. He begun composing around the age of 8 I believe, he had international success as a child composer/conductor at 11, and he spent his entire life devoted to music, including as the director of a conservatory. He stayed out of the spotlight and there is footage of him initially shielding himself from the cameras. He even collected ancient manuscripts and studied early music. He also lobbied against Church's replacing hymns around 1950.
That's very interesting. I suspect that if Mozart had been born in the 20th c, he would be just as likely to have had a career like Rota's as have been purely a composer of concert music as we tend (wrongly) to view him today.
He certainly seemed to celebrate Mozart's music. Someone posted his Cello Concerto on YouTube which features a homage to Mozart and he also wrote an excellent fantasia for piano and orchestra based on "Don Giovanni". Musically, they're similar, though if Amadeus is anything to go by, personality wise they weren't. Rota in contrast was frequently referred to as an angel by most he encountered.
Bravo. This is my favourite piece of Nino Rota. I only knowed the piano and orchestra version of this piece. Nino Rota has also composed two interesting piano-concerti.
My wife and I love very much all that concerned Italy (sights, people, food, music, language, etc.). Nino Rota's music brings it all. Beautiful playing. Thanks for uploading.
What a piece! Even considering the pianist might have done a more or less intense study previous to recording it, he doesn't sight-read too bad also :) Well done!
Actually, I have played this in public some years ago. It is not the world's best piano transcription but it is a popular piece, which is why I thought I would record it!
i only wish i could play like you
bjoanpope25 11 months ago
@bjoanpope25 Maybe you could.
PSearPianist 11 months ago
its a beautiful piece it makes my hair stand on end
bjoanpope25 11 months ago
@bjoanpope25 Thank you very much - I hope you have more of it to stand on end than I have!
PSearPianist 11 months ago
Lovely rendtion
v6200man 1 year ago
@v6200man That's very kind!
PSearPianist 1 year ago
Ciao Maestro, grazie dal cuore!
SalMessina1 1 year ago
@SalMessina1 It is a pleasure - I am glad you enjoyed it!
PSearPianist 1 year ago
f@SalMessina1 fantastic beautiful so touching
bjoanpope25 11 months ago
@bjoanpope25 Maestro: "TI SPENDA NEL CUORE IL SORRISO PIU' DOLCE DI CHI TANTO TI VUOLE BENE".
Grazie,
Salvatore :o)
SalMessina1 11 months ago
Thank you for this splendid rendition. Nino Rota lot of fine music.
crzxr 1 year ago
@crzxr Thank you he did indeed!
PSearPianist 1 year ago
a bit tooo much to do with god
dollygirl5 1 year ago
No wonder you loved the music! It's by Nino Rota. His music is far above the usual
movie themes and stays with you for its nostalgic emotions. My favorite is I Vitteloni.
We all have our favorites.
He produced the most wonderful melodies.
injamaven 1 year ago
I have loved this music ever since I saw the film with Valentine Cortesa and Tito Gobbi. I am so glad you posted this. Right now I am painting a work based on this legend and listening to the music is inspiring. Thank you. You play beautifully. I am going to see if you have others on Youtube,
joang863 1 year ago
Thank you for your kind, and most interesting comment. I wish you every success with your painting. I do indeed have a lot more videos here on YouTube!
PSearPianist 1 year ago
have you the sheet??
thans!
permea 1 year ago
For copyright reasons, I can't distribute it - but you may be able to find it elsewhere on the web, and I am sure it is still in print.
PSearPianist 1 year ago
Rota wrote a number of real operas which if written 50 years'earlier would have entered the repertoire - too many tunes sadly.
Isidore98 2 years ago
I would love to see - or better still, work on a production of one of them!
PSearPianist 2 years ago
Thank you PSear Pianist, may you be blessed with many more years of life and piano playing!
AhaBach4Life 2 years ago
Thank you! And I hope you have many more years of listening to Bach!
PSearPianist 2 years ago
The main subject after the introduction reminds me of a certain Chopin étude!
4candles 2 years ago
The 'Revolutionary' I presume!
PSearPianist 2 years ago
Just a bit more info for you, re: the Glass Mountain. The main bulk of the music is from the Sinfonia sopra una canzone d'amore's 1st movement. Written in 1947 as a concert work but not orchestrated until 1972. It was also the source (3rd and 4th movements) for the music for Visconti's Il Gattopardo.
dwayne2005 2 years ago
I never knew that! I must listen out for that Sinfonia. He was obviously an adept recycler of musical material, rather like Handel!
PSearPianist 2 years ago
Thank you. It is indeed - although the movie 'The Glass Mountain' is not as well-known as this theme!
PSearPianist 2 years ago
you're such an awesome pianist. your playing always amazes me
DulceKu 2 years ago
Well, that's very kind!
PSearPianist 2 years ago
This is a wonderful performance, thanks. You'd be surprised there are performances of a fair bit of Rota's non-film stuff online (that trio is one of my least favourites) including his Sonata for Clarinet & piano /watch?v=zbsQN0K_B9U, Sonata for Flute & harp /watch?v=J-AfrkbgAqs and Divertimento Concertante, which is actually rare on CD but I've seen perhaps a dozen performances on YouTube. His scores for Romeo & Juliet '68 and Il Gattopardo tend to be his most cherished works by devotees.
dwayne2005 2 years ago
Thank you. I will look out for the other Rota videos you mention. As I say in the description, he seems particularly popular in the US - but he is pretty well ignored in the UK where I am!
PSearPianist 2 years ago
I think he should be, as he studied in Philadelphia from 1930-32 and took back with him many jazz inspirations that found its way into his music, but I'm not so sure he is. I think there is some segment of the US audience who enjoys him simply for The Godfather. He is most popular in Italy and, it seems, Japan.
dwayne2005 2 years ago
love it thanks for sharing!
azngirl967 2 years ago
Thank you!
PSearPianist 2 years ago
This is totally amazing, but there is another famous piece Nino Rota wrote. I think I speak for everyone when I type; give us The Godfather!!!
EdwardWhelanPiano 2 years ago
Godfather is one of my least favourite scores by Rota, though I love this flute & piano version of the Immigrant theme from the sequel: /watch?v=vHiCTw3_t5s
dwayne2005 2 years ago
That "Immigrant Theme" is just a rip-off of the second subject of the first movement of Tchaikovsky's sixth symphony. One of the most shameless steals in film music history next to Hans Zimmer's "Gladiator" score.
EdwardWhelanPiano 2 years ago
Of course Rota drew influence from good music, and Tchaikovsky was amongst them. You could say John Williams blatantly stole from Dvorak's New World Symphony or Leonard Bernstein stole his main theme for West Side Story from Beethoven's Piano Concerto No.5 2nd movement. Rota was shameless, but so were many others, and not just in film music. Regarding that particular piece, I didn't hear anything purely identical.
dwayne2005 2 years ago
Another example is Swan Lake for all of Williams' Harry Potter scores. :/ Anyway, Rota himself didn't do it for fame but because as he said himself "all music has definite foundations, to deny it is anti-cultural".
dwayne2005 2 years ago
I don't see how that's evidence to suggest he didn't compose for fame. What if the foundations of his music were money and recognition? Plus, music IS culture, which leads me to think that he said more on the subject than what you have quoted. Your opinion is obviously that he didn't do it for the fame, and I'd like to think that too, but without more evidence I'll remain skeptical.
EdwardWhelanPiano 2 years ago
I think you have to understand the person. He begun composing around the age of 8 I believe, he had international success as a child composer/conductor at 11, and he spent his entire life devoted to music, including as the director of a conservatory. He stayed out of the spotlight and there is footage of him initially shielding himself from the cameras. He even collected ancient manuscripts and studied early music. He also lobbied against Church's replacing hymns around 1950.
dwayne2005 2 years ago
That's very interesting. I suspect that if Mozart had been born in the 20th c, he would be just as likely to have had a career like Rota's as have been purely a composer of concert music as we tend (wrongly) to view him today.
PSearPianist 2 years ago
He certainly seemed to celebrate Mozart's music. Someone posted his Cello Concerto on YouTube which features a homage to Mozart and he also wrote an excellent fantasia for piano and orchestra based on "Don Giovanni". Musically, they're similar, though if Amadeus is anything to go by, personality wise they weren't. Rota in contrast was frequently referred to as an angel by most he encountered.
dwayne2005 2 years ago
Beautiful music and excellent performance. 5*****
Tom
TConradC 2 years ago
Thank you!
PSearPianist 2 years ago
Bravo. This is my favourite piece of Nino Rota. I only knowed the piano and orchestra version of this piece. Nino Rota has also composed two interesting piano-concerti.
clavis55 2 years ago
There is a performance of some of the C major one here: /watch?v=YwAMafReIGs
dwayne2005 2 years ago
Thank you. Rota is an excellent composer, and I have never heard anything boring by him!
PSearPianist 2 years ago
My wife and I love very much all that concerned Italy (sights, people, food, music, language, etc.). Nino Rota's music brings it all. Beautiful playing. Thanks for uploading.
wolkowy1 2 years ago
I had never realised that you were Rota fans. Thanks for your kind comment!
PSearPianist 2 years ago
Oh my God - at last! One of Italy's best composers ever! Bravo&Bravu for your playing, uploading and informing!
(If you've noticed, I'm one-sided with Nino Rota... :)
Babejuda 2 years ago
Thank you. I would like to perform the flute/violin trio with some good players someday!
PSearPianist 2 years ago
What a piece! Even considering the pianist might have done a more or less intense study previous to recording it, he doesn't sight-read too bad also :) Well done!
tocalpianix 2 years ago
Actually, I have played this in public some years ago. It is not the world's best piano transcription but it is a popular piece, which is why I thought I would record it!
PSearPianist 2 years ago
I love Rota. Wonderful and inspired playing! Once again, well done.
PierceHardwood 2 years ago
Thank you!
PSearPianist 2 years ago