Very knowlegeable with your theory. I have the book, Bass Grimoire, by Adam Kadmon. There is a Composite II scale in the book. Is this the one that you speak of in your video, refered to as the "soup"?
To be honest, I don't know. I'd stay a mile away from those books, because they're rather worthless in terms of learning anything new, and they use some terminology and scales which quite frankly aren't worth all too much. It's like reading a dictionary, and then expecting to write a great novel.
I'm sorry, but I just don't agree with that. Application of theory and knowledge of music doesn't come with studying fretboard diagrams of obscure modes. I don't know of any teachers worth their salt who would disagree.
Great job of theory insights while never losing the concept of being musical. I can definitely use what you are sharing to deepen my understanding and musicality.
Well...this specific system is how I think about playing, and a lot of other people think along the same lines. It came out of experience and learning from people I was playing with.
Very informative, thank you. Do you know any online resources that can teach how to come up with chord progressions to fit an existing progression? I don't want the tune to be a vamp, I want some harmonic changes. I am composing my own music and I can't come up with new ideas to fit the song. Thanks again, you are a true inspiration.
Holy crap you were naming those chords ... I felt like I was gonna shit myself. I want to learn them like that. I need those tools!
thedarkener 1 year ago
what's you opinion about sheets of Sound theory?
Azaan1016 2 years ago
i wanna party with this guy!
razbit 2 years ago 2
i'm, down, dude.
havic5 2 years ago
Very knowlegeable with your theory. I have the book, Bass Grimoire, by Adam Kadmon. There is a Composite II scale in the book. Is this the one that you speak of in your video, refered to as the "soup"?
Witzomania 2 years ago
To be honest, I don't know. I'd stay a mile away from those books, because they're rather worthless in terms of learning anything new, and they use some terminology and scales which quite frankly aren't worth all too much. It's like reading a dictionary, and then expecting to write a great novel.
havic5 2 years ago
Thanks for your reply!
Witzomania 2 years ago
@havic5
good way to put it, i like that.
Naut 1 year ago
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xandshescreamedi 1 year ago
I'm sorry, but I just don't agree with that. Application of theory and knowledge of music doesn't come with studying fretboard diagrams of obscure modes. I don't know of any teachers worth their salt who would disagree.
havic5 1 year ago
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xandshescreamedi 1 year ago
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xandshescreamedi 1 year ago
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xandshescreamedi 1 year ago
exactly.
davidhilton 1 year ago
Great job of theory insights while never losing the concept of being musical. I can definitely use what you are sharing to deepen my understanding and musicality.
robbassptm 2 years ago
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xandshescreamedi 1 year ago
This is great stuff.
Did you learn this in a school, or did these come up by yourself?
Once again, good work! Keep it up.
OrzSTO 2 years ago
Well...this specific system is how I think about playing, and a lot of other people think along the same lines. It came out of experience and learning from people I was playing with.
havic5 2 years ago
Great stuff - thank you for posting
middlebit 2 years ago
Very informative, thank you. Do you know any online resources that can teach how to come up with chord progressions to fit an existing progression? I don't want the tune to be a vamp, I want some harmonic changes. I am composing my own music and I can't come up with new ideas to fit the song. Thanks again, you are a true inspiration.
fingerboy18 2 years ago